America, the country of contrasts, can show none more sudden or striking than that between New York and Boston. In New York progress and convenience reach their zenith. A short journey carries you back into the England of the eighteenth century. The traveller, lately puzzled by overhead railways and awed by the immensity of sky-scrapers, no sooner reaches Boston than he finds himself once more in a familiar environment. The wayward simplicity of the city has little in common with the New World. Its streets are not mere hollow tubes, through which financiers may be hastily precipitated to their quest for gold. They wind and twist like the streets in the country towns of England and France. To the old architects of Boston, indeed, a street was something more than a thoroughfare. The houses which flanked it took their places by whim or hazard, and were not compelled to follow a hard immovable line. And so they possess all the beauty which is born of accident and surprise. You turn a corner, and know not what will confront you; you dive down a side street, and are uncertain into what century you will be thrust. Here is the old wooden house, which recalls the first settlers; there the fair red-brick of a later period. And everywhere is the diversity which comes of growth, and which proves that time is a better contriver of effects than the most skilful architect.

The constant mark of Boston is a demure gaiety. An air of quiet festivity encompasses the streets. The houses are elegant, but sternly ordered. If they belong to the colonial style, they are exquisitely symmetrical. There is no pilaster without its fellow; no window that is not nicely balanced by another of self-same shape and size. The architects, who learned their craft from the designs of Inigo Jones and Christopher Wren, had no ambition to express their own fancy. They were loyally obedient to the tradition of the masters, and the houses which they planned, plain in their neatness, are neither pretentious nor inappropriate. Nowhere in Boston will you find the extravagant ingenuity which makes New York ridiculous; nowhere will you be disturbed by an absurd mimicry of exotic styles; nowhere are you asked to wonder at mountainous blocks of stone. Boston is not a city of giants, but of men who love their comfort, and who, in spite of Puritan ancestry, do not disdain to live in beautiful surroundings. In other words, the millionaire has not laid his iron hand upon New England, and, until he come, Boston may still boast of its elegance.

The pride of Boston is Beacon Street, surely one among the most majestic streets in the world. It recalls Piccadilly and the frontage of the Green Park. Its broad spaces and the shade of its dividing trees are of the natural beauty which time alone can confer, and its houses are worthy its setting. I lunched at the Somerset Club, in a white-panelled room, and it needed clams and soft-shell crabs to convince me that I was in a new land, and not in an English country-house. All was of another time and of a familiar place—the service, the furniture, the aspect. And was it possible to regard our sympathetic hosts as strange in blood or speech?

The Mall, in Beacon Street, if it is the pride, is also the distinguishing mark of Boston. For Boston is a city of parks and trees. The famous Common, as those might remember who believe that America sprang into being in a night, has been sacred for nearly three hundred years. Since 1640 it has been the centre of Boston. It has witnessed the tragedies and comedies of an eventful history. "There," wrote an English traveller as early as 1675, "the gallants walk with their marmalet-madams, as we do in Moorfields."

There malefactors were hanged; there the witches suffered in the time of their persecution; and it is impossible to forget, as you walk its ample spaces, the many old associations which it brings with it from the past.

For it is to the past that Boston belongs. No city is more keenly conscious of its origin. The flood of foreign immigration has not engulfed it. Its memories, like its names, are still of England, New and Old. The spirit of America, eagerly looking forward, cruelly acquisitive, does not seem to fulfil it The sentiment of its beginning has outlasted even the sentiment of a poignant agitation. It resembles an old man thinking of what was, and turning over with careful hand the relics of days gone by. If in one aspect Boston is a centre of commerce and enterprise, in another it is a patient worshipper of tradition, It regards the few old buildings which have survived the shocks of time with a respect which an Englishman can easily understand, but which may appear extravagant to the modern American. The Old South Meeting-House, to give a single instance, is an object of simple-hearted veneration to the people of Boston, and the veneration is easily intelligible. For there is scarcely an episode in Boston's history that is not connected, in the popular imagination, with the Old South Meeting-House. It stands on the site of John Winthrop's garden; it is rich in memories of Cotton and Increase Mather. Within its ancient walls was Benjamin Franklin christened, and the building which stands to-day comes down to us from 1730, and was designed in obedient imitation of English masters. There, too, were enacted many scenes in the drama of revolution; there it was that the famous tea-party was proposed; and thence it was that the Mohawks, drunk with the rhetoric of liberty, found their way to the harbour, that they might see how tea mixed with salt-water. If the sentiment be sometimes exaggerated, the purpose is admirable, and it is a pleasant reflection that, in a country of quick changes and historical indifference, at least one building will be preserved for the admiration of coming generations.

