AMERICAN SCENERY;
OR,
LAND, LAKE, AND RIVER
ILLUSTRATIONS OF TRANSATLANTIC NATURE.
FROM DRAWINGS BY W. H. BARTLETT,
ENGRAVED IN THE FIRST STYLE OF THE ART,
BY
R. WALLIS, J. COUSEN, WILLMORE, BRANDARD, ADLARD, RICHARDSON, &c.
THE LITERARY DEPARTMENT
BY N. P. WILLIS, ESQ. AUTHOR OF “PENCILLINGS BY THE WAY,” “INKLINGS OF ADVENTURE,” ETC.
VOL. I.
LONDON: GEORGE VIRTUE, 26, IVY LANE. MDCCCXL. LONDON: RICHARD CLAY, PRINTER. BREAD STREET HILL. PREFACE. Either Nature has wrought with a bolder hand in America, or the effect of long continued cultivation on scenery, as exemplified in Europe, is greater than is usually supposed. Certain it is that the rivers, the forests, the unshorn mountain-sides and unbridged chasms of that vast country, are of a character peculiar to America alone—a lavish and large-featured sublimity, (if we may so express it,) quite dissimilar to the picturesque of all other countries. To compare the sublime of the Western Continent with the sublime of Switzerland—the vales and rivers, lakes and waterfalls, of the New World with those of the Old—to note their differences, and admire or appreciate each by contrast with the other, was a privilege hitherto confined to the far-wandering traveller. In the class of works, of which this is a specimen, however, that enviable enjoyment is brought to the fire-side of the home-keeping and secluded as well; and, sitting by the social hearth, those whose lot is domestic and retired, can, with small cost, lay side by side upon the evening table the wild scenery of America, and the bold passes of the Alps—the leafy Susquehanna with its rude raft, and the palace-gemmed Bosphorus with its slender caÏque. So great a gratification is seldom enjoyed at so little cost and pains. In the Letter-press, it has been the Writer’s aim to assemble as much as possible of that part of American story which history has not yet found leisure to put into form, and which romance and poetry have not yet appropriated—the legendary traditions and anecdotes, events of the trying times of the Revolution, Indian history, &c. &c. It is confidently hoped, that the attempt to assemble a mass of interesting matter under this design, has not failed; and that, in the value of the intellectual portion, as well as in the beauty and finish of the embellishments, the Work will be thought worthy of the patronage of the public. CONTENTS AND LIST OF ENGRAVINGS TO VOLUME I.
AMERICAN SCENERY. It strikes the European traveller, at the first burst of the scenery of America on his eye, that the New World of Columbus is also a new world from the hand of the Creator. In comparison with the old countries of Europe, the vegetation is so wondrously lavish, the outlines and minor features struck out with so bold a freshness, and the lakes and rivers so even in their fulness and flow, yet so vast and powerful, that he may well imagine it an Eden newly sprung from the ocean. The Minerva-like birth of the republic of the United States, its sudden rise to independence, wealth, and power, and its continued and marvellous increase in population and prosperity, strike him with the same surprise, and leave the same impression of a new scale of existence, and a fresher and faster law of growth and accomplishment. The interest, with regard to both the natural and civilized features of America, has very much increased within a few years; and travellers, who have exhausted the unchanging countries of Europe, now turn their steps in great numbers to the novel scenery, and ever-shifting aspects of this. The picturesque views of the United States suggest a train of thought directly opposite to that of similar objects of interest in other lands. There, the soul and centre of attraction in every picture is some ruin of the past. The wandering artist avoids every thing that is modern, and selects his point of view so as to bring prominently into his sketch, the castle, or the cathedral, which history or antiquity has hallowed. The traveller visits each spot in the same spirit—ridding himself, as far as possible, of common and present associations, to feed his mind on the historical and legendary. The objects and habits of reflection in both traveller and artist undergo in America a direct revolution. He who journeys here, if he would not have the eternal succession of lovely natural objects— “Lie like a load on the weary eye,” must feed his imagination on the future. The