Henry B. Wheatley

I.	Portraits of Samuel Pepys.
II.	The Schemes of Alexander Marchant, Sieur de St. Michel (Mrs. Pepys’s Father).
III.	Pepys’s Manuscripts at Oxford.
IV.	Musical Instruments.
V.	Pepys’s Correspondents.
VI.	List of the Officers of the Navy.
VII.	Plays which Pepys saw Acted.

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APPENDIX I.

PORTRAITS OF SAMUEL PEPYS.

PAINTINGS BY

Decorative Capital P

PAINTINGS BY

1. Savill (a painter in Cheapside). 1661. See “Diary,” Nov. 23.

Jan. 6, 1661–62: “I sent my lute to the Paynter’s, and there I staid with him all the morning to see him paint the neck of my lute in my picture, which I was not pleased with after it was done.”

Pepys appears to have sat to this same painter for a miniature or “picture in little,” which cost £3. See “Diary,” Feb. 20, 1661–62, June 11, 1662.

Jan. 28, 1661–62: “The Paynter, though a very honest man, I found to be very silly as to matter of skill in shadows, for we were long in discourse, till I was almost angry to hear him talk so simply.”

2. John Hales. 1666.

March 17, 1666: “This day I began to sit, and he will make me, I think, a very fine picture. He promises it shall be as good as my wife’s, and I sit to have it full of shadows, and do almost break my neck looking over my shoulder to make the posture for him to work by.”

March 30, 1666: “To Hales’s, and there sat till almost quite darke upon working my gowne, which I hired to be drawn in: an Indian gown.”

April 11, 1666: “To Hales’s, where there was nothing to be found to be done more to my picture, but the musique, which now pleases me mightily, it being painted true.”

This picture was bought by Peter Cunningham, at the sale of the Pepys Cockerell collection in 1848, and it was purchased by the trustees of the National Portrait Gallery in 1866. The eyes look at the spectator, and the face is turned three-quarters to the left. The music is Pepys’s own song, “Beauty Retire.”

“There is a similar picture belonging to Mr. Hawes, of Kensington, which Mr. Scharf, the Keeper of the National Portrait Gallery, thinks is either a replica or a good old copy.”—Rev. Mynors Bright’s edition of the “Diary,” vol. iii. p. 423 (note).

Walpole mentions Hales in his “Anecdotes of Painting,” and says that he lived in Southampton Street, Bloomsbury, and died there suddenly in 1679.

3. Sir Peter Lely. Pepysian Library, Magdalene College, Cambridge.

4. Sir Godfrey Kneller. Andrew Pepys Cockerell, Esq. This picture was lent to the First Special Exhibition of National Portraits, 1866, and was numbered 950.

5. Sir Godfrey Kneller. The Royal Society.

6. Sir Godfrey Kneller. Hall of Magdalene College, Cambridge.

7. A small portrait attributed to Kneller, representing a seated figure; with a globe in one corner, and a guitar (or lute) and compasses on a table, and a ship in the distance at sea. Mr. Scharf suggests the possibility of this being the portrait by Savill described above (No. 1), and this suggestion seems highly probable. Mrs. Frederick Pepys Cockerell.

8. Anonymous. 1675.

“The picture is beyond praise; but causes admiration in all that see it. Its posture so stately and magnificent, and it hits so naturally your proportion and the noble air of your face, that I remain immovable before it hours together,” &c. T. Hill to Pepys, Lisbon, July 1, 1675.—Smith’s “Life of Pepys,” vol. i. p. 161.

9. The picture by Verrio at Christ’s Hospital, of James II. on his throne receiving the mathematical pupils of the school, contains a portrait of Pepys. The original drawing for the picture by Verrio is in the possession of Andrew Pepys Cockerell, Esq.

ENGRAVINGS BY

1. Robert White. Kneller, painter. Portrait in a carved oval frame, bearing inscription SAM. PEPYS. CAR. ET. JAC. ANGL. REGIB. A. SECRETIS. ADMIRALIÆ. Motto under the frame, “Mens cujusque is est quisque.” Large book-plate.

2. Robert White. Kneller, painter. Portrait in an oval medallion on a scroll of paper. Motto over his head, “Mens cujusque is est quisque;” underneath the same inscription as on No. 1. Small book-plate.

These two engravings are described by Granger.

3. J. Bragg. Kneller, painter. Frontispiece to vol. i. of the first edition of the “Diary,” 1825 (4to.). “From the original in the possession of S. P. Cockerell.” Picture described as No. 7, now in the possession of Mrs. Frederick Pepys Cockerell.

4. J. Bragg. Kneller, painter. Frontispiece to vol. i. of the second edition of the “Diary,” 1828; much worn in the third edition, 1848. “From the original picture in the possession of S. P. Cockerell.” Picture described as No. 4, now in the possession of Andrew Pepys Cockerell, Esq.

5. W. C. Edwards. Kneller, painter. Frontispiece to vol. i. of the fourth edition of the “Diary,” 1854. From the same original as the preceding article.

6. Charles Wass. Walker, painter. In Smith’s “Life, Journals, and Correspondence of Pepys,” vol. i. 1841, said to be in the collection of the Royal Society, but this is a mistake.

PHOTOGRAPHS.

1. From the portrait by Kneller (No. 4), series of photographs published by the South Kensington Museum under the superintendence of the Council of the Arundel Society.

2. From Edwards’s engraving of Kneller’s Portrait, “Diary,” ed. Mynors Bright, vol. i. 1875.

3. From Hales’s Portrait (No. 2), “Diary,” ed. Mynors Bright, vol. iii. 1876.

BUST.

The following extracts from the “Diary” refer to a bust which was made for Pepys:—

Feb. 10, 1668–69: “So to the plaisterer’s at Charing Cross that casts heads and bodies in plaister: and there I had my whole face done; but I was vexed first to be forced to daub all my face over with pomatum: but it was pretty to feel how soft and easily it is done on the face, and by and by, by degrees how hard it becomes, that you cannot break it, and sits so close, that you cannot pull it off, and yet so easy, that it is as soft as a pillow so safe is everything where many parts of the body do bear alike. Thus was the mould made; but when it came off there was little pleasure in it, as it looks in the mould, nor any resemblance whatever there will be in the figure when I come to see it cast off.”

Feb. 15, 1668–69: “To the plaisterer’s, and there saw the figure of my face taken from the mould: and it is most admirably like, and I will have another made, before I take it away.”

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APPENDIX II.

THE SCHEMES OF ALEXANDER MARCHANT, SIEUR DE ST. MICHEL (MRS. PEPYS’S FATHER.)

The unpractical schemes of Mons. St. Michel are alluded to on pages 7–8 of this book, but the editors of the “Diary” have taken no pains to obtain any information respecting him, and his name even does not appear in the “Diary.” Lord Braybrooke suggests, without any justification for the suggestion, that Mrs. Pepys’s mother had married again (see “Diary,” March 29th, 1667).

