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"Ride a fine horse
To Banbury Cross,
To see a young woman
Jump on a white horse.
Rings on her fingers,
And bells on her toes,
And she shall have music
Wherever she goes."
Prophetic Dame! What hadst thou in
view?
A modern wedding in Fifth Avenue?
Where,—like the goddess of a heathen
shrine,
With offerings heaped in such a glittering
show
As must have emptied a Peruvian mine,
And would suggest, but that we better
know,
Marriage must be a bitter thing indeed,
And, like the Prophet of the Eastern tale,
Must wear a very ugly face, to need
Such careful shrouding in the silver
veil,—
Her bridal pomp, as a white palfrey, mount-
ing,
Caparisoned at cost beyond all counting,
With diamond-jewelled fingers, and the
toes
Ditto, for all that anybody knows,
The smiling damsel goeth to the Banns?
(Why add the "bury," or suggest the
"cross,"
As if such brilliant ringing of the hands
Preluded aught of trial or of loss?)
Shall not Life's golden bells still tinkle
sweet,
And merry music make about her feet?
Shall not the silver sheen around her spread,
A lasting light along her pathway shed?
No mocking satire, surely, hides a sting,
Nor bitter irony a truth foreshows,
In the gay chant the cheery dame doth
sing,—
"She shall have music wheresoe'er she
goes"?
She shall have music! Shall she sit apart,
And let the folly-chimes outvoice the
tone
That comes up wailing to the listening
heart,
From the great world, where misery
maketh moan?
Ah, Mother Goose! if such the tale it tells,
Sing us no more your rhyme of rings and
bells!
But may not—'twere a rare device in-
deed!—
The wondrous oracle in both ways read?
And call up, as a fair beatitude,
The gracious vision of true womanhood,
That with pure purpose, and a gentle might,
Upheld and borne, as by the steed of white,
Pledged with her golden ring, goes nobly
forth
To trace her path of joy along the earth,—
And, as she moves, makes music, silver-shod
"With preparation of the peace" of God,
That holds the key-note of celestial cheer,
And hangs heaven's echoes round her foot-
steps here?