American does so. His mind, as he tracks the broad rivers of his own country, is perpetually reaching forward. Instead of looking through a valley, which has presented the same aspect for hundreds of years—in which live lords and tenants, whose hearths have been surrounded by the same names through ages of tranquil descent, and whose fields have never changed landmark or mode of culture since the memory of man, he sees a valley laden down like a harvest waggon with a virgin vegetation, untrodden and luxuriant; and his first thought is of the villages that will soon sparkle on the hill-sides, the axes that will ring from the woodlands, and the mills, bridges, canals, and rail-roads, that will span and border the stream that now runs through sedge and wild-flowers. The towns he passes through on his route are not recognizable by prints done by artists long ago dead, with houses of low-browed architecture, and immemorial trees; but a town which has perhaps doubled its inhabitants and dwellings since he last saw it, and will again double them before he returns. Instead of inquiring into its antiquity, he sits over the fire with his paper and pencil, and calculates what the population will be in ten years, how far they will spread, what the value of the neighbouring land will become, and whether the stock of some canal or rail-road that seems more visionary than Symmes’s expedition to the centre of the earth, will, in consequence, be a good investment. He looks upon all external objects as exponents of the future. In Europe they are only exponents of the past. There is a field for the artist in this country (of which this publication reaps almost the first-fruits) which surpasses every other in richness of picturesque. The great difficulty at present is, where to choose. Every mile upon the rivers, every hollow in the landscape, every turn in the innumerable mountain streams, arrests the painter’s eye, and offers him some untouched and peculiar variety of an exhaustless nature. It is in river scenery, however, that America excels all other lands: and here the artist’s labour is not, as in Europe, to embellish and idealise the reality; he finds it difficult to come up to it. How represent the excessive richness of the foliage! How draw the vanishing lines which mark the swells in the forest-ground, the round heaps of the chestnut-tops, the greener belts through the wilderness which betray the wanderings of the water-courses! How give in so small a space the evasive swiftness of the rapid, the terrific plunge of the precipice, or the airy wheel of the eagle, as his diminished form shoots off from the sharp line of the summit, and cuts a circle on the sky! The general architecture of the United States cannot pretend, of course, to vie with that of older countries; yet, taken in connexion with the beautiful position of the towns, no drawing will be found deficient in beauty, while many of the public buildings especially are, as works of art, well worthy the draughtman’s notice. The curiosity now generally excited with regard to this country, by its own progress, and by the late numerous books of travels, will throw a sufficient interest around every point that the pencil could present. ——“The green land of groves, the beautiful waste, Nurse of full streams, and lifter up of proud Sky-mingling mountains that o’erlook the cloud. Erewhile, where yon gay spires their brightness rear, Trees waved, and the brown hunter’s shouts were loud Amid the forest; and the bounding deer Fled at the glancing plume, and the gaunt wolf yell’d near. “And where his willing waves yon bright blue bay Sends up, to kiss his decorated brim, And cradles, in his soft embrace, the gay Young group of grassy islands born of him, And, crowding nigh, or in the distance dim, Lifts the white throng of sails, that bear or bring The commerce of the world;—with tawny limb, And belt and beads in sunlight glistening, The savage urged his skiff like wild bird on the wing.
* * * * * * * * * * “Look now abroad—another race has fill’d These populous borders—wide the wood recedes, And towns shoot up, and fertile realms are till’d; The land is full of harvests and green meads; Streams numberless, that many a fountain feeds, Shine, disembower’d, and give to sun and breeze Their virgin waters; the full region leads New colonies forth, that toward the western seas Spread, like a rapid flame, among the autumnal trees.