It is for such reasons as these that an Englishman feels at home in Boston. He is secure in the same past; he shares the same memories, even though he give them a different interpretation. Between the New and Old England there are more points of similarity than of difference. In each are the same green meadows, the same ample streams, the same wide vistas. The names of the towns and villages in the new country were borrowed from the old some centuries ago; everywhere friendly associations are evoked; everywhere are signs of a familiar and kindly origin. When Winthrop, the earliest of the settlers, wrote to his wife, "We are here in a paradise," he spoke with an enthusiasm which is easily intelligible. And as the little colony grew, it lived its life in accord with the habit and sentiment of the mother-country. In architecture and costume it followed the example set in Bristol or in London. Between these ports and Boston was a frequent interchange of news and commodities. An American in England was no stranger. He was visiting, with sympathy and understanding, the home of his fathers. The most distinguished Bostonians of the late eighteenth century live upon the canvases of Copley, who, in his son, gave to England a distinguished Chancellor, and whose career is the best proof of the good relations which bound England to her colony. Now Copley arrived in England in 1774, when his native Boston was aroused to the height of her sentimental fury, and he was received with acclamation. He painted the portraits of Lord North and his wife, who, one imagines, were not regarded in Boston with especial favour. The King and Queen gave him sittings, and neither political animosity nor professional rivalry stood in the way of his advancement. His temper and character were well adapted to his career. Before he left New England he had shown himself a Court painter in a democratic city. He loved the trappings of life, and he loved to put his sitters in a splendid environment. His own magnificence had already astonished the grave Boston-ians; he is described, while still a youth, as "dressed in a fine maroon cloth, with gilt buttons"; and he set the seal of his own taste upon the portraiture of his friends.

I have said that Boston loves relics. The relics which it loves best are the relics of England's discomfiture. The stately portraits of Copley are of small account compared to the memorials of what was nothing else than a civil war. Faneuil Hall, the Covent Garden of Boston, presented to the city by Peter Faneuil some thirty years before the birth of "Liberty," is now but an emblem of revolt. The Old South Meeting-Place is endeared to the citizens of Boston as "the sanctuary of freedom." A vast monument, erected a mere quarter of a century ago, commemorates the "Boston Massacre." And wherever you turn you are reminded of an episode which might easily be forgotten. To an Englishman these historical landmarks are inoffensive. The dispute which they recall aroused far less emotion on our side the ocean than on the other, and long ago we saw the events of the Revolution in a fair perspective. In truth, this insistence on the past is not wholly creditable to Boston's sense of humour. The passionate paeans which Otis and his friends sang to Liberty were irrelevant. Liberty was never for a moment in danger, if Liberty, indeed, be a thing of fact and not of watchwords. The leaders of the Revolution wrote and spoke as though it was their duty to throw off the yoke of the foreigner,—a yoke as heavy as that which Catholic Spain cast upon Protestant Holland.

But there was no yoke to be thrown off, because no yoke was ever imposed, and Boston might have celebrated greater events in her history than that which an American statesman has wisely called "the glittering and sounding generalities of natural right."

However, if you would forget the follies of politicians, you have but to cross the bridge and drive to Cambridge, which, like the other Cambridge of England, is the seat of a distinguished university. You are doubly rewarded, for not merely is Cambridge a perfect specimen of a colonial village, but in Harvard there breathes the true spirit of humane letters. Nor is the college a creation of yesterday. It is not far short of three centuries ago that John Harvard, once of Emmanuel College in England, endowed the university which bears his honoured name. The bequest was a poor £780, with 260 books, but it was sufficient to ensure an amiable immortality, and to bestow a just cause of pride upon the mother-college. The daughter is worthy her august parentage. She has preserved the sentiment of her birth; she still worships the classics with a constant heart; the fame of her scholars has travelled in the mouths of men from end to end of Europe. And Harvard has preserved all the outward tokens of a university. Her wide spaces and lofty avenues are the fit abode of learning. Her college chapel and her college halls could serve no other purpose than that for which they are designed. The West, I believe, has built universities on another plan and to another purpose. But Harvard, like her great neighbour Boston, has been obedient to the voice of tradition, and her college, the oldest, remains also the greatest in America.

