FOOTNOTES

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[1] Plato in TimÆo. Edit. Francof. p. 1044.

[2] In TimÆum Platonis.

[3] Vide Pindar. Olymp. Od. VII. Arg. & Schol.

[4] Some are of opinion, that the celebrated Ludovisian gladiator, now in the great sallon of the capitol, is this same whom Pliny mentions.

[5] Vide Bellori Descriz delle Imagini dipinte da Raffaelle d’Vrbino, &c. Roma. 1695 fol.

[6] Vide Stosch Pierres grav. pl. XXXIII.

[7] Baldinucci Vita del Cav. Bernini.

[8] Vide Stosch Pierres Grav. pl. XXIX. XXX.

[9] Vide Mus. Flor. T. II. t. V.

[10] Vide Zanetti Statue nell’ Antisala della libraria di S. Marco. Venez. 1740. fol.

[11] Among the busts remarkable for that coarser Drapery, we may reckon the beauteous Caracalla in the royal cabinet at Dresden.

[12] Vide Wright’s Travels.

The victorious St. Michael of Guido, treads on the body of his antagonist, with all the precision of a dancing-master. Webb’s Inquiry, &c.

[13] Vasari vite de Pittori, Scult. et Arch. edit. 1568. Part III. p. 776.——“Quattro prigioni bozzati, che possano insegnare À cavare de’ Marmi le figure con un modo sicuro da non istorpiare i sassi, che il modo È questo, che s’ e’ si pigliassi una figura di cera Ò d’ altra materia dura, e si metessi À giacere in una conca d’ acqua, la quale acqua essendo per la sua natura nella sua sommitÀ piana et pari, alzando la detta figura À poco del pari, cosi vengono À scoprirsi prima le parti piu relevate e À nascondersi i fondi, cioÈ le parti piu basse della figura, tanto che nel fine ella cosi viene scoperta tutta. Nel medesimo modo si debbono cavare con lo scarpello le figure de’ Marmi, prima scoprendo le parti piu rilevate, e di mano in mano le piu basse, il quale modo si vede osservato da Michael Angelo ne’ sopra detti prigioni, i quali sua Eccellenza vuole, che servino per esempio de suoi Academici.”

[14] Lettere d’alcuni Bolognesi, Vol. I. p. 159.

[15] Compare a description of a St. Sebastian of Beccafumi, another of a Hercules and AntÆus of Lanfranc, &c. in Raguenet’s Monumens de Rome, Paris, 12mo.

[16] Labat voyage en Espagne & en Ital. T. III. p. 213.——“Michel Ange Étoit aussi savant dans l’antiquitÉ que dans l’anatomie, la sculpture, la peinture, et l’architecture; et puisqu’ il nous a representÉ Moyse avec une si belle et si longue barbe, il est sÛr, et doit passer pour constant, que le prophete la portoit ainsi; et par une consequence necessaire les Juifs, qui pretendent le copier avec exactitude, et qui font la plus grande partie de leur religion de l’observance des usages qu’ il a laissÉ, doivent avoir de la barbe comme lui, ou renoncer À la qualitÉ de Juifs.”

[17] Apotheos. Homeri, p. 81, 82.

[18] Stosch Pierr. Grav. pl. XIX.

[19] Monum. Antiquit. p. 255.

[20] Puffendorf Rer. Suec. L. XX. §. 50. p. 796.

[21] Sandrart Acad. P. II. L. 2. c. 6. p. 118. Conf. St. Gelais descr. des Tabl. du Palais Royal, p. 12. & seq.

[22] Plin. Hist. Nat. L. 35. c. 10.

[23] Lucian de Hist. Scrib.

[24] Strabo Geogr. L. VIII. p. 542.

[25] Vitruv. L. III. c. 1.

[26] Borell. de motu animal. P. I. c. 18. prop. 142. p. 142. edit. Bernoull.

[27] Stosch. Pierr. Grav. pl. XXXV.

[28] Stosch Pierr. Grav. pl. XXXV.

[29] Mariette Pierr. Grav. T. II. n. 94.

[30] Stosch Pierr. Grav. pl. LIV.

[31] Pausanias, L. VI. c. 7. p. 470.

[32] Dioscorid. de Re Medica, L. V. c. 179. Conf. Salmas. Exercit. Plin. c. 15. p. 134. b.

