The Gospel's Accessories. Many Ways to the Heart.—There is only one way into the Kingdom of Heaven, but there are many ways into the human heart; and the Church of Christ, in its mission of promulgating truth and turning souls to righteousness, has legitimate use for every avenue to that heart. Poetry, music, art in general, as well as science and philosophy—all these can be utilized as auxiliaries in the carrying on of the Lord's manifold work. They may not be essential parts of the divine message, but they prepare the way for its acceptance and are the forerunners of greater things. This, to my thinking, is the main reason why they are in the world. There is something purifying, ennobling, exalting, in all true poetry, true music, real science and genuine philosophy. The Poet's Mission.—"The poets of the world," says the poetic Dr. Holland, "are the prophets of humanity. They forever reach after and foresee the ultimate good. They are evermore building the paradise that is to be, painting the millennium that is to come, restoring the lost image of God in the human soul. When the world shall reach the poet's ideal, it will arrive at perfection; and much good will it do the world to measure itself by this ideal and struggle to lift the real to its lofty level."[ In the light of such a noble utterance, how paltry the ordinary concept of the poet as a mere verse-builder. His true mission is to exalt the ideal, and encourage the listless or struggling real to advance toward it and eventually attain perfection. Dreamers and Builders.—In this age of money-worship, the poet is often referred to, and at times even ridiculed, as a "dreamer." But the ridicule, when applied to a real poet, a true son or daughter of the Muses, is pointless. The poet is a dreamer; but so is the architect and the projector of railroads. All creative minds are dreamful, imaginative, poetic. Were it otherwise, nothing worth while would be created. If there were no dreamers, there would be no builders. Both are necessary to progress. Every art and every science has its share of poetic idealism, of poetic enthusiasm, and must have it, in order to achieve best results. Well worthy of a place beside Doctor Holland's beautiful thought on poets and their ideals, is the following sentiment on dreamers, from the pen of the popular essayist, James Allen: "As the visible world is sustained by the invisible, so men, through all their trials and sins and sordid vocations, are nourished by the beautiful visions of their solitary dreamers. Humanity cannot forget its dreamers; it cannot let their ideals fade and die; it lives in them; it knows them as the realities which it shall one day see and know. Composer, sculptor, painter, poet, prophet, sage, these are the makers of the after-world, the architects of heaven. The world is beautiful because they have lived; without them, laboring humanity would perish."[ Poets and Prophets.—Poets are prophets of a lesser degree; and the prophets are the mightiest of the poets. They hold the key to the symbolism of the universe, and they alone are qualified to interpret it.
Rhymes and Rhymesters.—There are rhymesters who are neither poets nor prophets; and there are prophets and poets who never build a verse nor make a rhyme. Rhyme is no essential element of poetry. Versification is an art used by the poet to make his thought more attractive. The rhyme pleases the ear and helps the sentiment to reach the heart—a ticket of admission, as it were. A musical instrument is painted and gilded, not to improve its melodic or harmonic powers, but to make it beautiful to the eye, while its music appeals to the ear and charms the soul. Rhyme sustains about the same relation to poetry, as paint or gold leaf to the piano or organ. Clothing adds nothing to one's stature, to one's mental or moral worth; but it enables one to appear well in society. "The apparel" may "proclaim," but it does not make "the man." Neither does rhyme make poetry. The Essence of Poetry.—The essence of poetry is its idealism, its symbolism. The Creator has built his universe upon symbols, the lesser suggesting and leading up to the greater; and the poetic faculty—possessed in fulness by the prophet—recognizes and interprets them. "All things have their likeness.'[ "Consider the lilies of the field, how they grow. They toil not, neither do they spin; and yet I say unto you, that even Solomon, in all his glory was not arrayed like one of these."[ That is poetry, real poetry, full of rhythm, yet having no rhyme. Above and Beyond.—Anything is poetic that suggests something greater than itself. The lilies of the field suggested to the Savior's poetic mind the glory of Solomon. He used them as a means of instilling into the minds of his doubting disciples the great lesson of trust in Providence. Man, fashioned in the divine image, suggests God, and is therefore "a symbol of God," as Carlyle affirms.[ Poetic Ordinances.—The bread and water used in the sacrament of the Lord's Supper, represent something greater than those emblems—something above and beyond. The whole sacred ceremony is a poem in word and action. The same is true of Baptism, which stands for birth, creation, burial and resurrection. Fatherhood and motherhood are both symbolized in the baptismal ordinance, the true form of which is immersion. Any deviation from that mode destroys its poetic suggestiveness, its symbolism. The Greatest Poet and Prophet.—Jesus Christ, the greatest of all prophets, was likewise the greatest of all poets. He comprehended the universe and its symbolism as no one else ever did or could. He knew it through and through. What wonder? Had he not created it, and was it not made to bear record of him?[ What of Philosophy—"Philosophy is the account which the human mind gives to itself of the constitution of the world." So says that great modern philosopher, Ralph Waldo Emerson.[ Emerson on "Compensation."