‘They led him forth to the silent square, In the gray of the morning sky, And they brought him a cup of red wine there, To drink, and then to die. ‘Without the gate, Lady Margaret stood, And she watch’d for the rising sun, Till it blush’d on the stone-work, and gleam’d on the wood, And the headsman’s work was done. ‘Not a limb she stirr’d; but when noon-day’s glow Smote fierce on her temples bare, A brighter sun had not melted the snow That streak’d Lady Margaret’s hair.’ The morning broke dull and gloomy; the wind that had been blowing steadily all night had subsided towards dawn, but a chill easterly breeze was still creeping in from seaward, and a light vapour rested on the surface of the ocean, beneath which the lead-coloured waves rose and sank in the sullen monotony of a ground swell. Little by little the cheerless dawn stole imperceptibly over the rugged bluffs and scaurs that to the northward formed a bulwark for the town, and disclosed at every minute new rents and fissures in their sea-worn sides—new wisps of dripping sea-weed trailing in ungainly streaks across their slippery surface; the ebbing tide, too, receding as though unwillingly, with many a landward leap and backward whirl, disclosed here and there round black rocks, peering like the heads of sea-monsters above the restless waters, while a solitary sea-mew, turning on its white wing downward from the cliff, screamed, as it were, in disappointment of its fishing after the storm. The castle walls rose sullenly against the misty sky; black, massive, and impenetrable, they suggested no feelings but those of inhospitable and uncompromising grandeur. Their battlements, weather-stained with the gales of centuries, frowned dark defiance down on the ruffled ocean, and the royal flag, with the golden lion of Scotland ramping in its folds, half-unfurled and dripping with last night’s brine, flapped drearily and heavily in the fitful breeze. To and fro for a space of some twenty yards under the wall, In a sheltered corner, screened from the wind by a massive buttress, cowered the ungainly figure of James Geddes; rocking himself backwards and forwards, he moaned as if in pain, and blew upon his cold fingers, huddling himself together for warmth the while, but his eyes travelled wistfully after Mary Hamilton as she walked, and though she seemed unconscious of his presence, they never quitted her figure for a moment. Once, when close to him, she paused in a listening attitude, and he took courage to address her, whining like a troubled child— ‘Will ye no gang hame? will ye no gang hame? ’Tis cauld and dreary biding here for sunrise. I’m wantin’ hame; I’m wantin’ hame!’ She started violently when he spoke; but, turning from him in impatience, only walked backwards and forwards faster than before. And now a dull knocking might be heard in the square of the castle, and the noise, as of heavy beams put in motion, broke the stillness of the early morning. At each fresh sound, Mary Hamilton stopped in her walk, and started on again as if goaded to exertion by internal agony; the fool shivering and moaning in his corner, yet still watching her intently, at length rocked himself off into a fitful half-slumber, waking up at intervals to implore his unheeding companion to go home. Within the castle preparations were already making for some grave and unusual event. The soldiers, though flushed and fevered after their debauch, yet preserved an ominous silence, and betrayed on their coarse faces an expression of pity and dismay. Ogilvy himself looked pale and sorrowful. Once when he caught sight of a sharp, polished instrument, propped Two or three workmen had been already admitted at the wicket, and were taking advantage of the increasing light to erect an ominous fabric of boards and scaffolding in the centre of the Castle square. They went about their job in a prompt business-like manner enough, but they spoke in whispers, and when a basket of sawdust was brought out, it was disposed almost reverently in its place. After this a taint of death seemed to pervade the atmosphere, and one of the artificers, a strapping young fellow, six feet high, had recourse to a dram of strong waters on the spot. Down below in his dungeon, ChastelÂr was asleep. Strange as it may appear, men always do sleep before execution. Be it that the faculties are so completely worn out by the wear and tear of anxiety that usually precedes condemnation, or be it another instance of the Divine mercy which would fain shorten that time of agony to the sufferer, such is the fact; and, in the last moments of criminals, it is almost invariably the case that body and soul both taste their last repose on earth, ere the one sleeps and the other wakes