The shadows were long, as he and Adrian strolled back to Craford Old "Well, now, Truepenny," Adrian began, "now that you 've met her, speak out, and tell me on your heart and conscience how she impresses you." "She seems all right," was Anthony's temperate reply. "All right?" cried Adrian, looking scorn and pity. "My dear Malaprop, she 's just simply the nicest person of her sex within the confines of the Solar System. She is to other women what—well, I 'll name no names—what somebody I could name is to other men. And with such eyes—hey? Are they bright? Are they sharp? Are they trusty? Are they knowing?" "I expect she can see with them," said Anthony. "See with them," Adrian sniffed. "I 'll tell you what she can do—she can see round a corner with them. And then such pretty little ears, besides. Did you notice her ears?" "I noticed she was n't earless," Anthony admitted. "Earless," cried Adrian. "Her ears are like roses and white lilies. Earless, says he. I 'll bet three-halfpence you 'll presently be denying that she 's witty." "She seems witty enough," assented Anthony. "Witty," Adrian scoffed, cutting a caper to signify his disdain for the weak expression. "Witty is n't the word for it. And then, with all her years, she 's so young, is n't she? She breathes the fresh, refreshing savour of an unspoiled soul." "Yes, she's young—for the time being," Anthony agreed. "By the bye, do you know where she comes from?" "Do I know? I should rather think I know," said Adrian, swaggering. "She has n't a secret from me. She comes from Westmoreland. They 're an old Westmoreland family. But she lives in Kensington. She has one of those jolly old houses in Kensington Square. Historic, romantic, poetic Kensington Square, where burning Sappho loved and sang, and Thackeray wrote the What-do-you-call-'ems. Who fears to speak of Ninety-eight? That's her number. Ninety-eight, Kensington Square, W. And whenever I have occasion to run up to town, mind, I 'm not to think of going to an hotel, I 'm to drive straight to Ninety-eight, and it will be her joy to take me in. So it sometimes pays to be charming, after all." "I see," said Anthony. "You see? The deuce you do. What do you see?" asked Adrian, opening his blue eyes wide, and peering about, as one who would fain see too. "You patter of Miss Sandus," said Anthony. Adrian came to a standstill, and raised his hands towards heaven. "Now I call upon the choirs of blessed Cherubim and Seraphim," he exclaimed. "I call upon them to suspend their singing for an instant, and to witness this. He sees that I patter of Miss Sandus. What perspicuity. And he just a mortal man, like anybody—nay, by all accounts, just a bluff country squire. Ah, what a noble understanding. Well, then, my dear Hawkshaw, since there's no concealing anything from you,—fine mouche, allez!—I own up. I patter of Miss Sandus." "Do you happen to know where Madame Torrebianca comes from?" Anthony asked. "Oho!" cried Adrian. "It's Madame Torrebianca that you 've been raving about. Ah, yes. Oh, I concede at once that Madame Torrebianca is very nice too. None readier than I to do her homage. But for fun and devilment give me Peebles. Give me old ladies, or give me little girls. You 're welcome to the betwixts and the betweens. Old ladies, who have passed the age of folly, or little girls, who have n't reached it. But women in the prime of their womanhood are always thinking of fashion-plates and curling-irons and love and shopping. Name me, if you can, four vainer, tiresomer, or more unfruitful topics. Have you never waked in your bed at midnight to wonder how it has come to pass that I, at my time of life, with my attractions, am still a bachelor? To wonder what untold disappointment, what unwritten history of sorrow, has left me the lonely, brooding celibate you see? I 'll lift the veil—a moment of Épanchement. It's because I 've never met a marriageable woman who had n't her noddle stuffed with curling-irons and fashion-plates and love and shopping." "Do you happen to know where she comes from?" Anthony repeated. "She—? Who?" asked Adrian, looking vague. Then, as Anthony vouchsafed no answer, but merely twirled his stick, and gazed with indifferent eyes at the horizon, "Oh—Madame Torrebianca?" he conjectured. "Still harping on my daughter? Of course I know where she comes from. She comes from the land where the love of the turtle now melts into sweetness, now maddens to crime—as who should say a land of Guildhall banquets. She comes from Italy. Have you ever eaten ortolans in Italy?" "Do you happen to know what part of Italy?" Anthony persisted. "From Rome, the pomp and pageant of imperial Rome," returned Adrian promptly. "I 've got it in the lease. Nothing like having things in leases. The business instinct—what? Put it in black and white, says I. 'La Nobil Donna Susanna Torrebianca, of the Palazzo Sebastiani, via Quattro Fontane, Rome, party of the second part.' A beau vers, is n't it? The lilt, the swelling cadence, the rich rhyme, the hidden alliterations,—and then the sensitive, haunting pathos, the eternal verities adumbrated by its symbolism. I 've stood upon Achilles' tomb, and heard Troy doubted. Time—that monster-mother, who brings forth her children only to devour them—Time shall doubt of . . ." "Rome may be the official sort of address she gives to land-agents and people," Anthony interposed. "But the part of Italy where she really lives is a little castaway island in the Adriatic, some fifty miles north from Ancona,—the little, unknown, beautiful island of Sampaolo." Adrian came to a standstill again, and dropped his jaw in sign of astonishment. "Oh, come. Not really?" he gasped at length. "Yes, really," said Anthony. "My eye!" Adrian exclaimed. "It is odd, is n't it?" said Anthony. "Odd?" cried Adrian. "It's—it—it beggars the English tongue." "Well, if it beggars yours, it is doing pretty well," said Anthony. "You goose," said Adrian, resuming his walk. "Can you actually suppose that I 've passed all these golden days and weeks in friendly hob-nobbings with her, and not learned that she came from the island of Sampaolo? A fellow of penetration, like me? I appeal to your honour—is it likely?" "Why the devil have you never told me?" Anthony demanded, with asperity. "You 've never asked me—you 've never given me a chance. You talk, when you have me for a listener, you talk such an uninterrupted stream, it's a miracle if I ever get a word in edgewise," Adrian explained. "I trust, at least, that you 've been equally taciturn with her," said "My good Absolute, I am the soul of taciturnity," Adrian boasted, expanding his chest, and thumping it. "This bosom is a sealed sanctuary for the confidences of those who confide in me. Besides, when I 'm with Madame Torrebianca, believe me, we have other subjects of conversation than the poor Squire o' Craford." "You see," said Anthony, "for the lark of the thing, I should like, for the present, to leave her in ignorance of my connection with Sampaolo." "That's right," cried Adrian. "Dupe, cozen, jockey the trustful young creature. Do. There 's a great-hearted gentleman. You need n't fear my undeceiving her. I know my place; I know who holds the purse-strings; I know which side my bread is buttered on. Motley's my wear. So long as you pay my wages, you may count upon my connivance." "I shall see her to-morrow morning at Mass. I wonder whether I am in love with her," Anthony was thinking. |