* * * * * * * * * * “But thou, my country, thou shalt never fall, But with thy children—thy maternal care, Thy lavish love, thy blessing shower’d on all— These are thy fetters—seas and stormy air Are the wide barrier of thy borders, where Among thy gallant sons that guard thee well, Thou laugh’st at enemies: who shall then declare The date of thy deep-founded strength, or tell How happy, in thy lap, the sons of men shall dwell.”—Bryant. NIAGARA FALLS, FROM THE FERRY. The best way to approach Niagara is to come up on the American shore, and cross at the ferry. The descent of about two hundred feet by the staircase, brings the traveller directly under the shoulder and edge of the American fall—the most imposing scene, for a single object, that he will ever have witnessed. The long column of sparkling water seems, as he stands near it, to descend to an immeasurable depth, and the bright sea-green curve above has the appearance of being let into the sky. The tremendous power of the Fall, as well as the height, realizes here his utmost expectations. He descends to the water’s edge, and embarks in a ferry-boat, which tosses like an egg-shell on the heaving and convulsed water; and in a minute or two he finds himself in the face of the vast line of the Falls, and sees with surprise that he has expended his fullest admiration and astonishment upon a mere thread of Niagara—the thousandth part of its wondrous volume and grandeur. From the point where he crosses, to Table Rock, the line of the Falls is measurable at three quarters of a mile; and it is this immense extent which, more than any other feature, takes the traveller by surprise. The tide at the Ferry sets very strongly down, and the athletic men who are employed here, keep the boat up against it with difficulty. Arrived near the opposite landing, however, there is a slight counter-current, and the large rocks near the shore serve as a breakwater, behind which the boat runs smoothly to her moorings. It may be remarked, that the well-known stanzas on the “Fall of Terni,” in the fourth canto of “Childe Harold,” are, in many respects, singularly and powerfully descriptive of Niagara. “The roar of waters!—from the headlong height Velino cleaves the wave-worn precipice; The fall of waters! rapid as the light The flashing mass foams shaking the abyss; The hell of waters! where they howl and hiss, And boil in endless torture; while the sweat Of their great agony, wrung out from this Their Phlegethon, curls round the rocks of jet That gird the gulf around, in pitiless horror set, “And mounts in spray the skies, and thence again Returns in an unceasing shower, which round, With its unemptied cloud of gentle rain, Is an eternal April to the ground, Making it all one emerald:—how profound The gulph! and how the giant element From rock to rock leaps with delirious bound, Crushing the cliffs, which, downward worn and rent With his fierce footsteps, yield in chasms a fearful vent, “To the broad column which rolls on, and shows More like the fountain of an infant sea Torn from the womb of mountains by the throes Of a new world, than only thus to be Parent of rivers, which flow gushingly, With many windings through the vale:—Look back Lo! where it comes like an eternity, As if to sweep down all things in its track, Charming the eye with dread,—a matchless cataract,
“Horribly beautiful! but on the verge, From side to side, beneath the glittering morn, An Iris sits, amidst the infernal surge, Like Hope upon a death-bed, and, unworn Its steady dyes, while all around is torn By the distracted waters, bears serene Its brilliant hues with all their beams unshorn: Resembling, ’mid the torture of the scene, Love watching Madness with unalterable mien.”—Byron. VIEW FROM WEST POINT. Of the river scenery of America, the Hudson, at West Point, is doubtless the boldest and most beautiful. This powerful river writhes through the highlands in abrupt curves, reminding one, when the tide runs strongly down, of Laocoon in the enlacing folds of the serpent. The different spurs of mountain ranges which meet here, abut upon the river in bold precipices from five to fifteen hundred feet from the water’s edge; the foliage hangs to them, from base to summit, with the tenacity and bright verdure of moss; and the stream below, deprived of the slant lights which brighten its depths elsewhere, flows on with a sombre and dark green shadow in its bosom, as if frowning at the narrow gorge into which its broad-breasted waters are driven. Back from the bluff of West Point extends a natural platform of near half a mile square, high, level, and beautifully amphitheatred with wood and rock. This is the site of the Military Academy, and a splendid natural parade. When the tents of the summer camp are shining on the field—the flag, with its blood-bright stripes, waving against the foliage of the hills—the trumpet echoing from bluff to bluff, and the compact batallion cutting its trim line across the greensward—there are few more fairy spots in this working-day world. On the extreme edge of the summit, overlooking the river, stands a marble shaft, pointing like a bright finger to glory, the tomb of the soldier and patriot Kosciusko. The military colleges and other buildings skirt the parade on the side of the mountain; and forward, toward the river, on the western edge, stands a spacious hotel, from the verandahs of which the traveller gets a view through the highlands, that he remembers till he dies. Right up before him, with the smooth curve of an eagle’s ascent, rises the “old cro’ nest” of the culprit Fay, a bright green mountain, that thrusts its topmost pine into the sky; the Donderbarrak, or (if