CONTENTS.

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CHAP. PAGE
I. THE GOOD OLD TIMES 13
II. IRVING IN FAUST 30
III. ADELAIDE NEILSON 47
IV. EDWIN BOOTH 63
V. MARY ANDERSON 90
VI. OLIVIA 119
VII. ON JEFFERSON'S AUTOBIOGRAPHY 130
VIII. ON JEFFERSON'S ACTING 151
IX. JEFFERSON AND FLORENCE 159
X. ON THE DEATH OF FLORENCE 169
XI. SHYLOCK AND PORTIA 178
XII. JOHN McCULLOUGH 185
XIII. CHARLOTTE CUSHMAN 206
XIV. LAWRENCE BARRETT 215
XV. IRVING IN RAVENSWOOD 226
XVI. MERRY WIVES AND FALSTAFF 243
XVII. ADA REHAN 258
XVIII. TENNYSON'S FORESTERS 269
XIX. ELLEN TERRY: MERCHANT OF VENICE 286
XX. RICHARD MANSFIELD 301
XXI. GENEVIEVE WARD 315
XXII. EDWARD S. WILLARD 322
XXIII. SALVINI 339
XXIV. IRVING AS EUGENE ARAM 348
XXV. CHARLES FISHER 367
XXVI. MRS. GILBERT 374
XXVII. JAMES LEWIS 379
XXVIII. A LEAF FROM MY JOURNAL 383

"—It so fell out that certain players
We o'er-raught on the way: of these we told him;
And there did seem in him a kind of joy
To hear of it."

Hamlet.

"Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting. I would go fifty miles on foot, for I have not a horse worth riding on, to kiss the hand of that man who will give up the reins of his imagination into his author's hands,—be pleased he knows not why and cares not wherefore."

Tristram Shandy.


SHADOWS OF THE STAGE.


                                                                                                                                                                                                                                                                                                           

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