T A CLOAKED SIN, TUFTON STREET. In the Architectural Museum, Tufton Street, London, In the “Pilgremage of the Sowle,” printed by Caxton in 1483, translated from a French manuscript of 1435 or earlier, is a description of a man’s conscience, which, there is little doubt, furnished the idealic material for these carvings. A “sowle” being “snarlyed in the trappe” of Satan, is being, by a travesty on the forms of a court of law, claimed by both the “horrible Sathanas” and its own Warden or Guardian Angel. The Devil calls for his chief witness by the name of Synderesys, but the witness calls himself the Worm of Conscience. The following is the soul’s description:—“Then came forth by me an old one, that long time had hid himself nigh me, which before that time I had not perceived. He was wonderfully hideous and of cruel countenance; and he began to grin, and shewed me his jaws and gums, for teeth he THE WORM OF CONSCIENCE. (From an unknown Church.) NOBODIES, RIPON. NON-DESCRIPT, CHRIST CHURCH, HANTS. The above examples are scarcely unique. In Ripon Cathedral, on a misericorde of 1489, representing the bearing of the grapes of Eschol on a staff, are two somewhat similar figures, likewise mere “nobodies,” though without tails. These are a covert allusion to the wonderful stories of the spies, which, it is thus hinted, are akin to the travellers’ tales of mediÆval times, as well as a pun on the report that they had seen nobody. It is evident that the idea of men without bodies came There are many carvings which are more or less of the same character, and probably intended to embody the idea of conscience or sins. The two rather indecorous figures shewn in the following block from Great Malvern are varieties doubtless typifying sins. SINS IN SYMBOL, GREAT MALVERN. |