Pepys was wrong in the date of the patent, which is numbered 138, and Sir Edward Ford’s name does not appear in it. Sir John Colladon, a Fellow of the Royal College of Physicians, was naturalized by Charles II., and appointed one of the Physicians to the Queen.

St. Michel’s name evidently puzzled the man who drafted the patent. The following is a copy of the original patent:—

In 1665 St. Michel was again anxious for a patent. The following is a copy of a petition preserved among the State Papers in the Record Office:—

The petition was referred to the Attorney-General.

The Attorney-General reported as follows:—

The result was a warrant for a patent.

Not contented with curing smoky chimneys, purifying water, and moulding bricks, St. Michel proposed in 1667 to raise submerged ships, and to prevent others from being submerged.

“Propositions dedicated to the King by Alex. Marchant, Sieur de St. Michel sur Couanon les Bauges, in Anjou, Captain and Major of English troops in Italy and Flanders, offering to show that he can draw up all submerged ships; can prevent others from being submerged; has discovered King Solomon’s gold and silver mines, much vaster than those discovered by Columbus, and now much fuller than they were in that King’s time. He wishes to satisfy His Majesty on his first proposition, lest the other should be deemed unworthy an audience.”—Calendar of State Papers, Domestic, 1667, pp. 252–3.

What a curious comment upon this statement of the discovery of gold and silver mines is to be found in the following extract from the “Diary”:—

March 29, 1667: “4s. a week which his (Balty St. Michel’s) father receives of the French Church is all the subsistence his father and mother have, and about 20l. a year maintains them.”

APPENDIX III.

PEPYS’S MANUSCRIPTS AT OXFORD.

Chapter V. p. 82.—Pepys’s manuscripts in the Rawlinson Collection at the Bodleian Library, Oxford, are very fully described in the “Oxford Catalogue of Manuscripts,” and the Rev. W. D. Macray’s Index to the same. Besides the letters from various persons which are noted further on in the list of Pepys’s correspondents, are a large number of copies of letters from Pepys himself. The other papers are described as (1) Naval and Official, (2) Personal and Miscellaneous. In the first class are various notes on the state of the navy at different periods, questions respecting shipbuilding, memorials, minutes, and reports. In the second class are accounts of expenses, bonds, inventories, lists of books, &c.; and in both classes are papers of considerable interest for the purpose of elucidating the particulars of Pepys’s life. Besides the above there are papers relating to other members of the family.

APPENDIX IV.

MUSICAL INSTRUMENTS.

Chapter V. p. 98.—The following notice of old musical instruments will help to illustrate some of Pepys’s allusions:—

“The lute about three hundred years ago was almost as popular as is at the present day the pianoforte. Originally it had eight thin catgut strings arranged in four pairs, each being tuned in unison; so that its open strings produced four tones; but in the course of time, more strings were added. Until the sixteenth century twelve was the largest number, or rather, six pairs. Eleven appear for some centuries to have been the most usual number of strings: these produced six tones, since they were arranged in five pairs and a single string. The latter, called the chanterelle, was the highest. According to Thomas Mace, the English lute in common use during the seventeenth century had twenty-four strings, arranged in twelve pairs, of which six pairs ran over the finger-board and the other six by the side of it. This lute was therefore, more properly speaking, a theorbo. The neck of the lute, and also of the theorbo, had frets consisting of catgut strings tightly fastened round it at the proper distances required for ensuring a chromatic succession of intervals.... The lute was made of various sizes according to the purpose for which it was intended in performance. The treble lute was of the smallest dimensions, and the bass lute of the largest. The theorbo, or double-necked lute, which appears to have come into use during the sixteenth century, had, in addition to the strings situated over the finger-board, a number of others running at the left side of the finger-board, which could not be shortened by the fingers, and which produced the bass tones. The largest kinds of theorbo were the archlute and the chitarrone.

“The most popular instruments played with a bow at that time [1659] were the treble-viol, the tenor-viol and the bass-viol. It was usual for viol players to have ‘a chest of viols,’ a case containing four or more viols of different sizes. Thus Thomas Mace, in his directions for the use of the viol, ‘Musick’s Monument,’ 1676, remarks: ‘Your best provision and most complete, will be a good chest of viols six in number, viz., two basses, two tenors, and two trebles, all truly and proportionably suited.’ The violist, to be properly furnished with his requirements, had therefore to supply himself with a larger stock of instruments than the violinist of the present day.

“That there was, in the time of Shakespeare, a musical instrument called recorder is undoubtedly known to most readers from the stage-direction in ‘Hamlet’: ‘Re-enter players with recorders.’ But not many are likely to have ever seen a recorder, as it has now become very scarce.”—Engel’s Musical Instruments (S. K. M. Art Handbooks), pp. 114–119.

APPENDIX V.

PEPYS’S CORRESPONDENTS.

Chapter VII.—The following is a list of those friends and acquaintances whose letters to Pepys are still extant. The greater proportion of the letters are at Oxford, but some printed in the “Diary” are at Cambridge.

[The date is that of the letter. B. affixed shows that the MS. is in the Bodleian Library; S. that the letter is printed in Smith’s “Life, &c., of Pepys;” and P. that it is printed in the Correspondence attached to the “Diary.”]

