GENERAL VIEW OF THE GRECIAN STATES AND ISLANDS. The country called HELLAS by the Helle'nes, its native inhabitants, and known to us by the name of Greece, forms the southern part of the most easterly of the three great peninsulas of Southern Europe, extending into the Mediterranean between the Æge'an Sea, or Grecian Archipelago, on the east, and the Ionian Sea on the west. The whole area of this country, so renowned in history, is only about twenty thousand square miles; which is considerably less than that of Portugal, and less than half that of the State of Pennsylvania. The mainland of ancient Greece was naturally divided into Northern Greece, which embraced Thessaly and Epi'rus; Central Greece, comprising the divisions of Acarna'nia, Æto'lia, Lo'cris, Do'ris, Pho'cis, Breo'tia, and At'tica (the latter forming the eastern extremity of the whole peninsula); and Southern Greece, which the ancients called Pel-o-pon-ne'sus, or the Island of Pe'lops, which would be an island were it not for the narrow Isthmus of Corinth, which connects it on the north with Central Greece. Its modern name, the Mo-re'a, was bestowed upon it from its resemblance to the leaf of the mulberry. The chief political divisions of Peloponnesus were Corinth and Acha'ia on the north, Ar'golis on the east, Laco'nia and Messe'nia at the southern extremity of the peninsula, E'lis on the west, and the central region of Arca'dia. Greece proper is separated from Macedonia on the north by the Ceraunian and Cambunian chain of mountains, extending in irregular outline from the Ionian Sea on the west to the Therma'ic Gulf on the east, terminating, on the eastern coast, in the lofty summit of Mount Olympus, the fabled residence of the gods, where, in the early dawn of history, Jupiter (called "the father of gods and men") was said to hold his court, and where he reigned supreme over heaven and earth. Olympus rises abruptly, in colossal magnificence, to a height of more than six thousand feet, lifting its snowy head far above the belt of clouds that nearly always hangs upon the sides of the mountain. Wild and august in consecrated pride, There through the deep-blue heaven Olympus towers, Girdled with mists, light-floating as to hide The rock-built palace of immortal powers. --HEMANS. In the Olympian range, also, was Mount Pie'rus, where was the Pierian fountain, one of the sacred resorts of the Muses, so often mentioned by the poets, and to which POPE, with gentle sarcasm, refers when he says, A little learning is a dangerous thing: Drink deep, or taste not the Pierian spring. 1. Thessaly.--From the northern chain of mountains, the central Pindus range, running south, separates Thessaly on the east from Epi'rus on the west. The former region, enclosed by mountain ranges broken only on the east, and watered by the Pene'us and its numerous tributaries, embraced the largest and most fertile plain in all Greece. On the Thessalian coast, south of Olympus, were the celebrated mounts Ossa and Pe'lion, which the giants, in their wars against the gods, as the poets fable, piled upon Olympus in their daring attempt to scale the heavens and dethrone the gods. Between those mounts lay the celebrated vale of Tem'pe, through which the Pene'us flowed to the sea. Romantic Tempe! thou art yet the same-- Wild as when sung by bards of elder time: Years, that have changed thy river's classic name, [Footnote: The modern name of the Pene'us is Selembria or Salamvria.] Have left thee still in savage pomp sublime. --HEMANS. Farther south, having the sea on one side and the lofty cliffs of Mount OE'ta on the other, was the celebrated narrow pass of Thermop'ylÆ, leading from Thessaly into Central Greece. 2. Epi'rus.--The country of Epirus, on the west of Thessaly, was mostly a wild and mountainous region, but with fertile intervening valleys. Among the localities of Epirus celebrated in fable and in song was the river Cocy'tus, which the poets, on account of its nauseous waters, described as one of the rivers of the lower world-- |
The Ach'eron was another of the rivers--
--MILTON.
which was assigned by the poets to the lower world, and over which the souls of the dead were said to be first conveyed, before they were borne the Le'the, or "stream of oblivion," beyond. The true Acheron of Epirus has been thus described:
Sunk in a narrow bed: cypress and fir
Wave their dim foliage on his rugged banks;
And underneath their boughs the parched ground,
Strewed o'er with juniper and withered leaves,
Seems blasted by no mortal tread.
As the Acheron falls into the lake Acheru'sia, and after rising from it flows underground for some distance, this lake also has been connected by the poets with the gloomy legend of its fountain stream.
Sung by the ancient masters of the lyre,
Where disembodied spirits, ere they left
Their earthly mansions, lingered for a time
Upon the confines of eternal night,
Mourning their doom; and oft the astonished hind,
As home he journeyed at the fall of eve,
Viewed unknown forms flitting across his path,
And in the breeze that waved the sighing boughs
Heard shrieks of woe.
--HAYGARTH.
In Epirus was also situated the celebrated city of Dodo'na, with the temple of that name, where was the most ancient oracle in Greece, whose fame extended even to Asia. But in the wide waste of centuries even the site of this once famous oracle is forgotten.
Prophetic fount, and oracle divine?
What valley echoes the response of Jove?
What trace remaineth of the Thunderer's shrine?
All, all forgotten!
--BYRON.
3. Acarna'nia.--Coming now to Central Greece, lying northward of the Corinthian Gulf, we find Acarnania on the far west, for the most part a productive country with good harbors: but the Acarnanians, a rude and warlike people, were little inclined to Commercial pursuits; they remained far behind the rest of the Greeks in culture, and scarcely one city of importance was embraced within their territory.
