Alas, the uncertain glory of an English June. That night the weather changed. Monday was grey and cold, the beginning of a cold grey week, a week of rain and wind, of low skies and scudding clouds; the sad-coloured sea flecked with angry white, the earth sodden; leaves, torn from their trees, scurrying down the pathways; and Adrian, of all persons, given over to peevishness and lamentations. "Oh, I brazenly confess it—I 'm a fair-weather friend," he said, as he looked disconsolately forth from the window of his business-room, (a room, by the bye, whereof the chief article of furniture was a piano-À-queue). "Bring me sunshine and peaches, and I 'll be as sweet as bright Apollo's lute strung with his hair. But this sort of gashly, growsy, grim, sour, shuddery weather turns me into a broken-hearted vixen. I could sit down and cry. I could lie down and die. I could rise up and snap your head off. I am filled with verjuice and vitriol. Oh, me! Oh, my!" He stamped backwards and forwards, in nervous exasperation. He went to the piano, and brought his hands down in a discordant clang upon the keys. "Can't anybody silence those stupid birds?" he cried, moving back to the window, through which the merry piping of a robin was audible. "How inept, how spiteful, of them to go on singing, singing, in the face of such odious weather. Tell Wickersmith or someone to take a gun and an umbrella, and to go out and shoot them. And the wind—the strumpet wind," he cried. "All last night it gurgled and howled and hooted in my chimney like a drunken banshee, and nearly frightened me to death. And me a musician. And me the gentlest of God's creatures—who never did any harm, but killed the mice in father's barn. I ask you, as a man of the world, is it delicate, is it fair? Drip, drip, drip—swish, swish, swash,—ugh, the rain! If it could guess how I despise it!" He made a face and shook his fist at it. "Do you think the weather knows how disagreeable it is? We all know how disagreeable other people can be, but so few of us know how disagreeable we ourselves can be. Do you think the weather knows? Do you think it's behaving in this way purposely to vex me?" But for Anthony it was a period not without compensations. He saw Susanna nearly every day. On Tuesday she and Miss Sandus were his guests at dinner; on Wednesday he and Adrian were her guests at luncheon; on Thursday, at tea-time, they paid their visit of digestion; on Friday, the rain holding up for a few hours in the afternoon, he and Susanna went for a walk on the cliffs. The sea-wind buffetted their faces, it lifted Susanna's hair and blew stray locks about her temples, it summoned a lively colour to her cheeks. Anthony could admire the resolute lines, the forceful action, of her strong young body, as she braced herself to march against it. From the turf under their feet rose the keen odour of wet earth, and the mingled scents of clover and wild thyme. All round them sand-martins wheeled and swerved, in a flight that was like aerial skating. Far below, and beyond the dark-green of Rowland Marshes, which followed the winding of the cliffs like a shadow, stretched the grey sea, with its legions of white horses. "What a sense one gets, from here, of the sea's immensity," Susanna said. "I think the horizon is a million miles away." "It is," affirmed Anthony, with conclusiveness, as one possessing exact knowledge. Then, in a minute, "And, as we are speaking in round numbers, are you aware that it's a million years since I last had the pleasure of a word with you?" Susanna's dark eyes grew big. "A million years? Is it really," she doubted, in astonishment. "Really and truly," asseverated he. "A million years! How strange," she murmured, as one in a maze. "Truth is often strange," said he. "Yes—but this is particularly strange," she pointed out. "Because, first, we have only known each other a week. And, secondly, I was under the impression that you had had 'a word with me' yesterday—and again the day before yesterday—and again the day before that." "I beg your pardon," said he. "I have not had a word with you since we sat by the brink of your artificial streamlet last Saturday afternoon; and that, speaking in round numbers, was a million years ago. As for yesterday, and the day before yesterday, and the day before that,—I don't count it having a word with you when we are surrounded by strangers." "Strangers—?" wondered Susanna. "Yes," said he. "That fellow Willes, and your enchanting friend Miss Susanna gave one of her light trills of laughter. "We can't discuss our private affairs before them," said Anthony; "and "Have we private affairs?" Susanna questioned, in surprise. "Of course we have," said he. "Everybody has. And it is to discuss them that I have inveigled you into taking this walk with me. Does n't the sort of English weather you 're at present getting a taste of make you wish you had never left Italy?" "Oh," she acquainted him, "it sometimes rains in Italy." "Does it, indeed?" he