Albany Institute of History and Art, Albany. The Negro artist comes of age; a national survey of contemporary American artists. Albany Institute of History and Art, January 3rd through February 11th, 1945. [Albany, 1945] [77] p. illus., ports. MH Foreword signed: John Davis Hatch, Jr. "Up till now" (p. iii-vii) signed: Alain Locke. Contains biographies. Bowdoin College. Museum of Fine Arts. The portrayal of the Negro in American painting; [exhibition] the Bowdoin College Museum of Art. [Catalogue. Brunswick? Me.] 1964. 1 v. (unpaged) illus., ports. N8232.B6 Dover, Cedric. American Negro art. [Greenwich, Conn.] New York Graphic Society [1960] 186 p. illus., col. plates, ports. N6538.N5D6 1960 "Bibliography by Maureen Dover": p. 57-60. Harmon Foundation. Negro artists, an illustrated review of their achievements. New York [1935] 59 p. illus., ports. N6538.N5H34 Includes exhibition of paintings by Malvin Gray Johnson and sculptures by Richmond BarthÉ and Sargent Johnson, presented by the Harmon Foundation in cooperation with the Delphic Studios, April 22-May 4, 1935, inclusive. Locke, Alain L. Negro art: past and present. Washington, Associates in Negro Folk Education, 1936. 122 p. (Bronze booklet no. 3) [E185.5.B85 no. 3] [TR: Call number of original: E185.82.L74] "Reading references" at end of each chapter. Locke, Alain L. The Negro in art; a pictorial record of the Negro artist and of the Negro theme in art; edited and annotated by Alain Locke. Washington, Associates in Negro Folk Education, 1940. 224 p. illus., plates. N6538.N5L6 "Selected bibliography": p. 224. Murray, Freeman H. M. Emancipation and the freed in American sculpture; a study in interpretation. Introduction by John Wesley Cromwell. Washington, The author, 1916. xxviii, 239 p. plates. (Black folk in art series) E185.89.I2M9 "This monograph is chiefly the expansion of papers which were read as lectures ... at the Summer School and Chautauqua of the National Religious Training School at Durham, N.C., in 1913. Some of the matter has also appeared in the A.M.E. Church Review."—Preface. The Negro in American art. An exhibition co-sponsored by the California Arts Commission, UCLA Art Galleries, September 11 to October 16, 1966; University of California, Davis, November 1 to December 15, 1966; Fine Arts Gallery of San Diego, January 6 to February 12, 1967; Oakland Art Museum, February 24 to March 19, 1967. [Los Angeles?] UCLA Art Galleries, Dickson Art Center [1967?] 63 p. DLC [TR: N6538.N5N35] New York (City) City University of New York. The evolution of Afro-American artists, 1800-1950. New York, 1967. 70 p. illus. N6538.N5N4 Catalog of an exhibition organized by the City University of New York in cooperation with the Harlem Cultural Council and the New York Urban League, and held at Great Hall, the City College. Porter, James A. Modern Negro art. With eighty-five halftone plates. New York, Dryden Press, 1943. 272 p. illus. N6538.N5P6 Bibliography: p. 183-192. Reprint issued by Arno Press, 1969. Porter, James A. Ten Afro-American artists of the nineteenth century. Washington, Gallery of Art, Howard University [1967] 33 p. illus. N6538.N5P62 Catalog, prepared by J. A. Porter, of an exhibition commemorating the centennial of Howard University held Feb. 3-Mar. 30, 1967, Gallery of Art, Howard University. Bibliography: p. 32-33. Rodman, Selden. Horace Pippin, a Negro painter in America. New York, Quadrangle Press, 1947. 88 p. illus., plates (part mounted col.), ports. ND237.P65R6 Roelof-Lanner, T. V., ed. Prints by American Negro artists. Los Angeles, Cultural Exchange Center [1965] [11] p., [51] illus. (part col.) NE508.R6 Schoener, Allon, comp. Harlem on my mind; cultural capital of Black America, 1900-1968. Preface by Thomas P. F. Hoving. Introduction by Candice Van Ellison. New York, Random House [1969, c1968] 255 p. illus., ports. F128.68.H3S3 Supplements an exhibition held at the Metropolitan Museum of Art in 1969 and organized by the museum in association with the New York State Council on the Arts. United States Committee for the First World Festival of Negro Arts. Dix artistes nÈgres des États-Unis; premier Festival mondial des arts nÈgres, Dakar, SÉnÉgal, 1966. Ten Negro artists from the United States; first World Festival of Negro Arts, Dakar, Senegal, 1966. An exhibition produced and sponsored by the United States Committee for the First World Festival of Negro Arts, Inc., and the National Collection of Fine Arts, Smithsonian Institution. [Text translation prepared by Denise and Michel Berthier. New York, Distributed by October House, 1966] 1 v. (unpaged) illus., ports. N6538.N5U513 "The exhibition will be circulated in the United States by the American Federation of Arts."
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