THE PLAY OF CROSS PURPOSES

When Max St. George, with seven emaciated Arabs and five dilapidated camels, crawled into Omdurman, bringing Richard Stanton's young widow, their arrival made a sensation for all Egypt. Later, in Khartoum, when the history of the murder and the subsequent march of nine hundred miles came out, it became a sensation for Europe and America.

Rumours had run ahead of the little party, from Kordofan, birthland of the terrible Mahdi; but the whole story was patched together from disjointed bits only, when the caravan arrived in civilization. Very little was got out of the fever-stricken, haggard young man who (according to Mrs. Stanton) was the hero of the great adventure, impossible to have been carried through for a single day without him. It was Sanda who told the tale, told it voluntarily, even eagerly, to every one who questioned her. She could not give Max St. George—that mysterious young man who apparently had no country and no past—enough praise to satisfy her gratitude. There had been terrible sandstorms in which they would have given themselves up for lost if it had not been for his energy and courage. Once they had strayed a long way off their track and nearly starved and died of thirst before they could find an oasis they had aimed for and renew exhausted supplies. But Max St. George's spirit had never flagged even after the mosquito-ridden swamp where he had caught a touch of malarial fever. Through his presence of mind and military skill the party had been saved from extinction in a surprise attack by a band of desert marauders twice their number. Every night he had protected the little camp by forming round it a hollow square of camels and baggage, and keeping a sentinel posted, generally himself. It was through these precautions they had been able to withstand the surprise and drive the robbers off with the loss only of a few men and some of the camels. They had fought and conquered the enemy under a flag of the Legion, a miniature copy given by Colonel DeLisle to his daughter. There had not been one desertion from their ranks, except by death, and all was owing—Sanda said—to the spirit Max St. George had infused into his followers. He insisted that the latter were the only heroes, if any, and the Arabs from far-off Touggourt enjoyed such fame as they had associated with the delights of a paradise reserved for warriors. But of himself Max St. George would not talk; and people said to each other, "Who is this young fellow who was the only white man with Stanton? He seems at home in every language. Where did he come from?"

Nobody could tell. Not a soul knew what his past had been. But as for his future, it seemed not unlikely that it might be limited on this earth; for having finished his mission, and taken Mrs. Stanton as far as Cairo on her way back to Algeria, he succumbed to the fever he had resisted ferociously while his services were needed. When there was nothing to do he relaxed a little and the flame in his blood burned unchecked.

Mrs. Stanton's exhibition of gratitude, however, was admirable in the eyes of the world focussed upon her. If Richard Stanton had not been a magnificent man, celebrated for his successes with women, and having the added attraction of fame as an explorer, people might have suggested that the widow's remaining in Cairo to nurse St. George was not entirely disinterested. But as it was, nobody said disagreeable things about the beautiful, pale young creature, and the haggard skeleton of a man who had pioneered her safely through the Sahara and Libyan deserts.

It was as much because of her beauty, which gave a glamour of almost classic romance to the wild business, as because of Stanton's reputation and the amazing madness of his last venture, that newspapers all over the civilized world gave columns to the story. Somehow, snapshots of Max St. George, as well as several of Sanda, had been snatched by enterprising journalists before St. George fell ill in Cairo. These were telegraphed for and bought by newspapers of England, Spain, Italy, France, America, Algeria, and even Germany, which had not loved Stanton. The next thing that happened was the report in Algerian papers that Max St. George, "le jeune homme de mystÈre," was a missing soldier of the Legion, who had deserted from an important mission to join Stanton's caravan. Sensation everywhere! Paragraphs reminding the public of a curious fact: that young Mrs. Stanton was the daughter of the colonel of the Legion. Strange if she had not known from the first that the recruit to her husband's expedition was a deserter from her father's regiment. And what a situation for the colonel himself! His daughter protected during a long desert journey of incalculable peril by a man whom it would be her father's duty to have arrested and court-martialled if he were on French soil.

