If you would like to see a college campus as it really is, with students walking along with the gait and the manner and the clothes they usually wear, and to hear the old bell ring, the hall and dormitory stairs rattle, the entries echo and the feet scrape along the stone walks as on ordinary occasions, and see the quadrangle become crowded and noisy, then suddenly empty and quiet again, and if you wish to have a view of your brother's room in its average state of order and ornamentation, do not come to Princeton for one of the class dances, or on the day of a big game, when everyone is excited and well dressed, and even the old elms are in an abnormal flutter, but come down in a small party some quiet day in an ordinary week, when there are no extra cars on the small informal train which jolts up from the junction. Tell your brother that you are coming, or his roommate, who will gladly cut a lecture or two and show you about the campus. Then you may see the college world in its normal state, and the undergraduate in his characteristic settings—any number of him with a pipe in his mouth or a song, slouching across the campus with the Princeton gait, wearing something disreputable upon his head, corduroys and sweaters or flannels and cheviots upon his body, and an air of ownership combined with irresponsibility all over. In short, if you prefer to get some idea of college life, and learn, as far as a girl can, why college days are the best of a lifetime, visit Princeton on some day that is not a special occasion. But very likely this is not what you prefer.

Most girls would rather hurry down with a big trunk in a crowded special train, and go to four teas, meet a score of men apiece whom they will never see again, dance all night, and then, in a few minutes, arise looking as fresh as they did on Easter Sunday, and smile good-byes at the depot to the breakfastless young men whom they leave forsaken and sleepy to try to go on where they left off, while they themselves hurry back to town, and to another dance the next night.

A college dance is generally considered very good fun. There is an adventurous zest in journeying to a college, and exploring it, and meeting crowds of people you never saw before, and there is something wild and reckless in being quartered in an odd little boarding-house, or, more delicious still, in some room in University Hall borrowed by your entertainer for the occasion, with the owner's photographs and souvenirs hanging about just as he left them. Then, too, the young men themselves, some of whom you have met or heard of before, try to be very agreeable, and do everything in their power to make you have a good time, if for no other reason, in order that you may see how superior their college is to any other, so that even several-seasoned society girls consider it worth their while to run down to a college dance, and be amused by these fresh-faced young fellows. Some of them have been coming off and on for several generations of college men, and could talk interestingly of your brother in the class of '88 should they be so inclined. They know all about these hops. This is written for you who have yet to attend one.

There are three regular dances each year, and they are given by the three upper classes. One takes place at the close of the mid-year examinations, to usher in the new term. Another is given at a more beautiful time of the year, usually occurring on the eve of some great baseball game. The third one, the most splendid and most jammed, is the sophomores' reception, given on the night before Commencement to the class which graduates the following day.

Each class has a dance committee, who fly around and work hard to make their dance finer than the last one, and generally succeed. They procure a fine patroness list to engrave on their invitations, containing several of the sort of names that appear in connection with Patriarchs' balls and Philadelphia assemblies, together with those of two or three professors' wives, to lend a tone. The committee get hold of the Gymnasium, pull down the bars and draw the trapeze to one side; then have a lot of pink and white cheese-cloth tacked up, hang some athletic trophies over the rafters, string a few hundred incandescent lights here and there, and send to one of the neighboring cities for a smart caterer and a large high-priced orchestra to come for the night. Then they are ready for you.

Before the dance, however, you are taken to a few teas which are given by some of the clubs. You saw the club-houses when you were shown about earlier in the day. Some of them are very handsome, and they are all nice, and the nicest is the one to which your brother belongs, or whoever owns the club-pin you carry home with you. At the teas the rooms are crowded, the air is hot, the flowers are tumbled over, you become hoarse, and in most features it is similar to any tea, except that there are enough men. You will here meet several of those whose names you have on your dance-card, and you may make up your mind whether to remember that fact or not.

