  He opened the door and entered very quietly, so that neither occupant of the room saw him before he spoke. "I heard what you said—through the register——" he explained. "But I can't take the shotgun." Both men turned and looked at him curiously, the first natural exclamations stilled on their lips by the sight of his straight, earnest little figure facing them. "Why not, Bobby?" asked Mr. Orde at last. "I was the one who fired that shot that hit Mr. Laughton's head. I did it a-purpose." "What for?" "I saw something brown in the brush, and I was sure it was a partridge, so I shot at it. I really didn't know it was a partridge. It just looked brown. You told me not to do that, lots of times, but I got all excited, and forgot. So "Oh, Bobby!" said Mr. Kincaid. "And that's one of the most important things of all!" "I know, sir," said Bobby. "That's why I thought I'd tell you." The two men examined the youngster for some time in silence. A very tender look lurked back in their eyes. "What did you do then?" asked Mr. Orde at last. "I saw the cap fly up in the air, and ran." "Yes?" "And then after a little I saw Mr. Kincaid come out down below, and I thought it was all right until I got home." "Why did you jump up in court this afternoon?" "I knew where I was standing, and I saw a scar on Laughton's head, and then I knew if the holes in the cap were low down, he must have been the man." "Why didn't you tell all this before?" "I'd never seen the cap; and I thought Mr. Kincaid had done it. I wasn't going to give him away." Both men burst into laughter. "And you thought I'd kill a man!" reproached Mr. Kincaid at last. "I'd have done it—to old Pritchard," maintained Bobby stoutly. After a time Mr. Kincaid returned to the first subject. "There is no doubt, Bobby," said he, "that a man careless enough to shoot at anything without knowing what it is—especially in a settled country—is not fit to have a gun of any kind. There are plenty of people killed every year through just such carelessness. On that ground you are quite right in saying that you do not deserve the new shotgun." "Yes, sir," said Bobby. "But you will never do anything like that again. You have learned your lesson. And you told the truth. That is a great thing. It is easy to cover up a mistake; but very hard to show it when you don't have to. I was a little disappointed that you forgot about shooting at things; but I am more than proud that you remembered to be a sportsman. With your father's permission, I'm going to get you that shotgun, just the same. We'll go down together in the morning to get it." At the end of ten minutes more, Bobby He picked up the Flobert rifle and looked it over. "It'll always be handy to fool with," said he to Johnny. That youngster looked up with sardonic humour. "Gee, you're gettin' swelled head with your new gun," said he. THE ENDKATE DOUGLAS WIGGIN'S STORIES OF PURE DELIGHTFull of originality and humor, kindliness and cheer THE OLD PEABODY PEW. Large Octavo. Decorative text pages, printed in two colors. Illustrations by Alice Barber Stephens. One of the prettiest romances that has ever come from this author's pen is made to bloom on Christmas Eve in the sweet freshness of an old New England meeting house. PENELOPE'S PROGRESS. Attractive cover design in colors. Scotland is the background for the merry doings of three very clever and original American girls. Their adventures in adjusting themselves to the Scot and his land are full of humor. PENELOPE'S IRISH EXPERIENCES. Uniform in style with "Penelope's Progress." The trio of clever girls who rambled over Scotland cross the border to the Emerald Isle, and again they sharpen their wits against new conditions, and revel in the land of laughter and wit. REBECCA OF SUNNYBROOK FARM. One of the most beautiful studies of childhood—Rebecca's artistic, unusual and quaintly charming qualities stand out midst a circle of austere New Englanders. The stage version is making a phenomenal dramatic record. NEW CHRONICLES OF REBECCA. With illustrations by F. C. Yohn. Some more quaintly amusing chronicles that carry Rebecca through various stages to her eighteenth birthday. ROSE O' THE RIVER. With illustrations by George Wright. The simple story of Rose, a country girl and Stephen a sturdy young farmer. The girl's fancy for a city man interrupts their love and merges the story into an emotional strain where the reader