it is not sacrilege to translate so fine a name for a mountain,) the Thunder-chamber, heaves its round shoulder beyond; back from the opposite shore, as if it recoiled from these, leans the bold cliff of Breknock; and then looking out, as if from a cavern, into the sunlight, the eye drops beyond upon a sheet of wide-spreading water, with an emerald island in its bosom; the white buildings of Newburgh creeping back to the plains beyond, and in the far, far distance, the wavy and blue line of the Kattskills, as if it were the dim-seen edge of an outer horizon. The passage through the highlands at West Point still bears the old name of Wey-gat, or Wind-gate; and one of the prettiest moving dioramas conceivable, is the working through the gorge of the myriad sailing-craft of the river. The sloops which ply upon the Hudson, by the way, are remarkable for their picturesque beauty, and for the enormous quantity of sail they carry on in all weathers; and nothing is more beautiful than the little fleets of from six to a dozen, all tacking or scudding together, like so many white sea-birds on the wing. Up they come, with a dashing breeze, under Anthony’s Nose, and the Sugar-Loaf, and giving the rocky toe of West Point a wide berth, all down helm, and round into the bay; when—just as the peak of Crow Nest slides its shadow over the mainsail—slap comes the wind aback, and the whole fleet is in a flutter. The channel is narrow and serpentine, the wind baffling, and small room to beat; but the little craft are worked merrily and well; and dodging about, as if to escape some invisible imp in the air, they gain point after point, till at last they get the Donderbarrak behind them, and fall once more into the regular current of the wind. TRENTON FALLS. (VIEW DOWN THE RAVINE.) Trenton Falls (called Cayoharie by the Indians) are formed by the descent of a considerable stream, known by the name of West Canada Creek, through a mountainous ravine of singular formation and beauty. The Creek, which is swollen to a tremendous torrent by rains in the mountains, or by the spring thaws, has evidently worn through the strata which now enclose it, and runs at present over a succession of flat platforms, descending by leaps of forty or fifty feet from one to the other, and forming the most lovely chain of cascades for a length of three or four hundred miles. The walls that shut it in are either perpendicular, or overhanging it in broad table ledges; the wild vegetation of the forest above, leaning over the chasm with an effect like foliage of a bright translucent green, painted on the sky. Although but fourteen miles distant from a town containing twelve or fourteen thousand inhabitants, Trenton Falls were unknown till within a very few years. They were discovered by an artist in search of the picturesque, and are now visited, like Niagara and Terni. A quiet but excellent inn, which contrasts strongly, by its respectful service, and its neat and secluded air, with the noisy and carelessly kept hotels of the country, stands on the edge of the pine forest, a little back from the brink of the chasm; and being off the business line of travel, and requiring a little time and expense to reach, it is frequented principally by the better class of travellers, and forms a most agreeable loitering-place, either for the invalid, or the lover of quiet leisure. In company with the artist to whom the public is indebted for these admirable drawings, I lately visited the ravine by moonlight. We had passed the day in rambling up and down the creek, (a term, by the way, that, differing from its use in England, describes usually in America the finer class of streams;) and I had already made myself familiar by many visits in former years with every turn and phase of its matchless waters, as seen by the light of day. The moon rose about ten, and lifted her perfect orb, without a mist or a cloud, over the shoulder of the mountain which turns the outlet of the ravine. The fine and majestic wood, through which winds the narrow footpath to the Falls, let in the white light in silvery and broken masses—sometimes sliding a long argent line down the dark body of a pine, sometimes pouring in upon the horizontal branches of the hemlock, like an open hand sprinkled with snow; and here and there lighting up a broad circle upon the carpet of tassels and dead leaves, which, in contrast with the heavy shadows of the surrounding wood, looked illuminated with the special brightness of a fairy ring. We descended the long ladder leading into the ravine, and were soon below the reach of the moonlight, which came slant as yet, and only rimmed the black wall above us with a long strip of white, which, where the wavy line of moss and creepers ran into it, resembled the edging of lace upon a velvet coat in a dark old Flemish picture. The water in this part of the gulf quite fills up the chasm, and rolls, even by day-light, in a black and sullen stream between the bare cliffs which frown over it. The only path here is a giddy ledge, half way up the precipice, which is passed with the aid of a chain run along the rock; and, as we stood on this, looking over into the uncertain darkness below, with the murmur of the far-down and invisible current ascending faintly to our ears, and the light of heaven ceasing so far above us, it seemed to us not an inapt image of the infernal river. We crept on till we came to the foot of the principal Fall, and sat down on the platform below, to wait the gradual descent of the moon. The mist over the Fall began to show like a film of gauze waving in the air; the sharp angles and crevices in the precipice caught the light one by one, and soon