Journalists argued the delicate question, whether, in the circumstances, it would be possible for Colonel DeLisle to do anything officially toward obtaining a pardon for St. George—whose name probably was not St. George, since no man wore anything so obvious as his own name in the Foreign Legion. Retired officers wrote letters to the papers and pointed out that for DeLisle to work in St. George's favour, simply because accident had enabled the deserter to aid a member of his colonel's family, would be inadmissible. If St. George were the right sort of man and soldier he would not expect or wish it. As a matter of fact, he did neither; but then, at the time, he was in a physical state which precluded conscious wishes and expectations. He did not know or care what happened; though sometimes, in intervals of seeing marvellous mirages of the Lost Oasis, and fighting robbers, or prescribing for sick camels, he appeared vaguely to recognize the face of his nurse; not the professional, but the amateur. "Sanda, Sanda!" he would mutter, or cry out aloud; but as fortunately no one knew that Mrs. Stanton, nÉe Corisande DeLisle, was called "Sanda" by those who loved her, the doctor and the professional nurse supposed he was babbling about the sand of the desert. He had certainly had a distressing amount of it!

Max would have been immensely interested if he could have known at this time of three persons in different parts of the world who were working for him in different ways. There was ManÖel Valdez in Rome, where he had arrived with OurÏeda by way of Tunis and Sicily, instead of getting to Spain according to his earlier plan. ManÖel, singing with magnificent success in grand opera, proclaimed himself Juan Garcia, a fellow-deserter with St. George, in order to gild St. George's escapade with glory. Not only did he talk to every one, and permit his fascinating Spanish-Arab bride to talk, but he let himself be interviewed by newspapers. Perhaps all this was a good advertisement in a way; but he was making a succes fou, and did not need advertisement. Genuinely and sincerely he was baring his heart and bringing his wife into the garish limelight because of his passionate gratitude to Max St. George.

The interview was copied everywhere, and Sanda read it in Cairo, learning for the first time not only many generous acts of St. George of which she had never heard, but gathering details of OurÏeda's escape with Valdez, at which till then she had merely been able to guess. The entire plot of ManÖel's love drama, from the first grim scene of stunning the prospective bridegroom on the way to his unwilling bride, to the escape from the douar in the quiet hours when Tahar was supposed to be left alone with the "Agha's Rose," on to the hiding at Djazerta, and stealing away in disguise with a caravan while the hunt took another direction, all had played itself out according to his plan. Valdez attributed the whole success to St. George's help, advice, and gifts of money, down to the last franc in his possession. And now ManÖel began to pay the debt he owed, by calling on the world's sympathy for the deserter, who might not set foot on French soil without being arrested. Thus the singer's golden voice was raised for Max in Italy. In Algeria old "Four Eyes" was working for him like the demon that he looked; having returned with his colonel and comrades to Sidi-bel-AbbÉs after the long march and a satisfactory fight with the "Deliverer," he soon received news of the lost one. With roars of derision he refused to believe in the little "corporal's" voluntary desertion, and from the first moment began to agitate. What! punish a hero for his heroism? That, in Four Eyes' vilely profane opinion, expressed with elaborate expletives in the Legion's own choicest vernacular, was what it would amount to if St. George were branded "deserter." Precisely why Max had joined Stanton's caravan instead of returning to Sidi-bel-AbbÉs, perhaps a few days late, Four Eyes was not certain; but there was no one better instructed than he in pretending to know things he merely conjectured. He had seen Ahmara, the dancer, and had told Max the scandal connecting her with the explorer. "What more natural than that a soldier of the Legion should, for his colonel's sake, sacrifice his whole career to protect the daughter from such a husband as Stanton? No doubt the boy knew that Stanton meant to take Ahmara with him, and had left everything to stand between the girl and such a pair."

In his own picturesque and lurid language Four Eyes presented these conjectures of his as if they were facts; and to do him justice he believed in them. Also, he took pains to rake up every old tale of cruelty, vanity, or lust that had been told in the past about Richard Stanton, and embroider them. Beside the satyr figure which he flaunted like a dummy Guy Fawkes, Max St. George shone a pure young martyr. Never had old Four Eyes enjoyed such popularity among the townfolk of Sidi-bel-AbbÉs as in these days, and he had the satisfaction of seeing veiled allusions to his anecdotes in newspapers when he could afford to buy or was able to steal them. On the strength of his triumph he got up among his fellow Legionnaires a petition for the pardon and reinstatement of Corporal St. George. Not a man refused to sign, for even those who might have hesitated would not have done so long under the basilisk stare of the ex-champion of boxing.

"Sign, or I'll smash you to a jelly," was his remark to one recruit who had not heard enough of St. George or Four Eyes to dash his name on paper the instant he saw a pen.