follows the events with rapt attention. LOUIS TRACY'SCAPTIVATING AND EXHILARATING ROMANCESMay be had wherever books are sold. Ask for Grosset & Dunlap's list CYNTHIA'S CHAUFFEUR. Illustrated by Howard Chandler Christy. A pretty American girl in London is touring in a car with a chauffeur whose identity puzzles her. An amusing mystery. THE STOWAWAY GIRL. Illustrated by Nesbitt Benson. A shipwreck, a lovely girl stowaway, a rascally captain, a fascinating officer, and thrilling adventures in South Seas. THE CAPTAIN OF THE KANSAS. Love and the salt sea, a helpless ship whirled into the hands of cannibals, desperate fighting and a tender romance. THE MESSAGE. Illustrated by Joseph Cummings Chase. A bit of parchment found in the figurehead of an old vessel tells of a buried treasure. A thrilling mystery develops. THE PILLAR OF LIGHT. The pillar thus designated was a lighthouse, and the author tells with exciting detail the terrible dilemma of its cut-off inhabitants. THE WHEEL O'FORTUNE. With illustrations by James Montgomery Flagg. The story deals with the finding of a papyrus containing the particulars of some of the treasures of the Queen of Sheba. A SON OF THE IMMORTALS. Illustrated by Howard Chandler Christy. A young American is proclaimed king of a little Balkan Kingdom, and a pretty Parisian art student is the power behind the throne. THE WINGS OF THE MORNING. A sort of Robinson Crusoe redivivus with modern settings and a very pretty love story added. The hero and heroine, are the only survivors of a wreck, and have many thrilling adventures on their desert island. Ask for complete free list of G. & D. Popular Copyrighted Fiction GROSSET & DUNLAP'SDRAMATIZED NOVELSOriginal, sincere and courageous—often amusing—the kind that are making theatrical history. MADAME X. By Alexandre Bisson and J. W. McConaughy. Illustrated with scenes from the play. A beautiful Parisienne became an outcast because her husband would not forgive an error of her youth. Her love for her son is the great final influence in her career. A tremendous dramatic success. THE GARDEN OF ALLAH. By Robert Hichens. An unconventional English woman and an inscrutable stranger meet and love in an oasis of the Sahara. Staged this season with magnificent cast and gorgeous properties. THE PRINCE OF INDIA. By Lew. Wallace. A glowing romance of the Byzantine Empire, presenting with extraordinary power the siege of Constantinople, and lighting its tragedy with the warm underglow of an Oriental romance. As a play it is a great dramatic spectacle. TESS OF THE STORM COUNTRY. By Grace Miller White. Illust. by Howard Chandler Christy. A girl from the dregs of society, loves a young Cornell University student, and it works startling changes in her life and the lives of those about her. The dramatic version is one of the sensations of the season. YOUNG WALLINGFORD. By George Randolph Chester. Illust. by F. R. Gruger and Henry Raleigh. A series of clever swindles conducted by a cheerful young man, each of which is just on the safe side of a State's prison offence. As "Get-Rich-Quick Wallingford," it is probably the most amusing expose of money manipulation ever seen on the stage. THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe. Social and club life in London and New York, an amateur burglary adventure and a love story. Dramatized under the title of "A Gentleman of Leisure," it furnishes hours of laughter to the play-goers. THE NOVELS OF STEWART EDWARD WHITETHE RULES OF THE GAME. Illustrated by Lajaren A. Hiller The romance of the son of "The Riverman." The young college hero goes into the lumber camp, is antagonized by "graft" and comes into the romance of his life. ARIZONA NIGHTS. Illus. and cover inlay by N. C. Wyeth. A series of spirited tales emphasizing some phases of the life of the ranch, plains and desert. A masterpiece. THE BLAZED TRAIL. With illustrations by Thomas Fogarty. A wholesome story with gleams of humor, telling of a young man who blazed his way to fortune through the heart of the Michigan pines. THE CLAIM JUMPERS. A Romance. The tenderfoot manager of a mine in a lonesome gulch of the Black Hills has a hard time of it, but "wins out" in more ways than one. CONJUROR'S HOUSE. Illustrated Theatrical Edition. Dramatized under the title of "The Call of the North." Conjuror's House is a Hudson Bay trading post where the head factor is the absolute lord. A young fellow