INDEX.

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  • Affectionate Shepherd, 46
  • Albion's England, 57
  • AlenÇon, Duc d', 105
  • Amis and Amile, 66
  • Anatomy of Wit (v.Euphues)
  • Andrews, Dr, 55
  • Arber (reprints), 12, 27, 38, 46
  • Arcadia, 9, 51, 56, 58, 68, 82, 84
  • Aretino, 48
  • Ariosto, 94, 96
  • Aristotle, 121, 129, 137
  • Armada, Spanish, 110
  • Arnold, Matthew, 47
  • Ars Poetica (of Horace), 130
  • Ascham, 31, 37, 38, 39, 42, 50, 52, 67, 73, 74, 136
  • Athenae Oxonienses, 4, 5
  • AthenÆum, 30
  • Athens, 69, 79
  • Aucassin and Nicolette, 66
  • Aurelius, Marcus, 22, 34, 69
  • Austen, Jane, 80
  • Damon and Pithias, 93, 116, 119
  • De Educatione (of Plutarch), 72
  • Dekker, Thomas, 114, 121
  • Demosthenes, 12
  • Devereux, Penelope, 109
  • Diall of Princes, 22, 30, 39, 69
  • Diana, 24
  • Dickens, 79
  • Dispraise of the Life of a Courtier, 31
  • Doni, 48
  • Dryden, 84
  • dubartism, 51
  • Painter, William, 40
  • Palgrave, 117
  • Palamon and Arcite, 86
  • Pallace of Pleasure, 40
  • Pamela, 83
  • pastoral romance, 23, 68
  • Petrarchisti, 48
  • Pettie, George, 32, 39, 40, 41, 46, 53, 56, 69, 86, 133
  • Petite Pallace of Pettie his Pleasure, 40, 69
  • PhilipII. of Spain (caricatured by Lyly), 110
  • picaresque romance, 23
  • Plato, 67, 75, 79, 121
  • Plautus, 92
  • Play of the Wether, The, 93
  • Pleasant History of the Conquest of West India, 27
  • Pliny, 17, 20, 41, 69, 100
  • Plutarch, 17, 69, 72, 73
  • Poetics of Aristotle, The, 130
  • puritanism, 3, 26, 57, 71, 135
  • Puttenham, 87
  • Quick, 73
  • Quintilian, 12
  • Raleigh, 25@22525-h@22525-h-3.htm.html#Page_133" class="pginternal">133, 137
  • Webbe, William, 11
  • Welbanke, 43
  • West, Dr, 33, 34
  • Weymouth, Dr, 14
  • Wilkinson, 43
  • Wine, Women and Song, 117
  • Woman in the Moon, The, 98, 112, 113, 124, 130
  • Woman is a Weathercock, A, 44
  • women, importance of, in the Elizabethan age, 7476, 8082, 9798, 100101, 125126, 128
  • Wood, Anthony À, 4, 5, 86
  • Wyatt, 31
  • Wycliff, 66
  • Wynkyn deWorde, 66
  • Zola, 75

CAMBRIDGE: PRINTED BY JOHN CLAY, M.A. AT THE UNIVERSITY PRESS

[1] The Complete Works of John Lyly. R.W. Bond, 3 Vols. Clarendon Press.

[2] Cf.Hennequin.

[3] Bond, i. p.2; Baker, p.v.

[4] Ath. Ox. (ed. Bliss), i. p.676.

[5] Euphues, p.268.

[6] Bond, i. p.6. But Baker, pp.vii, viii, would seem to disagree with this.

[7] Bond, i. p.11.

[8] Baker, p.xii.

[9] Athenae Oxonienses (ed. Bliss), i. p.676.

[10] Mr Baker however seems to think that his reference to Cambridge (Euphues, p.436) implies a term of residence there. Baker, p.xxii.

[11] Bond, i. p.38.

[12] I have to thank Dr Ward for pointing out to me the interesting fact that a large proportion of Elizabeth's M.P.'s were royal officials.

[13] A discourse of English Poetrie, Arber's reprint.

[14] Child, pp.6–20, for an account of chief writers who have dealt with euphuism.

[15] John Lyly and Euphuism. C.G. Child.

[16] On Euphuism, Phil. Soc. Trans., 1870–2.

[17] Child, p.43.

[18] id., p.44.

[19] Euphues, p.90.

[20] Child, p.39.

[21] id., p.46.

[22] Jusserand, p.107.

[23] Euphues, p.402.

[24] id., p.58.

[25] Euphues, p.46.

[26] Lord Bacon et les sciences d'observation en moyen Âge, par Liebig, traduit par de Tchihatchef.

[27] Bond, i. p.131 note.

[28] Euphues, p.299.

[29] Euphues, p.248.

[30] Underhill, p.339.

[31] id., p.268 note. Mr Underhill writes: "The attempt to connect the style of Sidney with that of Montemayor has failed."

[32] Underhill, p.48, but see Martin Hume, ch.ix.

[33] Some doubt has been thrown upon Mendoza's authorship. See Fitzmaurice-Kelly, p.158, and Martin Hume, p.133.

[34] Martin Hume, p.126.

[35] Bond, i. p.67.

[36] Underhill, p.178, to whom I am indebted for nearly all the preceding remarks in connexion with the Spanish atmosphere at Oxford.

[37] Arber's reprint, School of Abuse, p.97.

[38] Craik, vol.i.

[39] Underhill, ch.viii. § 2.

[40] Huon of Bordeaux, appendix i., Lord Berners and Euphuism, p.786.

[41] Bond, i. p.158.

[42] See AthenÆum, July 14, 1883.