[33] Aristoph. Nub. v. 1178. ibid. v. 1363. Et Scholiast.

[34] Observat. sur les arts, sur quelques morceaux de peint. & sculpt. exposÉs au Louvre en 1748, p. 18.

[35] Riposo di Raffaello Borghini, L. I. p. 46.

[36] See the Cupid by Solon, Stosch. 64. the Cupid leading the Lioness, by Sostratus, Stosch. 66. and a Child and Faun, by Axeochus, Stosch 20.

[37] Vide Bartoli Admiranda Rom. fol. 50, 51, 61. Zanetti Stat. Antich. P. II. fol. 33.

[38] Vide Callistrat. p. 903.

[39] Vide Philostrati Heroic.

[40] Vide Baldinucci vita del Caval. Bernin. p. 47.

[41] Vide Baldinucci vita del Caval. Bernin. p. 72.

[42] Trattato della pittura e scultura, uso et abuso loro, composto da un theologo e da un pittore. Fiorenza, 1652. 4.

[43] Bellori vite de’ pittori, &c. p. 300.

[44] Richardson, Tom. III. p. 94.

[45] Xenophon Memorab. L. III. c. 6, 7.

[46] Vide Baldinucci vita del Cav. Bernini, p. 66.

[47] Plin. Hist. Nat. L. 35. c. 10.

[48] Quintilian. Instit. Or. L. 12. c. 19.

[49] Idyll. 18. v. 29.

[50] De Pile’s Conversat. sur la peint.

[51] Du Bos Refl. sur la poesie & sur la peint.

[52] The Stratonice was twice painted by Lairesse. The picture we talk of is the smallest of the two: the figure is about one foot and a half, and differs from the other in the disposition of the Parerga.

[53] See Plutarch. in Demetr. & Lucian. de Dea Syria.

[54] Vide Lettre de Mr. Huet sur la Pourpre: dans les Dissertat. de Tilladet. Tom. II. p. 169.

[55] St. Real CÆsarion, T. II. Le Blanc Lettre sur l’Expos. des Ouvrages de Peint, &c. 1747.

[56] De Oratore, L. II. c. 21.

[57] Aristot. Rhet. L. I. c. 1. §. 4.

[58] Xenophon Resp. Laced. c. 3. §. 5.

[59] Origines Contra Cels. L. IV. p. 196. Edit. Cantabr.

[60] Perrault sur Vitruve Explic. de la Planche IX. p. 62.

[61] Dialog. Inconfus. p. 76.

[62] Horapoll. Hierogl. c. 33. Conf. Blackwell’s Enq. into Hom. p. 170.

[63] De Re rust. prÆf. ad L. I. §. 32. p. 392. Edit. Gesn.

[64] Vitruv. L. IV. c. 1.

[65] Travels, T. II.

[66] Plutarch. Numa. p. 149. L. 14. Edit. Bryani.

[67] Passerii Lucern.

[68] Menage Diction. Etymol. v. Barroque.

[69] Vide Desgodez Edifices antiq. de Rome, p. 91.

[70] Bartoli Sepolcri Antichi, p. 67. ibid. fig. 91.

[71] Perrault notes sur Vitruv. L. IV. ch. 2. n. 21. p. 118.

[72] Martial, L. III. Ep. 41. 1.

[73] Bellori Sepolchri ant. f. 99.

[74] Virgil, Æn. V. v. 250. & seq.

[75] Pausanias, L. IX. c. 40. p. 794. Conf. Spanhem. Not. sur les CÆesars de l’Emp. Julien. p. 240.

[76] Kircheri Oedip. Ægypt. T. III. p. 405, & 433.

[77] Bianchini Istor. Univ. p. 412.

[78] Nehem. Grew MusÆum Societ. Reg. Lond. 1681. fol. p. 1.

[79] Vide Gabr. Bremond Viaggi nell’Egitto. Roma. 1579. 4. L. I. c. 15. p. 77.

[80] Clemens Alex. Strom. L. VI. p. 456.

[81] Shaw, Voyage, T. II. p. 123.

[82] Della Valle Viaggi. Lettr. 11. §. 9. p. 325. & seq.

[83] Herodot. L. II. c. 36. Diod. Sic.

[84] Plutarch. de Isid. & Osirid. p. 374.

