This book, a companion to Shakespeare's England, relates to the gray days of an American wanderer in the British islands, and to the gold of thought and fancy that can be found there. In Shakespeare's England an attempt was made to depict, in an unconventional manner, those lovely scenes that are intertwined with the name and the memory of Shakespeare, and also to reflect the spirit of that English scenery in general which, to an imaginative mind, must always be venerable with historic antiquity and tenderly hallowed with poetic and romantic association. The present book continues the same treatment of kindred themes, referring not only to the land of Shakespeare, but to the land of Burns and Scott. After so much had been done, and superbly done, by Washington Irving and by other authors, to celebrate the beauties of our ancestral home, it was perhaps an act of presumption on the part of the present writer to touch Many of the sketches here assembled were originally printed in the New York Tribune, with which journal their author has been continuously associated, as dramatic reviewer and as an editorial contributor, since August, 1865. They have been revised for publication in this The fact is recorded that an important recent book, 1890, called Shakespeare's True Life, written by James Walter, incorporates into its text, without credit, several passages of original description and reflection taken from the present writer's sketches of the Shakespeare country, published in Shakespeare's England, and also quotes, as his work, an elaborate narrative of a nocturnal visit to Anne Hathaway's cottage, which he never wrote and never claimed to have written. This statement is made as a safeguard against future injustice. W. W. 1892. Transcriber's Note: Page numbers link to the top of the page and show the illustrated header. Chapter names link to the chapter heading, below the header.
Transcriber's Note: Page numbers link to the page where the illustration appears in the original. Illustration names link to the illustration itself. "Whatever withdraws us from the power of our senses, whatever makes the past, the distant, or the future predominate over the present, advances us in the dignity of thinking beings.... All travel has its advantages. If the passenger visits better countries he may learn to improve his own, and if fortune carries him to worse he may learn to enjoy it." DR. JOHNSON. "There is given, Unto the things of earth which time hath bent, A spirit's feeling; and where he hath leant His hand, but broke his scythe, there is a power And magic in the ruined battlement, For which the palace of the present hour Must yield its pomp, and wait till ages are its dower." BYRON. "The charming, friendly English landscape! Is there any in the world like it? To a traveller returning home it looks so kind,—it seems to shake hands with you as you pass through it." THACKERAY. |