Prince Giovanni Della Robbia, known to his friends in Rome as Vanno, went down early to dinner at the Paris. This, not because he was hungry, but having come to the hotel because he knew that his Juliet of Marseilles was there, he had no intention of missing a chance to look at her. If she did not appear early, he would go on dining until it was late, no matter how late. Such a resolution, and just such an adventure as this into which he had flung himself with characteristic impulsiveness and passion, were strange for Prince Vanno, because since a first unhappy love, when he was a mere boy, he had avoided women. Adventure and romance were in his blood, the Italian blood of his father, the Irish-American blood of his beautiful mother. But his adventures had not been love adventures, since that first agony had driven him for comfort to the silence of the desert. Since then he had gone back to the desert for desire of great empty spaces, and the fire of eastern stars, needing comfort no longer for a lost love. That had passed out of his heart years ago, leaving no scar of which he was conscious. He had just come back from the desert now, and an Arab astrologer who was a friend of his had told He supposed, of course, that she was travelling with relatives or friends. Although he had seen her mounting the steps of a wagon lit apparently alone, this did not argue that some one who belonged to her was not inside. And when, from the window of the train whence he leaned at every station, he saw her again at Monte Carlo, she was surrounded by a crowd. One of the ladies shoulder to shoulder with her might be a mother or aunt, one of the men a father or uncle; and it had been the same when he followed, just in time to see her get into the HÔtel de Paris omnibus. Already the vehicle was full. She was the last in. His idea was that, being the youngest of her party, she had waited for them to be placed before taking a seat herself. He knew of her now, having examined the visitors' book at the Paris, that she was "Miss M. Grant"; that the name was written in a very pretty, rather old-fashioned hand; that after it came "London" in the same writing. He was sure the name must be hers, because it was last on the page before he wrote his own; and she had gone in last, after everybody else, leaving the people she was with to do their name-signing before her. Also, the other women on the page were all "Madame" or "Frau" or "Mrs." He was rather surprised, somehow, to learn that she was English. In spite of her unusually fair hair he had fancied that she would turn out to If he had not been following a pair of eyes, Prince Vanno would have gone to a quiet hotel in the Condamine, to be near the aviation ground, for, being utterly unsnobbish, like all Italians of great families, he rather disliked "smart" crowds, rich food, and gorgeous decorations. But the only way not to lose the stars he followed was to keep near them. He would not for a great deal have questioned the hotel people about "Miss M. Grant," otherwise he might have learned for how long a time her room was engaged, and, incidentally, that she was alone. But as it was, he had to find out things for himself, and to do this must be in the same hotel. It was only seven o'clock when he came down from his little room at the top of the house, not nearly as expensive as Mary's, and stopped at the foot of the marble stairs, which he liked better than the lift, to look round the big hall. There was no great crowd, for most people who had come in from the Casino were dressing for dinner, and Prince Vanno saw at a glance that Miss M. Grant was not there. He went on slowly through the Louis Seize tea-room, to the gorgeous restaurant with its domed and gilded ceiling, its immense wall paintings, and glass front. At one of these window tables—a very small one—sat a lovely creature, alone. A good many heads were turning to look at her, so probably she had not long ago arrived. For an instant Vanno "Dio!" he said to himself, and bit his lip. He felt the blood rush up to his face, as if some one had given him an insulting blow, which he could not avenge because his hands were tied. There were two or three other young and beautiful women alone, dressed with equal extravagance, their gowns as low, their hats as big; only she, his Juliet, was more beautiful than any. That was the difference between them. But was it the only difference? The young man, whose eyes still reflected the golden light of vast desert spaces, asked himself the question with a sick sinking of the heart. He had followed an angel, and found her—what? Because about those two or three others there was no question at all. And why was she here alone, dressed like them, if—but he would not finish the sentence in his mind. He resolved to study the girl, and give her the full benefit of the doubt, so long as there was a ray of hope. Vanno had not gone so far as to fall in love at first sight; yet coming back from the desert with his heart open to beauty and romance, he had been willing to let himself go to the brink, or over it, if it were worth while, else he would not have followed His father, Duca di Rienzi, had a strain of stern asceticism in his nature, and even the impulsive, warm-hearted American mother could not wholly redeem from gloom the cold palace in Rome and the dark fourteenth century castle at Monte Della Robbia. Each of these natures had given something to Vanno, and the differences were so strongly marked that his elder brother had said, "to know Vanno was like knowing two men