[85] Kircher Oed. I. c. ej. Prodrom. Copt. c. 7.

[86] Herodot. L. II. c. 153.

[87] Diogen. Laert. v. Democr.

[88] Diodor. Sic. L. I. c. 29. Edit. Wessel.

[89] Kircher Oedip. I. c.—it. ejusd. China illustrata. III. c. 4. p. 151.

[90] Alberti Englische Briefe, B——.

[91] Clem. Alex. Strom. L. I. p. 354. Edit. Pott.

[92] Herodot. L. II. c. 61.

[93] Montfaucon PalÆogr. GrÆc. L. III. c. 5. p. 230. Kuhn. Not. ad Pausan. L. II. p. 128.

[94] Augustin. Gem. P. II. l. 32.

[95] Gruter. Corp. Inscr. p. DCCCLXI. ??t??e?te, ?a??ete, &c.

[96] Prideaux Marm. Oxon. 4. & 179.

[97] Demosth. Orat. pro Corona, p. 485, 499. Edit. Frc. 1604.

[98] Gruter, Corp. Inscript. p. DCXLI. 8.

[99] Montfaucon PalÆogr. L. IV. c. 10. p. 336, 338.

[100] Montf. L. I. c. 4. II. c. 6. p. 152.

[101] Herod. L. II.

[102] Descript. de l’Egypte, par Mascriere, Lettr. VII. 23.

[103] Descript. de l’Eg. L. c.

[104] Chishul. Inscr. Sig. p. 12.

[105] Kircher. Obelisc. Pamph. c. 8. p. 147.

[106] Cicero de Oratore, L. II. c. 37.

[107] The author was then preparing for a journey to Rome.

[108] Argenville abregÉ de la V. d. P. T. II. p. 287.

[109] Reise, p. 21.

[110] Strabo, L. XIV. p. 652. al. 965. l. 11.

[111] Richardson Essay, &c. p. 38, 39.

[112] Diomedes, for ought I can see, is neither a sitting nor a standing figure, in both which cases the critick must be allowed to be just. He descends. Remark of the T. L.

[113] Cicero de Fato, c. 4.

[114] Strabo, L. IV. p. 196. al. 299. l. 22.

[115] Misopog. p. 342. l. 13.

[116] Strabo, L. III. p. 158. al. 238.

[117] Du Bos Reflex. sur la Poesie et s. l. P. II. 144.

[118] Herodot. L. III. c. 106. Cicero ad Attic. L. VI. cp. 2.

[119] ?e?? t?p??. p. 288. edit. Foesii. Galenus ?t? ta t?? ????? ??? t??? t?? S?at?? ??ases? ?peta?. fol. 171. B. I. 43. edit. Ald. T. I.

[120] Chardin voyage en Perse, T. II. p. 127. & seq.

[121] Journal des SÇavans l’An. 1684. Aur. p. 153.

[122] Apud Euseb. PrÆpar. Evang. L. V. c. 29. p. 226. edit. Colon.

[123] Plin. Hist. Nat. L. V. c. 8.

[124] Lahontan Memoir. T. II. p. 217. Cons. WÖldike de ling. GrÖnland, p. 144, & seq. Act. Hafn. T. II.

[125] Clarmont de Ære, Locis, & aquis AngliÆ. Lond. 1672. 12.

[126] Wotton’s Reflex, upon ancient and modern Learning, p. 4. Pope’s Letter to Mr. Walsh, T. I. 74.

[127] Lakemacher Observ. Philolog. P. III. Observ. IV. p. 250, &c.

[128]

Th’ impatient weapon whizzes on the wing;
Sounds the tough horn, and twangs the quiv’ring string, &c.
Pope.

[129] Longin. ?e?? ??. Sect. 13. §. 1.

[130] Odyss. ?. v. 71. Conf. Iliad, G. v. 363. & Eustath. ad h. l. p. 424. L. 10. edit. Rom.

[131] Gregor. Thaumat. Orat. Paneg. ad Origen. 49.

[132] Aristoph. Ran. v. 1485.

[133] Athen. Deipnos. L. XII. c. 13. Ælian, V. H. I. ix. 14.

[134] Aristoph. Equit.

[135] Thucyd. L. II. c. 39.

[136] Horat. L. II. Ep. I. v. 244.