enquired, opening his eyes. "But never—surely never—at Sampaolo?" "Yes, even sometimes at Sampaolo," she laughed. "And mercy, how the wind can blow there! This is nothing to it. I don't think you have any winds in England so violent as our temporali." Anthony nodded, with satisfaction. "Please go on," he urged. "I have been longing to hear more about "Oh?" said Susanna, looking sceptical. "I feared I had wearied you inexcusably with Sampaolo." "Every syllable you pronounced," vowed he, "was of palpitating interest, and you broke off at the most palpitating moment. You were on the point of telling me how, from an Island of the Blessed, Sampaolo came to be an Island of the Distressed—when we were interrupted by a skylark." "That would be a terribly long story," Susanna premonished him, shaking her head. "I adore terribly long stories," he declared. "And have we not before us the whole of future time?" "Sampaolo came to be an Island of the Distressed," said she, "because, some half-century ago, the Sampaolesi got infected with an idea that was then a kind of epidemic—the idea of Italian unity. So they had a revolution, overthrew their legitimate sovereign, gave up their Independence, and united themselves to the 'unholy and unhappy State' which has since assumed the name of the Kingdom of Italy." "That is not a terribly long story," Anthony complained. "I 'm afraid you are suppressing some of the details." "Yes," she at once acknowledged, "I daresay I 'm suppressing a good many of the details." "That's not ingenuous," said he, "nor—nor kind." "It was not unkindly meant," said she. "But Sampaolo," he questioned, "had, then, been independent? Go on. "For more than seven hundred years," answered Susanna, "Sampaolo had been independent. The Counts of Sampaolo were counts regnant, holding the island by feudal tenure from the Pope, who was their suzerain, and to whom they paid a tribute. They were counts regnant and lords paramount, tiranni, as they were called in mediaeval Italy; they had their own coinage, their own flag, their own little army; and though some of the noble Sampaolese families bore the title of prince or duke at Rome, they ranked only as barons at Sampaolo, and were subjects of the Count." A certain enthusiasm rang in her voice. They walked on for some paces in silence. "In the Palazzo Rosso at Vallanza, to this day," she continued, "you will be shown the throne-room, with the great scarlet throne, and the gilded coronet topping the canopy above it. But the Counts of Sampaolo were good men and wise rulers; and, under them, for more than seven hundred years, the island was free, prosperous, and happy. And though many times the Turks tried to take it, and many times the Venetians, and though sometimes the Pope tried to take it back, when the Pope happened to be a difficult Pope, the Sampaolesi, who were splendid fighters, always managed to hold their own." Again they took some paces in silence. "Then"—her voice had modulated—"then the idea of Italian unity was preached to them, and in 1850 they had a revolution; and foolish, foolish Sampaolo voluntarily submitted itself to the reign of Victor Emmanuel. And ever since,"—her eyes darkened,—"what with the impossible taxes, the military conscription, the corrupt officials, the Camorra, Sampaolo has been in a very wretched plight indeed. But—pazienza!" She gave her shoulders a light little shrug. "The Kingdom of Italy will not last forever." "We will devoutly hope not," concurred Anthony. "Meanwhile, I am glad to note that in politics you are a true-blue reactionary." "In Sampaolese politics," said she, "reaction would be progress. Before 1850 the people of Sampaolo were prosperous, now they are miserably poor; were pious, now they are horribly irreligious; were governed by honest gentlemen, now they form part of a nation that is governed by its criminal classes." "And what became of the honest gentlemen?" Anthony enquired. "What did the counts do, after they were—'hurled,' I believe, is the consecrated expression—after they were hurled from their scarlet thrones?" "Ah," said Susanna, seriously, "there you bring me to the chapter of the story that is shameful." "Oh—?" said he, looking up. "The revolution at Sampaolo was headed by the Count's near kinsman," she said. "The present legitimate Count of Sampaolo is an exile. His title and properties are held by a cousin, who has no more right to them, no more shadow of a right, of a moral right, than—than I have." "Ah," said Anthony. And then, philosophically, "A very pretty miniature of an historical situation," he commented. "Orleans and Bourbon, Hanover and Stuart. A count in possession, and a count over the water, an usurper and a pretender." "Exactly," she assented, "save that the Count in possession happens to be a Countess—the grand-daughter of the original usurper, whose male line is extinct. Oh, the history of Sampaolo has been highly coloured. A writer in some English magazine once described it as a