Rag weaving is not necessarily confined to rugs, for very beautiful portieres and table and lounge covers may be woven from carefully chosen and prepared rags. The process is practically the same, the difference being like that between coarse and fine needlework, where finer material and closer and more painstaking handiwork is bestowed. The result is like a homespun cloth. Both warp and woof must be finer than in ordinary carpet weaving. Instead of coarse cotton yarn, warp must be fine “mercerized” cotton, or of linen or silk thread, and the warp threads are set much closer in the loom. In place of ten or twelve threads to the inch, there should be from fifteen to twenty. The woof or filling may be old or new, and either of fine cotton, merino, serge, or other wool material, or of silk. The ordinary “silk-rag portiere” is not a very attractive hanging, being somewhat akin to the crazy quilt, and made, as is that bewildering production, from a collection of ribbons and silk pieces of all colours and qualities, cut and sewed together in a haphazard way, without any arrangement of colour or thought of effect, and sent to the weaver with a vague idea of getting something of worth from valueless material. This is quite a different thing from a silk portiere made from some beautiful old silk garment, which is too much worn for further use, where warp and woof colour are selected for fitness and harmony, and the weaver uses her rags, as the painter does his colours, with a purpose of artistic effect. If the work is done from that point of view, the last state of the once beautiful old garment may truly be said to be better than the first. If a light cloth is used for this kind of manufacture, it may be torn into strips so narrow as to simulate yarn—and make what appears to be yarn weaving. This cannot well be done with old or worn cloth, because there is not strength in the very narrow strip to bear the strain of tearing; but new muslin, almost as light as that which is known as “cheesecloth,” treated in this way makes a beautiful canvas-like weaving which, if well coloured, is very attractive for portieres or table covers.

If one has breadths of silk of a quality which can be torn without raveling, and is sufficiently strong to bear the process, it is delightful material to work with. If it is of ordinary thickness, a half-inch in width is quite wide enough, and this will roll or double into the size of ordinary yarn. If the silk is not strong enough to tear, it is better to cut the strips upon the bias than straight, and the same is true of fine woolens, like merinos, cashmeres, or any worsted goods. There is much more elasticity in them when cut in this way, and they are more readily crushed together by the warp.

I know a beautiful hanging of crimson silk, or rather of crimson and garnet—the crimson having been originally a light silk dress dyed to shade into the garnet. The two coloured rags were sewn together “hit or miss” fashion and woven upon a bright cardinal-coloured warp. There was no attempt at border: it was simply a length of vari-coloured coarse silk weaving, absolutely precious for colour and quality.

Treated in this way, an old silk gown takes on quite a new value and becomes invested with absorbing interest. Spots and tarnish disappear in the metempsychosis, or serve for scattered variation, and if the weaver chooses to still further embellish it with a monogram or design in cross stitch embroidery, she has acquired a piece of drapery which might be a valuable inheritance to her children.

Merino or cashmere which has been worn and washed, and is coupled with other material of harmonizing colour, like pieces of silk or velvet, is almost as valuable for the making of portieres and table covers as if it were silk. Indeed, for the latter purpose it is preferable, being generally washable.

Cotton hangings made in this way are often very desirable. “Summer muslins” which have served their time as dresses, and are of beautiful colour and quite strong enough to go into the loom, can be woven with a warp of gray linen thread into really beautiful hangings, especially the strong, plain tints—the blues and greens and reds which have been so much worn of late years. They have the advantage of being easily washable, and are particularly suitable for country-house hangings. Even worn sheets and pillow-cases can be dyed to suit the furnishing of different rooms, and woven with a silk warp of stronger colour. They should be torn into strips not more than a third of an inch wide, so that it may crush into a roll not larger than an ordinary yarn. This will weave into a light, strong cloth, always interesting because it differs from anything which can be purchased through ordinary channels. To reappear in the shape of a beautiful and valuable rag-weaving is the final resurrection of good textiles, when they have performed their duty in the world and been worn out in its service.

These home-woven portieres are better without borders, the whole surface being plain or simply clouded by mixing two tints of the same colour together. They can be elaborated by adding a hand-made fringe of folds of cloth sewn into a lattice and finished with tassels. This is quite a decorative feature, and particularly suitable to the weaving.