4. Æto'lia, generally a rough and mountainous country, separated, on the west, from Acarnania by the river Ach-e-lo'us, the largest of the rivers of Greece, was inhabited, like Acarnania, by a hardy and warlike race, who long preserved the wild and uncivilized habits of a barbarous age. The river Achelous was intimately connected with the religion and mythology of the Greeks. The hero Hercules contended with the river-god for the hand of De-i-a-ni'ra, the most beautiful woman of his time; and so famous was the stream itself that the Oracle of Dodona gave frequent directions "to sacrifice to the Achelous," whose very name was used, in the language of poetry, as an appellation for the element of water and for rivers.
5. Lo'cris, lying along the Corinthian Gulf east of Ætolia, was inhabited by a wild, uncivilized race, scarcely Hellen'ic in character, and said to have been addicted, from the earliest period, to theft and rapine. Their two principal towns were Amphis'sa and Naupac'tus, the latter now called Lepanto. There was another settlement of the Locri north of Pho'cis and Boeo'tia.
6. Do'ris, a small territory in the north-eastern angle of Ætolia proper--a rough but fertile country--was the early seat of the Dorians, the most enterprising and the most powerful of the Hellenic tribes, if we take into account their numerous migrations, colonies and conquests. Their colonies in Asia Minor founded six independent republics, which were confined within the bounds of as many cities. From this people the Doric order of architecture--a style typical of majesty and imposing grandeur, and the one the most employed by the Greeks in the construction of their temples--derived its origin.
7. Pho'cis.--On the east of Locris, Ætolia, and Doris was Phocis, a mountainous region, bordered on the south by the Corinthian Gulf. In the northern central part of its territory was the famed Mount Parnassus, covered the greater part of the year with snow, with its sacred cave, and its Castalian fount gushing forth between two of its lofty rocks. The waters were said to inspire those who drank of them with the gift of poetry. Hence both mountain and fount were sacred to the Muses, and their names have come down to our own times as synonymous with poetry and song. BYRON thus writes of Parnassus, in lines almost of veneration, as he first viewed it from Delphi, on the southern base of the mountain:
Not in the frenzy of a dreamer's eye,
Not in the fabled landscape of a lay,
But soaring snow-clad through thy native sky
In the wild pomp of mountain majesty!
Who knows not, knows not man's divinest lore:
And now I view thee, 'tis, alas! with shame
That I in feeblest accents must adore.
When I recount thy worshippers of yore
I tremble, and can only bend the knee;
Nor raise my voice, nor vainly dare to soar,
But gaze beneath thy cloudy canopy
In silent joy to think at last I look on thee!
The city of Delphi was the seat of the celebrated temple and oracle of that name. Here the Pythia, the priestess of Apollo, pronounced the prophetic responses, in extempore prose or verse; and here the Pythian Games were celebrated in honor of Apollo.
From Delphi's chasm the mystic vapor rose,
And trembling nations heard their doom foretold
By the dread spirit throned 'midst rocks and snows.
Though its rich fanes be blended with the dust,
And silence now the hallowed haunt possess,
Still is the scene of ancient rites august,
Magnificent in mountain loneliness;
Still Inspiration hovers o'er the ground,
Where Greece her councils held, her Pythian victors crowned.
--MRS. HEMANS.
8. Boeo'tia.--Boeotia, lying to the east of Phocis, bordering on the Euri'pus, or "Euboe'an Sea," a narrow strait which separates it from the Island of Euboe'a, and touching the Corinthian Gulf on the south-west, is mostly one large basin enclosed by mountain ranges, and having a soil exceedingly fertile. It was the most thickly settled part of Greece; it abounded in cities of historic interest, of which Thebes, the capital, was the chief--whose walls were built, according to the fable, to the sound of the Muses:
There the chiming Muses throng;
Stone on stone the walls arise
To the choral Music-song.
--SCHILLER.
Boeotia was the scene of many of the legends celebrated by the poets, and especially of those upon which were founded the plays of the Greek tragedians. Near a fountain on Mount CithÆ'ron, on its southern border, the hunter ActÆ'on, having been changed into a stag by the goddess Diana, was hunted down and killed by his own hounds. Pen'theus, an early king of Thebes, having ascended CithÆron to witness the orgies of the Bacchanals, was torn in pieces by his own mother and aunts, to whom Bacchus made him appear as a wild beast. On this same mountain range also occurred the exposure of OEd'ipus, the hero of the most famous tragedy of Sophocles. Near the Corinthian Gulf was Mount Hel'icon, sacred to Apollo and the Muses. Its slopes and valleys were renowned for their fertility; it had its sacred grove, and near it was the famous fountain of Aganip'pe, which was believed to inspire with oracular powers those who drank of its waters. Nearer the summit was the fountain Hippocre'ne, which is said to have burst forth when the winged horse Peg'asus, the favorite of the Muses, struck the ground with his hoofs, and which Venus, accompanied by her constant attendants, the doves, delighted to visit. Here, we are told,
Dipped their red beaks in rills from Hippocrene.
[Footnote: Always Hip-po-cre'ne in prose; but it is allowable to contract it into three syllables in poetry, as in the example above.]
It was here, also--
On pleasant Helicon's umbrageous mount--
that occurred the celebrated contest between the nine daughters of Pie'rus, king of E-ma'thi-a (the ancient name of Macedonia), and the nine Muses. It is said that "at the song of the daughters of Pierus the sky became dark, and all nature was put out of harmony; but at that of the Muses the heavens themselves, the stars, the sea, and the rivers stood motionless, and Helicon swelled up with delight, so that its summit reached the sky." The Muses then, having turned the presumptuous maidens into chattering magpies, first took the name of Pi-er'i-des, from Pieria, their natal region.