• Ackworth, William, Storekeeper in Woolwich Dockyard, 1664. B.
• Agar, Thomas, 1679–87. B.
• Ailesbury, Robert Bruce, Earl of, 1684. B.
• Alberville, Marquis d’ [otherwise White], 1687. B.
• Alcock, Thomas, Master Caulker at Portsmouth, 1682–6. B.
• Allais, Denise d’, 1680. B.
• Andrewes, Sir Matthew, 1686–87. B.
• Andrews, Thomas, Contractor for the Victualling of Tangier, 1664. B.
• Anglesey, Arthur Annesley, 1st Earl of, 1672. B., S.
• Atkins, Samuel. B.
• Aylmer, Lieut. George, 1677–78. B.
• Baesh, Sir Edward, 1689. B., S. (spelt Beash).
• Bagwell, William, Carpenter of H.M.S. “The Prince,” 1668, 1681. B.
• Banks, C., 1678. B.
• Banks, Sir John, 1672–9. B.
• Barlow, Thomas, Clerk of the Acts, 1660–1. B.
• Barrow, Philip, Storekeeper at Chatham, 1663. B.
• Barry, James, 1678. B.
• Bastinck, Francis, 1674, 1679. B.
• Batelier, Joseph, Clerk in the Navy Office, 1681–83. B.
• Battine, Edward, Clerk of the Survey at Portsmouth, 1687. B.
• Beach, Sir Richard, 1677–88. B.
• Beane, R., 1682. B.
• Beaumont, Basil, Midshipman in the “Phoenix,” 1687. B.
• Bedford, Thomas, Deputy-Registrar of the Admiralty, 1687. B.
• Belasyse, John, Lord, 1675. B.
• Berkeley, John, 3rd Lord, of Stratton, 1678. B., P.
• Bernard, Sir John, 1677. B.
• Berry, Sir John, 1674–87. B.
• Berry, Captain Thomas, 1673. B.
• Bertie, Peregrine, 1688. B.
• Betts, Isaac, Master Shipwright at Portsmouth Dockyard. B.
• Bibaud, Henry, 1686–7. B.
• Bickerstaffe, Sir Charles, 1685–88. B.
• Bland, Mrs. Sa., 1664. B.
• Blathwayt, William, Secretary to James II., afterwards Clerk of the Council and Secretary at War, 1687. B.
• Bodham, W., of Woolwich Ropeyard, 1665–71. B.
• Bolland, Captain Richard, 1676–7. B.
• Booth, Sir William, Captain of H.M.S. “Adventure,” and Commissioner of the Navy, 1679–88. B.
• Bounty, Captain John, 1680. B.
• Bourk, William, Purser, 1687. B.
• Bowles, George, 1681. B.
• Bowles, Phineas, 1680–9. B.
• Brisbane, John, 1679. B.
• Brooke, Sir Robert, 1667. B.
• Brouncker, William, Lord, 1667. B., P.
• Browne, Captain John, afterwards a Cutler, 1682. B.
• Browne, John, Alderman and Mayor of Harwich, 1689. B.
• Bulkeley, Lord, 1687. B.
• Bulteel, P., 1687. B.
• Bunce, Stephen, 1676. B.
• Burchett, Josiah, 1687–8. B., P., S.
• Burton, Dr. Hezekiah, 1677. B., P.
• Butler, Sir Nicholas, 1688. B.
• Canham, Ambrose, 1684. B.
• Carteret, Sir Philip, 1686–7. B., S.
• Chamberlayne, C., 1687. B.
• Chardin, Sir John, 1687. B.
• Charlett, Dr. A., 1700–2. P.
• Chetwood, K., 1687. B.
• Chicheley, Sir John, 1673. B., S.
• Child, John, 1680. B.
• Child, Sir Josiah, 1673. B.
• Churchill, Captain George, 1688. B.
• Clarendon, Henry, 2nd Earl of, 1700–1. P.
• Clutterbuck, Sir Thomas, 1671. B., S.
• Colinge, Richard. B.
• Compton, Dr. Henry, Bishop of London, 1691. P.
• Cooke, Thomas, 1687. B.
• Copleston, Sir John, 1679. B.
• Corie, Thomas, 1675. B.
• Cotton, Captain Andrew, 1687. B.
• Coventry, Sir William, 1664–76. B. 1665, 1673. P.
• Cowse, William, 1688. B.
• Cramporne, Thomas, 1674. B.
• Creed, John, 1667–87. B.
• Custis, Edmund, 1675. B.
• Cuttance, Sir Roger, 1667. B.
• Dartmouth, George Legge, Lord, 1683–4. B., P. 1684–89. S.
• Deane, Sir Anthony, 1666–89. B. 1689. S.
• Delaune, Dr. W., 1702. P.
• Denise, Claude, Secretary to the Consistory of the Savoy, 1679–81. B.
• Dering, Sir Edward, 1687–8. B.
• Des Glereaux, Paul Thevenin Sieur, 1680. B.
• Des Moulins, Mdlle. Marie Lecoq, 1680–1. B.
• Done, Andrew, 1679. B.
• Donluis, Felix, 1680–88. B.
• Dore, James, 1689. B.
• D’Oyly, Edmund, 1679. B.
• Dryden, John, 1699. S.
• Duck, Mrs. Ann, 1682. B.
• Dummer, Edmund, 1679. B., S.
• Dunlope, Charles. B., S.
• Dyre, Captain William, 1679–81. B.
• Elkins, Richard, 1667. B.
• Ellis, John, Scrivener, 1678. B.
• Erlisman, Captain John, 1681. B.
• Ernle, Sir John, 1671. B.
• Evelyn, John, 1666–89. B. 1667, 1700. P. 1687–9. S.
• Evelyn, Mrs. Mary, 1687. B., S.
• Fairfax, George, 1677. B.
• Falkener, John, Woolwich Ropeyard, 1664. B.
• Feilding, Captain Henry, 1682. B.
• Ferrer, Mrs. Jane, 1668. B.
• Fist, Anthony, 1671. B.
• Fitzpatrick, Colonel John, 1687. B.
• Flawes, William, Captain of H.M.S. “Falcon,” 1679. B.
• Fletcher, Mathias, Carver to the Navy at Deptford, 1689. B.
• Ford, Lieut. Samuel, 1678–88. B.
• Fowler, Mrs. Anne, Widow of Capt. Fowler, 1687–8.
• Fowler, Thomas, Captain of H.M.S. “Swallow,” 1683–87. B.
• Fox, Simon, 1675. B.
• Francklin, Samuel, 1682. B.
• Frederick, Sir John, 1677. B.
• Frowde, Philip, Master of the Post Office, 1688. B.
• Furzer, Daniel, Assistant Shipwright at Chatham Dockyard, 1685. B.
• Gale, Roger, 1702–3. P.
• Gale, Thomas, D.D., 1680–90. B. 1680–8. S. 1688–9, 1700. P.
• GaleniÈre, Mons. de, 1702–3. P.
• Gauden, Sir Denis, 1671–1682. B.
• Gauden, Jonathan, 1689. B.
• Gelson, John, 1683. B.
• George, Lieut. John, 1679. B.
• Gibbon, John, 1675. B., S.
• Gibbon, Mary, Wife of Capt. Thomas Gibbon, 1681. B.
• Gibbon, Captain Thomas, 1681. B.
• Gibson, Dr. Edmond, afterwards Bishop of London, 1696. P.
• Gibson, Richard, Victualling Agent to the Navy, 1670–88. B. 1688. P.
• Gifford, Captain William, 1688. B.