It can easily be understood that a large share of the beauty of making these household furnishings lies in the colour. If that is good the rug or portiere or table-cover is beautiful. If it is either dull or glaring, the pleasure one might have in it is lacking, and it is quite within one’s power to have the article always beautiful.

It must also be remembered, if weaving is taken up as a source of profit, that few things which do not please the eye will sell. Therefore, if for no other reason, it is well worth while for the weaver to first study the choice, production and combination of beautiful colours rather than the fabric of the rug.

I have said, and will reiterate, that for this particular kind of manufacture—the restoration and adaptation of old goods, and the strengthening of tints in carpet warps—the yellows and reds of the Magic or Diamond dyes of commerce are effective and reliable. Indeed, for new goods cardinal dye is all that could be asked, but when it comes to the use of dyes for the weaving of textiles and artistic fabrics, one must resort to dye woods and plants.

KNOTTED WARP FRINGE FOR WOVEN TABLE-COVER

KNOTTED WARP FRINGE FOR WOVEN TABLE-COVER

SEWED RAG FRINGE FOR WOVEN PORTIERE

SEWED RAG FRINGE FOR WOVEN PORTIERE

FRINGES.

Nothing is more important than the proper finish of the rug, and this generally consists in a careful going over of the work after it has come from the loom—the cutting of stray ravelings and sewing of loose ends, and the knotting of the long warp ends.

It is only a very careless or inexperienced weaver who leaves the warp ends in the state in which they come from the loom; and indeed they can be made one of the most effective features of the rug. Simple knotting of every six threads will make them safe from raveling, and sometimes the shortness of the warp ends allows no more than this. It is well worth while, however, to leave six or eight inches to work into decorative fringes, and these can be made in various ways, of which illustrations are given.

In the case of decorative fringes there can be double or triple knotting—straight, or worked into points; braided fringes which have the merit of both strength and beauty, and are free from the tangle-trouble of long fringes, and the very effective rag-lattice finish for portieres and table-covers. Indeed, half the beauty of the rug may lie in the fringing and finish.

PROFITS.

The pecuniary gain from rag rug weaving may easily be calculated. First of all comes the cost of the loom, which will be about seventy dollars. The interest upon this, with necessary repairs, may be reckoned at about five dollars per year.

To every six-foot rug goes two-thirds of a pound of warp, and this would amount to from ten-and-a-half to fourteen cents, according to the rate of purchase. To every such rug must go three pounds of cotton or two pounds of woolen rags, costing for cotton thirty and for woolen fifty cents. To the cotton rugs must be added the possible cost of dye-stuffs, which, again, might cost twenty cents, making cost of material in either cotton or woolen rugs from sixty to sixty-four cents.

As far as profit is concerned, if rag rugs are well made they will sell for two dollars each, if successful in colour, from two dollars and a half to three and a half, and if beautiful and exceptional in colour and finish from four to six dollars. But it must be remembered that this latter price will be for rugs which have artistic value. Probably the average weaver can safely reckon upon one dollar and eighty-five cents to two dollars regular profit for the labor of sewing and filling and weaving and knotting the rugs. It is fair to accept this as a basis for regular profit, the amount of which must depend upon facility of production and the ability to produce unexceptionable things.

But it is not alone pecuniary gain which should be considered. Ability to produce or create a good thing is in itself a happiness, and the value of happiness cannot easily be reckoned. The knowledge necessary to such production is a personal gain. Everything we can do which people generally cannot or do not do, or which we can do better than others, helps us to a certain value of ourselves which makes life valuable. For this reason, then, as well as for the gain of it, a loom in the house and a knowledge of weaving is an advantage, not only for the elders, but to the children. If the boys and girls in every farmhouse were taught to create more things, they would not only be abler as human beings, but they would not be so ready to run out into the world in search of interesting occupations. A loom, a turning-lathe, a work-bench, and a chest of tools, a house-organ or melodeon, and a neighbourhood library, would keep boys and girls at home, and make them more valuable citizens when independent living became a necessity. Everything which broadens the life, which must by reason of narrow means and fixed occupation be stationary, gives something of the advantage of travel and contact with the world, and the adding of profitable outside industries to farmhouse life is an important step in this direction.