9. Attica.--Bordering Boeotia on the south-east was the district of Attica, nearly in the form of a triangle, having two of its sides washed by the sea, and the other--the northern--shut off from the east of Central Greece by the mountain range of CithÆron on the north-west, and Par'nes on the east. Its other noted mountains were Pentel'icus (sometimes called Mende'li), so celebrated for its quarries of beautiful marble, and Hymet'tus, celebrated for its excellent honey, and the broad belt of flowers at its base, which scented the air with their delicious perfume. It could boast of its chief city, the favored seat of the goddess Minerva--
And eloquence--
as surpassing all other cities in beauty and magnificence, and in the great number of its illustrious citizens. Yet the soil of Attica was, on the whole, exceedingly barren, with the exception of a few very fertile spots; but olive groves abounded, and the olive was the most valuable product.
The general sterility of Attica was the great safety of her people in their early history. "It drove them abroad; it filled them with a spirit of activity, which loved to grapple with danger and difficulty; it told them that, if they would maintain themselves in the dignity which became them, they must regard the resources of their own land as nothing, and those of other countries as their own." Added to this, the situation of Attica marked it out in an eminent manner for a commercial country; and it became distinguished beyond all the other states of Greece for its extensive commercial relations, while its climate was deemed the most favorable of all the regions of the civilized world for the physical and intellectual development of man. It was called "a sunny land," and, notwithstanding the infertility of its soil, it was full of picturesque beauty. The poet BYRON, in his apostrophe to Greece, makes many striking and beautiful allusions to the Attica of his own time:
Sweet are thy groves, and verdant are thy fields,
Thine olive ripe as when Minerva smiled,
And still its honeyed wealth Hymettus yields.
There the blithe bee his fragrant fortress builds,
The freeborn wanderer of thy mountain air;
Apollo still thy long, long summer gilds,
Still in his beam Mendeli's marbles glare;
Art, Glory, Freedom fail, but Nature still is fair.
10. Entering now upon the isthmus which leads into Southern Greece, we find the little state of Corinth, with its famous city of the same name, keeping guard over the narrow pass, with one foot on the Corinthian Gulf and the other on the Saron'ic, thereby commanding both the Ionian and Æge'an seas, controlling the commerce that passed between them, and holding the keys of Peloponnesus. It was a mountainous and barren region, with the exception of a small plain north-west of the city. Thus situated, Corinth early became the seat of opulence and the arts, which rendered her the ornament of Greece. On a lofty eminence overhanging the city, forming a conspicuous object at a great distance, was her famous citadel--so important as to be styled by Philip of Macedon "the fetters of Greece." Rising abruptly nearly two thousand feet above the surrounding plain, the hill itself, in its natural defences, is the strongest mountain fortress in Europe.
Have left untouched her hoary rock,
The key-stone of a land which still,
Though fallen, looks proudly on that hill,
The landmark to the double tide
That purpling rolls on either side,
As if their waters chafed to meet,
Yet pause and crouch beneath her feet.
--BYRON.
The ascent to the citadel, in the days of Corinthian glory, was lined on both sides with temples and altars; but temples and altars are gone, and citadel and city alike are now in ruins. Antip'ater of Sidon describes the city as a scene of desolation after it had been conquered, plundered, and its walls thrown down by the Romans, 146 B.C. Although the city was partially rebuilt, the description is fully applicable to its present condition. A modern traveller thus describes the site of the ancient city:
Of the vast theatre, like the deep roar
Of distant waves, or the tumultuous rush
Of multitudes: the lichen creeps along
Each yawning crevice, and the wild-flower hangs
Its long festoons around each crumbling stone.
The window's arch and massive buttress glow
With time's deep tints, whilst cypress shadows wave
On high, and spread a melancholy gloom.
Silent forever is the voice
Of Tragedy and Eloquence. In climes
Far distant, and beneath a cloudy sky,
The echo of their harps is heard; but all
The soul-subduing energy is fled.
--HAYGARTH.
11. Adjoining the Corinthian territory on the west, and extending about sixty-five miles along the southern coast of the Corinthian Gulf, was Acha'ia, mountainous in the interior; but its coast region for the most part was level, exposed to inundations, and without a single harbor of any size. Hence the AchÆ'ans were never famous for maritime enterprise. Of the eleven AchÆan cities that formed the celebrated AchÆan league, Pal'trÆ (now Patras') alone survives. Si'Çy-on, on the eastern border of Achaia, was at times an independent state.
12. South of Achaia was the central region of Arcadia, surrounded by a ring of mountains, and completely encompassed by the other states of the Peloponnesus. Next to Laconia it was the largest of the ancient divisions of Greece, and the most picturesque and beautiful portion (not unlike Switzerland in its mountain character), and without either seaports or navigable rivers. It was inhabited by a people simple in their habits and manners, noted for their fondness for music and dancing, their hospitality, and pastoral customs. With the poets Arcadia was a land of peace, of simple pleasures, and untroubled quiet; and it was natural that the pipe-playing Pan should first appear here, where musical shepherds led their flocks along the woody vales of impetuous streams.