• Gordon, Sir Robert, 1687. B.
• Gough, Richard, 1683. B.
• Gray, J., son of Lord Gray, of Stamford, 1680. B.
• Gregory, Edward, Commissioner of Chatham Dockyard, 1670–89. B.
• Guilford, Sir Francis North, Lord, 1677–82. B.
• Guillym, S., 1688. B.
• Guy, Henry, 1680–1. B.
• Gwynn, Francis, 1688. B., S.
• Haddock, Sir Richard, 1681. B.
• Hall, Thomas, 1681. B.
• Hamilton, Thomas, 1679. B.
• Hancock, Giles, 1682. B.
• Harbord, William, M.P., 1679. B.
• Hardesnell, J., 1681. B.
• Harman, William, Captain of H.M.S. “Bristol,” 1675. B.
• Harris, Alexander, Messenger to the Admiralty, 1679. B.
• Hawer, Nathaniel, 1688–9. B. 1688–9. S.
• Hayes, Sir James, Commissioner of the Treasury in Ireland, 1666–73. B.
• Hayter, Thomas, Clerk of the Acts, and Secretary to the Admiralty, 1673–9. B.
• Hebdon, Sir John, 1666, 1681. B.
• Herne, Sir Nathaniel, 1674. B.
• Hewer, William, 1675–88. B. 1682, 1688. P. 1675–88. S.
• Heywood, Captain Peter, 1679. B.
• Hickes, Dr. George, 1700–2. P.
• Hill, Joseph, B.D., 1676–88. B. 1681–9. S.
• Hill, Thomas, 1673–5. B., S.
• Hodges, William, Merchant at Cadiz, 1684–88. B.
• Holmes, Henry, 1688. B.
• Holmes, Sir John, 1677–9. B.
• Holmes, Lady M., 1687. B.
• Holmes, Sir Robert, 1688. B.
• Homewood, Edward, Chatham, 1686–7. B.
• Hopson, Sir Thomas, 1688. B.
• Hosier, Francis, 1666. B.
• Houblon, James, 1674–89. B. 1677–86. S.
• Houblon, Mrs., 1683. B., S.
• Houblon, Wynne, 1688. B., S.
• How, Edward, Carpenter of H.M.S. “Oxford,” 1686. B.
• How, Lieut. John, 1675. B.
• Howard, Mrs. E., Housekeeper to the Duke of York, 1671. B.
• Howard, Sir Robert, 1679. B.
• Howe, William, Judge at Barbadoes, 1681–88.
• Hughes, Thomas. B., S.
• Hunter, S., Clerk to the Trinity House, 1680–87. B.
• Jackson, John, brother-in-law of Pepys, 1676. B.
• Jackson, John, nephew of Pepys, 1687. B. 1699–1700. P.
• Jackson, Samuel, 1688. B., S.
• James II., 1688. B., P. 1679–81. P.
• Jaques, Captain William, 1678. B.
• Jeffreys, George, Lord Chancellor, 1687. B., P.
• Jenifer, Captain James, 1667, 1679. B.
• Jenkins, Sir Leoline, 1676–85. B. 1678–9. P.
• Jenner, Sir Thomas, Baron of the Court of Exchequer 1687. B.
• Jodrell, Paul, Clerk of the House of Commons, 1684–5. B.
• Jordan, Sir Joseph, 1667. B.
• Joyne, John, Watchmaker at Paris, 1680–1. B.
• Kember, James. B.
• Kennedy, Sir James, Consul in Holland, 1687–8. B.
• Killigrew, Admiral Henry, 1679–88. B.
• King, Gregory, 1692–3. P.
• Kirke, Colonel Piercy, of Tangier, 1683. B.
• Kneller, Sir Godfrey, 1690. B., S. 1701–2. P.
• Langley, Captain Thomas, Mayor of Harwich, 1667–87. B.
• Lanyon, John, Contractor for the Victualling of Tangier, 1664–6. B.
• La Pointe, —— de, 1683. B.
• Latour, Raphael de la Bordasse, Seigneur de, 1680. B.
• Lee, Robert, Master Shipwright at Chatham Dockyard, 1685. B.
• Legendre-Tunier, T., 1669. B.
• L’Estrange, Sir Roger, 1681. B.
• Lewsley, Thomas, of Chatham, 1664. B.
• Lhostein, Captain Augustus, 1674. B.
• Littleton, Edward, 1689. B.
• Lloyd, Captain David, 1688. B.
• Loke, George, of Brampton, 1681. B.
• Lorrain, Jacques, 1680. B.
• Lorrain, Paul, son of Jacques, 1681. B. 1700. P.
• Loton, Rev. John, of Chatham, 1670–88. B. 1688. S.
• Lovelace, Thomas, 1680. B.
• Lowther, Sir John, Commissioner of the Admiralty, 1689. B.
• Luzancy, Hippolitus de, Vicar of Harwich, 1689. B., P.
• Lynch, Thomas, Purser, 1680–1. B.
• McDonnell, Captain, afterwards Sir Randal, 1687. B.
• Martin, Samuel, Consul at Algiers, 1667–76. B.
• Maryon, Joseph, of Clare Hall, Cambridge, 1681. B. 1680–1. S.
• Matthews, John, of Huntingdon, 1681–7.
• Maulyverer, John, of Magdalene College, Cambridge, 1679. B., P.
• Mayden, Thomas, Merchant, 1676. B.
• Middleton, Martha, Countess of, 1682. B.
• Middleton, Colonel Thomas, 1665–7. B.
• Miller, Thomas, of Brampton, 1683. B.
• Milles, Daniel, D.D., 1681–2. B. 1687. S.
• Mills, Rev. Alexander, of Sandwich, 1687. B., S.
• Montagu, Rev. John, 1674. B., S.
• Moore, Henry, 1667–9. B.
• Moore, Sir Jonas, 1678. B., S.
• Morales, —— de, Portuguese Captain, 1680. B.
• Mordaunt, Lady Elizabeth, 1680–2. B.
• Moreau, Claude, Porter in Paris, 1680–3. B.
• Morelli, Cesare, 1674–87. B. 1681. P. 1674. S.
• Morland, Sir Samuel, 1677–88. B. 1686–8. P. 1687. S.
• Munden, Sir Richard, 1679–80. B.
• Murcott, Anne, 1687. B.
• Narborough, Sir John, 1679. B.
• Nelson, Robert, 1702–3. P.
• Nevett, Richard, Purser, 1681. B.
• Newlin, Robert, of Seville, 1684. B.
• Newton, Sir Isaac, 1693. P.
• Nicolls, Captain Matthias, 1681–2. B.
• Norfolk, Jane Howard, Duchess of, 1681. P. 1687. B., S.
• Norfolk, Thomas Howard, 7th Duke of, 1673. B., S.
• Norman, James, 1667. B.
• Norwood, Colonel Henry, 1679–81. B. 1679. S.
• Orford, Edward Russell, afterwards 1st Earl of, 1689. B., S.
• Papillon, Thomas, Merchant, 1673. B.
• Parker, Abraham, Muster-master in the Navy, 1673–4 B.
• Parry, Francis, Envoy to Portugal, 1679. B.
• Peachell, John, D.D., 1680–8. B., P. 1680–8. S.
• Pearse, Elizabeth, Laundress to the Queen of James II., 1682. B.
• Pearse, James, Surgeon-General to the Fleet, 1666–80. B.