[137] Cicero de fato. c. 4.

[138] ?e?? t?p??. p. 204.

[139] Cicero Orat. c. 8. Conf. DicÆarch, Geogr. edit. H. Steph. c. 2. p. 16.

[140] Nubes, v. 1365.

[141] Schol. ad Aristoph. Nub. v. 1010.

[142] Plutarch, de Sera Numin. Vindicta, p. 563. 9.

[143] Cicero de Orat.

[144] Golzius, Tab. XIV. T. II.

[145] Diodorus Sic. L. XX. p. 763. al. 449.

[146] Stukely’s Itinerar. III. p. 32.

[147] Theophrast. Hist. Pl. L. IX. c. 16. p. 1131. l. 7. ed. Amst. 1644. fol. Galen de Antidot. I. fol. 63. B. I. 28. Idem de Theriac. ad Pison. fol. 85. A. I. 20.

[148] Tournefort Voyage, Lett. I. p. 10. edit. Amst.

[149] Belon. Observ. L. II. ch. 9. p. 151. a.

[150] Idem. L. III. ch. 34. p. 350. b. Corn. le Brun. V. fol. p. 169.

[151] DicÆarch. Geogr. c. 1. p. 1.

[152] Voyage de Spon et Wheeler, T. II. p. 75, 76.

[153] Wheeler’s Journey into Greece, p. 347.

[154] Conf. Lysis, p. 499. Edit. Fref. 1602.

[155] De Republ.

[156] De Leg. L. VII. p. 892, l. 30-6. Conf. Petiti Leg. att. p. 296. Maittaire Marm. Arund. p. 483. Gronov. ad Plaut. Bacchid. v. Ante Solem Exorientem.

[157] Galen, de Simpl. Medic. Facult. L. II. c. 5. fol. 9. A. Opp. Tom. II. Frontin. Stratag. L. I. c. 7.

[158] Lucian Gymn. p. 907. Opp. T. II. Edit. Reitz.

[159] Dion. Halic. A. R. c. 1. §. 6. de vi dicendi in Demost. c. 29. Edit. Oxon.

[160] ?. v. 163.

[161] Numism. Imp. p. 160.

[162] Philostrat. Epist. 22. p. 922. Conf. Macrob. Sat. L. V. c. 18. p. 357. Edit. Lond. 1694. 8. Hygin. Sat. 12.

[163] Conf. Arbuthnot’s Tabl. of Anc. Coins, ch. 6. p. 116.

[164] Thucyd. L. I. c. 6. Eustath. ad Iliad. ?. p. 1324. l. 16.

[165] Cyrilli Hieros. Catech. Mystag. II. c. 2, 3, 4. p. 284. ed. Thom. Miles, Oxon. 1703. fol. 305. Vice Comitis Observ. de Antiq. Baptismi rit. L. IV. c. 10. p. 286-89. Binghami Orig. Eccles. T. IV. L. XI. c. 11. Godeau Hist. de l’Eglise, T. I. L. III. p. 623.

[166] Lucian. Dial. Mort. X. §. 3.

[167] Idem. Navig. E. 2. p. 248.

[168] De la Chambre Discours; oÙ il est prouvÉ que les FranÇois font les plus capables de tous les peuples de la perfection de l’Éloquence, p. 15.

[169] Lucian, pro Imagin. p. 490. Edit. Reitz. T. II.

[170] Cic. Brut. c. 7. & 83.

[171] Considerations sur les Revolutions des Arts. Paris, 1755, p. 33.

[172] Pagi. Discours sur l’Histoire Grecque, p. 45.

[173] Nouveau Voyage d’Hollande, de l’Allem., de Suisse & d’Italie, par M. de Blainville.

[174] Richardson’s Account, &c. 294, 295.

[175] Chambray IdÉe de la Peint. p. 46. au Mans, 1662. 4to.

[176] Plin. Hist. Nat. L. XXXV. c. 10.

[177] (Durand) Extrait de l’Histoire de la Peint. de Pline. p. 56.

[178] Observat. sur les Arts & sur quelques morceaux de Peint. & de Sculpt. exposÉs au Louvre, 1748. p. 65.

[179] Nouvelle Division de la Terre par les diffÉrentes EspÈces d’Hommes, &c. dans le Journ. des SÇav. 1704. Avr. 152.