[43] Dict. of Nat. Biog., Bryan.

[44] The 2nd edition of this book, which was published under another title, is thus described in the B.M. Cat.: "A looking-glass for the court … out of Castilian drawne into French by A.Alaygre; and out of the French into English by SirF.Briant."

[45] Huon, p.787.

[46] Froissart, Globe edition, p.xxviii.

[47] Huon, p.788.

[48] After writing the above I have noticed that Mr G.C. Macaulay, in the Introduction to the Globe Froissart, writes as follows (p.xvi): "If nothing else could be adduced to show that the tendency (i.e. euphuism) existed already in English literature, the prefaces to Lord Berners' Froissart written before he could possibly have read Guevara, would be enough to prove it."

[49] There are two extant editions of 1529, (i) published at Valladolid, from which the words above are quoted, (ii) published at Enueres, which appears to be an earlier edition. Copies of both in the British Museum.

[50] Hallam, Lit. of Europe, ed.1855, vol.i. p.403n. Brunet in his Manuel de Libraire gives Hallam's view without comment, tome ii. "Guevara."

[51] Underhill, p.69.

[52] Bond, vol.i. p.137.

[53] For 18th century v.Gosse, From Shakespeare to Pope.

[54] Craik, vol.i. p.224.

[55] Craik, p.258.

[56] Arber, Schoolmaster, p.35.

[57] id., p.46.

[58] Craik, i. p.269.

[59] Dict. of Nat. Biog., Pettie.

[60] I have taken the liberty of modernising the spelling.

[61] Jusserand, ch.iv.

[62] Bond, vol.i. pp.164–175.

[63] Acti. Sc.ii.

[64] Sp. Trag., Activ. 190 (cp.Euphues, p.146).

[65] Soliman and Perseda, Actiii. 130 (cp.Euphues, p.100), and Actii. 199.

[66] Kyd's Works (Boas), p.288, and ch.ix.

[67] Sp. Trag., Actii. 1–8.

[68] Euphues, p.337.

[69] Poems, Arber, pp.18 and 19.

[70] id., p.24.

[71] id., p.51.

[72] Symonds, p.407.

[73] id., p.404.

[74] Essays in Criticism, i. p.39.

[75] Butler Clarke, Spanish Literature, p.71.

[76] Cf.Earle, pp.422, 423.

[77] Earle, p.436.

[78] Bond, i. p.60.

[79] Raleigh, p.45.

[80] This touches upon the famous dispute between Dr Schwan and Dr Goodlet which is excellently dealt with by Mr Child, p.77.

[81] Raleigh, p.47.

[82] Euphues, p.220.

[83] Child, p.41.

[84] Bond, i. p.146.

[85] H.Spencer, Essays, ii. Phil. of Style.

[86] Schoolmaster, p.80.

[87] Bond, i. pp.154–156.

[88] Bond, i. pp.156–159.

[89] Bond, i. p.10.

[90] Schoolmaster, p.47.

[91] Euphues, p.220.

[92] Jusserand, p.5.

[93] Mr Bond thinks it a picture of Lyly's father.

[94] Bond, i. p.161.

[95] It was Sidney and Nash who set the fashion for the 17th century.

[96] Raleigh, p.57. He writes Arcadia for Euphues but the substitution is legitimate.

[97] Baker, p.lxxxviii, places Endymion as early as Sept. 1579. Bond, vol.iii. p.10, attempts to disprove Baker's contention, and in vol.ii. p.309, he maintains chiefly on grounds of style that Campaspe was the earliest of Lyly's plays, being produced at the Christmas of 1580.

[98] Bond, ii. p.238.

[99] Dict. Of Nat. Biog., Edward deVere.

[100] Bond, ii. p.230 (chronological table).

[101] Bond, i. p.161.

[102] Gayley, p.lxiv.

[103] Symonds, p.199.

[104] Ward, i. p.7.

[105] Gayley, p.xiv.

[106] I put this interpretation upon the account of Heywood's receiving 40 shillings from Queen Mary "for pleying an interlude with his children."

[107] Ward, Dict. of Nat. Biog., Heywood.

[108] Bond, ii. p.238.

[109] 1566.

[110] Gayley, p.lxxxv.

[111] Dict. of Nat. Biog., Gascoigne, George.

[112] Bond, ii. p.237.

[113] George Gascoigne, whose importance does not seem to have been realised by Elizabethan students, also produced a drama in blank verse.

[114] From Prologue at the Court.

[115] "Alii bella gerunt, tu felix Austria nube."

[116] Sapho and Phao, Actiii. Sc.iv. 60–85.

[117] Halpin, Oberon's Vision, Shakespeare Society, 1843.

[118] Endymion, Actiii. Sc.ii. ll.30–60.

[119] Cp.also Shakespeare, Sonnet cxxx.

[120] xi. 85–193.

[121] Bond, iii. p.234.

[122] For title-page, Bond, iii. p.1, date 1632.

[123] Bond, iii. p.433.

[124] Bond, i. p.36, ii. p.265.

[125] Mother Bombie, Actiii. Sc.iii. 1–14.

[126] Campaspe, Actv. Sc.i. 32–44. I have modernised the spelling.

[127] I have said nothing of the Mayde's Metamorphosis, as most critics are agreed in assigning it to some unknown author.

[128] Bond, ii. pp.265–266.

[129] Campaspe, Actiii. Sc.iv. 31.

[130] Sidney Lee, Life, p.151.

[131] Bond, ii. p.284.

[132] Bond, ii. p.266.

[133] La Critique Scientifique.

[134] From the Preface.

[135] Bond, i. p.401.





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