It is within the bounds of imagination that death may make no greater change in our inner selves than is wrought at times by a new mood or another outlook. When Mary, an hour before the world was astir on the morning after her arrival, let herself out of the Gatehouse, and from its threshold as from a ledge saw the broad valley of the Trent stretched before her in all the beauty of a May morning, her alarm of the past night seemed incredible. At her feet a sharp slope, clothed in gorse and shrub, fell away to meet the plain. It sank no more than a couple of hundred feet, but this was enough to enable her to follow the silver streak of the river winding afar between park and coppice and under many a church tower. Away to the right she could see the three graceful spires of Lichfield, and southward, where an opal haze closed the prospect, she could imagine the fringe of the Black Country, made beautiful by distance.

In sober fact few parts of England are less inviting than the low lands of Staffordshire, when the spring floods cover them or the fogs of autumn cling to the cold soil. But in spring, when larks soar above them and tall, lop-sided elms outline the fields, they have their beauty; and Mary gazed long at the fair prospect before she turned her back on it and looked at the house that was fated to be her home.

It was what its name signified, a gatehouse; yet by turns it could be a sombre and a charming thing. Some Audley of noble ideas, a man long dead, had built it to be the entrance to his demesne. The park wall, overhung by trees, still ran right and left from it, but the road which had once passed through the archway now slid humbly aside and entered the park by a field gate. A wide-latticed Tudor tower, rising two stories above the arch and turreted at the four corners, formed the middle. It was buttressed on either hand by a lower building, flush with it and of about the same width. The tower was of yellowish stone, the wings were faced with stained stucco. Right and left of the whole a plot of shrubs masked on the one hand the stables, on the other the kitchens--modern blocks set back to such a distance that each touched the old part at a corner only.

He who had planned the building had set it cunningly on the brow of the Great Chase, so that, viewed from the vale, it rose against the skyline. On dark days it broke the fringe of woodland and stood up, gloomy and forbidding, the portal of a Doubting Castle. On bright days, with its hundred diamond panes a-glitter in the sunshine, it seemed to be the porch of a fairy palace, the silent home of some Sleeping Beauty. At all times it imposed itself upon men below and spoke of something beyond, something unseen, greater, mysterious.

To Mary Audley, who saw it at its best, the very stains of the plaster glorified by the morning light, it was a thing of joy. She fancied that to live behind those ancient mullioned windows, to look out morning and evening on that spacious landscape, to feel the bustle of the world so remote, must in itself be happiness. For a time she could not turn from it.

But presently the desire to explore her new surroundings seized her and she re-entered the house. A glance at the groined roof of the hall--many a gallant horseman had ridden under it in his time--proved that it was merely the archway closed and fitted with a small door and window at either end. She unlocked the farther door and passed into a paved court, in which the grass grew between the worn flags. In the stables on the left a dog whined. The kitchens were on the other hand, and before her an opening flanked by tall heraldic beasts broke a low wall, built of moss-grown brick. She ventured through it and uttered a cry of delight.

Near at hand, under cover of a vast chestnut tree, were traces of domestic labor: a grindstone, a saw-pit, a woodpile, coops with clucking hens. But beyond these the sward, faintly lined at first with ruts, stretched away into forest glades, bordered here by giant oaks brown in bud, there by the yellowish-green of beech trees. In the foreground lay patches of gorse, and in places an ancient thorn, riven and half prostrate, crowned the russet of last year's bracken with a splash of cream. Heedless of the spectator, rabbits sat making their toilet, and from every brake birds filled the air with a riot of song.

To one who had seen little but the streets of Paris, more sordid then than now, the scene was charming. Mary's eyes filled, her heart swelled. Ah, what a home was here! She had espied on her journey many a nook and sheltered dell, but nothing that could vie with this! Heedless of her thin shoes, with no more than a handkerchief on her head, she strayed on and on. By and by a track, faintly marked, led her to the left. A little farther, and old trees fell into line on either hand, as if in days long gone, before age thinned their ranks, they had formed an avenue.

For a time she sat musing on a fallen trunk, then the hawthorn that a few paces away perfumed the spring air moved her to gather an armful of it. She forgot that time was passing, almost she forgot that she had not breakfasted, and she might have been nearly a mile from the Gatehouse when she was startled by a faint hail that seemed to come from behind her. She looked back and saw Basset coming after her.

He, too, was hatless--he had set off in haste--and he was out of breath. She turned with concern to meet him. "Am I very late, Mr. Basset?" she asked, her conscience pricking her. What if this first morning she had broken the rules?

"Oh no," he said. And then, "You've not been farther than this?"

"No. I am afraid my uncle is waiting?"

"Oh no. He breakfasts in his own room. But Etruria told me that you had gone this way, and I followed. I see that you are not empty-handed."

"No." And she thrust the great bunch of may under his nose--who would not have been gay, who would not have lost her reserve in such a scene, on such a morning? "Isn't it fresh? Isn't it delicious?"

