ETONIAN.

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There is an imperceptible but powerfully connecting link in our early associations and school-boy friendships, which is very difficult to describe, but exceedingly grateful to reflect on; particularly when the retrospective affords a view of early attachments ripened into perfection with maturity, and cementing firmly with increasing years. Youth is the period of frankness and of zeal, when the young heart, buoyant with hope and cheering prospects, fills with joy, and expands in all the brightness of fancy's variety. The ambition, lures, and conflicting interests of the world, have as yet made no inroad upon the mind; the bosom is a stranger to misery, the tongue to deceit, the eye glows with all the luxuriance of pleasure, and the whole countenance presents an animated picture of health and intelligence illumined with delight. The playfulness or incaution of youth may demand correction, or produce momentary pain; but the tears of infancy fall like the summer dew upon the verdant slope, which the first gleam of the returning sun kisses away, and leaves the face of nature tinged with a blush of exquisite brilliancy, but with no trace of the sparkling moisture which lately veiled its beauty. This is the glittering period of life, when the gay perspective of the future seems clothed in every attractive hue, and the objects of this world assume a grace divine: then it is that happiness, borne on the wings of innocence and light-hearted mirth, attends our every step, and seems to wait obedient to our will.

What a painful reverse may not the retrospective view afford! how unlike is the finished picture to the inspiring sketch. The one breathing the soft air of nature, and sparkling in brilliant tints of variegated hues, serene, clear, and transparent, like the magic pencilling of the heavenly Claude, shedding ambrosial sweets around. The reverse indistinct, and overpowered with gloomy shadows, a mixture of the terrific and the marvellous, like the stormy and convulsive scenes of the mighty genius of Salvator Rosa, with here and there a flash of wildest eccentricity, that only serves to render more visible the murky deformity of the whole.

Horatio had just finished his introductory rhapsody, when the door opened, and my aunt's servant entered with tea and toast: the simmering of the water round the heated tube of the urn, tingling in the ears of Heartly, broke the thread of his narration. There was a pause of nearly a minute, while John was busy in arranging the equipage. "You should have waited till I had rung, John," said my aunt. "Please your ladyship," said John, "you directed me always to bring tea in at six precisely, without waiting for orders." My aunt looked puzzled: "You are right, John, I did; and (addressing Horatio) the fault of the interruption must therefore rest with me." Horatio bowed; the compliment was too flattering to be misunderstood. "Draw the curtains, John," said my aunt, "and make up the fire: we can help ourselves to what we want—you need not wait; and do not interrupt us again until you are rung for." "This is very mysterious," thought John, as he closed to the drawing-room door; and he related what he thought to my lady's maid, when he returned to the servants' hall. "You are, no conjurer, John," said Mrs. Margaret, with an oblique inclination of the head, half amorous and half conceited—"the old lady's will has been signed and sealed these three years; I was present when it was made—ay, and I signed it too, and what's more, I knows all its contents; there are some people in the world (viewing herself in an opposite looking-glass) who may be very differently circumstanced some day or other." John's heart had long felt a sort of fluttering inclination to unburthen itself, by linking destinies with the merry Mrs. Margaret; the prospect of a handsome legacy, or perhaps an annuity, gave an additional spur to John's affectionate feelings, and that night he resolved to put the question. All this Mrs. Margaret had anticipated, and as she was now on the verge of forty, she very prudently thought there was no time to lose. "They are a pair of oddities," continued the waiting-maid; "I have sometimes surprised them both crying, as if their hearts would break, over a new book: I suppose they have got something very interesting, as my lady calls it and Mr. Horatio is sermonizing as usual."—Mrs Margaret was not far wrong in her conjecture, for when my aunt and Horatio were again alone, she rallied him on the serious complexion of his style. ENLARGE TO FULL SIZE

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CHARACTER OF BERNARD BLACKMANTLE. BY HORATIO HEARTLY.

You shall have it from his own pen, said Horatio. In my portfolio, I have preserved certain scraps of Bernard's that will best speak his character; prose and poetry, descriptive and colloquial, Hudibrastic and pastoral, trifles in every costume of literary fancy, according with the peculiar humour of the author at the time of their inditing, from these you shall judge my eccentric friend better than by any commendation of mine. I shall merely preface these early offerings of his genius with a simple narrative of our school-boy intimacy.