13. Ar'golis, east of Arcadia, was mostly a rocky peninsula lying between the Saron'ic and Argol'ic gulfs. It was in great part a barren region, with the exception of the plain adjoining its capital city, Argos, and in early times was divided into a number of small but independent kingdoms, that afterward became republics. The whole region is rich in historic associations of the Heroic Age. Here was Tir'yns, whose massive walls were built by the one-eyed Cy'clops, and whence Hercules departed at the commencement of his twelve labors. Here, also, was the LernÆ'an Lake, where the hero slew the many-headed hydra; Ne'mea, the haunt of the lion slain by Hercules, and the seat of the celebrated Ne'mean games; and Myce'nÆ, the royal city of Agamemnon, who commanded the Greeks in the Trojan War--now known, only by its ruins and its legends of by-gone ages.
Where low the dust of Agamemnon lies;
And shades of kings and leaders unforgot,
Hovering around, to fancy's vision rise.
--HEMANS.
14. At the south-eastern extremity of the Peloponnesus was Laconia, the fertile portions of which consisted mostly of a long, narrow valley, shut in on three sides by the mountain ranges of Ta-yg'etus on the west and Parnon on the north and east, and open only on the south to the sea. Through this valley flows the river Euro'tas, on whose banks, about twenty miles from the sea, stood the capital city, LacedÆ'mon, or Sparta, which was unwalled and unfortified during its most flourishing period, as the Spartans held that the real defence of a town consists solely in the valor of its citizens. The sea-coast of Laconia was lined with towns, and furnished with numerous ports and commodious harbors. While Sparta was equaled by few other Greek cities in the magnificence of its temples and statues, the private houses, and even the palace of the king, were always simple and unadorned.
15. West of Laconia was Messe'nia, the south-western division of Greece, a mountainous country, but with many fertile intervening valleys, the whole renowned for the mildness and salubrity of its climate. Its principal river, the Pami'sus, rising in the mountains of Arcadia, flows southward to the Messenian Gulf through a beautiful plain, the lower portion of which was so celebrated for its fertility that it was called Maca'ria, or "the blessed;" and even to this day it is covered with plantations of the vine, the fig, and the mulberry, and is "as rich in cultivation as can be well imagined."
16. One district more--that of E'lis, north of Messenia and west of Arcadia, and embracing the western slopes of the Achaian and Arcadian mountains--makes up the complement of the ancient Peloponnesian states. Though hilly and mountainous, like Messenia, it had many valleys and hill-sides of great fertility. The river Alphe'us, which the poets have made the most celebrated of the rivers of Greece, flows westward through Elis to the Ionian Sea, and on its banks was Olympia, the renowned seat of the Olympian games. Here, also, was the sacred grove of olive and plane trees, within which were temples, monuments, and statues, erected in honor of gods, heroes, and conquerors. In the very midst stood the great temple of Jupiter, which contained the colossal gold and ivory statue of the god, the masterpiece of the sculptor Phidias. Hence, by the common law of Greece Elis was deemed a sacred territory, and its cities were unwalled, as they were thought to be sufficiently protected by the sanctity of the country; and it was only when the ancient faith began to give way that the sacred character of Elis was disregarded.
17. The Isles of Greece.--
Where burning Sappho loved and sung--
Where grew the arts of war and peace,
Where Delos rose and Phoebus sprung!
Eternal summer gilds them yet,
But all except their sun is set.
--BYRON.
The main-land of Greece was deeply indented by gulfs and almost land-locked bays, and the shores were lined with numerous islands, which were occupied by the Grecian race. Beginning our survey of these in the northern Æge'an, we find, off the coast of Thessaly, the Island of Lemnos, which is fabled as the spot on which the fire-god Vulcan--the Lucifer of heathen mythology--fell, after being hurled down from Olympus. Under a volcano of the island be established his workshop, and there forged the thunder-bolts of Jupiter and the arms of the gods and of godlike heroes.
Of the Grecian islands proper, the largest is Euboe'a, a long and narrow island lying east of Central Greece, from which it is separated by the narrow channel of the Euri'pus, or Euboe'an Sea. South-east of Euboea are the Cyc'la-des, [Footnote: From the Greek word kuklos, a circle.] a large group that kept guard around the sacred Island of Delos, which is said to have risen unexpectedly out of the sea. The Spor'a-des [Footnote: From the Greek word speiro, to sow; scattered, like seed, so numerous were they. Hence our word spores.] were another group, scattered over the sea farther east, toward the coast of Asia Minor. The large islands of Crete and Rhodes were south-east of these groups. In the Saron'ic Gulf, between Attica and Ar'golis, were the islands of Sal'amis and Ægi'na, the former the scene of the great naval conflict between the Greeks on the one side and the Persians, under Xerxes, on the other, and the latter long the maritime rival of Athens.
Cyth'era, now Cer'igo, an island of great importance to the Spartans, was separated by a narrow channel from the southern extremity of Laconia. It was on the coast of this island that the goddess Venus is fabled to have first appeared to mortals as she arose out of the foam of the sea, having a beautifully enameled shell for her chariot, drawn by dolphins, as some paintings represent; but others picture her as borne on a shining seahorse. She was first called Cyth-er-e'a, from the name of the island. The nymphs of ocean, of the land, and the streams, the fishes and monsters of the deep, and the birds of heaven, with rapturous delight greeted her coming, and did homage to the beauty of the Queen of Love. The following fine description of the scene, truly Grecian in spirit, is by a modern poet:
Shining in primal beauty, paled the day,
The wondering waters hushed, They yearned in sighs
That shook the world--tumultuously heaved
To a great throne of azure laced with light
And canopied in foam to grace their queen.