for all eternity. What were the poet’s dreams in that short welcome rest? Did he anticipate the great change, and fancy his spirit already free from its prison, wandering through those unknown regions which good Eneas, and rich Tullus and Ancus, and your grandfather and mine, and a host of those we both knew and valued, and would have followed into any danger, or on any expedition, have ere this thoroughly explored—to which you and I, though we think so little about it, are bound just as surely and inevitably, and with which to-morrow, or the day after, or this time next year, we may be familiarly acquainted? Or did he retrograde to the past, and revel and ruffle it at Holyrood once more, riding the sorrel horse alongside of ‘Black Agnes,’ and sunning himself in the bright eyes of the Maries, and above all the smiles of her their peerless The knocking on the scaffolding failed to arouse him, and when Ogilvy went gently into his cell with a torch, the soldier passed the light half-pitifully, half-admiringly, over the manly face that could look so calm and peaceful at such a time. And in the royal house in the south street, within a culverin’s distance of the castle, were all the inmates sleeping soundly at the dawn of that gloomy morning? Was that a bed of rest, on each post of which was carved a crown, and at the head of which the arms of Scotland were emblazoned so richly in embroidery and cloth of gold? Was the lovely face, so flushed and troubled, thus buried in the pillows to exclude the light of day; were the white hands pressed against the throbbing temples and covering the beautiful little ears, in dread of the morning gun which would be fired at sunrise, and tell that all was over? It was no fault of Mary Stuart’s that ChastelÂr was doomed. All that lay in her power had been done to save him; all that royal dignity and womanly shame would permit. Perhaps she believed him to have escaped even at the last; she would hardly guess at such infatuation as he had shown even in him, and yet the victim’s sleep had probably been far sounder than hers for whom he was about to die. Lights were burning in the Queen’s chamber, heavy curtains at the window excluded the faintest glimpse of dawn, yet she was turning and tossing restlessly on her couch, while ChastelÂr was pacing in grave composure up the dungeon-stair that led into the gray morning, the last he would see on earth. But one bed, at least, in the royal house remained cold and unoccupied—Mary Hamilton had never returned home all night. Under the castle wall she kept her weary watch; and, as the dawn widened into day, she was still pacing hurriedly up and down, up and down, and at every fresh turn casting a horror-stricken look towards the sky. Presently the mist rolled slowly away, curling downwards Then, though the castle yet remained a huge black mass in deep shadow, spire and pinnacle on the cathedral began to blush and glow in the morning sun; presently, when Mary Hamilton turned in her walk, her eye was dazzled by his horizontal beams streaming along a pathway of molten gold as he rose cloudless from the sea. Retracing her steps, she saw the whole massive building before her shine out at once in a flood of warm yellow light; then she stopped short, bending forward with her hand outstretched, and listening eagerly. Comforted by the warmth, the fool rose from his lair and rubbed his hands together, with an attempt at cheerfulness, shifting alternately from one foot to the other in a kind of measured dance, and striving in his vacant, half-witted manner to attract the attention of his companion. She neither moved nor noticed him; still in the same attitude, with her neck bent forward, her hand stretched out, and the lower part of her face visible beneath her hood, white and rigid as if cut from marble. He pulled her cloak impatiently—‘Come awa’ hame,’ he whimpered like a child left alone in the dark. Wi’ a rising wind, And a tide comin’ in, There’s a death to be; When the wind’s gaed back, An’ the tide’s at the slack, There’s a spirit free.’ He crooned this doggerel over twice or thrice, pointing at the same time to the wet sand below them, and the black shining rocks left bare by the ebb; but she never answered him, for ere he was silent the heavy boom of a culverin broke on the morning’s stillness, and a wreath of white smoke, rising above the walls of the castle, floated calmly and peacefully out to sea. The fool cowered down and hid his face in his hands. She did not start—she did not shriek, nor faint, nor quiver; but she threw her hood back and looked wildly upwards, gasping for air; then, as the rising sun shone on her bare head, Mary Hamilton’s raven hair was all streaked and patched with gray. |