[180] Plutarch. Vit. Æmil. p. 147. ed. Bryani. T. II.

[181] Lucian. Navig. S. Votum. c. 2. p. 249.

[182] Borghini Riposo, L. II. p. 129.

[183] Chambray IdÉe de la Peint. p. 47.

[184] Maxim. Tyr. Diss. 25. p. 303. Edit. Markl.

[185] Vide Spectator, N. 418.

[186] Philostrat. Icon. Anton. p. 91.

[187] Plutarch. Ant.

[188] Observat. sur les Arts, &c., p. 65.

[189] Quintil. L. IX. c. 14.

[190] Plutarch, Timoleon. P. 142.

[191] Plutarch. Adul. & Amici discrim. p. 53. D.

[192] Aristot. Rhet. L. I. c. 11. p. 61. Edit. Lond. 1619. 4to. Plato PhÆd. p. 46. I. 44.

[193] Cicero Tusc. L. I. c. 28.

[194] Aristot. Poet. c. 28.

[195] Aristot. Rhet. III. c. 2. §. 4.

[196] Herodot. L. II. c. 50.

[197] Herodot. L. II. c. 3. c. 47. Conf. L. II. c. 61. Pausan. L. II. p. 71. l. 45. p. 114. l. 57. L. V. p. 317. l. 6.

[198] Pausan. L. II. c. 17. p. 149. l. 24.

[199] Arrian. Epict. L. III. c. 21. p. 439. Edit. Upton.

[200] Plutarch, de Isid. & Osir. p. 355. Clem. Alex. Strom. L. V. p. 657, 58. Edit. Potteri. Ælian. Hist. Anim. L. 10. c. 15.

[201] Plut. L. C. p. 376. Androvand. de Quadr. digit. Vivipar. L. III. p. 574.

[202] Strabo, L. XVI. p. 760. al. 1104.

[203] Pausan. L. III. p. 245. l. 21.

[204] Kircher Oedip. Æg. T. III. p. 64. Lucian. Nav. 3 Vol. c. 1. Bayf. de re Nav. p. 130. edit. Bas. 1537. 4.

[205] Schaffer de re Nav. L. III. c. 3. p. 196. Passerii Luc. T. II. tab. 93.

[206] Lactant. ad v. 253. L. VII. Thebaid.

[207] Beger. Thes. Palat. p. 234. Numism. Musell. Reg. et Pop. T. 8.

[208] Haym. Tesoro Britt. T. I. p. 168.

[209] Ap. Philostr. Heroic. p. 693.

[210] Vaillant Num. Colon. Rom. T. II. p. 136. Conf. Bianchini Istor. Unic. p. 74.

[211] Mus. Flor. T. I. Tab. 91. p. 175.

[212] Petron. Sat. c. 34.

[213] Spon. Miscell. Sect. I. Tab. 5.

[214] Kircher Oedip. T. III. p. 555. Cuper de Elephant. Exercit. c. 3. p. 32.

[215] In Extremis Gadibus. v. Eustath. ad II. A. p. 744. l. 4. ad. Rom. Id. ad Dionys. ?e????. ad v. 453. p. 84. Ed. Oxon. 1712.

[216] Kircher Oed. Æg. T. III. p. 555.

[217] Horapoll. Hierogl. L. II. c. 84.

[218] Cuper. l. c. Spanh. Diss. T. I, p. 169.

[219] Agost, Dialog. II. p. 68.

[220] Homer. ??. ?., v. 121. Conf. Heraclid. Pontic. de Allegoria Homeri. p. 492. Meurs. de funere. c. 7.

[221] Venuti Num. max. moduli. T. 25. Rom. 1739. fol. Bellori Admir. fol. 30.

[222] Pausan. L. X. p. 806. l. 16.

[223] Licet. Gem. Anul. c. 48.

[224] Beger. Theo. Brand. T. 1. p. 182.

[225] Ibid. p. 281.

[226] Justin. L. XV. c. 4. p. 412. edit. Gronov.

[227] Spanh. Diss. T. I. p. 407.

[228] Ap. D. C. de Moezinsky.

[229] Paus. L. V. p. 447. l. 22.

[230] Ibid. L. 1. p. 52. l. 4.