patchwork of melodrama and opera-bouffe. It ended, if you like, in melodrama and opera-bouffe, but it began in pure romance and chivalry." "Don't stop," said Anthony. "Tell me about the beginning." "I can tell you that," announced Susanna, smiling, "in the words of your own English historian, Alban Butler." She paused for an instant, as if to make sure of her memory, and then, smiling, recited— "'In the year 1102 or 1103,' he says, in his Life of St. Guy Valdescus of The Thorn, as he Anglicises San Guido Valdeschi della Spina, 'when the Saint was returning from the Holy Land, where he had been a crusader, he was shipwrecked, by the Providence of God, upon the island of Ilaria, in the Adriatic Sea; and he was greatly afflicted by the discovery that the inhabitants of that country were almost totally ignorant of the truths of our Holy Religion, while the little knowledge they possessed was confused with many diabolical superstitions. They still invoked the daemons of pagan mythology, and sacrilegiously included our Divine Lord and His Blessed Mother in the number of these. Now, St. Guy had distinguished himself in the Crusade alike for his valour in action, for the edifying character of his conversation, and for the devotion and recollection with which he performed the exercises of religion; and he was surnamed Guy of the Thorn for that he had caused to be fixed in the hilt of his sword a sharp thorn, or spine, which, when he fought, should prick the flesh of his hand, and thus keep him in mind of the pious purpose for which he was fighting, and that it behoved a soldier of the Cross to fight, not in private anger or martial pride, but in Christian zeal and humility. When, therefore, after his shipwreck, and after many other perils and adventures by sea and land, the Saint finally arrived at Rome, of which city his family were patricians, and where his venerable mother, as well as his wife and children, eagerly awaited his return, he was received with every sign of favour by the Pope, Pascal the Second, who commended him warmly upon the good reports he had had of him, and asked him to choose his own reward. St. Guy answered that for his reward he prayed he might be sent back to the island of Ilaria, with a bishop and a sufficient company of priests, there to spread the pure light of the Faith among the unfortunate natives. Whereupon the Pope created him Count and Governor of the country, the heathen name of which he changed to St. Paul, and gave him as the emblem of his authority a sword in the hilt of which was fixed a thorn of gold. This holy relic, under the name of the Spina d'Oro, is preserved, for the reverence of the faithful. In the cathedral of the city of Vallanza, where the descendants of St. Guy still reign as lieutenants of the Sovereign Pontiff.'—There," concluded Susanna, with a little laugh, "that is the Reverend Alban Butler's account of the matter." "I stand dumb with admiration," professed Anthony, his upcast hand speaking volumes, "before your powers of memory. Fancy being able to quote Alban Butler word for word, like that!" "When I was young," Susanna explained, "I was made by my English governess to learn many of Butler's Lives by heart, and, as an Ilarian, the Life of San Guido interested me particularly. He was canonised, by the way, by Adrian the Fourth—the English Pope. As a consequence of that, the Valdeschi have always had a great fondness for England, and have often married English wives—English Catholics, of course. An Englishwoman was Countess of Sampaolo when the end came, the patchwork end." "Ah, yes," said Anthony, "the patchwork end—tell me about that." "The end," Susanna answered, "was an act of shameful treachery on the part of one of the descendants of San Guido towards another, his immediate kinsman, and the rightful head of the family. And now it is melodrama and opera-bouffe as much as ever you will. It is a revolution in a tea-cup. It is the ancient story of the Wicked Uncle." "Yes?" said Anthony. "It is perfectly trite," said Susanna, "and it would be perfectly absurd, if it were n't rather tragic, or perfectly tragic, if it were n't rather absurd." She thought for a moment. Anthony waited, attentive. "In 1850," she narrated, "Count Antonio the Seventeenth died, leaving a widow, who was English, and an only son, a lad of twelve, who should naturally have succeeded his father as Guido the Eleventh. But Count Antonio had a younger brother, also named Guido, who coveted the succession for himself, and had long been intriguing to secure it—organising secret societies among the people, to further the idea of Italian unity, and bargaining with the King of Sardinia for the price he should receive if he contrived to bring the Sampaolesi to give up their independence. Well," she went on, with a slight effect of effort, "while his brother lay dying, Guido, spying his opportunity, was especially active. 