—Few things of a philosophic nature appeal to me more strongly than Emerson's great essay on "Compensation." Says that master of thought and expression: "Every excess causes a defect; every defect an excess. Every sweet hath its sour, every evil its good. Every faculty which is a receiver of pleasure, has an equal penalty put on its abuse. It is to answer for its moderation with its life." "Nature hates monopolies and exceptions. The waves of the sea do not more speedily seek a level from their loftiest tossing, than the varieties of conditions tend to equalize themselves. There is always some leveling circumstance that puts down the overbearing, the strong, the rich, the fortunate, substantially on the same ground with all others." "The farmer imagines power and place are fine things. But the President has paid dear for his White House." "The cheat, the defaulter, the gambler, cannot extort the benefit, cannot extort the knowledge of material and moral nature which his honest care and pains yield to the operative. The law of nature is, Do the thing, and you shall have the power; but they why do not the thing have not the power." "As the royal armies sent against Napoleon, when he approached, cast down their colors and from enemies became friends, so do disasters of all kinds, as sickness, offense, poverty, prove benefactors." "Our strength grows out of our weakness. Not until we are pricked and stung and sorely shot at, awakens the indignation which arms itself with secret forces. Blame is safter than praise." "The history of persecution is a history of endeavors to cheat nature, to make water run up hill, to twist a rope of sand. The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison a more illustrious abode; every burned book or house enlightens the world. It is the whipper who is whipped, and the tyrant who is undone." "The changes which break up at short intervals the prosperity of men, are advertisements of a nature whose law is growth. We cannot part with our friends. We cannot part our friends. We cannot let our angels go. We do not see that they only go out, that archangels may come in." "The death of a dear friend, wife, brother, lover, which seemed nothing but privation, somewhat later assumes the aspect of a guide or genius; for it commonly operates revolutions in our way of life, terminates an epoch of infancy or of youth which was waiting to be closed, breaks up a wonted occupation, or a household, or style of living, and allows the formation of new ones more friendly to the growth of character." And the man or woman who would have remained a sunny garden flower, with no room for its roots and too much sunshine for its head, by the falling of the walls and the neglect of the gardener, is made the banian of the forest yielding shade and fruit to wide neighborhoods of men."[ Divers Teachers.—Philosophy, like poetry, wins its way, where Truth's fulness, preached in power, might offend. The plain blunt message of the prophet who comes proclaiming, "Thus saith the Lord," repels and antagonizes many who will listen to and be impressed by the philosopher, with his cogent reasoning; or charmed by the poet, with his melodious verse and appealing illustrations; or won over by the scientist, with his clear-cut, convincing demonstrations. All kinds of teachers go before the prophet, preparing his way, or follow after him, confirming his testimony.[ The Divine Art.—Music softens the heart, thus preparing the way before the Gospel. "The song of the righteous is a prayer unto me," saith the Lord.[ Seeing and Hearing.—In the year 1875 President Ulysses S. Grant came to Utah—the first Executive of the Nation to set foot within the Territory, now a State. It was at a time when, all over this broad land, bitter prejudice against the Latter-day Saints prevailed. It was freely asserted that the man who had finished with the South, would "make short work" of Utah and the "Mormons." Among the places visited by the President and his party during their stay, was the Salt Lake Tabernacle, where he heard the organ played by Joseph J. Daynes. What the President thought of it, I never learned; but Mrs. Grant, her face streaming with tears, turned to Captain Hooper, who had been Utah's delegate in Congress, and said with deep feeling: "I wish I could do something for these good Mormon people." The music had touched her heart, and perhaps the heart of her noble husband; for Grant was noble, though yielding at times to intense prejudice.[ No Substitute for the Gospel.—Let it not be supposed, however, that music, poetry, painting, sculpture, science, or any other thing, can take the place of the great uplifting Plan whereby the world, already redeemed, is yet to be glorified. No gift can vie with the Giver, no creature usurp the functions of the Creator. He will use everything true and good and beautiful to melt the hearts of men and prepare them to be saved; but salvation itself comes only by one route—the Gospel of the Lord Jesus Christ. This is the great Ideal, and it must be honored and maintained as such. In dealing with it, no Procrustean process is permissible. It must not be chopped off because men think it too long, nor stretched out because they deem it too short. It did not come into the world to be mutilated. Revelation cannot bow down to tradition. Truth is the standard—truth as Heaven reveals it—and the opinions and theories of men must give way. The Gospel's accessories are no substitute for the Gospel. FootnotesHe never was deceived again—in the same way. He could trust his eyes when he looked upon those beautiful children. They were not the product of crime and depravity, not the offspring of savages and criminals. He could trust his ears, too, when he heard that choir and that organ. No one could make him believe, after his visit to the "Mormon City," that its inhabitants were as black as they had been painted. |