The Life of David Belasco; Vol. 2 :: THE FIRST PROGRAMME.

THE FIRST PROGRAMME.

The following is the programme, in detail, of the first performance given in Belasco’s Theatre on what was, in many ways, the happiest and proudest night of all his life:

BELASCO THEATRE
BROADWAY AND FORTY-SECOND STREET
Under the Sole Management of David Belasco

Evenings at 8 precisely Matinees Saturdays at 2

D A V I D B E L A S C O
PRESENTS
M r s . L e s l i e C a r t e r
IN HIS NEW PLAY
“DU BARRY”

“Not the great historical events, but the personal incidents that call up single, sharp pictures of some human being in its pang or struggle, reach us more nearly.”—Oliver Wendell Holmes.

CAST

King Louis the Fifteenth of France		C. A. Stevenson.
Comte Jean du Barry, eventually brother-in-law of La du Barry		Campbell Gollan.
Comte Guillaume du Barry, his brother		Beresford Webb.
Duc de Brissac, Capt. of King’s Guard		Henry Weaver, Sr.
CossÉ-Brissac, his son (of the King’s Guard), known as “CossÉ”		Hamilton Revelle.
The Papal Nuncio		H. R. Roberts.

Duc de Richelieu, Marshal of France	UnderKingLouis	Geo. Barnum.
Maupeou, Lord Chancellor	the	C. P. Flockton.
Terray, Minister of Finance	Fifteenth	H. G. Carlton.

Duc D’Aiguillon		Leonard Cooper.
Denys, porter at the milliner shop		Claude Gillingwater.
Lebel, confidential valet to His Majesty		Herbert Millward.
M. Labille, proprietor of the milliner shop		Gilmore Scott.
Vaubernier, father of Jeannette		Charles Campbell.
Scarlo, one of “La du Barry’s” Nubian servants		J. D. Jones.
Zamore, a plaything of “La du Barry’s”		Master Sams.
Flute Player		A. Joly.

Valroy	Of the	Douglas J. Wood.
D’Allaire	King’s	Louis Myll.
De Courcel	Guard	Harold Howard.

La Garde	Two Tavern	W. T. Bune.
Fontenelle	Roysterers	Thomas Boone.

Benard, one of the “Hundred Swiss”		Warren Deven.
Citizen Grieve, of the Committee of Public Safety		Gaston Mervale.
Marac, one of the Sans-Culottes		James Sargeant.
Denisot, Judge of the Revolutionary Court		H. G. Carlton.
Tavernier, clerk of the court		John Ingram.
Gomard		Charles Hayne.
Hortense, Manageress for Labille the milliner		Eleanor Carey.

Lolotte		Nina Lyn.
Manon	Girls	Florence St. Leonard.
Julie	at the	Corah Adams.
Leonie	Milliner’s	Blanche Sherwood.
Nichette	Shop	Ann Archer.
Juliette		May Lyn.

Marquise du Quesnoy, known as “La Gourdan,” keeper of a gambling house		Blanche Rice.
Sophie Arnauld, queen of the opera		Miss Robertson.
The Gypsy Hag, a fortune-teller		C. P. Flockton.

Mlle. Le Grand	Dancersfrom the	Ruth Dennis.
Mlle. Guimard	Grand Opera	Eleanor Stuart.

Mme. La Dauphine—Marie Antoinette at sixteen		Helen Hale.

Marquise de Crenay		Helen Robertson.
Duchesse D’Aiguillon	Ladies	Miss Lyn.
Princesse Alixe	of	Miss Leonard.
Duchesse de Choisy	King Louis	Louise Morewin.
Marquise de Langers	Court	May Montford.
Comtesse de Marsen		Grace Van Benthuysen.

Sophie, a maid		Irma Perry.
Rosalie, of the ConciÈrgerie		Helen Robertson.
Cerisette		Julie Lindsey.
AND
JEANNETTE VAUBERNIER, afterwards La du Barry		MRS. LESLIE CARTER.

Guests of the FÊte, Dancers from the Opera, King’s Guardsmen, Monks, Clowns, Pages, Milliners, Sentries, Lackeys, Footmen, King’s Secret Police, Sans-Culottes, a Mock King, a Mock Herald, a Drunken Patriot, a Cocoa Vender, Federals, National Guards, Tricoteuses.

SYNOPSIS OF SCENES.

Act	I.—	The Milliner’s Shop in the Rue St. HonorÉ, Paris. JEANNETTE TRIMS HATS.
Act	II.—	(One month later.) Jeannette’s Apartments, adjoining the Gambling Rooms of the Marquise de Quesnoy (“La Gourdan”). “THE GAME CALLED DESTINY.”
Act	III.—	(A year later.) Du Barry holds a Petit-Lever in the Palace of Versailles—at noon. “THE DOLL OF THE WORLD.”
Act	IV.—	Scene 1. In the Royal Gardens. Before the dawn of the following morning. “FOLLY, QUEEN OF FRANCE.” Scene 2. Within the Tent. “THE HEART OF THE WOMAN.”
Act	V.—	(A lapse of years.) During the Revolution. Scene 1. The Retreat in the Woods of Louveciennes. “FATE CREEPS IN AT THE DOOR.” Scene 2. (Five days later.) In Paris again. “A REED SHAKEN IN THE WIND.” Scene 3. In Front of the Milliner’s Shop on the same day.
		“Once more we pass this way again, Once more! ’T is where at first we met.”

Time: Period of King Louis the Fifteenth and after the reign of his Successor.

Place: Paris, Versailles, and Louveciennes.

Mr. Belasco wishes to state that, as the traditional parting of Madame du Barry and the King of France is impossible for dramatic use, he has departed entirely from historical accuracy in this instance. He also begs to acknowledge his indebtedness to M. ArsÈne Houssaye for his sequence of scenes. (“Nouvelle À la main, sur la Comtesse du Barry.”)

Between Acts I, II, and III there will be intervals of 12 minutes; between Acts IV and V an interval of 15 minutes.

The entire production under the personal supervision of Mr. Belasco.

Stage Manager H. S. Millward.

Scenery by Mr. Ernest Gros.

Incidental Music by Mr. William Furst.

Stage decorations and accessories after designs by Mr. Wilfred Buckland.

General Manager for Mr. Belasco Mr. B. F. Roeder.

As an epigraph for the first performance given in his theatre, and also for a souvenir book then distributed,—a richly printed volume called “The Story of Du Barry,” written by James L. Ford and issued in a limited edition,—Belasco used, under the caption “Before the Curtain,” the appended fourteen lines from Francis Bret Harte’s versified address written for the dedication of the California Theatre, San Francisco, January 18, 1869, on which occasion (when Belasco was among the spectators) it was read by Lawrence Barrett:

“Brief words, when actions wait, are well;
The prompter’s hand is on his bell;
The coming heroes, lovers, kings,
Are idly lounging at the wings;
Behind the curtain’s mystic fold
The glowing future lies unrolled.
. . . . .
“One moment more: if here we raise
The oft-sung hymn of local praise,
Before the curtain facts must sway;
Here waits the moral of your play.
Glassed in the poet’s thought, you view
What money can, yet can not do;
The faith that soars, the deeds that shine,
Above the gold that builds the shrine.”

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