Shrieking for joy came O-ce-an'i-des,
And swift Ner-e'i-des rushed from afar,
Or clove the waters by. Came eager-eyed
Even shy Na-i'a-des from inland streams,
With wild cries headlong darting through the waves;
And Dryads from the shore stretched their long arms,
While, hoarsely sounding, heard was Triton's shell;
Shoutings uncouth, bewildered sounds,
And innumerable splashing feet
Of monsters gambolling around their god,
Forth shining on a sea-horse, fierce and finned.
Some bestrode fishes glinting dusky gold,
Or angry crimson, or chill silver bright;
Others jerked fast on their own scanty tails;
And sea-birds, screaming upward either side,
Wove a vast arch above the Queen of Love,
Who, gazing on this multitudinous
Homaging to her beauty, laughed. She laughed
The soft, delicious laughter that makes mad;
Low warblings in the throat, that clinch man's life
Tighter than prison bars.
--THOMAS WOOLNER.
Off the coast of Elis were the two small islands called the Stroph'a-des, noted as the place of habitation of those fabled winged monsters, the Harpies. Here Æne'as landed in his flight from the ruins of Troy, but no pleasant greetings met him there.
Safe from the dangers of the stormy seas.
Those isles are compassed by th' Ionian main,
The dire abode where the foul Harpies reign:
Monsters more fierce offended Heaven ne'er sent
From hell's abyss for human punishment.
We spread the tables on the greensward ground;
We feed with hunger, and the bowls go round;
When from the mountain-tops, with hideous cry
And clattering wings, the hungry Harpies fly:
They snatch the meat, defiling all they find,
And, parting, leave a loathsome stench behind."
--VIRGIL'S Æneid, B. III.
North of the Strophades, along the western coast of Greece, were the six Ionian islands known in Grecian history as Paxos, Zacyn'thus, Cephalo'nia, Ith'aca (the native island of Ulysses), Leu'cas (or Leuca'dia), and Corcy'ra (now Corfu), which latter island Homer calls PhÆa'cia, and where he places the fabled gardens of Alcin'o-us. It was King Alcinous who kindly entertained Ulysses in his island home when the latter was shipwrecked on his coast. He is highly praised in Grecian legends for his love of agriculture; and his gardens, so beautifully described by Homer, have afforded a favorite theme for poets of succeeding ages. HOMER'S description is as follows:
Close to the gates a spacious garden lies,
From storms defended and inclement skies;
Four acres was the allotted space of ground,
Fenced with a green enclosure all around;
Tall thriving trees confessed the fruitful mould,
And reddening apples ripen here to gold.
Here the blue fig with luscious juice o'erflows;
With deeper red the full pomegranate glows;
The branch here bends beneath the weighty pear,
And verdant olives flourish round the year.
The balmy spirit of the western gale
Eternal breathes on fruits untaught to fail;
Each dropping pear a following pear supplies;
On apples apples, figs on figs arise:
The same mild season gives the blooms to blow,
The buds to harden, and the fruits to grow.
Here ordered vines in equal ranks appear,
With all the united labors of the year;
Some to unload the fertile branches run,
Some dry the blackening clusters in the sun,
Others to tread the liquid harvest join,
The groaning presses foam with floods of wine.
Here are the vines in early flower descried,
Here grapes discolored on the sunny side,
And there in Autumn's richest purple dyed.
Beds of all various herbs, forever green,
In beauteous order terminate the scene.
Two plenteous fountains the whole prospect crowned:
This through the garden leads its streams around,
Visits each plant, and waters all the ground;
While that in pipes beneath the palace flows,
And thence its current on the town bestows.
To various use their various streams they bring;
The people one, and one supplies the king.
--Odyssey, B. VII. POPE'S Trans.
It is admitted by all that the Homeric characters are drawn, each in its way, by a master's hand. "The most pervading merit of the Iliad," says one, "is its fidelity and vividness as a mirror of man, and of the visible sphere in which he lived, with its infinitely varied imagery, both actual and ideal; and the task which the great poet set for himself was perfectly accomplished." "The mind of Homer," says another, "is like an Æolian harp, so finely strung that it answers to the faintest movement of the air by a proportionate vibration. With every stronger current its music rises along an almost immeasurable scale, which begins with the lowest and softest whisper, and ends in the full swell of the organ."
The "lofty march" of the Iliad is also often spoken of as characteristic of the style in which that great epic is written. And yet, as has been said, "though its versification is always appropriate, and therefore never mean, it only rises into stateliness, or into a terrible sublimity, when Homer has occasion to brace his energies for an effort. Thus he ushers in with true grandeur the marshalling of the Greek army, in the Second Book, partly by the invocation of the Muses, and partly by an assemblage of no less than six consecutive similes, which describe, respectively--1st, the flash of the Greek arms and the splendor of the Grecian hosts; 2d, the swarming numbers; 3d, the resounding tramp; 4th, the settling down of the ranks as they form the line; 5th, the busy marshalling by the commanders; 6th, the majesty of the great chief Agamemnon, 'like Mars or Neptune, such as Jove ordained him, eminent above all his fellow-chiefs.'"
These similes are brought in with great effect as introductory to a catalogue of the ships and forces of the Greeks; thus pouring, from a single point, a broad stream of splendor over the whole; and although the enumeration which follows is only a plain matter of business, it is not without its poetical embellishment, and is occasionally relieved by short legends of the countries and noted warriors of the different tribes. We introduce these striking similes here as marked characteristics of the art of Homer, from whom, it is little exaggeration to say, a very large proportion of the similes of all subsequent writers have been, more or less directly, either copied or paraphrased.