As he stooped to the flowers his eyes met hers smiling through the hawthorn sprays, and he saw her as he had not seen her before. Her gravity had left her. Spring laughed in her eyes, youth fluttered in the tendrils of her hair, she was the soul of May. And what she had found of beauty in the woodland, of music in the larks' songs, of perfume in the blossoms, of freshness in the morning, the man found in her; and a shock, never to be forgotten, ran through him. He did not speak. He smelled the hawthorn in silence.

But a few seconds later--as men reckon time--he took note of his feelings, and he was startled. He had not been prepared to like her, we know; many things had armed him against her. But before the witchery of her morning face, the challenge of her laughing eyes, he awoke to the fact that he was in danger. He had to own that if he must live beside her day by day and would maintain his indifference, he must steel himself. He must keep his first impressions of her always before him, and be careful. And be very careful--if even that might avail.

For a hundred paces he walked at her side, listening without knowing what she said. Then his coolness returned, and when she asked him why he had come after her without his hat he was ready.

"I had better tell you," he answered, "this path is little used. It leads to the Great House, and your uncle, owing to his quarrel with Lord Audley, does not like any one to go farther in that direction than the Yew Tree Walk. You can see the Walk from here--the yews mark the entrance to the gardens. I thought that it would be unfortunate if you began by displeasing him, and I came after you."

"It was very good of you," she said. Her face was not gay now. "Does Lord Audley live there--when he is at home?"

"No one lives there," he explained soberly. "No one has lived there for three generations. It's a ruin--I was going to say, a nightmare. The greater part of the house was burnt down in a carouse held to celebrate the accession of George the Third. The Audley of that day rebuilt it on a great scale, but before it was finished he gave a housewarming, at which his only son quarrelled with a guest. The two fought at daybreak, and the son was killed beside the old Butterfly in the Yew Walk--you will see the spot some day. The father sent away the builders and never looked up again. He diverted much of his property, and a cousin came into the remainder and the title, but the house was never finished, the windows in the new part were never glazed. In the old part some furniture and tapestry decay; in the new are only bats and dust and owls. So it has stood for eighty years, vacant in the midst of neglected gardens. In the sunlight it is one of the most dreary things you can imagine. By moonlight it is better, but unspeakably melancholy."

"How dreadful," she said in a low voice. "I almost wish, Mr. Basset, that you had not told me. They say in France that if you see the dead without touching them, you dream of them. I feel like that about the house."

It crossed his mind that she was talking for effect. "It is only a house after all," he said.

"But our house," with a touch of pride. Then, "What are those?" she asked, pointing to the gray shapeless beasts, time-worn and weather-stained, that flanked the entrance to the courtyard.

"They are, or once were, Butterflies, the badge of the Audleys. These hold shields. You will see the Butterflies in many places in the Gatehouse. You will find them with men's faces and sometimes with a fret on the wings. Your uncle says that they are not butterflies, but moths, that have eaten the Audley fortunes."

It was a thought that matched the picture he had drawn of the deserted house, and Mary felt that the morning had lost its brightness. But not for long. Basset led her into a room on the right of the hall, and the sight drew from her a cry of pleasure. On three sides the dark wainscot rose eight feet from the floor; above, the walls were whitewashed to the ceiling and broken by dim portraits, on stretchers and without frames. On the fourth side where the panelling divided the room from a serving-room, once part of it, it rose to the ceiling. The stone hearth, the iron dogs, the matted floor, the heavy chairs and oak table, all were dark and plain and increased the austerity of the room.

At the end of the table places were laid for three, and Toft, who had set on the breakfast, was fixing the kettle amid the burning logs.

"Is Mr. Audley coming down?" Basset asked.

"He bade me lay for him," Toft replied dryly. "I doubt if he will come. You had better begin, sir. The young lady," with a searching look at her, "must want her breakfast."

"I am afraid I do," Mary confessed.

"Yes, we will begin," Basset said. He invited her to make the tea.

When they were seated, "You like the room?"

"I love it," she answered.

"So do I," he rejoined, more soberly. "The panelling is linen--pattern of the fifteenth century--you see the folds? It was saved from the old house. I am glad you like it."

"I love it," she said again. But after that she grew thoughtful, and during the rest of the meal she said little. She was thinking of what was before her; of the unknown uncle, whose bread she was eating, and upon whom she was going to be dependent. What would he be like? How would he receive her? And why was every one so reticent about him--so reticent that he was beginning to be something of an ogre to her? When Toft presently appeared and said that Mr. Audley was in the library and would see her when she was ready, she lost color. But she answered the man with self-possession, asked quietly where the library was, and had not Basset's eyes been on her face he would have had no notion that she was troubled.

As it was, he waited for her to avow her misgiving--he was prepared to encourage her. But she said nothing.

None the less, at the last moment, with her hand on the door of the library, she hesitated. It was not so much fear of the unknown relative whom she was going to see that drove the blood from her cheek, as the knowledge that for her everything depended upon him. Her new home, its peace, its age, its woodland surroundings, fascinated her. It promised her not only content, but happiness. But as her stay in it hung upon John Audley's will, so her pleasure in it, and her enjoyment of it, depended upon the relations between them. What would they be? How would he receive her? What would he be like? At last she called up her courage, turned the handle, and entered the library.