• Pearse, James, Jun., 1677–86. B. 1679. S.
• Pedley, Sir Nicholas, of Huntingdon, 1682. B.
• Peletyer, Antoine, of Paris, 1669–80. B.
• Pellissary, Madame Bibaud, of Paris, 1680, 1687. B.
• Penn, Sir William, 1664. B.
• Pepys, Charles, Master Joiner at Chatham Dockyard, 1689. B., S.
• Pepys, John, Sen., 1664. B.
• Pepys, John, from H.M.S. “Sapphire,” 1687. B.
• Pepys, Richard, 1688. B., S.
• Pepys, Roger, M.P., 1674. B.
• Pepys, Thomas, 1681. B.
• Pepys, Mrs. Ursula, 1680–87. B. 1683. P. 1680. S.
• Perriman, J., of Rotherhithe, 1668. B.
• Peterborough, Penelope Mordaunt, Countess of, 1680. B.
• Pett, Mrs. Ann, widow of Christopher Pett, 1670. B.
• Pett, Christopher, 1666. B.
• Pett, Sir Peter, 1664–1684. B. 1684. S.
• Pett, Peter, 1682. B.
• Pett, Sir Phineas, 1672–89. B. 1686–88. S.
• Pett, Samuel, 1679. B.
• Petty, Sir William, 1683–87. B. 1683. S.
• Philipson, John, of Newcastle, 1682. B.
• Poole, Sir William, Captain of H.M.S. “St. David,” 1675–9. B.
• Povey, Thomas, 1672–86. B. 1672. P. 1680. S.
• Prestman, John, 1679. B.
• Priaulx, Thomas, of Seville, 1684. B.
• Prowd, Captain John, 1676. B., S.
• Puckle, James, 1679–80. B.
• Raines, Sir Richard, Judge of the Court of Admiralty, 1686–88. B.
• Rand, William, Governor of the Sea-Chest, 1672. B.
• Reay, Lord, 1699–1700. P.
• Reresby, Gars, 1683–4. B.
• Rich, Peter, 1680. B.
• Richmond, Charles Lennox, Duke of, 1671–2. B., S.
• Robins, Judith, 1687. B.
• Robinson, Sir Robert, 1667–79. B.
• Rochester, Laurence Hyde, Earl of, 1677. B.
• Rolfe, John, Alderman of Harwich, 1689. B.
• Rooke, Sir George, 1679.
• Rooke, Colonel W., 1679. B.
• Rooth, Sir Richard, 1674–87. B.
• Ross, Thomas, 1674. B., S.
• Row, Richard, 1675. B.
• Roydon, Charles, Captain of H.M.S. “Guernsey,” 1677–8. B.
• Rushworth, Mrs. Hannah, 1676–7. B.
• Russell, Charles, 1683. B., S.
• Ruvigny, Henri, Marquis de, 1679, 1681–2. B.
• Rycaut, Paul, 1686. B.
• Sackville, Captain Edward, 1679. B.
• St. John, Dr. John, Judge in the East Indies, 1688. B.
• St. John, Lady, 1687. B.
• St. Michel, Balthasar, 1670–89. B. 1672. P. 1673–4, 1689. S.
• St. Michel, Mrs. Esther, 1681–2. B., S.
• St. Michel, Samuel, 1689. B., S.
• Salisbury, Hugh, 1670. B.
• Sandford, S., Alderman of Harwich, 1683, 1686, 1689. B.
• Sandwich, Edward Montagu, 1st Earl of, 1665. B., P.
• Sandwich, Edward, Lord Hinchinbroke, 2nd Earl of, 1667. B., S.
• Sansom, John, 1675. B.
• Savile, Henry, 1672–9. B. 1672. P.
• Scott, Robert, Bookseller, 1681–8. B. 1688. P. 1681. S.
• Seaman, Dr. Robert, Alderman of Harwich. 1688–9. B.
• Shadwell, Edward, 1688. B.
• Shales, Captain John, 1688. B.
• Sheres, Sir Henry, 1675–87. B. 1683. S.
• Sheridan, Thomas, 1680. B., S.
• Sherwin, Judith, 1680. B.
• Shish, Jonas, Shipwright at Sheerness and Deptford, 1664. B.
• Silvester, Edward, 1671. B.
• Skelton, Bevil, 1686. B.
• Skinner, Daniel, 1676–7. B.
• Skinner, Ephraim, 1674. B.
• Skinner, Mrs. Frances, 1699. B., S.
• Skinner, O’Brien, 1679–82. B.
• Skinner, Peter, 1686–89. B. 1689. S.
• Slingar, Roger, 1684. B., S.
• Slingsby, Sir Henry, 1687. B., P.
• Smith, Sir Jeremiah, 1667. B.
• Smith, Dr. Thomas, 1702. P.
• Sotherne, James, 1680. B.
• Southwell, Edward, 1682. B.
• Southwell, Sir Robert, 1671–88. B. 1681–8. S.
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• Spragg, Captain Thomas, 1688–9. B.
• Spragge, Sir Edward, 1672. B.
• Stock, Abraham, of Dover, 1677–88. 1688. S.
• Stockdale, Robert, 1674. B.
• Stokes, W., Mayor of Dover, 1678. B.
• Strickland, Sir Roger, 1688. B.
• Sussex, Anne Fitzroy Lennard, Countess of, 1688. B., S.
• Taylor, Captain John, of Chatham Dockyard, 1667. B.
• Taylor, Captain Silas, 1672. B.
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• Thynne, Henry Fred, 1687. B.
• Tilghman, Abraham, Clerk to the Commissioners at Deptford, 1687. B., P., S.
• Tippetts, Sir John, Commissioner of the Navy at Portsmouth, 1664–85. B.
• Torrington, Arthur Herbert, Earl of, 1679. B.
• Tosier, Captain John, 1679. B.
• Trenchepain, FranÇois, 1679–80. B.
• Trevanion, Ri, 1680. B.
• Trevor, Sir John, 1687. B.
• Tuke, Lady (M.), 1687. B., S.
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• Turner, Tim, 1680. B., S.
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• Vincent, Nathaniel, D.D., 1682–8. B. 1682–8. S.
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• Walbanke, John, 1681. B.
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• Waltham, Thomas, 1667. B.
• Warner, John, 1685. B., S.
• Warren, Sir William, 1664–88. B.
• Wells, Jeremiah, Rector of West Hanningfield, Essex, 1670–9. B.
• Wescombe, Sir Martin, Consul at Cadiz, 1686. B.
• Wheler, George, 1681. B.
• Williamson, Sir Joseph, 1689. B., S.
• Wivell, E., 1674–87. B.
• Wood, Dr. Robert, 1682. B., S.
• Woolley, William, 1684. B.
• Wren, Matthew, 1669–70. B., P.
• Wrenn, Captain Ralph, 1687. B.
• Wright, Edward, 1680. B. 1696. P.
• Wyborne, Sir John, Deputy Governor of Bombay, 1680–8. B. 1686–8. S.
• Wyborne, Lady (K.), 1683–8. B. 1686–7. S.
• Wylde, Captain Charles, 1683. B., S.
• Yeabsley, Thomas, Contractor for the Victualling of Tangier, 1664–5.