When it has been decided to lead the army to battle, the aged Nestor thus addresses Agamemnon:
And call the squadrons sheathed in brazen arms;
Now seize the occasion, now the troops survey,
And lead to war when heaven directs the way."
He said: the monarch issued his commands;
Straight the loud heralds call the gathering bands:
The chiefs enclose their king; the hosts divide,
In tribes and nations ranked on either side.
The appearance of the gathering hosts is then described in the following
Similes. | |
(1.) | As on some mountain, through the lofty grove, The crackling flames ascend, and blaze above; The fires expanding, as the winds arise, Shoot their long beams, and kindle half the skies; So from the polished arms and brazen shields A gleamy splendor flashed along the fields. |
(2.) | Not less their number than the embodied cranes, Or milk-white swans on A'sius' watery plains, That, o'er the windings of Ca-ys'ter's springs, Stretch their long necks, and clap their rustling wings; Now tower aloft, and course in airy rounds, Now light with noise; with noise the field resounds. |
(3.) | Thus numerous and confused, extending wide, The legions crowd Scamander's flowery side; With rushing troops the plains are covered o'er, And thundering footsteps shake the sounding shore.' |
(4.) | Along the river's level meads they stand, Thick as in spring the flowers adorn the land, Or leaves the trees; or thick as insects play, The wandering nation of a summer's day, That, drawn by milky streams, at evening hours, In gathered swarms surround the rural bowers; From pail to pail with busy murmur run The gilded legions, glittering in the sun. So thronged, so close the Grecian squadrons stood In radiant arms, athirst for Trojan blood. |
(5.) | Each leader now his scattered force conjoins In close array, and forms the deepening lines. Not with more ease the skilful shepherd swain Collects his flocks from thousands on the plain. |
(6.) | The king of kings, majestically tall, Towers o'er his armies, and outshines them all; Like some proud bull, that round the pastures leads His subject herds, the monarch of the meads, Great as the gods, the exalted chief was seen, His chest like Neptune, and like Mars his mien; Jove o'er his eyes celestial glories spread, And dawning conquest played around his head. --POPE'S Trans. |
Similes abound on nearly every page of the Iliad, and they are always appropriate to the subject. We select from them the following additional specimen, in which the brightness and number of the fires of the Trojans, in their encampment, are likened to the moon and stars in their glory--when, as Cowper translates the fourth line, "not a vapor streaks the boundless blue."
O'er heaven's blue azure spreads her sacred light,
When not a breath disturbs the deep serene,
And not a cloud o'ercasts the solemn scene;
Around her throne the vivid planets roll,
And stars unnumbered gild the glowing pole,
O'er the dark trees a yellow verdure shed,
And tip with silver every mountain head;
Then shine the vales, the rocks in prospect rise,
A flood of glory bursts from all the skies;
The conscious swains, rejoicing in the sight,
Eye the blue vault, and bless the useful light;
So many fires before proud Ilion blaze,
And lighten glimmering Xanthus with their rays.
--Iliad, B. VIII. POPE'S Trans.
Sheffield, Duke of Buckingham, is said to have declared of the two great epics of Homer:
For all books else appear so mean, so poor;
Verse will seem prose; but still persist to read,
And Homer will be all the books you need.
The following characterization, from the pen of HENRY NELSON COLERIDGE, is both true and pleasing:
"There are many hearts and minds to which one of these matchless poems will be more delightful than the other; there are many to which both will give equal pleasure, though of different kinds; but there can hardly be a person, not utterly averse to the Muses, who will be quite insensible to the manifold charms of one or the other. The dramatic action of the Iliad may command attention where the diffused narrative of the Odyssey would fail to do so; but how can anyone, who loves poetry under any shape, help yielding up his soul to the virtuous siren-singing of Genius and Truth, which is forever resounding from the pages of either of These marvelous and truly immortal poems? In the Iliad will be found the sterner lessons of public justice or public expedience, and the examples are for statesmen and generals; in the Odyssey we are taught the maxims of private prudence and individual virtue, and the instances are applicable to all mankind: in both, Honesty, Veracity, and Fortitude are commended, and set up for imitation; in both, Treachery, Falsehood, and Cowardice are condemned, and exposed for our scorn and avoidance.
"Born, like the river of Egypt, in secret light, these poems yet roll on their great collateral streams, wherein a thousand poets have bathed their sacred heads, and thence drunk beauty and truth, and all sweet and noble harmonies. Known to no man is the time or place of their gushing forth from the earth's bosom, but their course has been among the fields and by the dwellings of men, and our children now sport on their banks and quaff their salutary waters. Of all the Greek poetry, I, for one, have no hesitation in saying that the Iliad and the Odyssey are the most delightful, and have been the most instructive works to me; there is a freshness about them both which never fades, a truth and sweetness which charmed me as a boy and a youth, and on which, if I attain to it, I count largely for a soothing recreation in my old age."
II. SOME CAUSES OF GREEK UNITY.
The natural causes which tended to unite the Greeks as a people were a common descent, a common language, and a common religion. Greek genius led the nation to trace its origin, where historical memory failed, to fabulous persons sprung from the earth or the gods; and under the legends of primitive and heroic ancestors lie the actual migrations and conquests of rude bands sprung from related or allied tribes. These poetical tales, accepted throughout Hellas as historical, convinced the people of a common origin. Thus the Greeks had a common share in the renown of their ancient heroes, upon whose achievements or lineage the claims of families to hereditary authority, and of states to the leadership of confederacies, were grounded. The pride or the ambition of political rivals led to the gradual embellishment of these traditions, and ended in ancestral worship. Thus Attica had a temple to Theseus, the Ionian hero; the shrine of Æsculapius at Epidau'rus was famous throughout the classic world; and the exploits of Hercules were commemorated by the Dorians at the tomb of a Ne'mean king. When the bard and the playwright clothed these tales in verse, all Greece hearkened; and when the painter or the sculptor took these subjects for his skill, all Greece applauded. Thus was strengthened the national sense of fraternal blood.