of entirely opposite characters, each struggling for mastery over the other." But even in his asceticism he was ardent. Whatever he did, he did with passion and fervour, which he could laugh at as if from a distance sometimes, but could not change. And his ideas of the right life for women were not unlike the ideas of eastern men. Women should be guarded, kept apart from all that was evil or even unpleasant. So the lovely American mother had been guarded, somewhat against her will, by the Duke, and she had died while she was still young. She had never talked to Vanno of The table nearest Mary was not engaged, for it was too early in the evening for a crowd in the Paris restaurant. Vanno signified to a waiter his desire for this table, and was taken to it. He sat down facing Mary, and pretended to study the menu. He hardly knew what he ordered. A waiter was bringing the girl a small bottle of champagne, in an ice-pail. The man cut the wires, and extracted the cork neatly, but with a slight popping sound. Mary started a little, and glancing up at the waiter smiled at him gayly, with a dimple in each cheek. Her big hat was placed jauntily on one side, and the deep blue velvet brim, with the gauzy gold of the soft crown, was extremely striking on the silver-gold waves of her hair. In her wonderful dress, which showed a good deal of white neck, she looked so fashionably sophisticated that Vanno feared the start she gave at the popping of the cork might be affected. He gazed across at her with mingled disapproval and admiration which gave singular intensity to his deep-set, romantic eyes as Mary met them. She was in a mood to be delighted with everything that happened, and it seemed a charming Her bringing up, in all that concerned her treatment of men, had been neglected; rather, it had not been given at all. As a schoolgirl she had never met any men except a few mild youths when visiting Lady MacMillan, and then she had never seen them alone. She had thought herself a child, and had behaved as a child, in those days. Then had come her years as a postulant and as a novice. Men had ceased to exist as influences in her life. It had not been necessary to teach her what to do when in their society, for it had seemed improbable that she ever would be. When, at the last moment, she had decided that after all she "had not the vocation," there had been little or no time to prepare her for the world. And she had come out of the convent with no social wisdom except the wisdom of kindness and courtesy to all fellow-beings. Man was decidedly a fellow-being, and Mary, to whom he was interesting because entirely new, was inclined to be very kind to him, especially when he had the handsome, almost tragic dark face of a Romeo or a young Dante, and eyes like wells of ink into which diamonds had fallen. She was feeling childishly pleased with herself in her new dress, for she loved beautiful things, and knew next to nothing of suitability, provided the colours were right. By day, one had blouses and Mary, having little money in her schoolgirl days, had never owned anything very pretty, and now she thought it right and pleasant to make up for lost time. The "Madame" of the shop in the Galerie Charles Trois had earnestly recommended this gown and this hat for dinner and the Casino; therefore Mary was sure that her costume must be as suitable as it was beautiful, and that she was quite "in the picture," in this magnificent room. She admired the lovely, perfumed ladies with wonderful complexions and clothes, at neighbouring tables, and was thankful that she looked not too unlike Mary was glad that the Dante young man (she began to call him thus, for his profile really was like the poet's, and after all too stern for Romeo) could see her in this dress and hat, after having a sight of her first in the tweed, which she had now grown to detest. It really did seem as if he remembered, for he looked at her with a straight look, almost as if he were asking a grave, important question. She was afraid that he must be unhappy, for certainly his eyes were tragic, if they were not reproachful; and of course they couldn't be reproachful, as he didn't know her, and had nothing to be reproachful about. The waiter who served her was a charming person, with delightful manners, almost like those of the Frenchman who had been kind to her on the way to Paris. He recommended things on the menu, which turned out to be exquisite. They were the most expensive, also, but Mary did not know that. It seemed quite odd that one should have to pay for food at all, for always it had appeared to come She tasted it, and found it nice, deliciously cold and sparkling. No wonder it made the eyes bright! But after all, she could not drink much, though it seemed a shame to waste anything so good. "You can have the rest," she said to the waiter, when she had finished her first glass. He was surprised, for most ladies, he noticed, could finish two or three glasses, or even more. Again the man with the profile of a young Dante was looking at her with the grave, anxious look that puzzled her. She met his eyes for the third or fourth time, and was so sorry for his apparent unhappiness where every one else seemed merry, that she half smiled, very sweetly and gently, as one would smile at a gloomy child. The man did not return her kindness. An angry flash lit his eyes, and he looked extremely haughty and unapproachable, no longer a lonely figure needing sympathy, but a high personage. Mary lowered her lashes, abashed; and when she did this Vanno, |