[231] Pausan. L. III. p. 245. l. 20. Morel Specim. Rei. N. XII.

[232] Spanhem. Diss. T. I. p. 154.

[233] Spanhem. Obs. ad Juliani Imp. Orat. I. p. 282.

[234] Montfaucon Ant. expl. T. III.

[235] Morell. Specim. Rei Num. T. VIII. p. 92.

[236] Artemidor. Oneirocr. L. II. c. 49.

[237] Noct. Attic. L. XIV. c. 4.

[238] Agost. Dialog. II. p. 45. Rom. 1650. fol.

[239] Tristan. Comm. hist. de l’Emp. T. I. p. 297.

[240] Numism. Musell. Imp. R. tab. 38.

[241] Ibid. Tab. II.

[242] Ibid. Tab. XXIX. Erisso Dichiaraz. di Medagl. ant. P. II. p. 130.

[243] Plutarch Syll. p. 50, 51.

[244] Conf. Philostrat. Imag. p. 737.

[245] Plin. Hist. N. L. XVIII. c. 47. Agost. Dial. III. p. 104.

[246] GabriÆ Fab. p. 169. in Æsop. Fab. Venet. 1709. 8.

[247] Pausan. L. I. c. 43. p. 105. L. 7.

[248] Plutarch. Sympos. L. IX. qu. 6.

[249] Vaillant Numism. Imp. T. II. p. 133.

[250] Plutarch. Vit. Thes. p. 26.

[251] Agost. Dial. II. p. 66, 67. Numism. Musell. Imp. Rom. Tab. 115.

[252] Ripa Iconol. n. 87.

[253] Thesaur. de Arguta Dict.

[254] Numism. Musell. Imp. R. Tab. 107.

[255] Ibid. Tab. 106.

[256] Ibid. Tab. 105.

[257] Ripa Iconol. P. I. n. 53.

[258] Agost. Dial. II. p. 57. Numism. Musell. l. c. Tab. 68.

[259] Agost. l. c.

[260] Ripa Ic. P. I. n. 135.

[261] Agost. Dial. II. p. 47.

[262] Ripa Iconol. P. I. n. 31.

[263] Ibid. P. I. n. 25.

[264] Vide Picinelli Mund. Symb.

[265] Shaw Voyag. T. I.

[266] Hayman Tesoro Brit. T. I. p. 219.

[267] Egnatius de exempl. illustr. Vir. Venet. L. V. p. 133.

[268] Numism. Barbar. Gent. n. 37. Padova. 1732. fol.

[269] Medailles de Louis le Grand, a. 1663. Paris 1702. fol.

[270] Thesaur. de Argut. Dict.

[271] Ripa Iconol. P. II. p. 166.

[272] Spectator, Edit. 1724. Vol. II. p. 201.

[273] Canini Imag. des Heros. N. I.

[274] Stoch Pier. Grav. Pl. LI.

[275] Pausan. L. X. p. 870. 871.

[276] Vit. Thesei. p. 29.

[277] De Monstrosa Amicitia respectu perfectionis inter Nic. Barbar. & Marc. Trivisan. Venet. apud Franc. Baba. 1628. 4.

[278] Vita Marcelli. Ortelii Capita Deor. L. II. fig. 41.

[279] Thomasin. Donar. Vet. c. 5.

[280] Plutarch. QuÆst. Rom. P. 266. F.

[281] Vulp. Latium. T. I. L. I. c. 27. p. 406.

[282] Agostin. Dialog. II. p. 81.

[283] Ibid. & Beger Obs. in Num. p. 56.

[284] Iliad, i. v. 498. Conf. Heraclides Pontic. de Allegoria Homeri, p. 457, 58.

[285] Architect. L. II. c. 8.

[286] Vide Representatio BibliothecÆ CesareÆ ViennÆ 1737. fol. obt.

[287] This piece is engraved by Simmoneau Senior Cons. LepiciÉ Vies des p. P. de R. T. I. p. 64.

[288] Another representation of that story, and one of Poussin’s best originals, is in the gallery of Dresden, in which the river god is extremely advantageous to the composition of the whole.

[289] Plin.

[290] Plato Alcibiad. II. P. 457. l. 30.

[291] Baldinucci, Notiz. de’ P. d. D. P. 118. Argenville seems not to have understood the word, Ciliegia: he saw that it should be a symbol of spring, and changed the cherry to a butterfly; the chief object of the picture he omits, and talks only of the girl.

