PASSING amid the ancient colleges and churches, streets and houses we have been visiting, runs the old Rue St-Jacques. It begins at the banks of the Seine, stretches through the whole arrondissement, to become on leaving it a faubourg.

The line it follows was in a long-past age the Roman road from Lutetia to OrlÉans—the Via Superior—la grande rue—of early Paris history. Along its course in Roman times the Aqueduc d’Arcueil brought water from Rungis to the Palace of the Thermes (see p. 138). It is from end to end a long line of old-time buildings or vestiges of those swept away. The famous couvent des Jacobins extended across the site of the BibliothÈque de l’École de Droit and adjacent structures. At No. 172 stood the Porte St-Jacques in Philippe-Auguste’s great wall.

We see a fine old door at No. 5, a house with two-storied cellars. At a house on the site of No. 218 Jean de Meung wrote the Roman de la Rose. The famous poem was published lower down in the same street.

The church St-Jacques-du-Haut-Pas stands on the high ground we reach at No. 252, a seventeenth-century structure on the site of a chapel built in the fourteenth century by the monks from Italy known as the Pontifici, makers of bridges constructed to give pilgrims the means of crossing a mau pas or mauvais pas, i.e. a dangerous or difficult passage in rivers or roads. The beautiful woodwork within the church—that of the organ and pulpit—was brought here from the ancient, demolished church St-BenoÎt (see p. 140). We notice several good pictures. The fine stained glass once here was all smashed at the Revolution. The hÔpital Cochin memorizes in the name of its founder an eighteenth-century vicar there. The churchyard was where Rue de l’AbbÉ-de-l’ÉpÉe now runs, known at one time as Ruelle du CimetiÈre-St-Jacques.

No. 254 bis, the national Deaf and Dumb Institution, is the ancient commanderie of the FrÈres hospitaliers de St-Jacques-du-Haut-Pas—the Pontifici—given for the purpose in 1790, partly rebuilt in 1823. The statue of AbbÉ de l’ÉpÉe, inventor of the alphabet for the deaf and dumb, in the court is the work of a deaf and dumb sculptor. The trunk of the tree we see near it is said to be that of an elm planted there by Sully three hundred years ago. At No. 262 we see vestiges of a vacherie, once the farm St-Jacques. At No. 261 we may turn into Rue des Feuillantines, where at No. 10 we see vestiges of the convent that was at one time in part the abode of George Sand, then of Mme Hugo, mother of the poet, and her children; later Jules Sardou lived in the impasse, now merged in the rue. At No. 269 we find some walls of the monastery founded by English Benedictines in 1640, to which a few years later they added a chapel dedicated to St. Edmond. The fabric is still the property of English bishops. It is used as a great music school: “Maison de la Schola Cantorum.” The door seen between two fine old pillars at No. 284 led in olden days to the Carmelite convent where Louise de la ValliÈre took definite refuge and acted as “sacristan” till her death; Rue du Val-de-GrÂce runs where the convent stood.[D]

The military hospital Val-de-GrÂce was founded as a convent early in the seventeenth century. Anne d’Autriche installed there the impoverished Benedictines of Val Parfond, or Profond, evacuated from their quarters hard by owing to an inundation from the BiÈvre. In their gratitude they changed their name: the nuns of Val Profond became sisters of Val-de-GrÂce. In 1645 Louis XIV, the child Anne d’Autriche had so ardently prayed for laid the first stone of the chapel dome, built on the model of St. Peter’s at Rome. The church is now used only for funerals and indispensable military services. The dependency of Val-de-GrÂce was built by Catherine de’ Medici, the catacombs lie below it and the surrounding houses.