DIANA UNDERTAKES A STRANGE ERRAND

If I had not been tingling with anger against Lisa, who had seemed to enjoy saying needlessly cruel things to me, perhaps I would have been utterly discouraged when she pricked the bubble of my hope. She had made me realise that the plan I had was useless, perhaps worse than useless; but in my desperate mood I caught at another. I would try to see Ivor, and find out some other way of helping him. At all events he should know that I was for him, not against him, in this time of trouble.

Perhaps this new idea was a mad one, I told myself. Perhaps I should not be allowed to see him, even in the presence of others. But while there was a "perhaps" I wouldn't give up. Without waiting for a cooler or more cowardly mood to set in, I almost ran out of my room, and downstairs, for I hadn't taken off my hat and coat since coming in.

I had no knowledge of French law, or police etiquette, or anything of that sort. But I knew the French as a gallant nation; and I thought that if a girl should go to the right place begging for a short conversation with an accused man, as his friend, an interview—probably with a witness—might possibly be granted. The authorities might think that we were engaged, for all I cared. I did not care about anything now, except seeing Ivor, and helping him if I could.

I hardly knew what I meant to do at the beginning, by way of getting the chance I wanted, until I had asked to have a motor-cab called for me. Then, I suddenly thought of the British Ambassador, a great friend of Uncle Eric's and Aunt Lilian's. Uncle Eric had already been to him, but I fancied not with a view of trying to see Ivor. That idea had apparently not been in his mind at all. Anyway, the Ambassador would already understand that the family took a deep interest in the fate of Ivor Dundas, and would not be wholly astonished at receiving a call from me. Besides, hearing of some rather venturesome escapades of mine when I first arrived in London, he had once, while visiting Uncle Eric, laughed a good deal and said that in future he would be "surprised at nothing an American girl might do."

I told the driver to go to the British Embassy as fast as he could. There, I sent in my name, and the Ambassador received me at once. I didn't explain much, but came to the point immediately, and said that I wanted—oh, but wanted and needed very much indeed—to see Ivor Dundas. Could he, would he help me to do that?

"Ought I to help you?" he asked. "Would Mountstuart and Lady Mountstuart approve?"

"Yes," I said firmly. "They would approve. You see, it is necessary."

"Then, if it's necessary—and I believe you when you say that it is," he answered, "I'll do what I can."

What he could do and did do, was to write a personal letter to the Chief of Police in Paris, asking as a favour that his friend, Miss Forrest, a young lady related through marriage to the British Foreign Secretary, should be allowed five minutes' conversation with the Englishman accused of murder, Mr. Ivor Dundas.

I took the letter to the Chief of Police myself, to save time, and because I was so restless and excited that I must be doing something every instant—something which I felt might bring me nearer to Ivor.

From the Chief of Police, who proved to be a most courteous person, I received an order to give to the governor of the gaol or prison where they had put Ivor. This, he explained, would procure me the interview I wanted, but unfortunately, I must not hope to see my friend alone. A warder who understood English would have to be present.

So far I had gone into the wild venture without once thinking what it would be to find myself suddenly face to face with Ivor in such terrible circumstances, or what he would think of me for coming in such a way now that we were no longer anything to each other—not even friends. But a kind of ague-terror crept over me while I sat waiting in an ugly little bare, stuffy reception room. My head was going round and round, my heart was pounding so that I could not make up my mind what to say to Ivor when he came.

Then, suddenly, I heard the sound of footsteps outside the door; and when it opened, there stood Ivor, between two Frenchmen in blue uniforms. One of them walked into the room with him—I suppose he must have been a warder—but he stopped near the door, and in a second I had forgotten all about him. He simply ceased to exist for me, when my eyes and Ivor's had met.

I sprang up from my chair and began to talk as quickly as I could, stammering and confused, hardly knowing what I said, but anxious to make him understand in the beginning that I had not come to take back my words of yesterday.

"We're all so dreadfully sorry, Mr. Dundas," I said. "I don't know if Uncle Eric has been here yet—but he is doing all he can, and Aunt Lilian is dreadfully upset. We're staying on in Paris on account of—on account of this. So you see you've got friends near you. And I—we're such old friends, I couldn't help trying as hard as I could for a sight of you to—to cheer you up, and—and to help you, if that's possible."

I spoke very fast, not daring to look at him after the first, but pretending to smooth out some wrinkles in one of my long gloves. My eyes were full of tears, and I was afraid they'd go splashing down my cheeks, if I even winked my lashes. I loved him more than ever now, and felt capable of forgiving him anything, if only I had the chance to forgive, and if only, only he really loved me and not that other.