While the petition was growing Colonel DeLisle (who gave no sign that he had heard of it) obtained ten days' leave, the first he had asked for in many years, and took ship for Algiers to Alexandria to see his daughter. But that did not discourage Four Eyes; on the contrary, "The Old Man doesn't want to be in it, see?" said Pelle. "It ain't for him, in the circus, to do the trick; it's for us, ses enfants! And damn all four of my eyes, we'll do it, if we have to mutiny as our comrades once did before us, when they made big history in the Legion."

The third person who, unasked, took an active interest in Max St. George's affairs was, of all people on earth, the last whom he or any one else would have expected to meddle with them. This was Billie Brookton, married to her Chicago millionaire, and trying, tooth and nail, with the aid of his money, to break into the inner fastnesses of New York and Newport's Four Hundred. It was all because of a certain resistance to her efforts that suddenly, out of revenge and not through love, she took up Max's cause. The powder train was—unwittingly—laid months before by Josephine Doran-Reeves, as she preferred to call herself after her marriage with the son of the Dorans' lawyer. Neither she nor Grant—who had taken the name of Doran-Reeves also—liked to think or talk of the man who had disappeared. On consideration, the Reeveses, father and son, had decided not to make public the story of Josephine's birth which Max had given to them. They feared that his great sacrifice would create too much sympathy for Max and rouse indignation against Josephine and her husband for accepting it, allowing the martyr to disappear, penniless, into space. At first they said nothing at all about him, merely giving out that Josephine Doran was a distant relative who had been brought to the Doran house on Rose's death; but all sorts of inconvenient questions began to be asked about Max Doran, into whose house and fortune the strange-looking, half-beautiful, half-terrible, red-haired girl had suddenly, inexplicably stepped.

Max's friends in society and the army did not let him pass into oblivion without a word; therefore some sort of story had to eventually be told to silence tongues, and, still worse, newspapers. Grant was singularly good at making up stories, and always had been since, as a boy, he had unobtrusively contrived to throw blame off his own shoulders on to those of Max if they were in a scrape together.

Half a lie, nicely mixed with a few truths, makes a concoction that the public swallows readily. Max was too young, and had been too much away from New York, to be greatly missed there, despite Rose Doran's popularity; and when such an interesting and handsome couple as Grant and Josephine Doran-Reeves began entertaining gorgeously in the renovated Doran house, the ex-lieutenant of cavalry was forgotten comparatively soon. It seemed, according to reluctant admissions made at last by Grant and Josephine to their acquaintances, that Max had had secret reasons for resigning his commission in the army and vanishing into space. It was his own wish to give up the old house to Josephine, his "distant cousin from France," and in saying this they carefully gave the impression that he had been well paid. Nobody dreamed that the money Mr. and Mrs. Grant Doran-Reeves spent in such charming ways had once belonged to Max. He was supposed to have "come a cropper" somehow, as so many young men did, and to have disappeared with everything he had, out of the country, for his country's good. When people realized that there was a secret, perhaps a disgraceful one, many were sorry for poor Grant and Josephine, mixed up in it through no fault of their own; and the name of Max Doran was dropped from conversation whenever his innocent relatives were within hearing distance. Then, by and by, it was practically dropped altogether, because it had passed out of recollection.

This was the state of affairs when the beautiful Billie (Mrs. Jeff Houston) arrived, covered with diamonds and pearls (the best of the latter were Max's), to storm social New York. She had already won its heart as an actress, but as a respectable married woman who had left the stage and connected herself by marriage with a sausage-maker she was a different "proposition."

"You ought to know some woman in the smart set," advised a friend in the half-smart set who had received favours from Billie, and had not been able to give the right sort of return. "Oh, of course, you do know a lot of the men, but they're worse than no use to you now. It must be a woman, 'way high up at the top.'"

Billie racked her brains, and thought of Josephine Doran-Reeves. Josephine was "way up at the top," because she was a Doran and very rich, and so queer that she amused the most bored people, whether she meant to or not. Unfortunately, Billie did not know her, but the next best thing, surely, was to have known Max Doran.

Billie had made capital out of Max in the shape of a famous blue diamond and a string of uniquely fine pearls, and her idea had been that she had got all there was to be got from him. In fact, she had not mentioned this little love-idyll even to her husband. Suddenly, however, she remembered that they two had been dear, dear friends—perfectly platonic friends, of course—and she felt justified in writing a sweet letter to Josephine asking tactfully for news of Max. She put her point charmingly, and begged that she might be allowed to call on dear Mrs. Doran-Reeves, to chat cozily about "that darling boy," or would Mrs. Doran-Reeves rather come and have tea with her one day, any day, at the Plaza Hotel? She was staying there until the house her husband had bought for her (quite near the Doran house) should be out of the decorator's hands.