The possession of a common speech is so great a means of union, that the Romans imposed the Latin tongue on all public business and official records, even where Greek was the more familiar language; and the MediÆval Church displayed her unity by the use of Latin in every bishopric on all occasions of public worship. A language not only makes the literature embodied in it the heritage of all who speak it, but it diffuses among them the subtle genius which has shaped its growth. The lofty regard in which the Greeks held their own musical and flexible language is illustrated by an anecdote of Themis'tocles, who put to death the interpreter of a Persian embassy to Athens because he dared "to use the Greek tongue to utter the demands of the barbarian king." From Col'chis to Spain some Grecian dialect attested the extent and the unity of the Hellenic race.
The Greek institutions of religion were still more powerful instruments of unity. It was the genius of a race destitute of an organized priesthood, and not the fancy of the poet, which animated nature by personifying its forces. Zeus was the all-embracing heavens, the father of gods and men; Neptune presided over the seas; Deme'ter gave the harvest; Juno was the goddess of reproduction, and Aphrodi'te the patroness of Jove; while Apollo represented the joy-inspiring orb of day. The same imagination raised the earth to sentient life by assigning Dryads to the trees, Naiads to the fountains and brooks, O're-ads to the hills, Ner'e-ids to the seas, and Satyrs to the fields; and in this many-sided and devout sympathy with nature the imagination and reverence of all Greece found expression. But Greek religion in its temples, its oracles, its games, and its councils, provided more tangible bonds of union than those of sentiment. Each city had its tutelary deity, whose temple was usually the most beautiful building in it, and to which any Greek might have access to make his offering or prayer. The sacred precincts were not to be profaned by those who were polluted with unexpiated crime, nor by blood, nor by the presence of the dead: Hence the temples of Greece were places of refuge for those who would escape from private or judicial vengeance. The more famous oracles of Greece were at Dodo'na, at Delphi, at Lebade'a in Boeotia, and at Epidaurus in Ar'golis. They were consulted by those who wished to penetrate the future. To this superstition the Greeks were greatly addicted, and they allowed the gravest business to wait for the omens of the diviner. A people thus disposed demanded and secured unmolested access to the oracle. The city in whose custody it was must be inviolable, and the roads thereto unobstructed. The oracle was a national possession, and its keepers were national servants.
THE GRECIAN FESTIVALS.
The public games or festivals of the Greeks were probably of greater efficacy in promoting a spirit of union than any other outgrowth of the religions sentiment of Greece. The Greeks exhibited a passionate fondness for festivals and games, which were occasionally celebrated in every state for the amusement of the people. These, however, were far less interesting than the four great public games, sacred to the gods, which were--the Pythian, at Delphos, sacred to Apollo; the Isth'mian, at Corinth, to Neptune; the Nemean, at Nemea, to Hercules; and the Olympic, at Olympia in E'lis, to Jupiter. To these cities flocked the young and the aged, the private citizen and the statesman, the trader and the artist, to witness or engage in the spectacles. The games were open to all citizens who could prove their Hellenic origin; and prizes were awarded for the best exhibitions of skill in poetry--and in running, wrestling, boxing, leaping, pitching the discus, or quoit, throwing the javelin, and chariot-racing.
The most important of these games was the Olympic, though it involved many principles common to the others. Its origin is obscure; and, though it appears that during the Heroic Age some Grecian chiefs celebrated their victories in public games at Olympia, yet it was not until the time of Lycurgus, in 776 B.C., that the games at Olympia were brought under certain rules, and performed at certain periods. At that time they were revived, so to speak, and were celebrated at the close of every fourth year. From their quadrennial occurrence all Hellas computed its chronology, the interval that elapsed between one celebration and the next being called an Olympiad. During the month that the games continued there was a complete suspension of all hostilities, to enable every Greek to attend them without hindrance or danger.
One of the most popular and celebrated of all the matches held at these games was chariot-racing, with four horses. The following description of one of these races is taken from a tragedy of SOPHOCLES--the Electra--translated by Bulwer. Orestes, son of Agamemnon, had gained five victories on the first day of the trial; and on the second, of which the account is here given, he starts with nine competitors--an AchÆan, a Spartan, two Libyans, an Ætolian, a Magnesian; an Æ'ni-an, an Athenian, and a Boeotian --and meets his death in the moment of triumph.