APPENDIX VI.

LISTS

Of the Secretaries of the Admiralty, and Principal Officers of the Navy; viz., Treasurers, Comptrollers, Surveyors, Clerks of the Acts, and Commissioners of the Navy at Chatham; to the beginning of the 18th century. (Compiled by Colonel Pasley, C.B., R.E.)

From the middle of the 16th to the end of the 17th century, Chatham was by far the most important of the English naval stations, and the Commissioner resident there had from the first a seat and vote at the Board in London—a privilege which was not extended to his colleague at Portsmouth until a much later date. The rise of the latter port dates from the alliance with the Dutch, and war with France which followed the accession of William and Mary, and which made it necessary to establish a first-class naval yard at a less distance from the French coast than Chatham. The same cause led to the construction of a dry dock at Plymouth. See “Edmund Dummer,” in the list of Surveyors of the Navy.

The figures in the first column represent the year of appointment, when that can be ascertained. The prefix “circ.” implies that the person named in the second column is known to have held the office at the time stated, although the date of first appointment is not known. In some cases the only date that can be found is that of an order to the Attorney-General to prepare letters patent; sometimes that of the patent itself; sometimes of a warrant to execute the office, notwithstanding that the patent is not yet passed; and occasionally that of a letter from some person at Court informing his correspondent that the King or Queen has signed such and such a patent. It has been thought better, therefore, to state only the year of appointment, as the insertion in lists of this kind of the month and day tends to give them a delusive appearance of accuracy.

The scantiness of MS. records before the Revolution arises from the practice which existed of retiring Officers taking away with them their office books and papers, which they regarded as their own property. This was put a stop to in the Dockyards by a Navy Board Order of the 18th August, 1692. Unless otherwise stated, the manuscripts in the following lists are in the British Museum.

SECRETARIES OF THE ADMIRALTY,

From the first placing of the Office of Lord High Admiral in Commission to the commencement of the 18th century.

Note.—An asterisk (*) before the name of a titled office-holder signifies that the title (knighthood or other) was conferred upon him during his tenure of that office.

TREASURERS OF THE NAVY,

To the commencement of the 18th century.

To the commencement of the 18th century.

To the commencement of the 18th century.

CLERKS OF THE SHIPS, OF THE NAVY, OR OF THE ACTS,

To the commencement of the 18th century.

From the first establishment of that office in 1630 to the commencement of the 18th century.

APPENDIX VII.

PLAYS WHICH PEPYS SAW ACTED.

Chapter XII.—Pepys was not very careful in setting down the titles of the plays he saw, and in many instances he quotes the second titles alone. This caution must be remembered by those consulting the following list:—