[292] LepiciÈ Vies des P. R. P. II. p. 17, 18.

[293] Recueil d’Estamp. de la Gall. de Dresd. fol. 48.

[294] Pompa & Introitus Ferdinandi Hisp. Inf. p. 15. Antv. 1641. fol.

[295] Vasari vite. P. III. Vol. I. p. 76.

[296] Chambray IdÉe de la P. p. 107, 108. Bellori Descriz. delle Imagini dip. da Raffaello, &c.

[297] Heraclid. Pontic. de Allegoria Homeri, p. 443.

[298] Josephi Antiq. L. XIV. c. 8. Edit. Haverc.

[299] Dati vite de’ Pittori. p. 73.

[300] Thesaur. Idea Arg. Dict. C. III. p. 84.

[301] Blondel Maisons de Plaisance, T. II. p. 26.

[302] Passerii LucernÆ fict. Tab. 51.

[303] Quellinus Maison de la Ville d’Amst. 1655. fol.

[304] Arnob., adv. Gentes L. V. p. 157. Edit. Lugd. 1651. 4.

[305] An ox-head on the reverse of an Attick gold coin, stamped with the head of Hercules and his club, is supposed to allude to his labours, (Haym. Tesoro Britt. l. 182.) and to be, in general, a symbol of strength, industry, or patience, (Hypnerotomachia Polyphili. Venet. Ald. fol.)

[306] Vitruv. L. I. c. 2.

[307] Diodor. Sic. L. XIII. p. 375. al. 507.

[308] Blondel Maisons de Plaisance.

[309] Vide Spectator, No. 51.

[310] Pausan. L. I. c. 43. l. 22.

[311] Plin. Hist. N. L. XXXVI. c. 5.

[312] Paus. L. II. c. 2. P. 115. l. 11.

[313] Idem. L. IX. c. 40. P. 795. l. 11.

[314] Aldrovand. de Quadrup. bisulc. p. 141.

[315] Bellori Lucern. Sepulcr. P. I. fig. 17.

[316] Spon. Misc. Sect. II. Art. I. P. 25.

[317] Vide Buonarotti Osserv. sopra alcuni Medagli. Proem. p. XXVI. Roma. 1693. 4.

[318] Plutarch. de Garrulit. p. 502.

[319] Tristan Comment. Hist. des Emper. T. I. p. 632.

[320] Plutarch. Marcell. p. 277.

[321] Vulpii Latium, T. II. L. II. c. 20. p. 175.

[322] Banier Mythol. T. II. L. I. ch. 11. p. 181.

[323] Dioscorid. de Re Med. L. V. c. 179.

[324] Fred. Oeser, one of the most extensive geniuses which the present age can boast of, is a German, and now lives at Dresden; where, to the honour of his country, and the emolument of the art, he gets his livelihood by teaching young blockheads, of the Saxon-race, the elements of drawing; and by etching after the Flemish painters. N. of Transl.

[325] Hymn. in Apoll.

[326] Alexander, in his S. John, in St. Andrea della Valle at Rome; Niobe, in a picture belonging to the Tesoro di S. Gennaro, at Naples.

[327] So are the goddesses of the TheopÆgnia at Blenheim, in Oxfordshire; and hence it is clear, that another Venus, analogous to that in the Tribuna, among the pictures of a gentleman in London, cannot be the production of that genius-in-flesh only. This daughter of the Idalian graces seems to thrill with inward pleasure, and to recollect a night of bliss——

There is language in her eye, her cheek, her lip:
Nay, her foot speaks——
Shakespear.

[328] Veron. illustr. P. III. c. 7. p. 269.

[329] “Et toi, rival des Praxiteles & des Phidias; toi dont les anciens auroient employÉ le ciseau À leur faire des dieux capables d’excuser À nos yeux leur idolatrie; inimitable Pigal, ta main se rÉsoudra a vendre des magots, ou il faudra qu’elle demeure oisive.” J. J. Rousseau Disc. sur le Retabl. d. A. S. &c.

This, my dear countryman! is the only passage of thine, where posterity will find the orator forgot the philosopher. N. of Tr.

THE END.


                                                                                                                                                                                                                                                                                                           

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