But the last thing that appealed to Josephine was the thought of a cozy chat about "that darling boy" Max. Besides, the moment was a bad one with her. Captain de la Tour had got long leave and come to America, she did not know why at first, and had been inclined to feel rather flattered, if slightly frightened. But soon she found out. He had come to blackmail her. There were some silly letters she had written when they were in the thick of their flirtation at Sidi-bel-AbbÉs, and the height of her ambition had been to marry a French officer, no matter how poor. Captain de la Tour had kept those letters.

He did not threaten to show them to Grant Doran-Reeves. He judged the other man by himself and realized that, having married a girl for her money, Grant would not throw her over, or even hurt her feelings, while she still had it.

What Captain de la Tour proposed was to sell the letters and tell the romantic story of Mrs. Doran-Reeves's life in a little Algerian hotel if she did not buy up the whole secret and his estates in France at the same time. For the two together he asked only the ridiculously small price of three hundred thousand francs—sixty thousand dollars.

Josephine had raged, for Grant, even more than she, hated to spend money where a show could not be made with it. But Captain de la Tour was rather insistent and got on her nerves. In an hysterical fit, therefore, she made a clean breast of the story to her husband. When she had described to him as well as she could what was in the letters, and what a Bohemian sort of life she had led in Bel-AbbÉs, Grant decided that it would be romantic as well as sensible to buy the ChÂteau de la Tour. Josephine had actually been born there; and they could either keep the place or sell it when it had been improved a bit and made famous by a few choice house-parties.

So the Doran-Reeveses bought the chÂteau and got back the letters, and hoped that Captain de la Tour would take himself and his ill-gotten gains out of the United States. But he lingered, looking out for an American heiress, while Josephine existed in a state of constant irritation, fearing some new demand or an indiscretion. And it was just at this time that she received Mrs. Jeff Houston's letter. Naturally it gave her great pleasure to snub some one, especially a woman prettier than herself. She took no notice of Billie's appeal, and when Mrs. Houston, hoping somehow that it had not reached its destination, spoke to her sweetly one night at the opera, Josephine was rude before some of the "best people" in New York.

After that, Billie said to every one that Mrs. Doran-Reeves was insane as well as deformed; but that "cut no ice," as Jeff Houston remarked, and when the snapshot of Max St. George, deserter from the Foreign Legion, appeared with the newspaper story of Sanda Stanton, Billie did what Jeff described as "falling over herself" to get to the office of Town Tales.

She told nothing damaging to the late Miss Brookton in mentioning Max Doran, and of him she spoke with friendly enthusiasm. He had been so good, so kind to her, and so different from many young men who were good to actresses. It broke her heart to think of his fate, for there was no doubt that Max St. George, the Legionnaire, and Max Doran were one. Billie told how, to her certain knowledge, Max had sacrificed himself for Josephine Doran, who (for some reason he was too noble to reveal, but it had to do with a secret of ancestry) seemed to him the rightful heiress.

Penniless, Max had been forced to resign from an expensive regiment, where he lived expensively. He had done this for Josephine's sake, though he had loved his career better than anything else in the world. And then, last of all, he had effaced himself rather than accept pity or favours. He had enlisted in the Foreign Legion, and now he had further shown the nobility of his nature by the very way in which he had fallen into disgrace. But what did the Doran-Reeveses do, though they owed everything to him? They told lies and ignored his existence. Mrs. Jeff Houston said that she felt it her duty as Max Doran's only faithful friend to bring this injustice to public notice.

Town Tales was delighted to help her do this, because she was Billie Brookton, a celebrity, and because it was "good copy." Other papers—many other papers—took up the hue and cry which Town Tales started; and the Doran-Reeveses' life became not as agreeable as it had been.

They defended themselves to friends and enemies and newspaper men, and thought of suing Town Tales for libel, but were dissuaded from doing so by old Mr. Reeves. Then it occurred to Josephine to let every one know that, though she was being cruelly maligned, she wished, as a proof of her admiration for Max's desert exploits, to present him with all her French property, the magnificent old vineyard-surrounded ChÂteau de la Tour, where he could cultivate grapes and make his fortune.