For a moment she saw no one. The great room, with its distances and its harmonious litter, appeared to be empty. Then, "Mary, my dear," said a pleasant voice, "welcome to the Gatehouse!" And John Audley rose from his seat at a distant table and came towards her.

The notion which she had formed of him vanished in a twinkling, and with it her fears. She saw before her an elderly gentleman, plump and kindly, who walked with a short tripping step, and wore the swallow-tailed coat with gilt buttons which the frock-coat had displaced. He took her hand with a smile, kissed her on the forehead, and led her to a chair placed beside his own. He sat for a moment holding her hand and looking at her.

"Yes, I see the likeness," he said, after a moment's contemplation. "But, my dear, how is this? There are tears in your eyes, and you tremble."

"I think," she said, "I was a little afraid of you, sir."

"Well, you are not afraid now," he replied cheerfully. "And you won't be again. You won't be again. My dear, welcome once more to the Gatehouse. I hope that it may be your home until another is offered you. Things came between your father and me--I shall never mention them again, and don't you, my dear!"--this a little hurriedly--"don't you; all that is buried now, and I must make it up to you. Your letters?" he continued, patting her hand. "Yes, Peter told me that you wrote to me. I need not say that I never had them. No, never had them--Toft, what is it?"

The change in his voice struck her. The servant had come in quietly. "Mr. Basset, sir, has lost----"

"Another time!" John Audley replied curtly. "Another time! I am engaged now. Go!" Then when the door had closed behind the servant, "No, my dear," he continued, "I need not say that I never had them, so that I first heard of your troubles through a channel upon which I will not dwell. However, many good things come by bad ways, Mary. I hope you like the Gatehouse?"

"It is charming!" she cried with enthusiasm.

"It has only one drawback," he said.

She was clever enough to understand that he referred to its owner, and to escape from the subject. "This room," she said, "is perfection. I have never seen anything like it, sir."

"It is a pleasant room," he said, looking round him. "There is our coat over the mantel, gules, a fret or; like all old coats, very simple. Some think it is the Lacy Knot; the Audley of Edward the First's time married a Lacy. But we bore our old coat of three Butterflies later than that, for before the fall of Roger Mortimer, who was hung at Tyburn, he married his daughter to an Audley, and the escheaters found the wedding chamber in his house furnished with our Butterflies. Later the Butterfly survived as our badge. You see it there!" he continued, pointing it out among the mouldings of the ceiling. "There is the Stafford Knot, the badge of the great Dukes of Buckingham, the noblest of English families; it is said that the last of the line, a cobbler, died at Newport, not twenty miles from here. We intermarried with them, and through them with Peter's people, the Bassets. That is the Lovel Wolf, and there is the White Wolf of the Mortimers--all badges. But you do not know, I suppose, what a badge is?"

"I am afraid not," she said, smiling. "But I am as proud of our Butterfly, and as proud to be an Audley, sir, as if I knew more."

"Peter must give you some lessons in heraldry," he answered. "We live in the past here, my dear, and we must indoctrinate you with a love of our pursuits or you will be dull." He paused to consider. "I am afraid that we cannot allot you a drawing-room, but you must make your room upstairs as comfortable as you can. Etruria will see to that. And Peter shall arrange a table for you in the south bay here, and it shall be your table and your bay. That is his table; this is mine. We are orderly, and so we do not get in one another's way."

She thanked him gratefully, and with tears in her eyes, she said something to which he would not listen--he only patted her hand--as to his kindness, his great kindness, in receiving her. She could not, indeed, put her relief into words, so deep was it. Nowhere, she felt, could life be more peaceful or more calm than in this room which no sounds of the outer world except the songs of birds, no sights save the swaying of branches disturbed; where the blazoned panes cast their azure and argent on lines of russet books, where an aged hound sprawled before the embers, and the measured tick of the clock alone vied with the scratching of the pen. She saw herself seated there during drowsy summer days, or when firelight cheered the winter evenings. She saw herself sewing beside the hearth while her companions worked, each within his circle of light.

Then, she also was an Audley. She also had her share in the race which had lived long on this spot. Already she was fired with the desire to know more of them, and that flame John Audley was well fitted to fan. For he was not of the school of dry-as-dust antiquaries. He had the knack of choosing the picturesque in story, he could make it stand out for others, he could impart life to the actors in it. And, anxious to captivate Mary, he bent himself for nearly an hour to the display of his knowledge. Taking for his text one or other of the objects about him, he told her of great castles, from which England had been ruled, and through which the choicest life of the country had passed, that now were piles of sherds clothed with nettles. He told her of that woodland country on the borders of three counties, where the papists had long lived undisturbed and where the Gunpowder Plot had had its centre. He told her of the fashion which came in with Richard the Second, of adorning the clothes with initials, reading and writing having become for the first time courtly accomplishments; and to illustrate this he showed her the Westminster portrait of Richard in a robe embroidered with letters of R. He quoted Chaucer:

And thereon hung a broch of gold ful schene
On which was first i-written a crowned A
And after that, Amor vincit omnia.