The Chariot-race, and the Death of Orestes. They took their stand where the appointed judges Orestes still, Behind, Orestes, hitherto the last, Loud from that mighty multitude arose |
The Pythian games are said to have been established in honor of the victory that Apollo gained at Delphi over the serpent Py'thon, on setting out to erect his temple. This monster, said to have sprung from the stagnant waters of the deluge of Deucalion, may have been none other than the malaria which laid waste the surrounding country, and which some early benefactor of the race overcame by draining the marshes; or, perhaps, as the English writer, Dodwell, suggests, the true explanation of the allegorical fiction is that the serpent was the river Cephis'sus, which, after the deluge had overflowed the plains, surrounded Parnassus with its serpentine involutions, and was at length reduced, by the rays of the sun-god, within its due limits. The poet OVID gives the following relation of the fable:
Apollo's Conflict with Python. From hence the surface of the ground, with mud Though every shaft took place, he spent the store |
The victory of Apollo over the Python is represented by a statue called Apollo Belvedere, perhaps the greatest existing work of ancient art. It was found in 1503, among the ruins of ancient Antium, and it derives its name from its position in the belvedere, or open gallery, of the Vatican at Rome, where it was placed by Pope Julius II. It shows the conception which the ancients had of this benign deity, and also the high degree of perfection to which they had attained in sculpture. A modern writer gives the following account of it:
"The statue is of heroic size, and shows the very perfection of manly beauty. The god stands with the left arm extended, still holding the bow, while the right hand, which has just left the string, is near his hip. This right hand and part of the right arm, as well as the left hand, were wanting in the statue when found, and were restored by Angelo da Montor'soli, a pupil of Michael Angelo. The figure is nude; only a short cloak hangs over the left shoulder. The breast is full and dilated; the muscles are conspicuous, though not exaggerated; the body seems a little thin about the hips, but is poised with such singular grace as to impart to the whole a beauty hardly possessed by any other statue. The sculptor is not known: many attribute the statue to He-ge'si-as, the Ephesian, others to Praxit'e-les or Cal'amis; but its origin and date must remain a matter of conjecture."
The following poetical description of this wonderful statue is given us by THOMSON:
The quivered god. In graceful act he stands,
His arm extended with the slackened bow:
Light flows his easy robe, and fair displays
A manly, softened form. The bloom of gods
Seems youthful o'er the bearded cheek to wave;
His features yet heroic ardor warms;
And, sweet subsiding to a native smile,
Mixed with the joy elating conquest gives,
A scattered frown exalts his matchless air.
THE NATIONAL COUNCILS.
While the elements of union we have been considering produced a decided effect in forming Greek national character--serving to strengthen, in the mind of the Greek, the feelings which bound him to his country by keeping alive his national love and pride, and exerting an important influence over his physical education and discipline--they possessed little or no efficacy as a bond of political union--what Greece so much needed. It was probably a recognition of this need that led, at an early period, to the formation of national councils, the primary object of which was the regulation of mutual intercourse between the several states.
Of these early councils we have an example in the several associations known as the Amphicty'o-nes, of which the only one that approached a national senate received the distinctive title of the "Amphictyon'ic Council." This is said to have been instituted by Amphic'tyon, a son of Deucalion, King of Thessaly; but he was probably a fictitious personage, invented to account for the origin of the institution attributed to him. The council is said to have been composed, originally, of deputies from twelve tribes or nations--two from each tribe. But, as independent states or cities grew up, each of these also was entitled to the same representation; and no state, however powerful, was entitled to more. The council met twice every year; in the spring at Delphi, and in the autumn at Anthe'la, a village near ThermopylÆ.
While the objects of this council, so far as they can be learned, were praiseworthy, and its action tended to produce the happiest political effects, it was, after all, more especially a religious association. It had no right of interference in ordinary wars between the communities represented in it, and could not turn aside schemes of ambition and conquest, or subdue the jealousies of rival states. The oath taken by its members ran thus: "We will not destroy any Amphictyonic town, nor cut it off from running water in war or peace; if anyone shall do so, we will march against him and destroy his city. If anyone shall plunder the property of the god, or shall take treacherous counsel against the things in his temple at Delphi, we will punish him with foot, and hand, and voice, and by every means in our power." Its chief functions, as we see, were to guard the temple of Delphi and the interests of religion; and it was only in cases of a violation of these, or under that pretence, that it could call for the cooperation of all its members. Inefficient as it had proved to be in many instances, yet Philip of Macedon, by placing himself at its head, overturned the independence of Greece; but its use ceased altogether when the Delphic oracle lost its influence, a considerable time before the reign of Constantine the Great.
Aside from the causes already assigned, the want of political union among the Greeks may be ascribed to a natural and mutual jealousy, which, in the language of Mr. Thirlwall, "stifled even the thought of a confederacy" that might have prevented internal wars and saved Greece from foreign dominion. This jealousy the institutions to which we have referred could not remove; and it was heightened by the great diversity of the forms of government that existed in the Grecian states. As another writer has well observed, "The independent sovereignty of each city was a fundamental notion in the Greek mind. The patriotism of a Greek was confined to his city, and rarely kindled into any general love for the welfare of Hellas. So complete was the political division between the Greek cities, that the citizen of one was an alien and a stranger in the territory of another. He was not merely debarred from all share in the government, but he could not acquire property in land or houses, nor contract a marriage with a native woman, nor sue in the courts except through the medium of a friendly citizen. The cities thus repelling each other, the sympathies and feelings of a Greek became more central in his own."
In view of these conditions it is not surprising that Greece never enjoyed political unity; and just here was her great and suicidal weakness. The Romans reduced various races, in habitual war with one another and marked by variations of dialect and customs, into a single government, and kept them there; but the Greeks, though possessing a common inheritance, a common language, a common religion, and a common type of character, of manners, and of aspirations, allowed all these common interests, that might have created an indissoluble political union, to be subordinated to mutual jealousies--to an "exclusive patriotism" that rendered it difficult for them to unite even under circumstances of common and terrible danger. "It was this political disunion that always led them to turn their arms against one another, and eventually subjected them to the power of Macedon and of Rome."