The papers pointed out that this was something like sending coals to Newcastle, as St. George, alias Doran, was debarred from entering France unless he wanted to go to prison. But Josephine and Grant quickly retorted that the recipient of their bounty need not live in France in order to benefit. He could sell or let the ChÂteau de la Tour through some agent.

Not an echo of all this play of cross purposes reached Max at the nursing home in Cairo, where he had been carried by Sanda's orders after breaking down. But Sanda, who took in a dozen papers to see what they had to say about the "deserter," read what was going on at New York as well as in Rome and at Sidi-bel-AbbÉs. She saw that Max had been presented with estates in France by the woman who had taken everything and given nothing; and because of queer things Max had let drop in his delirium she understood more of the past than he would have revealed of his own free will. For one thing, she learnt that a certain Jack and Rose Doran had had a child born to them at the ChÂteau de la Tour. This enabled her to put other things together in her mind, and loving Max as she did, she saw no harm in thus using her wits, while she respected him with all her heart for not telling the secret. Besides, she had met Captain de la Tour in Sidi-bel-AbbÉs, and she had guessed that it was partly because of him and one or two others like him that her father had sent her to the Agha's rather than leave her at Bel-AbbÉs alone.

"It would be the most wonderful sort of poetic justice," she reflected, sitting at Max's bedside one day while he slept, "if the old place of his ancestors should come back to him at last."

This thought reminded her of her plan. Not that she ever forgot it; but she had to put it into the background of her mind until she was sure that Max was going to get well. Until then, she could not and would not leave him. But at last she was sure; and she was waiting only to find out if her father could help; or if not, till his leave was over and she was left to act for herself without compromising the Legion's colonel.

If Sanda had loved her father in their days together at Bel-AbbÉs, she loved him a thousand times more in those few days of his visit at Cairo. He forgave her without being asked for leaving him "in the lurch," as she repentantly called it, and letting herself be carried away by Stanton. "You thought you loved him, my darling," DeLisle said. "And I could forgive anything to love."

It was in his arms, with her face buried on his breast, that she told what her marriage had been, and then came the confession (for it seemed to her a confession, though she was not ashamed of it, but proud) about Max.

"He didn't speak one word of love to me," the girl said. "He tried not even to let his eyes speak. But they did, sometimes, in spite of him. And no man could possibly endure or do for a woman the things he endured and did for me, every one of those terrible days, if he didn't love her. So when I was afraid he might die from the viper's bite, I wanted him to have one happy moment in this world to remember in the next. I told him that I cared, and he kissed my hand and looked at me. That's all, except just a word or two that I keep too sacredly to tell even you. And afterward when Richard was dead, and Max and I were alone in the desert, save for a few Arabs, he never again referred to that night, or spoke of our love. I was sure it was only because we were alone and I depended on him. But after those weeks and months of facing death together, it seems that we belong to each other, he and I. Nothing must part us—nothing."

She was half afraid her father might remind her of the situation which had arisen between Max as a deserter and himself as colonel of the regiment from which Max had deserted.

But Colonel DeLisle did not say this or anything like it. He knew that love was the greatest thing in the world for his daughter, as it had been for him, and he could not cheat her out of it. He was sad because it seemed to him that in honour he could do nothing for this deserter who had done everything for him—nothing, that is, save give him his daughter, and abandon what remained of his own career by resigning his commission. As colonel of the Legion, his child could not be allowed to marry a deserter, a fugitive who dare not enter France. As for him, DeLisle, though the Legion was much to him, Sanda was more. But she said she and Max would not take happiness at that price. They must think of some other way. And the other way was the plan.

When the colonel returned to Algeria and his regiment Max had not yet gained enough strength to be seen and thanked for what he had done, even if DeLisle had found it compatible with his official duty to say to a deserter what was in his heart to say to Sanda's hero. And perhaps, Sanda thought, it was as well that they did not meet just then. Irrevocable things might have been spoken between them.

The day after her father's ship sailed for Algiers she took another that went from Port Said to Marseilles. From Marseilles she travelled to Paris, which was familiar ground to her. What she did there gave a new fillip to the Stanton-DeLisle-St. George sensation, though at the same time it put an extinguisher on all discussions: a blow to those retired officers who liked writing to the papers.

Lest what the papers said should be prematurely seen by the convalescent's eyes, however, Sanda hurried back to Egypt.