Ques. What is Mythology?

Ans. This word is derived from the Greek, Mythos, a myth or fable, and logos, a discourse. A myth is, properly speaking, an allegory or fable invented to convey some important moral or religious truth, or illustrate some operation of nature. Mythology includes also the historical myths, or the narratives of gods, demigods, and heroes, which were current among the heathen in ancient times.

Ques. Why is it necessary to become acquainted with these fables?

Ans. Because ancient literature and art cannot be fully understood or appreciated without some knowledge of Mythology. It was mingled with every theme of the classic poet, and inspired the highest skill of the painter and sculptor.

These subjects keep their place to some extent in modern art, and mythological allusions are so frequent in our literature that an acquaintance with classic fable is considered a necessary part of a liberal education.

Ques. Did all the heathen nations worship the same deities?

Ans. The mythology of different nations varied as to the names and attributes of their divinities. There are, nevertheless, so many points of resemblance, that it is believed by many that the principal mythical systems had one common origin. To trace these analogies, and the developments which gave rise to so great a diversity, is the province of comparative mythology.

Ques. In what important point do all these systems agree?

Ans. In the rite of sacrifice. We meet everywhere the same offerings: flowers, first fruits, libations of milk, honey, and wine; also sacrifices of animals, which were either partaken of by the votaries or consumed as holocausts upon the altar.

This mode of worship varied but little in ceremonial, and the sacrifices of the different heathen nations resembled, in their exterior form, those offered to the true God by the ancient patriarchs. The idea of propitiating the deity in such a manner seems to have been universal both in the old and the new world, and we are forced to believe that it was drawn from a common fount of primeval tradition.

Ques. How did the belief in the heathen deities originate?

Ans. When the early traditions of the human race became corrupt, the sublime idea of one God, self-existent and eternal, was lost or obscured. We find it, though vaguely perhaps, in the character and attributes of certain divinities, as the Zeus (Jupiter) of the Greek, and the AlfÂdur of Scandinavian mythology. There are passages in the early Greek poets which show clearly a belief in the unity of God. In the verses attributed to the mythic poet Orpheus, and generally known as Orphic Remains, we find the following:

The same idea is expressed in the verses of the poet Aratus, quoted by St. Paul in his address to the Athenians on the Hill of Mars.

Instead of ministering spirits obeying the will of the Supreme Being, and communicating that will to man, there arose a number of inferior deities, each exercising some peculiar and partial sovereignty. The god whom the warrior invoked in battle was powerless to bless the field he cultivated in time of peace; the power of Jupiter was worshipped in the rolling thunder; but when the earth trembled or fiery torrents burst from the mountain top, the wrath of Pluto must be appeased, and sacrifices were offered to the infernal powers. The strife and turbulence of nature were attributed to the gods, who became in some manner identified with the elements they were supposed to govern.

The honors paid to the memory of departed heroes assumed, in the course of time, the character of religious worship. Hence arose a class of demigods, whose real achievements, transmitted by popular tradition and embellished by the poets, became altogether legendary and mythical.

Ques. Were the Greek and Roman mythologies the same?

Ans. They were, to a great extent. The ancient Latins had, undoubtedly, their own gods and their peculiar superstitions, but they do not appear to have had any regular mythology. When the Romans received the arts and sciences from the Greeks, they adopted, also, their divinities and their entire system of religion. They shared a tradition, which seems to have been universal, of a time of primeval innocence, when man dwelt in a peaceful world, ignorant alike of sorrow and of sin. This was the Golden Age. Avarice and discord were unknown; men had not learned to slay animals for food, nor had the earth been disturbed by the plough. Neither the labors of the husbandman, nor the merchant’s traffic disturbed the joyous leisure of that happy time; no ships ploughed the seas, and the glittering steel rested harmless in the mine. Ovid thus describes the days of innocence:

The Silver Age was far inferior to that of gold; but virtue still dwelt on earth, and the Immortals had not altogether departed from the abodes of men. Jupiter then divided the year into seasons, shortened the winter days, and let loose the northern blasts, so that men were obliged to build dwellings, and cultivate the ungrateful soil.

Their first habitations were caves and grottoes, leafy coverts of the forest, or huts rudely constructed of the trunks of trees and interwoven boughs.

The Brazen Age came next; men grew fierce and warlike, but were not as yet altogether impious.

The Iron Age gave birth to all the calamities that afflict mankind. Avarice and violence reigned supreme; men were not satisfied to till the earth, but dug into its hidden mines, and drew thence gold and iron, potent instruments of ill to man.

The same poet says:

MOUNT OLYMPUS.

Ques. Where were the gods supposed to dwell?

Ans. On the summit of Mount Olympus, in Thessaly. This mountain hides its head, covered with perpetual snows, in a belt of clouds. The Greeks imagined above these, a sublime abode reposing in eternal sunshine, and free from the storms which vexed the lower world. A gate of clouds, guarded by the goddesses of the seasons, opened to permit the passage of the Celestials when they descended to earth. Each god had his own dwelling, but all were obliged to repair, when summoned, to the palace of Jupiter. Even those deities whose usual abode was on the earth, in the waters, or in the lower shades, were compelled to assemble in Olympus at his command. Here they feasted on ambrosia and nectar, discoursed upon the affairs of heaven and earth, and were delighted at intervals by the music of Apollo’s lyre, and the songs of the Muses.

Vulcan was smith, architect and chariot builder to the gods. He built their dwellings on Olympus, and constructed the furniture in so wonderful a manner, that the tripods and tables were endowed with motion, and ranged themselves in order without the aid of hands. The robes of the different divinities were wrought by Minerva and the Graces. Everything of a solid nature was constructed of metal.

THE GODS—DIFFERENT CLASSES OF DEITIES.

Ques. Did the Greeks believe that the gods resembled men?

Ans. Yes; in many particulars. They supposed them to have the same passions, both good and evil. They were immortal, yet could suffer pain and receive wounds. Instead of blood a fluid called ichor filled their veins. The deities resembled men also in form, but they were, with some exceptions, of majestic stature and shone with celestial beauty. They could render themselves invisible at will, and were otherwise endowed with supernatural powers. There was this restraint upon their wonder-working gifts: no divinity was permitted to reverse the act of another. For example, when an offended god subjected a mortal to some cruel transformation, no other deity, not even Jupiter himself, could undo the spell.

Ques. Into what classes were the gods divided?

Ans. Ancient writers differ in the classification of the Greek and Roman divinities. According to one division, which we will follow, the Celestial gods were: Jupiter, Apollo, Mars, Mercury and Bacchus. The goddesses were: Juno, Minerva or Pallas, Venus, Aurora and Latona.

To these higher divinities, Saturn, Janus, Vesta and others were sometimes added. There were also Terrestrial divinities, Gods of the Sea, Infernal deities, etc. etc.