CONTROL OF TEMPER Pistol shooting is excellent training for control of the temper. Boiled down to its essence, pistol shooting is fighting either in earnest or in competition. Whilst therefore self-control is essential in all sport, in pistol shooting it is vital. When a man loses his temper he is at the mercy of his opponent. Temperaments differ: a word or act which has not the least effect on one man’s temper irritates another till he gets beside himself. How often one hears a man say: “I don’t know what I have done, but X. seems offended with me.” Some take offence at very little, while with others nothing can make them lose their temper. I know a man who never has even a shade of annoyance pass over his face whatever happens. He is in constant request for shooting in teams, and he can be depended on always to shoot up to his form. When his team seems hopelessly beaten he calmly makes a string of bull’s-eyes. This is the ideal state of mind, the control of In the prone position with a rifle a man may be agitated but his brain still enables him to shoot well, but when standing up and having to depend on the muscles and nerves of his right hand and arm alone, self-control is all he has to rely on. Self-control becomes second nature to a pistol-shot. Control of the temper and nerves is greatly hindered in cases where nicotine, alcohol, or other drugs are used. These drugs do not give the nerves and brain a fair chance. Loss of temper is considered proper and a sign of authority by some, and loss of temper has even (most profanely) been considered by some as an attribute of their deities. Formerly masters of hounds, if the Field did anything wrong, flew into an ungovernable rage and used disgusting language. Nothing can be done properly when a man is in this state of mental unbalance, and many a fox has owed his life to the huntsman having lost his temper with his Field or his horse. I am told certain games are very trying to the temper. Golf, for instance, has even led to the reprimand of a churchwarden by the committee of his golf club for using profane language. I have seen very amiable people sit down to play bridge and after they have played for half an hour they exhibited the most vile tempers. A pupil and coach after working hard all one A prize fighter was in the habit of—in doubtful taste (to use a mild euphemism)—taunting his opponent during his fights in order to make him lose his temper and consequently his judgment. These unpardonable tactics do not, however, always succeed. A man may feel angry without losing self-control. In fact “cold anger” braces up a man and his nerves become as iron and he becomes as implacable as Fate. Some are extremely nervous and shy. They can shoot very well when by themselves, but if others are present they cannot do themselves justice, and they cannot shoot well in a competition. They are too flabby. Nervous men should always have people present when practising, and vary their audiences as often as possible, so that they will not get “stage fright.” The fault of others is extreme irritability. They shoot well till something annoying happens, a shot unexpectedly fired near them, a jamb of the pistol, the wind blowing the target down, or other trivial matters which do not trouble any one else. This, however, starts them fuming and swearing (an oath is a sure sign of want of self-control). Everything that happens, the most trivial thing, adds to their Énervement, as the French call it. Their nerves get all in a jangle and they cannot The worst form of nerves, and almost impossible to overcome, is that when a man fancies people are “slighting” or “insulting” him. He begins by shooting well and is in a good temper. Someone unfortunately makes a perfectly innocent remark or does something which seems quite innocuous to others. But the man at once changes his manner, thinks he has been “purposely insulted” or “hampered,” but he says nothing. The man who flies out at others is easier to manage, as you know what he complains of. But this man nurses his wrong and broods over it without letting any one know his grievance. He sulks, frowns, does not answer when spoken to, and his shooting goes to pieces, and he ruins the pleasure of the others. After all we are shooting for mutual pleasure and sport. There is the flabby man who can win when he has it all his own way, but cannot make an effort when tackled. He is what is called a “rogue,” not in the offensive sense but in racing language. The man who surprises others is the quiet easy-going good-natured man who never wishes to hurt or annoy any one, but only wishes to be left in peace. This is the Eastern or Russian temperament: “Nichevo” (never mind); “Sechas” (presently). Some men get into the bad habit of saying what This becomes such a habit with them that they do not notice that they are getting themselves hated as much as if they went about flicking people over the shins with a whip. Some writers of plays which are supposed to be full of wit make their characters do nothing but say unkind things to each other. This is not wit but stupid, callous cowardice, which could not occur in countries where duelling is allowed. To resume, the good-natured man who is not understood, whose good nature is mistaken for softness, sometimes surprises people. His opponent, either because he is one of the sort who say “smart” things, or because he is losing his temper, says something which at last wakes up the good-natured man. The latter says nothing, does not change his expression of good nature. He merely begins to shoot like a machine, his arm rises like a steel rod, each shot goes into the middle of the bull’s-eye, there is no hesitation, dwelling on the aim, or doubtful bull’s-eye. He has, in becoming angry, pulled himself together, his whole mind is concentrated on one sole object, making the best score and beating his insulter, and he shoots the best score of his life. To compete against him is like competing against Fate. After such an incident, I saw a beaten competitor go up to the winner, and congratulate him. If you make a man “see red” whilst still keeping his temper, that is the most dangerous man in the world to tackle. Sir Henry Irving portrayed this when acting in the Corsican Brothers. I have never seen another actor succeed in doing so. In order not to hamper your adversary in a competition, it is of the utmost importance to study every one of your words and acts. What does not worry one man may entirely put another off his shooting. Moving about whilst he is shooting, leaving the firing point as he is firing, is enough to put him off his shot, and should be strictly avoided. It is best to keep well away from him and only go up for your shot and not address a word to him or speak to any one within his hearing, until he beats you, then be the first to congratulate him. |