the whole upper ravine was illuminated, while through the gorge below the stream still made its way darkly and solemnly to the outlet. No pencil, no language, can describe the splendour with which the moon drew her light across the face of the Fall. The other objects in the ravine drank her beams soberly, and gave back only their own calm outlines to the eye; but, from this wall of waters, every spray-drop gave back a diamond—every column of the descending element, a pillar of silver. If there were gates to fairy-land opening from this world of ours, and times when they are visible and recognizable by the chance passing eye of man, I should have believed that we had fallen on the hour, and that some inner and slowly opening portal was letting the brightness of a fairy world through these curtains of crystal. VIEW FROM MOUNT HOLYOKE. Probably the richest view in America, in point of cultivation and fertile beauty, is that from Mount Holyoke. The bald face of this mountain, which is turned towards Northampton, is about one thousand one hundred feet above the level of the Connecticut river, (or Quonnecticut, as pronounced by the Indians,) and commands a radius of about sixty miles. The ascent at the side is easy; and it is a fashionable climb for tourists, whose patronage of ginger-beer and sunrises maintains a shanty and a hermit on the top, and keeps in repair a series of scrambling but convenient ladders at the difficult points of the enterprise. The view immediately below presents a singular phase of the scenery of the river, which seems here to possess a soul for beauty, and loiters, enamoured and unwilling to flow on, in the bosom of a meadow which has no parallel in New England for loveliness and fertility. Four times the amorous stream turns to the west, and thrice to the east, threading its silver tide through the tender verdure as capriciously as a vein in the neck of beauty, and cheating twelve miles of direct course into twenty-four of coil and current. The meadow is almost entirely unfenced, and the river is fringed in all its windings with weeping elms, wild flowers and shrubs, while up toward the town the fields rise in slightly swelling terraces—forming a foreground to one of the most sunny and cheerful villages in Massachusetts. The more extended view embraces a great variety of mountain range—Monadhoe in the north-east, Saddle Mountain in the north-west, Mount Tom (between which and Mount Holyoke the Connecticut seems to have broken with the outlet waters of an immense lake) close on the south-west, and spurs of the Green Mountains advancing and receding in the course of the Connecticut in the north. Geologists speculate extensively on the lakes that once existed in the bosoms formed by these mountains—but we have not time to go back to the deluge. There is a small hamlet at the foot of Mount Holyoke, on the eastern side of the river, called by the Indian name Hoccanum, and another at the foot of Mount Tom, on the western side, called Pascommuc, both of which were burnt by the savages in the early settlement of the country, and the inhabitants killed or taken captive. The early history of all these towns on the Connecticut river is filled with events of Indian warfare. Northampton, by its rich alluvial land allured the first settlers of Massachusetts long before most of the country between it and the sea-coast possessed an inhabitant. These adventurous pilgrims seated themselves in the midst of an unprotected wilderness, and surrounded by populous Indian tribes; and, first purchasing the land at the Indians’ valuation, they defended themselves afterwards as they might from the aggressions of these and others. The township of Northampton (called Nonotuc by the aborigines) was first bought in 1653. It was conveyed to John Pyncheon for the planters by Wawdillowa, Nenessahalant, Nassicochee, and four others (one of whom was a married woman), who were styled the “chief and proper owners.” The price was “one hundred fathom of wampum by tale, and ten coats,” to which was added an agreement to plough for the Indians, in the ensuing summer, sixteen acres of land on the east side of Quonnecticut River. These “all bargained for themselves, or the other owners by their consent.” All the aborigines of this country, observes a correct writer on this subject, are owners of the lands on which they dwell—men and women alike. This property in lands, held by the Indian women, is a singular fact in the history of the savage nations. Three years after, a rich interval near Northampton, called Capawanke, and containing eight or nine hundred acres, was sold to these same planters by an Indian, named Lampancho, for fifty shillings, at two payments, “to his entire satisfaction.” These two purchases give a very fair idea of the Indian purchases made by our forefathers. In the former, ninety square miles were sold for a hundred fathom of wampum and ten coats! Within this tract were near five thousand acres of interval land, worth at the present time perhaps eight or nine hundred thousand dollars. Unjust as the transaction seems, however, the price was ample to the Indian, who could not have got so much by keeping it, and for whom there was no other purchaser. The settlers of Nonotuc lived in comparative harmony with the tribe about them; but in the subsequent Indian wars they lived in perpetual fear and agitation. The town was surrounded with palisades, “the meeting-house” was fortified, as were most of the private houses, and several forts were built within the town. Still their dwellings were often burnt, their women and children carried into captivity, and their time was divided between war and agriculture. |