Culture has always been at once the boast and the reproach of Boston. A serious ancestry and the neighbourhood of a university are enough to ensure a grave devotion to the things of the spirit, and Boston has never found the quest of gold sufficient for its needs. The Pilgrim Fathers, who first sought a refuge in New England, left their country in the cause of what they thought intellectual freedom, and their descendants have ever stood in need of the excitement which nothing save pietism or culture can impart. For many years pietism held sway in Boston. The persecution of the witches, conducted with a lofty eloquence by Cotton Mather, was but the expression of an imperious demand, and the conflict of warring sects, which for many years disturbed the peace of the city, satisfied a craving not yet allayed. Then, after a long interval, came Transcendentalism, a pleasant mixture of literature and moral guidance, and to-day Boston is as earnest as ever in pursuit of vague ideals and soothing doctrines.

But pietism has gradually yielded to the claim of culture. Though one of the largest buildings which frown upon the wayfarer in Boston is a temple raised to the honour of Christian Science and Mrs Eddy, literature is clearly the most fashionable anodyne. It is at once easier and less poignant than theology: while it imparts the same sense of superiority, it suggests the same emancipation from mere world-liness. It is by lectures that Boston attempts to slake its intellectual thirst—lectures on everything and nothing. Science, literature, theology—all is put to the purpose. The enterprise of the Lowell Institute is seconded by a thousand private ventures. The patient citizens are always ready to discuss Shakespeare, except when Tennyson is the subject of the last discourse, and zoology remains attractive until it be obscured by the newest sensation in chemistry. And the appetite of Boston is unglutted and insatiable. Its folly is frankly recognised by the wise among its own citizens. Here, for instance, is the testimony of one whose sympathy with real learning is evident. "The lecture system," says he, "in its best estate an admirable educational instrument, has been subject to dreadful abuse. The unbounded appetite of the New England communities for this form of intellectual nourishment has tempted vast hordes of charlatans and pretenders to try their fortune in this profitable field. 'The hungry sheep look up, and are not fed.' The pay of the lecturer has grown more exorbitant in proportion to the dilution of his mixture, until professional jokers have usurped the places once graced by philosophers and poets; and to-day the lyceums are served by a new species of broker, who ekes out the failing literary material with the better entertainment of music and play-acting."

I am not sure whether the new species of broker is not better than the old. So long as music and play-acting do not masquerade in the worn-out duds of intellect, they do not inflict a serious injury upon the people. It is culture, false and unashamed, that is the danger. For culture is the vice of the intelligence. It stands to literature in the same relation as hypocrisy stands to religion. A glib familiarity with names does duty for knowledge. Men and women think it no shame to play the parrot to lecturers, and to pretend an acquaintance with books whose leaves they have never parted. They affect intellect, when at its best it is curiosity which drives them to lecture hall or institute—at its worst, a love of mental dram-drinking. To see manifest in a frock-coat a poet or man of science whose name is printed in the newspapers fills them with a fearful enthusiasm. To hear the commonplaces of literary criticism delivered in a lofty tone of paradox persuades them to believe that they also are among the erudite, and makes the sacrifice of time and money as light as a wind-blown leaf. But their indiscretion is not so trivial as it seems. Though every man and every woman has the right to waste his time (or hers) as may seem good, something else besides time is lost in the lecture hall. Sincerity also is squandered in the grey, dim light of sham learning, and nobody can indulge in a mixed orgie of "culture" without some sacrifice of honesty and truth.

Culture, of course, is not the monopoly of Boston. It has stretched its long arm from end to end of the American continent. Wherever you go you will hear, in tram or car, the facile gossip of literature. The whole world seems familiar with great names, though the meaning of the names escapes the vast majority. Now the earnest ones of the earth congregate in vast tea-gardens of the intellect, such as Chautauqua. Now the summer hotel is thought a fit place in which to pick up a smattering of literature or science; and there is an uneasy feeling abroad that what is commonly known as pleasure must not be unalloyed. The vice, unhappily, is not unknown in England. A country which had the ingenuity to call a penny reading "university extension," and to send its missionaries into every town, cannot be held guiltless. But our poor attempts at culture dwindle to a paltry insignificance in the light of American enterprise; and we would no more compare the achievement of England in the diffusion of learning with the achievement of the United States, than we would set a modest London office by the side of the loftiest sky-scraper in New York. America lives to do good or evil on a large scale, and we lag as far behind her in culture as in money-making.