"Thank you, a hundred times—more than I can express," he said, with a faint quiver in his voice—his beautiful voice, which was the first thing that charmed me after knowing him. "It does cheer me to see you. It gives me strength and courage. You wouldn't have come if you didn't—trust me, and believe me innocent."

"Why, of course, I—we—believe you innocent of any crime," I faltered.

"And of any lack of faith?"

"Oh, as for that, how can—but don't let's speak of that. What can it matter now?"

"It matters more than anything else in the world. If only you could say that you will have faith!"

"I'll try to say it then, if it can give you any comfort."

"Not unless you mean it."

"Then—I'll try to mean it. Will that satisfy you?"

"It's better than nothing. And I thank you again. As for the rest, you're not to be anxious. Everything will come right for me sooner or later, though I may have to suffer some annoyances first."

"Annoyances?" I echoed. "If there were nothing worse!"

"There won't be. I shall be well defended. It will all be shown up as a huge mistake—another warning against trusting to circumstantial evidence."

"Is there nothing we can do then? Or—that we would urge others to do?" I asked, hoping he would understand that I meant one other—Maxine de Renzie.

I guessed by his look that he did understand. It was a look of gloom; but suddenly a light flashed in his eyes.

"There is one thing you could do for me—you and no one else," he said. "But I have no right to ask it."

"Tell me what it is," I implored.

"I would not, if it didn't mean more than my life to me." He hesitated, and then, while I wondered what was to come, he bent forward and spoke a few hurried words in Spanish. He knew that to me Spanish was almost as familiar as English. He had heard me talk of the Spanish customs still existing in the part of California where I was born. He had heard me sing Spanish songs. We had sung them together—one or two I had taught him. But I had not taught him the language. He learned that, and three or four others at least, as a boy, when first he thought of taking up a diplomatic career.

They were so few words, and so quickly spoken, that I—remembering the warder—almost hoped they might pass unnoticed. But the man in uniform came nearer to us at once, looking angry and suspicious.

"That is forbidden," he said to Ivor. Then, turning sharply to me. "What language was that?"

"Spanish," I answered. "He only bade me good-bye. We have been—very dear friends, and there was a misunderstanding, but—it's over now. It was natural he shouldn't want you to hear his last words to me."

"Nevertheless, it is forbidden," repeated the warder obstinately, "and though the five minutes you were granted together are not over yet, the prisoner must go with me now. He has forfeited the rest of his time, and must be reported."

With this, he ordered Ivor to leave the room, in a tone which sounded to me so brutal that I should have liked him to be shot, and the whole French police force exterminated. To hear a little underbred policeman dare to speak like that to my big, brave, handsome Englishman, and to know that it would be childish and undignified of Ivor to resist—oh, I could have killed the creature with my own hands—I think!

As for Ivor, he said not another word, except "good-bye," smiling half sadly, half with a twinkle of grim humour. Then he went out, with his head high: and just at the door he threw me back one look. It said as plainly as if he had spoken: "Remember, I know you won't fail me."

I did indeed remember, and I prayed that I should have pluck and courage not to fail. But it was a very hard thing that he had asked me to do, and he had said well in saying that he would not ask it of me if it did not mean more than his life.

The words he had whispered so hastily and unexpectedly in Spanish, were these: "Go to the room of the murder alone, and on the window balcony find in a box under flower-pots a folded document. Take this to Maxine. Every moment counts."

So it seemed that it was always of her he thought—of Maxine de Renzie! And I, of all people in the world, was to help him, with her.

As I thought of this task he'd set me, and of all it meant, it appeared more and more incredible that he should have had the heart to ask such a thing of me. But—it "meant more than his life." And I would do the thing, if it could be done, because of my pride.

As I drove away from the prison a kind of fury grew in me and possessed me. I felt as if I had fire instead of blood in my veins. If I had known that death, or worse than death, waited for me in the ghastly house to which Ivor had sent me, I would still have gone there.

My first thought was to go instantly, and get it over—with success or failure. But calmer thoughts prevailed.

I hadn't looked at the papers yet. My only knowledge of last night's dreadful happenings had come from Uncle Eric and Lord Robert West. I had said to myself that I didn't wish to read the newspaper accounts of the murder, and of Ivor's supposed part in it. I remembered now, however, that I did not even know in what part of Paris the house of the murder was. I recalled only the name of the street, because it was a curiously grim one—like the tragedy that had been acted in it.

I couldn't tell the chaffeur to drive me to the street and house. That would be a stupid thing to do. I must search the papers, and find out from them something about the neighbourhood, for there would surely be plenty of details of that sort. And I must do this without first going back to the hotel, as it might be very difficult to get away again, once I was there. Now, nobody knew where I was, and I was free to do as I pleased, no matter what the consequences might be afterwards.