I had been about three months at Eton, and had grown somewhat familiar with the characters of my associates, and the peculiarities of their phraseology and pursuits, when our dame's party was increased by the arrival of Bernard Blackmantle. It is usual with the sons of old Etona, on the arrival of a fresh subject, to play off a number of school-boy witticisms and practical jokes, which though they may produce a little mortification in the first instance, tend in no small degree to display the qualifications of mind possessed by their new associate, and give him a familiarity with his companions and their customs, which otherwise would take more time, and subject the stranger to much greater inconvenience. Bernard underwent all the initiatory school ceremonies and humiliations with great coolness, but not without some display of that personal courage and true nobleness of mind, which advances the new comer in the estimation of his school-fellows. First impressions are almost always indelible: there was a frankness and sincerity in his manner, and an archness and vivacity in his countenance and conversation, that imperceptibly attached me to the young stranger. We were soon the most inseparable cons,{1} the depositors of each other's youthful secrets, and the mutual participators in every passing sport and pleasure.

Naturally cheerful, Bernard became highly popular with our miniature world; there was however one subject which, whenever it was incautiously started by his companions, always excited a flood of tears, and for a time spread a gloomy abstraction over his mind. Bernard had from his very infancy been launched into the ocean of life without a knowledge of his admiral{2} but not without experiencing all that a mother's fondness could supply: when others recapitulated the enjoyments of their paternal home, and painted with all the glow of youthful ardour the anticipated pleasures of the holidays, the tear would trickle down his crimsoned cheek; and quickly stealing away to some sequestered spot, his throbbing bosom was relieved by many a flood of woe. That some protecting spirit watched over his actions, and directed his course, he was well assured, but as yet he had never been able to comprehend the mystery with which he was surrounded. His questions on this point to his mother it was evident gave her pain, and were always met by some evasive answer. He had been early taught to keep his own secret, but the prying curiosity of an Eton school-boy was not easily satisfied, and too often rendered the task one of great pain and difficulty. On these occasions I would seek

1 Friends.

2 The Eton phrase for father.

him out, and as the subject was one of too tender a nature for the tongue of friendship to dwell upon, endeavour to divert his thoughts by engaging him in some enlivening sport. His amiable manners and generous heart had endeared him to all, and in a short time his delicate feelings were respected, and the slightest allusion to ambiguity of birth cautiously avoided by all his associates, who, whatever might be their suspicions, thought his brilliant qualifications more than compensated for any want of ancestral distinction.

The following portrait of my friend is from the pen of our elegant con, Horace Eglantine.

A PORTRAIT.

A heart fill'd with friendship and love,
A brain free from passion's excess,
A mind a mean action above,
A hand to relieve keen distress.
Poverty smiled on his birth,
And gave what all riches exceeds,
Wit, honesty, wisdom, and worth;
A soul to effect noble needs.
Legitimates bow at his shrine;
Unfetter'd he sprung into life;
When vigour with love doth combine
To free nature from priestcraft and strife.
No ancient escutcheon he claim'd,
Crimson'd with rapine and blood;
He titles and baubles disdain'd,
Yet his pedigree traced from the flood.
Ennobled by all that is bright
In the wreath of terrestrial fame,
Genius her pure ray of light
Spreads a halo to circle his name.

The main-spring of all his actions was a social disposition, which embraced a most comprehensive view of the duties of good fellowship. He was equally popular with all parties, by never declaring for any particular one: with the cricketers he was accounted a hard swipe{3} an active field{4} and a stout bowler;{5} in a water party he was a stroke{6} of the ten oar; at foot-ball, in the playing fields, or a leap across Chalvey ditch, he was not thought small beer{7} of; and he has been known to have bagged three sparrows after a toodle{8} of three miles. His equals loved him for his social qualities, and courted his acquaintance as the sine qua non of society; and the younger members of the school looked up to him for protection and assistance. If power was abused by the upper boys, Bernard was appealed to as the mediator between the fag{9} and his master. His grants of liberties{10} to the commonalty were indiscriminate and profuse, while his influence was always exerted to obtain the same privileges for his numerous proteges from the more close aristocrats.{11} He was always to be seen attended by a shoal of dependents of every form in the school, some to get their lessons construed, and others to further claims to their respective stations in