• Adventures of Five Hours (Tuke), “Duke’s,” Jan. 8, 17, 1662–63; Jan. 27, 1668–69; “Court at Whitehall,” Feb. 15, 1668–69.
• Aglaura (Suckling), “King’s,” Jan. 10, 1667–68.
• Albumazar (Tomkis), “Duke’s,” Feb. 22, 1667–68.
• Alchymist (Ben Jonson), “Theatre,” June 22, Aug. 14, 1661; “King’s,” April 17, 1669.
• All’s Lost by Lust (W. Rowley), “Red Bull,” March 23, 1661.
• Antipodes (R. Brome), “Theatre,” Aug. 26, 1661.
• Argalus and Parthenia (Glapthorne), “Theatre,” Oct. 28, 1661.
• Bartholomew Fair (Ben Jonson), “Theatre,” June 8, Sept. 7, 1661; “King’s,” Aug. 2, 1664; “Court at Whitehall,” Feb. 22, 1668–69.
• Beggar’s Bush (Beaumont and Fletcher), “Lincoln’s Inn Fields” (King’s Company), Nov. 20, 1660; “Theatre,” Oct. 8, 1661; “King’s,” April 24, 1668.
• Black Prince (Lord Orrery), “King’s,” Oct. 19, 23, 1667; April 1, 1668.
• Bondman (Massinger), “Whitefriars,” March 1, 1660–61; “Salisbury Court,” March 26, 1661; “Opera,” Nov. 4, 26, 1661; April 2, 1662.
• Brenoralt (Suckling), “Theatre,” July 23, 1661; “King’s,” Aug. 12, Oct. 19, 1667. (See “Discontented Colonel.”)
• Cardinal (Shirley), “Cockpit” (Whitehall), Oct. 2, 1662; “King’s,” Aug. 24, 1667; April 27, 1668.
• Catiline (Ben Jonson), “King’s,” Dec. 11, 1667.
• Catiline’s Conspiracy (Stephen Gosson), “King’s,” Dec. 19, 1668.
• Chances (Beaumont and Fletcher), “Theatre,” April 27, Oct. 9, 1661; “King’s,” Feb. 5, 1666–67.
• Change of Crowns (Edward Howard), “King’s,” April 15, 1667.
• City Match (Mayne), “King’s,” Sept. 28, 1668.
• Claracilla (Thomas Killigrew), “Theatre,” July 4, 1661; “Cockpit” (Whitehall), Jan. 5, 1662–63; “King’s,” March 9, 1668–69.
• Coffee House (St. Serfe), “Duke’s,” Oct. 5, 15, 1667.
• Committee (Sir Robert Howard), “Royal Theatre,” June 12, 1663; “King’s,” Aug. 13, Oct. 29, 1667; May 15, 1668.
• Country Captain (Duke of Newcastle), “Theatre,” Oct. 27, Nov. 26, 1661; “King’s,” Aug. 14, 1667; May 14, 1668.
• Coxcomb (Beaumont and Fletcher), “King’s,” March 17, 1668–69.
• Cupid’s Revenge (Beaumont and Fletcher), “Duke’s,” Aug. 17, 1668.
• Custom of the Country (Beaumont and Fletcher), “King’s,” Aug. 1, 1667.
• Cutter of Coleman Street (Cowley), “Opera,” Dec. 16, 1661. (See “Guardian.”)
• Discontented Colonel (Suckling), “King’s,” March 5, 1667–68. (See “Brenoralt.”)
• Duchess of Malfy (Webster), “Duke’s,” Sept. 30, 1662; Nov. 25, 1668.
• Duke of Lerma (Sir Robert Howard), “King’s,” Feb. 20, 1667–68.
• Elder Brother (Fletcher), “Theatre,” Sept. 6, 1661.
• English Monsieur (Hon. James Howard), “King’s,” Dec. 8, 1666; April 7, 1668.
• English Princess, or Richard III. (J. Caryl), “Duke’s,” March 7, 1667.
• Evening Love (Dryden), “King’s,” June 19, 1668.
• Faithful Shepherdess (Fletcher), “Royal Theatre,” June 13, 1663; “King’s,” Oct. 14, 1668; Feb. 26, 1668–69.
• Father’s Own Son, “Theatre,” Sept. 28, Nov. 13, 1661.
• Faustus, Dr. (Marlow), “Red Bull,” May 26, 1662.
• Feign Innocence, or Sir Martin Marr-all (Duke of Newcastle, corrected by Dryden), “Duke’s,” Aug. 16, 20, 1667. (See “Sir Martin Marr-all.”)
• Flora’s Vagaries (Rhodes), “King’s,” Aug. 8, 1664; Oct. 5, 1667; Feb. 18, 1667–68.
• French Dancing Master, “Theatre,” May 21, 1662.
• General (Shirley), “King’s,” April 24, 1669.
• Generous Portugals, “King’s,” April 23, 1669.
• German Princess (Holden), “Duke’s,” April 15, 1664.
• Ghosts (Holden), “Duke’s,” April 17, 1665.
• Goblins (Suckling), “King’s,” May 22, 1667.
• Grateful Servant (Shirley), “Duke’s,” Feb. 20, 1668–69.
• Greene’s Tu Quoque (Cooke), “Duke’s,” Sept. 12, 16, 1667.
• Guardian (Cowley), “Duke’s,” Aug. 5, 1668. (See “Cutter of Coleman Street.”)
• Guzman (Lord Orrery), “Duke’s,” April 16, 1669.
• Hamlet (Shakespeare), “Opera,” Aug. 24, 1661; “Theatre,” Nov. 27, 1661; “Duke’s,” May 28, 1663; Aug. 31, 1668.
• Heiress (Duke of Newcastle?), “King’s,” Feb. 2, 1668–69.
• Henry IV. (Shakespeare), “Theatre,” Dec. 31, 1660–61; June 4, 1661; “King’s,” Nov. 2, 1667; Jan. 7, 1667–68; Sept. 18, 1668.
• Henry V. (Lord Orrery), “Duke’s,” Aug, 13, 1664; July 6, 1668; “Court at Whitehall,” Dec. 28, 1666.
• Henry VIII. (Shakespeare or Davenant), “Duke’s,” Dec. 10, 22, 1663; Jan. 1, 1663–64; Dec. 30, 1668–69.
• Heraclius (Corneille), “Duke’s,” March 8, 1663–64; Feb. 4, 1666–67; Sept. 5, 1667.
• Horace (Corneille, translated by Catherine Phillips), “King’s,” Jan. 19, 1668–69.
• Humorous Lieutenant (Beaumont and Fletcher), “Cockpit” (Whitehall), April 20, 1661.
• Hyde Park (Shirley), “King’s,” July 11, 1668.
• Impertinents (Shadwell), “Duke’s,” May 2, 4; June 24, 1668; April 14, 1669. (See “Sullen Lovers.”)
• Indian Emperor (Dryden), “King’s,” Aug. 22, 1667; Nov. 11, 1667; March 28, April 21, 1668.
• Indian Queen (Howard and Dryden), “King’s,” Jan. 31, 1663–64; June 27, 1668.
• Island Princess (Beaumont and Fletcher), “King’s,” Jan. 7, Feb. 9, 1668–69.
• Jovial Crew (R. Brome), “Theatre,” July 25, Aug 27, Nov. 1, 1661; “King’s,” Jan. 11, 1668–69.
• King and no King (Beaumont and Fletcher), “Theatre,” March 14, 1660–61; Sept. 26, 1661.
• Knight of the Burning Pestle (Beaumont and Fletcher), “Theatre,” May 7, 1662.
• Labyrinth (Corneille), “King’s,” May 2, 1664.
• Ladies a la-Mode (Dryden? Translated from the French), “King’s,” Sept. 15, 1668.
• Lady’s Trial (Ford), “Duke’s,” March 3, 1668–69.
• Law against Lovers (Davenant), “Opera,” Feb. 18, 1661–62.
• Liar (Corneille), “King’s,” Nov. 28, 1667.
• Little Thief (Fletcher), “White Friars,” April 2, 1661; “Theatre,” May 19, 1662.
• Love and Honour (Davenant), “Opera,” Oct. 21, 1661.
• Love at first Sight (Killigrew), “Theatre,” Nov. 29, 1661.
• Love Despised (Beaumont and Fletcher), “Duke’s,” Aug. 17, 1668.
• Love in a Maze (Shirley), “Theatre,” May 22, 1662; June 10, 1663; “King’s,” May 1, 1667; Feb. 7, 1667–68; April 28, 1668.
• Love in a Tub (Etherege), “Court at Whitehall,” Oct. 29, 1666; “Duke’s,” April 29, 1668.