Passing a Duval restaurant, I suddenly ordered my motor-cab to stop. Having paid, and sent it away, I went upstairs and asked for a cup of chocolate at one of the little, deadly respectable-looking marble tables. Also I asked to see an evening paper.

It was a shock to find Ivor's photograph, horribly reproduced, gazing at me from the front page. The photograph was an old one, which had been a good deal shown in shop windows, much to Ivor's disgust, at about the time when he returned from his great expedition and published his really wonderful book. I had seen it before I met him, and as it must have been on sale in Paris as well as London, it had been easy enough for the newspaper people to get it. Then there came the story of the murder, built up dramatically. Hating it, sickened by it, I yet read it all. I knew where to go to find the house, and I knew that the murder had been committed in a back room on the top floor. Also I saw the picture of the window with the balcony. Ivor was supposed—according to Girard, the detective—to have tried in vain to escape by way of this high balcony, on hearing sounds outside the door while busy in searching the dead man's room. Girard said that he had seen him first, by the light of a bull's-eye lantern, which he—Girard—carried, standing at bay in the open window. There was a photograph of this window, taken from outside. There was the balcony: and there was the balcony of another window with another balcony just like it, on the adjoining house. I looked at the picture, and judged that there would not be more than two feet of distance between the railings of those two balconies.

"That would be my way to get there—if I can get there at all," I said to myself. But there was hardly any "if" left in my mind now. I meant to get there.

By this time it was after five o'clock. I left the Duval restaurant, and again took a cab. The first thing I did was to send a petit bleu to Aunt Lilian, saying that she wasn't to worry about me. I'd been hipped and nervous, and had gone out to see a friend who was—I'd just found out—staying in Paris. Perhaps I should stop with the friend to dinner; but at latest I should be back by nine or ten o'clock. That would save a bother at the hotel (for Aunt Lilian knew I had heaps of American friends who came every year to Paris), yet no one would know where to search for me, even if they were inclined.

Next, I drove to a street near the Rue de la Fille Sauvage, and dismissed my cab. I asked for no directions, but after one or two mistakes, found the street I wanted. Instead of going to the house of the murder, I passed on to the next house on the left—the house of the balcony almost adjoining the dead man's.

I rang the bell for the concierge, and asked him if there were any rooms to let in the house. I knew already that there were, for I could see the advertisement of "Chambres À louer" staring me in the face: but I spoke French as badly as I could, making three mistakes to every sentence, and begged the man to talk slowly in answering me.

There were several rooms to be had, it appeared, but it would have been too good to be true that the one I wanted should be empty. After we had jabbered awhile, I made the concierge understand that I was a young American journalist, employed by a New York paper. I wanted to "write up" the murder of last night, according to my own ideas, and as of course the police wouldn't let me go into the room where it happened, the next best thing would be to take the room close to it, in the house adjoining. I wanted to be there only long enough to "get the emotion, the sensation," I explained, so as to make my article really dramatic. Would the people who occupied that room let it to me for a few hours? Long before bedtime they could have it back again, if I got on well with my writing.

The concierge, to whom I gave ten francs as a kind of retaining fee, was almost sure the occupants of the room (an old man and his wife) would willingly agree to such a proposal, if I paid them well enough for their trouble in turning out.

Would three louis be enough? I asked. The concierge—whose eyes brightened—thought that it would. I knew by his look that he would take a large commission for managing the affair, as he quickly offered to do; but that didn't matter to me.

He confirmed my idea that it would have been hopeless to try and get into the room of the murder itself, even if I could have borne it, saying that the door, and window too, had been sealed by the police, who were also guarding the house from curiosity seekers; but he added that I could see the shut window from the balcony of the room I was going to hire.

I waited for him, and played with his very unattractive baby while he went upstairs to make enquiries. He was gone for some time, explaining to the people; but at last, when my patience was almost too far strained, he came back to say that Monsieur and Madame Nissot had consented to go out of their room for the evening. They were dining at the moment, however, and Mademoiselle must be pleased to wait a few moments until they finished the meal and gathered up a few things which they could carry to a neighbour's: books, and work for their hours of absence, the concierge politely suggested. But that was to save my feelings, no doubt, for I was sure the husband and wife meant to make a parcel of any valuables which could possibly be carried off by an unscrupulous American journalist. Also, they stipulated that payment must be made in advance. To this I agreed willingly. And then—I waited, waited. It was tedious, but after all, the tediousness didn't matter much when I came to think of it. It would be impossible to do the thing I had made up my mind to do, till after dark.