'Now,' he said to the people, 'is the time to strike. If, at my brother's death, his son succeeds him, we shall have a regency, and the regent will be a foreigner and a woman. Now is the time to terminate this petty despotism forever, to repudiate the suzerainty of the Pope, and to join in the great movement of Italia Riunita. To the Palace! Let us seize the Englishwoman and her son, and banish them from the island. Let us hoist the tricolour, and proclaim ourselves Italians, and subjects of the King. To the Palace!' So, while that poor lady"—her voice quavered a little—"while that poor lady was kneeling at the bedside of her dead husband,"—her voice sank,—"a great mob of insurgents broke into the Palazzo Rosso, singing 'Fuori l'Italia lo straniero,' seized her and the little Count, dragged them to the sea-front, and put them aboard a ship that was leaving for Trieste." She paused for a few seconds. "Then there was a plebiscite," she proceeded, "and Sampaolo solemnly transformed itself into a province of the Kingdom of Sardinia." She paused again. "And the Wicked Uncle," she again proceeded, "received his price from Turin. First, he was appointed Prefect of Sampaolo for life. Secondly, the little Count and his mother were summoned to take the oath of fidelity to the King, and as they did not turn up to do so, having gone to her people in England, they were declared to have outlawed themselves, and to be 'civilly dead', their properties, accordingly, passing to the next heir, who, of course, was Guido himself. Thirdly, Guido was created Count of Sampaolo by royal patent, the Papal dignity being pronounced 'null and not recognisable in the territories of the King.' It is Guido's granddaughter who is Countess of Sampaolo to-day." She terminated her narration with a motion of the hand, as if she were tossing something from her. Anthony waited a little before he spoke. "And the little Count?" he said, at length. "The little Count," said Susanna, "went through the formality of suing his uncle for the recovery of his estates—or, rather, his mother, as his guardian, did so for him. But as the action had to be tried in the law-courts at Turin, I need n't tell you how it ended. In fact, it was never tried at all. For at the outset the judges decided that the suitor would have no standing before them until he had taken the oath of allegiance to the King, and renounced his allegiance to the Pope. He was 'civilly dead'—he must civilly resuscitate himself. As he refused to do this, his cause was dismissed, unheard." "And then—?" said Anthony. "Then the little Count returned to England, and grew to be a big count, and married an Englishwoman, and had a son, and died. He was adopted by his mother's brother, an English country gentleman, who, surviving him, and being a bachelor, adopted his son in turn. The son, however, dropped his title of Count, a title more than seven hundred years old, and assumed the name of his benevolent great-uncle. I 'm not sure," she reflected, "that I quite approve of his dropping that magnificent old title." "Oh, he very likely found it an encumbrance, living in England, as an Englishman—especially if he was n't very rich," said Anthony. "He very likely felt that it rendered him rather uncomfortably conspicuous. Besides, a man does n't actually drop a title—he merely puts it in his pocket—he can always take it out again. You don't, I suppose," he asked, with a skilfully-wrought semblance of indifference, "happen to remember the name that he assumed?" "Of course, I happen to remember it," replied Susanna. "As you must perceive, the history of Sampaolo is a matter I have studied somewhat profoundly. How could I forget so salient a fact as that? The name that he assumed," she said, her air elaborately detached, "was Craford." But Anthony evinced not the slightest sign of a sensation. "Craford?" he repeated. "Ah, indeed? That is a good name, a good old south-country Saxon name." "Yes," agreed Susanna; "but it is not so good as Antonio Francesco "It is not so long, at any rate," said he. "Nor so full of colour," supplemented she. "As I hinted before, a name like a herald's tabard might be something of an inconvenience in work-a-day England," he returned. Then he smiled, rather sorrily. "So you 've known all there was to be known from the beginning, and my laborious dissimulation has been useless?" "Not useless," she consoled him, her eyes mirthfully meeting his. "It has amused me hugely." "You've—if you don't mind the expression—you've jolly well taken me in," he owned, with a laconic laugh. "Yes," laughed she, her chin in the air. And for a few minutes they walked on without speaking. The wind buffetted their faces, it wafted stray locks of hair about Susanna's temples, it smelt of the sea and the rain-clouds, though it could not blow away the nearer, friendlier smell of the wet earth, nor the sweetness of the clover and wild thyme. All round them, sand-martins performed their circling, swooping evolutions. In great squares fenced by hurdles, flocks of sheep nibbled the wet grass. Far