3 A good bat-man.

4 To run well, or keep a good look out.

5 Strong and expert.

6 A first rate waterman.

7 Not thought meanly of. Sometimes this phrase is used in
derision, as, he does not think small beer of himself.

8 A walk.

9 Any sixth or fifth form boy can fag an Oppidan underling:
the collegers are exempted from this custom.

10 The liberties, or college bounds, are marked by stones
placed in different situations; grants of liberties are
licences given by the head boys to the juniors to break
bounds, or rather to except them from the disagreeable
necessity of shirking, (i. e.) hiding from fear of being
reported to the masters.

11 To that interesting original miscellany, the 'Etonian,' I
am indebted for several valuable hints relative to early
scenes. The characters are all drawn from observation, with
here and there a slight deviation, or heightening touch, the
rather to disguise and free them from aught of personal
offence, than any intentional departure from truth and
nature.

the next cricket match or water expedition. The duck and green pea suppers at Surley Hall would have lost half their relish without the enlivening smiles and smart repartees of Bernard Blackmantle. The preparations for the glorious fourth of June were always submitted to his superior skill and direction. His fiat could decide the claims of the rival boats, in their choice of jackets, hats, and favors; and the judicious arrangement of the fire-works was another proof of his taste. Let it not, however, be thought that his other avocations so entirely monopolized him as to preclude a due attention to study. Had it been so, his success with the [Greek phrase] would never have been so complete: his desire to be able to confer obligations on his schoolfellows induced Bernard to husband carefully every hour which he spent at home; a decent scholarship, and much general knowledge, was the reward of this plan. The treasure-house of his memory was well stored, and his reputation as an orator gave promise of future excellence. His classical attainments, if not florid, were liberal, and free from pedantry. His proficiency in English literature was universally acknowledged, and his love of the poets amounted to enthusiasm. He was formed for all the bustle of variegated life, and his conversation was crystallized with the sparkling attractions of wit and humour. Subject to the weakness to which genius is ever liable, he was both eccentric and wayward, but he had the good sense to guard his failing from general observation; and although he often shot his arrows anonymously, he never dipt them in the gall of prejudice or ill-nature. I have dwelt upon his character with pleasure, because there are very few who know him intimately. With a happy versatility of talents, he is neither lonesome in his solitude, nor over joyous in a crowd. For his literary attainments, they must be judged of by their fruits. I cannot better conclude my attempt to describe his qualifications than by offering his first essay to your notice, a school-boy tribute to friendship.

TRUE FRIENDSHIP.

'Infido scurrÆ distabit amicus.'
Horace.

How very seldom do we find
A relish in the human mind
For friendship pure and real;
How few its approbation seek,
How oft we count its censures weak,
Disguising what we feel.
Adulation lives to please,
Truth dies the victim of disease,
Forgotten by the world:
The flattery of the fool delights
The wise, rebuke our pride affrights,
And virtue's banner's furl'd.
Wherefore do we censure fate,
When she withholds the perfect state
Of friendship from our grasp,
If we ourselves have not the power,
The mind to enjoy the blessed hour,
The fleeting treasure clasp?

This (I have reason to believe his first poetical essay) was presented me on my birthday, when we had been about two years together at Eton: a short time afterwards I surprised him one morning writing in his bedroom; my curiosity was not a little excited by the celerity with which I observed he endeavoured to conceal his papers. "I must see what you are about, Bernard," said I. "Treason, Horatio," replied the young author. "Would you wish to be implicated, or become a confederate? If so, take the oath of secrecy, and read." Judge of my surprise, when, on casting my eye over his lucubrations, I perceived he had been sketching the portraits of the group, with whom we were in daily association at our dame's. As I perceive by a glance at his work that most of his early friends have parts assigned them in his colloquial scenes, I consider the preservation of this trifle important, as it will furnish a key to the characters.

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ETON SKETCHES OF CHARACTER.

'——I'll paint for grown up people's knowledge,
The manners, customs, and affairs of college.'

                                                                                                                                                                                                                                                                                                           

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