• Love’s Cruelty (Shirley), “King’s,” Dec. 30, 1667.
• Love’s Mistress (T. Heywood), “Theatre,” March 11, 1660–61.
• Love’s Quarrel, “Salisbury Court,” April 6, 1661; “King’s,” May 15, 1665; Aug. 15, 1668.
• Love’s Tricks or the School of Compliment (Shirley), “Duke’s,” Aug. 5, 1667.
• Macbeth (Shakespeare), “Duke’s,” Nov. 5, 1664; Dec. 28, 1666; Jan. 8, 1666–67; Oct. 16, Nov. 7, 1667; Aug. 12, Dec. 21, 1668; Jan. 15, 1668–69.
• Mad Couple (Hon. James Howard), “King’s,” Sept. 20, Dec. 28, 1667; July 29, 1668.
• Mad Lover (Beaumont and Fletcher), “White Friars,” Feb. 9, 1660–61; “Opera,” Dec. 2, 1661; “Duke’s,” Feb. 18, 1668–69.
• Maid of the Mill (Fletcher and Rowley), “Opera,” April 1, 1662; “Duke’s,” Sept. 10, 1668.
• Maid’s Tragedy (Beaumont and Fletcher), “Theatre,” May 16, 1661; “King’s,” Dec. 7, 1666; Feb. 18, 1666–67; April 15, May 9, 1668.
• Maiden Queen (Dryden), “King’s,” March 2, 1666–67; May 24, Aug. 23, 1667; Jan. 24, 1667–68; Jan. 1, 13, 1668–69.
• Man is the Master (Davenant, translated from Scarron), “Duke’s,” March 26, May 7, 1668.
• Merry Devil of Edmonton, “Theatre,” Aug. 10, 1661.
• Merry Wives of Windsor (Shakespeare), “Theatre,” Dec. 5, 1660; Sept. 25, 1661; “King’s,” Aug. 15, 1667.
• Midsummer Night’s Dream (Shakespeare), “King’s,” Sept. 29, 1662.
• Mistaken Beauty (Corneille), “King’s,” Nov. 28, 1667.
• Mock Astrologer, “King’s,” March 8, 1668–69.
• Monsieur Ragou (J. Lacey), “King’s,” July 31, 1668.
• Moor of Venice (Shakespeare), “Cockpit” (Whitehall), Oct. 11, 1660; “King’s,” Feb. 6, 1668–69.
• Mulberry Garden (Sedley), “King’s,” May 18, June 29, 1668.
• Mustapha (Lord Orrery), “Duke’s,” April 3, 1665; Jan. 5, 1666–67; Sept. 4, 1667; Feb. 11, 1667–68.
• Northern Castle, “King’s,” Sept. 14, 1667.
• Othello (Shakespeare), “Cockpit” (Whitehall), Oct. 11, 1660; “King’s,” Feb. 6, 1668–69.
• Parson’s Wedding (T. Killigrew), “King’s,” Oct. 11, 1664.
• Philaster (Beaumont and Fletcher), “Theatre,” Nov. 18, 1661; “King’s,” May 30, 1668.
• Queen Elizabeth’s Troubles (T. Heywood), “Duke’s,” Aug. 17, 1667.
• Queen of Arragon (W. Habington), “Duke’s,” Oct. 19, 1668.
• Queen’s Masque (T. Heywood), “Salisbury Court,” March 2, 25, 1660–61. (See “Love’s Mistress.”)
• Rival Ladies (Dryden), “King’s,” Aug. 4, 1664.
• Rivals (Davenant, from “Two Noble Kinsmen”), “Duke’s,” Sept. 9, Dec. 1664.
• Rolla [Query, same as “Rollo”], “King’s,” April 17, 1667.
• Rollo, Duke of Normandy (J. Fletcher), “Theatre,” March 28, 1661; “King’s,” Sept. 17, 1668.
• Roman Virgin (Betterton’s alteration of Webster’s “Appius and Virginia”), “Duke’s,” May 12, 1669.
• Romeo and Juliet (Shakespeare), “Opera,” March 1, 1661–62.
• Royal Shepherdess (alteration by Shadwell of Fountain’s “Rewards of Virtue”), “Duke’s,” Feb. 26, 1668–9.
• Rule a Wife and have a Wife (J. Fletcher), “Whitefriars,” April 1, 1661; “Theatre,” Feb. 5, 1661–62.
• School of Compliments (Shirley), “Duke’s,” Jan. 7, 1667–68.
• Scornful Lady (Beaumont and Fletcher), “Cockpit” (Whitehall), Nov. 17, 1662; “King’s,” Dec. 27, 1666; Sept. 16, 1667; June 3, 1668.
• Sea Voyage (Beaumont and Fletcher), “King’s,” May 16, 1668.
• She Would if She Could (Etherege), “Duke’s,” Feb. 6, 1667–68; Feb. 1, 1668–69.
• Siege of Rhodes, Part 2 (Davenant), “Opera,” Nov. 15, 1661; May 20, 1662; “Duke’s,” Dec. 27, 1662, May 21, 1667.
• Silent Woman (Ben Jonson), “Theatre,” May 25, 1661; “King’s,” June 1, 1664; April 16, 1667; Sept. 19, 1668.
• Sir Martin Marr-all (Duke of Newcastle, corrected by Dryden), “Duke’s,” Aug. 16, 20, Sept. 28, Oct. 14, 1667; Jan. 1, 1667–68; April 25, May 22, 1668.
• Slighted Maid (Sir R. Stapylton), “Duke’s,” Feb. 23, 1662–63; May 29, 1663.
• Spanish Curate (Beaumont and Fletcher), “Whitefriars,” March 16, 1660–61; July 28, 1668; “King’s,” May 17, 1669.
• Spanish Gipsy (Middleton and Rowley), “King’s,” March 7, 1667–68.
• Storm (Fletcher), “King’s,” Sept. 25, 1667; March 25, 1668.
• Sullen Lovers or the Impertinents (T. Shadwell), “Duke’s,” May 2, 4, June 24, 1668; April 14, 1669. (See “Impertinents.”)
• Surprisal (Sir Robert Howard), “King’s,” April 8, Aug. 27, 1667; Dec. 26, 1667; April 17, May 1, 1668.
• Tamer tamed (Fletcher), “Cockpit,” Oct. 30, 1660; “Theatre,” July 31, 1661.
• Taming of a Shrew (alteration from Shakespeare), “King’s,” April 9, Nov. 1, 1667.
• Tempest (Shakespeare), “Duke’s,” Nov. 7, 13, Dec. 12, 1667; Jan. 6, Feb. 3, 1667–68; April 30, May 11, 1668.
• ’Tis a pity she’s a Whore (Ford), “Salisbury Court,” Sept. 9, 1661.
• Traitor (Shirley), “New Playhouse,” Nov. 22, 1660; “Theatre,” Oct. 10, 1661; “King’s,” Jan. 13, 1664–65; Sept. 2, 1667.
• Tryphon (Lord Orrery), “Duke’s,” Dec. 8, 9, 1668.
• Twelfth Night (Shakespeare), “Opera,” Sept. 11, 1661; “Duke’s,” Jan. 6, 1662–63; Jan. 20, 1668–69.
• Unfortunate Lovers (Davenant), “Duke’s,” March 7, 1663–64; April 8, Dec. 3, 1668.
• Ungrateful Lovers [Query, same play as previous one], “Duke’s,” Sept. 11, 1667.
• Usurper (E. Howard), “King’s,” Jan. 2, 1663–64; Dec. 2, 1668.
• Valiant Cid (translation from Corneille), “Cockpit” (Whitehall), Dec. 1, 1662.
• Victoria Corombona (Webster), “Theatre,” Oct. 2, 1661.
• Villain (T. Porter), “Duke’s,” Oct. 20, Dec. 26, 1662; Jan. 1, 1662–63; Oct. 24, 1667.
• Virgin Martyr (Massinger), “Theatre,” Feb. 16, 1660–61; “King’s,” Feb. 27, 1667–68; May 6, 1668.
• Volpone (Ben Jonson), “King’s,” Jan. 14, 1664–65.
• Wild Gallant (Dryden), “Court at Whitehall,” Feb. 23, 1662–63.
• Wild-goose Chase (Beaumont and Fletcher), “King’s,” Jan. 11, 1667–68.
• Wit in a Constable (Glapthorne), “Opera,” May 23, 1662.
• Wit Without Money (Fletcher), “Cockpit,” Oct. 16, 1660; “King’s,” April 22, 1663.
• Wits (Davenant), “Opera,” Aug. 15, 17, 23, 1661; “Duke’s,” April 18, 20, 1667; Jan. 18, 1668–69.
• Women pleased (Beaumont and Fletcher), “Duke’s,” Dec. 26, 1668.
• Worse and Worse (G. Digby, Earl of Bristol), “Duke’s,” July 20, 1664.