After the round of teas there remain but two hours in which to dress. When you have hurried on those things which make up "a dream," "a creation," or "a symphony," whichever it is that you bring, and have had, if you feel like it, a bit of dinner, you are taken, at a little after eight o'clock, to church. The Glee, Banjo, and Mandolin clubs give a very good concert here, and it is a good place to have your escort point out the various men who are fortunate enough to be on your card, and gives you a good opportunity to notice the taste displayed by other girls in their costumes, and feel pleased with your own. There are all sorts of gowns, made of many sorts of materials with interesting names.

When the concert is at last over—much as you enjoyed it, it seemed rather long to you, who were thinking of what was to follow—you are taken to University Hall, which is across the street, or to the Gymnasium, if the dance is to be there, which is a little farther back on the campus, and you are shown to the dressing-room, where those last fluttering finishing touches are put on. Those calm, assured-looking young women who came in ahead of you are a little excited too, as is that laughing girl who was pointed out to you as a flirt.

When you are quite ready, and are pulling and smoothing your gloves while waiting for the chaperon to start your party, you catch a glimpse of something, as the door opens for an instant, which extends from the door all along the dimly lighted passage to the very stairs beyond—something which looks like a great black bank with gleaming white patches here and there. This is made up of young men, whose collars are stiff and straight. When your chaperon stalks forth with a sort of flourish, several members of the black and white bank come forward to meet your party, and the rest make inaudible comments upon your appearance, probably to the effect that you are "smooth." But all that you are sure of is that your escort offers you his arm with a smile and a stiff bow, that you walk nervously up the winding stairs, step into a dazzle of light, where members of the dance committee are running hither and thither with dance-cards and girls, and where patronesses are smiling, bowing, looking stately, holding their fans, and doing whatever patronesses usually do. Then the orchestra plays a promenade, to which a few impatient couples try to waltz, and you begin what you have talked about and thought about and dreamed about for a month.

You notice when you have danced the first one with your brother's roommate, at whose special invitation you came, that as soon as he has taken you to your seat he rushes off like mad. In a moment he comes back again, bearing with him the young man who was pointed out to you at the concert as being down on your card for No. 2. While he is being presented, still another anxious-eyed man runs up and hurriedly snatches off your host. These are men who are "running" girls' cards.

Now, while you and your new acquaintance are waiting for the music to begin, and are amiably agreeing that the concert was good, that the room is warm, that the light effects are pretty, you may steal another glance at your dance-card to make sure of this man's name. It is carefully written in ink on the pretty silk-and-leather-bound card which was handed to you on the way to the concert. All the numbers are filled and three extras. This is the way it was done:

About three weeks ago a young man was sitting in the grand stand one sunny afternoon watching the baseball practice, and wondering whether the nine would beat Harvard, when one of his clubmates came along and asked him for a match. He complied with the request, and said, "Don't mention it." Then the borrower of the match asked if he were going to the dance, and as he admitted his intention of doing so, he was handed a preliminary card which had your name at the top of it. Then, after a little more conversation, he put his name down for No. 2, and handed it back to your host, who thanked him. And again he said, "Don't mention it." That was the man who is about to dance with you. At that time you were unknown to him. The other names were secured in various ways. In the midst of a lecture your card was passed along to some fellow on the end of the row, who, with the same pencil with which he was taking notes on "Post-Kantian Philosophy," secured for himself a deux-temps with you. Other men were hailed out in front of Old North when the seniors were singing, or at the club dinner tables, and in the lounging-rooms when they were talking baseball, or when they were at the billiard table and had to walk across the room to where their coats were hanging to see their cards. Perhaps your host took a night off to it, and went out on the campus and yelled "Hello, Billy Wilson!" under Billy Wilson's window to see if he were in before he ran up the stairs to his room and demanded to see his dance-card; and went on thus from entry to entry as if he were out after subscriptions, except that he went to his friends. Sometimes it is not an easy task to fill five or six cards, especially when every one is feeling rather down-hearted over an unfortunate athletic season. Of course if the girl has been down before, and is well known and popular, there is no difficulty of this kind. Probably the next time you come down you won't need a card.

