The Battle Ground

Each and every one of our eighty-odd elementary substances owe their condition—whether solid, liquid, or gas—to their rate of vibration. We have reduced all gases to a liquid and nearly all to a solid form. Conversely, we have raised all solids to a liquid and nearly all to a gaseous condition. This has been done by reducing or raising the vibration of each within one octave —each one of the eighty odd having a special octave, a tone or half-tone different from any other. Normally, the solids, vibrating in the lower notes, gather together under Attraction; while the gases, vibrating in the higher notes, diffuse under Repulsion. Between them, created by the interchange of these two forces, is our "skin" of phenomena, or kinetics.

Broadly, the attraction of the universe comes from its vibration at certain centres in the three higher notes; the repulsion comes from its vibration everywhere else in the three higher notes. The central note, D of the scale, represents the battle ground between the field of kinetics. This in simple illustration is water turning into gas.

This is the great battle ground, the only one worth considering in a general view. There are minor "critical stages" which the chemist studies, but for us, in this broad sketch of the universe, the important battle-ground is that between solid and liquid on one side representing gravity, and gas on the other, representing apergy.

All the solids and liquids of this earth of ours gather at the centre, in a core, each of the elements (or their combinations) in this core vibrating in their three lower notes, producing the attraction, which is "in proportion to the mass" and which decreases from the surface of the core "as the square of the substance."

Around this central core gather all the elements vibrating in the three higher notes of their octave as gases, producing repulsion which increases by 1.6 for each doubled time. It is worth while making this clear. It has never before appeared in print.

Let the amount of apergy, or repulsion, or centrifugal force at the surface of the earth be represented by x. This is the result of motion at the rate of 1,000 miles per hour. Make this motion 2,000 miles per hour, and the apergy is increased 1.6. Four thousand miles above the surface of this earth the rotation is at the rate of 2,000. It is the globe of 48,000 miles in circumference revolving in 24 hours, and the speed is doubled. This apergy has increased by 1.6. As the apergy increases at this rate every time the speed is doubled, at a distance of 21,000 miles the speed is 7,000 miles per hour and the centrifugal force has been increased nearly four times what it was at the surface of the ocean. The attraction has been decreased to about one-thirtieth. At the surface it is equal to 120 x. At 4,000 miles to one-quarter, or 30 x; at 16,000 miles to one-sixteenth, or 7 x; and at 21,000 miles to 4 x.

If "equatorial gravity is about 120 times that of the equatorial apergy," at the ocean level, then at the distance of 21,000 miles from it, in a revolving globe, the two forces would be equal; the "pull" of each being 4 x, and an anchor will weigh no more than a feather, for weight is the excess of gravity or apergy.

If the pyramids had been built of the heaviest known material on the gases 21,000 miles above us, and so that they should revolve in the same time, 7,000 miles per hour, they would remain there. All the attraction of the solid core of the earth that could be exerted on them at that distance would not be enough to pull them an inch nearer to it through our gaseous envelope. Their gaseous foundation there would be as firm as igneous rock here.

The force of repulsion created by the three higher notes of an octave means just as much at the attraction created by the three lower notes, whether it is in a chemical retort, within this earth, or within this universe. The two forces balance, and are exactly equal. They fight only within kinetic zones.

Given the vast manasic globe of differentiated matter, its atoms uniting in different numbers to form molecules as the bases of elementary substances, manasic substances, of course. The thrill of vibration is sweeping through it from the spiritual plane above, and the elements (and their combinations) which answer in the lower notes gather and form a core, the Invisible Central Sun, with its attraction. The elements answering in the higher notes gather around it with their repulsion. So the two opposing forces were born, with a vast kinetic skin for a battle-ground between them.

The attraction of the invisible central sun manifests itself to us in prakriti as Light. The repulsion of its covering, or the higher static vibration of manasa, manifests itself to us as Darkness. The first creative act in or on matter was the creation of Light and its separation from the Darkness. The next creative act was the establishment of a kinetic skin or zone between them, a firmament in which the two forces of Light and Darkness could strive for mastery. "And God called the firmament Heaven." The third creative act was the gathering of the solids and liquids together, and the beginning of the kinetic work in the creation of forms and shapes, by the cross play of the two forces in their combinations of solid with gases.

All this had to happen before the manasa combined and dropped in vibration to prana—and before the pranic globes were formed and the Light could be manifested to us through them. It may be well to read the first chapter of Genesis over and ask forgiveness for our ignorance, from the writer who records this creation of the pranic globes as the fourth act of creation, and the creation of the etheric sun and prakritic moon to follow that. That record is mutilated, fragmentary; but the writer of it knew the facts. If we had the full story, instead of a sentence here and there, taken from an older story not to tell of creation but to hide another tale for the priest, the writer of Genesis would laugh last.

But let us return to the kinetic skin of energy between Light and the Darkness—the firmament which God calls Heaven—the battle ground for gravity and apergy, or attraction and repulsion, or good and evil, or the powers of light and darkness. This skin is like that of an onion, thickest at the equator and thinnest at the poles—not only on this earth but in the solar, alcyonic, and manasic globes. The equatorial belt, where phenomena are richest in the manasic globes, we call the Milky Way; in the solar globe we call it the plane of the ecliptic; and on the earth, the tropics. Modern science has not yet found it in Alcyonic globe—because it has never thought of looking for it.

This division of the Light from the Darkness was all that was required for evolution on the manasic globe within the kinetic belt. This evolution was not confined to the making of a few alcyonic or pranic globes. It was (and is) a great and wonderful evolution beyond words and almost beyond imagination. It is the Heaven which mankind has longed to see and know. The writer of Genesis mixed it with the creation of this earth, using earthly metaphors. Before finding fault, we should better his language. We have not the words in physics to do it, and must wait for our metaphysics. But of one thing we may be sure, that the pranic- alcyonic globes here and there at the "sea level" of the manasic globe—in what God calls Heaven—amount to no more on that globe, or in Heaven, than so many balls of thistle-down blown across a meadow do on this earth of ours. Everything that can be created in thought must be there. It is in thought only, but in thought it is differentiated as sharply as anything in prakriti. The manasic world, the Heaven of the Bible, is as real as our own world can possibly be; in fact, more real, for when ours is resolved back into its final elements, it will be but "the dust of the ground" of the manasic world.

The pranic globes created in this manasic skin by Sound, or the Logos, or vibration, evolved in identically the same way—with a central static core and an outer static envelope, of low and high vibration in prana, creating attraction and repulsion, or gravity and apergy. The kinetic skin between, in which these forces play in the pranic world, makes a real, not an imaginary pranic world, though but a faint reflection of the manasic. When our father, the Central Invisible Sun, transfers his attraction to these alcyonic suns, the Light has something in which to manifest itself, and we "see" this manifesting core and call it Alcyone, and its manifestation Light; but light in its last material analysis is but the static mind or thought vibrating in the three lower notes of the octave.