beneath, the waters stretched grey to the blurred horizon, where they and the low grey sky seemed one. But I think our young man and woman were oblivious of things external, absorbed in their private meditations and emotions. They walked on without speaking, till a turn in the cliff-line brought them in sight of the little town of Blye, at the cliffs' base, where it rose from the surrounding green of Rowland Marshes like a smoky red island. "Blye," said Anthony, glancing down. "Yes," said Susanna. "I had no idea we had come so far." "I 'm afraid we have come too far. I 'm afraid I have allowed you to tire yourself," said he, with anxiety. "Tired!" she protested. "Could one ever get tired walking in such exhilarating air as this?" And, indeed, her colour, her bright eyes, her animated carriage, put to scorn his apprehension. "But we must turn back, all the same," she added, "or—we shall not be home for tea." She spoke in bated accents, and made a grave face, as if to miss tea were to miss a function sacrosanct. Anthony laughed, and they turned back. "It's a bit of a coincidence," he remarked presently, "that, coming from Sampaolo, you should just have chanced to take a house at Craford." "Nothing could be simpler," said Susanna. "I wished to pass the summer in England, and was looking for a country house. The agent in London mentioned Craford New Manor, among a number of others, and Miss Sandus and I came down to see it. The prospect of finding myself the tenant of my exiled sovereign rather appealed to me—appealed to my sense of romance and to my sense of humour. And then,"—her eyes brightened,—"when we met your perfectly irresistible Mr. Willes, hesitation was impossible. He kept breaking out with little snatches of song, while he was showing us over the place; and afterwards he invited us to his music-room, (or I think he called it his business-room), and sang properly to us—his own compositions. He even permitted me to play some of his accompaniments." Anthony chuckled. "I 'm sure he did—I see my Adrian," he said. "Well, I owe him more than he 's aware of." "Your Excellency is the legitimate Count of Sampaolo," said Susanna. "You told me the other day that you were a subject of the Pope," "That is during this interregnum," she explained. "The Pope is our liege lord's liege lord, and, in our liege lord's absence, our homage reverts to him. I will never, at all events, admit myself to be a subject of the Duke of Savoy. Let's plot for your restoration." "My 'restoration,' if that is n't too sounding a term, is a thing past praying for," said Anthony. "But I don't know that I should very keenly desire it, even if it were n't." "What!" cried she. "Would n't it be fun to potentate it on a scarlet throne?" "Not such good fun, I fancy, as it is to squire it in these green meadows," he responded. "Are n't scarlet thrones apt to be upholstered with worries and responsibilities?" "Are n't green meadows sown thick with worries and responsibilities?" asked Susanna. "Very likely," he consented. "But for a moderate stipend I can always hire a man like Willes to reap and deal with them for me." "Could n't you hire 'a man like Willis' to extract them from your scarlet cushions? Potentates have grand viziers. Mr. Willes would make a delicious grand vizier," she reflected, with a kind of wistfulness. "He would indeed," said Anthony. "And we should have comic opera again with interest." "But you only look at it from a selfish point of view," said Susanna. "Seriously, is there at Sampaolo, the faintest sentiment in favour of a return to the old rÉgime?" he asked. "Seriously, and more 's the pity, not the faintest," Susanna confessed. "I believe I am the only legitimist in the island—save a few priests and nuns, and they don't count. I am the entire legitimist party." She turned towards him, making a little bow. "Yet there is every manner of discontent with the present rÉgime," she said. "The taxes, the conscription, the difficulties put in the way of commerce, the monstrous number of officials, and the corruption of them one and all, are felt and hated by everyone. Under the old rÉgime, for example," she illustrated, "Vallanza was a free port,—now we have to pay both a national duty and a municipal duty on exports as well as imports; nothing was taxed but land, and that very lightly—now nearly everything is taxed, even salt, even a working-man's tools, even a peasant's necessary donkey, so that out of every lira earned the government takes from forty to sixty centimes; the fisheries of Sampaolo, which are very valuable, were reserved for the Sampaolesi,—now they are open to all Italy, and Sampaolo, an island, cannot compete with Ancona, on the railway. In Sampaolo to-day, if you have any public business to transact, from taking out a dog license to seeking justice in the law-courts, every official you have to deal with, including the judges, expects his buonamano. If you post a letter, it is an even chance whether the Post-Office