Except for the five dances which he saves out for himself you see very little of your host during the evening, and even then he seems worried and absent-minded. It no doubt piques you a little that the moment the music ceases he leaves you, and, with an expression on his face which reminds you of when "Pigs in Clover" was the rage, darts across the room, bumping into people and begging pardons. The only time he looks comfortable and recalls to your mind last Christmas holidays is when he and you have slipped off to one of those quiet little nooks so bounteously adorned with rugs and hangings, brought for the occasion from some dormitory room, to enjoy two little bits of ice which he has pillaged from the supper-room. Then for a while he seems to forget his cares, and you two have a good old-fashioned chat. You notice a streak of chicken-salad along his silken collar, but that gives you no adequate idea of the muscle and bad language required to secure and bear away those two little dabs of ice and one napkin, any more than his anxious expression indicates the amount of patience and ubiquity required to "run" three girls' cards at a college dance.

All this time you have been going through the several different stages of "a perfectly lovely time." You have shown a lot of young men how well you can dance, and have gotten along very well with all you have met except that once when you asked sweetly, sympathetically, "Won't you be just too glad to be a sophomore next year?" of a very studious and diminutive member of the graduating class. The chat is no longer about the concert, nor is the heat mentioned, though it is terrific, nor the effect of the lights upon the pink and white cheese-cloth, except by those gallants who see fit to say something about its being becoming to certain complexions. And, most gratifying of all, you notice that those who have your name on their cards more than once come the second time without being brought. Indeed, some come again who have not that good fortune, and you pay slight attention to your card after supper, but dance with those who come up and beg for a dance, because you are tender-hearted and hate to displease them. It is a good plan to lose your card now or hide it. Some girls tear up theirs the moment they come, for fear they might make a mistake, and consequently hurt somebody's feelings.

By this time you have gotten your second wind, if you'll pardon the expression. You talk without previously meditating upon what you are about to say; but you know it's all right just as you drift to the strains of the music automatically. Your eyes are wide open and sparkling; your cheeks have a flush which is becoming; you are dimly conscious that your visit at Princeton is a success. And just as you are beginning to wish that all this could last forever you hear a strain of music of which every daughter of a loving home should be fond, and then, for the first time, you notice that the stately patronesses in their bower are opening their eyes very wide and gritting their teeth very hard. Then, having danced that last one furiously, you are dragged off, casting a lingering glance at faded flowers, wilted collars, tired musicians, torn skirts.

When you come from the noisy, laughing dressing-room a moment later, wrapped from head to foot in a great long thing which covers any changes the five hours' exercise might have wrought in your appearance, you are met by your bedraggled escort under the light, where you took his arm before, long ago, on the way to the dance. You can remember how stiff his collar was then and how smooth his hair. Everything, animate and inanimate, looks different now, especially with that ghastly streak of dawn which mingles with the electric light. It makes some of the girls look rather faded and jaded, you think, and some of the men rather rakish, but not even the girls seem to care very much. Every one is too excited to be tired, and too merry to be formal. All the stiffness of your escort's manner has gone with that of his collar. As he offers his arm this time he does not gaze straight ahead of him and murmur something incoherent about hoping that you are going to enjoy this, for he begins singing "It's all over now," to the dank and misty campus trees on the way to University Hall, and you give him permission to smoke a cigarette, and shout good-night down the stairs, and tell him what time to call around in the morning—later on in the morning—for he has made you promise to stay over all of the following day and see a little of the college and campus, and take a stroll in the queer old town.

Then, as the gray dawn creeps in through the dotted Swiss curtains which somebody made for the freshman who owns the room, causing the roses on the bureau to look pale and livid, and while the far-away voices of the dance committee can be heard from back of Witherspoon, where they are having an informal game of baseball in their evening clothes to celebrate the success of their efforts, and the sparrows outside your window begin to twitter as though there had been no dance, you lay your head upon the pillow and tell your roommate what the tall one said who danced the two-step so divinely, and what that funny little fellow with frowsy hair told you, and what were the remarks of the football man with whom you sat out two dances, and how the entertaining man who sang the solo at the concert seemed to like you, and what your brother's roommate told you not to tell.