When I left Boston for the West, I met in the train an earnest citizen of a not uncommon type. He was immensely and ingenuously patriotic. Though he had never left his native land, and had therefore an insufficient standard of comparison, he was convinced that America was superior in arms and arts to every other part of the habitable globe. He assured me, with an engaging simplicity, that Americans were braver, more energetic, and richer than Englishmen; that, as their buildings were higher, so also were their intelligence and their aspirations. He pointed out that in the vast continent of the West nothing was lacking which the mind of man could desire. Where, he asked, would you find harvests so generous, mines so abundant in precious metals, factories managed with so splendid an ingenuity? If wine and oil are your quest, said he, you have but to tap the surface of the munificent earth. One thing only, he confessed, was lacking, and that need a few years would make good. "Wait," said he, with an assured if immodest boastful-ness,—"wait until we get a bit degenerate, and then we will produce a Shakespeare"! I had not the heart to suggest that the sixteenth century in England was a period of birth, not of decay. I could only accept his statement in awful appreciation. And emboldened by my silence, he supported his argument with a hundred ingeniously chosen facts. He was sure that America would never show the smallest sign of decadence until she was tired of making money. The love of money was the best defence against degeneracy of every kind, and he gasped with simple-hearted pride when he thought of the millions of dollars which his healthy, primitive compatriots were amassing. But, he allowed, the weariness of satiety might overtake them; there might come a time when the ledger and counting-house ceased to be all-sufficient, and that moment of decay would witness the triumph of American literature. "Ben Jonson, Goldsmith, and those fellows," he asked, "lived in a degenerate age, didn't they?" I assented hastily. How could I contradict so agreeable a companion, especially as he was going, as fast as the train could carry him, to take a rest cure?

Such is one victim of the passion for culture. He had probably read nothing in his life save the newspapers and Dickens's 'American Notes,' a work to which he referred with the bitterest resentment. But he had attended lectures, and heard names, some of which remained tinkling in his empty head. To his confused mind English literature was a period of degeneracy, one and indissoluble, in which certain famous writers lived, devoting what time they could snatch from the practice of what he called the decadent vices to the worship of the bottle. There was no harm in him. He was, as the common phrase has it, his own enemy. But he would be better employed in looking at a game of baseball than in playing with humane letters, and one cannot but regret that he should suffer thus profoundly from a vicious system. Another victim of culture comes to my mind. He, too, was from Boston, and as his intelligence was far deeper than the other one's, his unhappiness was the greater. I talked to him for a long day, and he had no conversation but of books. For him the visible world did not exist. The printed page was the beginning and the end of existence. He had read, if not wisely, at least voraciously, and he displayed a wide and profound acquaintance with modern biography. He had all the latest Lives at his finger-tips. He knew where all our great contemporaries lived, and who were their friends; he had attended lectures on every conceivable subject; withal he was of a high seriousness, which nothing could daunt. For him, as is but natural, the works of Mr Arthur Benson held the last "message" of modern literature. He could not look upon books as mere instruments of pleasure or enjoyment. He wanted to extract from them that mysterious quality called "help" by the elect of the lecture hall; and without the smallest persuasion he told me which authors had "helped" him in his journey through the world. Shelley, of course, stood first on the list, then came Walt Whitman, and Pater was not far from the top. And there was nothing more strange in this apostle of aesthetics than his matter-of-fact air. His words were the words of a yearning spirit. His tone was the tone of a statistician. Had he really read the books of which he spoke? Did they really "help" him in the making of money, which was the purpose of his life, or did they minister to a mind diseased? I do not know. But I do know that there was a kind of pathos in his cold anxiety. Plainly he was a man of quick perception and alert intelligence. And he seemed to have wasted a vast amount of time in acquiring a jargon which certainly was not his own, and in attaching to books a meaning and purpose which they have never possessed.

Such are two widely different products of the lecture hall, and it is impossible not to see that, widely as their temperaments differ, they have been pushed through the same mill. And thus we arrive at the worst vice of enforced culture. Culture is, like the overhead railroad, a mere saviour of time. It is the tramway of knowledge which compels all men to travel by the same car, whatever may be their ultimate destination. It possesses all the inconvenience of pleasures taken or duties performed in common. The knowledge which is sincere and valuable must be acquired by each man separately; it must correspond to the character and disposition of him who acquires it, or it is a thin disguise of vanity and idleness. To what, then, may we attribute this passion for the lecture hall? Perhaps it is partly due to the provincialism characteristic of America, and partly to an invincible energy, which quickens the popular ambition and urges men to acquire information as they acquire wealth, by the shortest route, and with the smallest exertion.

Above all, culture is the craving of an experimental age, and America no doubt will outgrow it domination. Even now Boston, its earliest slave, is shaking off the yoke; and it is taking refuge in the more modern cities of the West. Chicago is, I believe, its newest and vastest empire. There, where all is odd, it is well to be thought a "thinker." There, we are told, the elect believe it their duty "to reach and stimulate others." But wherever culture is found Strange things are done in its name, and the time may come when by the light of Chicago's brighter lamp Boston may seem to dwell in the outer darkness.