young men won't destroy the letter and steal the stamps; while, if you go to the Post-Office to buy stamps, it is highly possible that they will playfully sell you forged ones." She gave a bitter little laugh. "The present Prefect of Sampaolo," she continued her illustrations, "formerly kept a disreputable public house, a sailors' tavern, at Ancona. He is known to be a Camorrista; and though his salary is only a few thousand lire, he lives with the ostentation of a parvenu millionaire, and no one doubts where he gets his money. These evils are felt by everyone. But the worst evil of all is the condition of the Church. In the old days the Sampaolesi were noted for their piety; now, even in modern irreligious Italy, you would seek far to unearth a people so flagrantly irreligious. From high to low the men are atheists; and the few men who are not, have to be very careful how they show it. It is as much as a tradesman's trade is worth, as much as an employe's place is worth, to go to Mass; the one will sit behind a deserted counter, the other will learn that his services are no longer needed. The present rÉgime is liked by no one save the officials who benefit by it; but it tickles the vanity of the Sampaolesi to call themselves citizens of a Great Power; and so, though many are republicans, many socialists, none are legitimists. They would prefer any burden to the burden of insignificance; and under the reign of the Valdeschi, though free, prosperous, and happy, Sampaolo was insignificant." "You paint a very sad state of things," said Anthony. "Believe me," said Susanna, "my painting is pale beside the reality." "And, apparently, a hopeless state," he added. "Some day the Kingdom of Italy must end in a tremendous smash-up. Afterwards, perhaps, there will be a readjustment. Our hope is in that," said she. "Meanwhile, you make it clear, I am afraid," he argued, "that we should gain only our labour for our pains in plotting a restoration." "We should have the excitement of plotting," laughingly argued she. "A plotter's best reward, like an artist's, you suggest, is the pleasure he takes in his work. But now you are inciting me to look at it again from the selfish point of view, for which a moment ago you were upbraiding me," he reminded her. "Do look at it from the selfish point of view," inconsistent and unashamed, she urged. "Think of your lands, your houses, your palaces and gardens, Castel San Guido, Isola Nobile, think of your pictures, your jewels, the thousand precious heirlooms that are rightly yours, think of your mere crude money. How can you bear the thought that these are in the possession of a stranger—these, your inheritance, the inheritance of nearly eight hundred years? Oh, if I were in your place, the wrong of it would fill the universe for me. I could not endure it." "One has no choice but to endure it," said he. "One benumbs resentment with a fatalistic 'needs must.'" "One would do better to inflame resentment with a defiant 'where there 's a will there 's a way,'" Susanna answered. "The way is not plain to see." "No—but we must discover the way. That"—she smiled—"shall be the aim of our plotting." And again for some time they walked on without speaking. "If she could only guess how little my heart's desire is centred upon the lands and houses of Sampaolo," thought Anthony, "how entirely it is centred upon something much nearer home. I wonder what she would do if I should tell her." And at that thought his heart winced with delight and terror. He looked sidewise at her. Her dark hair curled about her temples, and drooped in a loose mass behind; her dark eyes shone; there was a warm colour in her cheeks. Her head held high, her body defined itself in lines of strength and beauty, as she walked by the cliff's edge, resisting the wind, with the sea and the sky for background. He looked at her, and wondered what would happen if he should tell her; and his heart glowed with delight, and winced with delight and terror,—glowed with delight in the supreme reality of her presence, winced with delight and terror at the imagination of telling her. And then the suspended rain came down in a sudden pelting shower; and Anthony put up his umbrella. To keep in its shelter, they had to walk very close to each other, their arms touching sometimes. I daresay they were both pretty wet when they reached Craford New Manor, but I don't think either minded much. Miss Sandus, who met them in the hall, insisted that Susanna must go upstairs and change; but to Anthony she said, "There 'll be tea in a minute or two," and led the way to the drawing-room, the big, oblong, sombre red-and-gold drawing-room, with its heavy furniture, its heavy red damask hangings, its heavy gilded woodwork, its heavy bronzes and paintings. Wet as he was, he followed, and sat down, with his conductress, before the huge red-marble fireplace, in which a fire of logs was blazing—by no means unwelcome on this not-uncharacteristic English summer's day. |