risked his life and won a bride on this forbidden land. THE MAGIC FOREST. A Modern Fairy Tale. Illustrated. The sympathetic way in which the children of the wild and their life is treated could only belong to one who is in love with the forest and open air. Based on fact. THE RIVERMAN. Illus. by N. C. Wyeth and C. Underwood. The story of a man's fight against a river and of a struggle between honesty and grit on the one side, and dishonesty and shrewdness on the other. THE SILENT PLACES. Illustrations by Philip R. Goodwin. The wonders of the northern forests, the heights of feminine devotion, and masculine power, the intelligence of the Caucasian and the instinct of the Indian, are all finely drawn in this story. THE WESTERNERS. A story of the Black Hills that is justly placed among the best American novels. It portrays the life of the new West as no other book has done in recent years. THE MYSTERY. In collaboration with Samuel Hopkins Adams With illustrations by Will Crawford. The disappearance of three successive crews from the stout ship "Laughing Lass" in mid-Pacific, is a mystery weird and inscrutable. In the solution, there is a story of the most exciting voyage that man ever undertook. TITLES SELECTED FROMGROSSET & DUNLAP'S LISTMay be had wherever books are sold. Ask for Grosset & Dunlap's list. HIS HOUR. By Elinor Glyn. Illustrated. A beautiful blonde Englishwoman visits Russia, and is violently made love to by a young Russian aristocrat. A most unique situation complicates the romance. THE GAMBLERS. By Charles Klein and Arthur Hornblow. Illustrated by C. E. Chambers. A big, vital treatment of a present day situation wherein men play for big financial stakes and women flourish on the profits—or repudiate the methods. CHEERFUL AMERICANS. By Charles Battell Loomis. Illustrated by Florence Scovel Shinn and others. A good, wholesome, laughable presentation of some Americans at home and abroad, on their vacations, and during their hours of relaxation. THE WOMAN OF THE WORLD. By Ella Wheeler Wilcox. Clever, original presentations of present day social problems and the best solutions of them. A book every girl and woman should possess. THE LIGHT THAT LURES. By Percy Brebner. Illustrated. Handsomely colored wrapper. A young Southerner who loved Lafayette, goes to France to aid him during the days of terror, and is lured in a certain direction by the lovely eyes of a Frenchwoman. THE RAMRODDERS. By Holman Day. Frontispiece by Harold Matthews Brett. A clever, timely story that will make politicians think and will make women realize the part that politics play—even in their romances. A CERTAIN RICH MAN. By William Allen White. A vivid, startling portrayal of one man's financial greed, its wide spreading power, its action in Wall Street, and its effect on the three women most intimately in his life. A splendid, entertaining American novel. IN OUR TOWN. By William Allen White. Illustrated by F. R. Gruger and W. Glackens. Made up of the observations of a keen newspaper editor, involving the town millionaire, the smart set, the literary set, the bohemian set, and many others. All humorously related and sure to hold the attention. NATHAN BURKE. By Mary S. Watts. The story of an ambitious, backwoods Ohio boy who rose to prominence. Everyday humor of American rustic life permeates the book. THE HIGH HAND. By Jacques Futrelle. Illustrated by Will Grete. A splendid story of the political game, with a son of the soil on the one side, and a "kid glove" politician on the other. A pretty girl, interested in both men, is the chief figure. THE BACKWOODSMEN. By Charles G. D. Roberts. Illustrated. Realistic stories of men and women living midst the savage beauty of the wilderness. Human nature at its best and worst is well portrayed. YELLOWSTONE NIGHTS. By Herbert Quick. A jolly company of six artists, writers and other clever folks take a trip through the National Park, and tell stories around camp fire at night. Brilliantly clever and original. THE PROFESSOR'S MYSTERY. By Wells Hastings and Brian Hooker. Illustrated by Hanson Booth. A young college professor, missing his steamer for Europe, has a romantic meeting with a pretty girl, escorts her home, and is enveloped in a big mystery. Ask for complete free list of G. & D. Popular Copyrighted Fiction Grosset & Dunlap, 526 West 26th St., New York |
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