VIII BATHOS

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THE CONFESSION

There's somewhat on my breast, father,
There's somewhat on my breast!
The livelong day I sigh, father,
And at night I cannot rest.
I cannot take my rest, father,
Though I would fain do so;
A weary weight oppresseth me—
This weary weight of woe!
'Tis not the lack of gold, father,
Nor want of worldly gear;
My lands are broad, and fair to see,
My friends are kind and dear.
My kin are leal and true, father,
They mourn to see my grief;
But, oh! 'tis not a kinsman's hand
Can give my heart relief!
'Tis not that Janet's false, father,
'Tis not that she's unkind;
Though busy flatterers swarm around,
I know her constant mind.
'Tis not her coldness, father,
That chills my laboring breast;
It's that confounded cucumber
I ate, and can't digest.

Richard Harris Barham.


IF YOU HAVE SEEN

Good reader! if you e'er have seen,
When Phoebus hastens to his pillow,
The mermaids, with their tresses green,
Dancing upon the western billow:
If you have seen, at twilight dim,
When the lone spirit's vesper hymn
Floats wild along the winding shore:
If you have seen, through mist of eve,
The fairy train their ringlets weave,
Glancing along the spangled green;—
If you have seen all this and more,
God bless me! what a deal you've seen!

Thomas Moore.


CIRCUMSTANCE

THE ORANGE

It ripen'd by the river banks,
Where, mask and moonlight aiding,
Dons Blas and Juan play their pranks,
Dark Donnas serenading.
By Moorish damsel it was pluck'd,
Beneath the golden day there;
By swain 'twas then in London suck'd—
Who flung the peel away there.
He could not know in Pimlico,
As little she in Seville,
That I should reel upon that peel,
And—wish them at the devil!

Frederick Locker-Lampson.


ELEGY

The jackals prowl, the serpents hiss
In what was once Persepolis.
Proud Babylon is but a trace
Upon the desert's dusty face.
The topless towers of Ilium
Are ashes. Judah's harp is dumb.
The fleets of Nineveh and Tyre
Are down with Davy Jones, Esquire
And all the oligarchies, kings,
And potentates that ruled these things
Are gone! But cheer up; don't be sad;
Think what a lovely time they had!

Arthur Guiterman.


OUR TRAVELLER

If thou would'st stand on Etna's burning brow,
With smoke above, and roaring flame below;
And gaze adown that molten gulf reveal'd,
Till thy soul shudder'd and thy senses reel'd:
If thou wouldst beard Niag'ra in his pride,
Or stem the billows of Propontic tide;
Scale all alone some dizzy Alpine haut,
And shriek "Excelsior!" among the snow:
Would'st tempt all deaths, all dangers that may be—
Perils by land, and perils on the sea;
This vast round world, I say, if thou wouldst view it—
Then, why the dickens don't you go and do it?

Henry Cholmondeley-Pennell.


OPTIMISM

Be brave, faint heart,
The dough shall yet be cake;
Be strong, weak heart,
The butter is to come.
Some cheerful chance will right the apple-cart,
The devious pig will gain the lucky mart,
Loquacity be dumb,—
Collapsed the fake.
Be brave, faint heart!
Be strong, weak heart,
The path will be made plain;
Be brave, faint heart,
The bore will crawl away.
The upside down will turn to right side up,
The stiffened lip compel that slipping cup,
The doldrums of the day
Be not in vain.
Be strong, weak heart!
Be brave, faint heart,
The jelly means to jell;
Be strong, weak heart,
The hopes are in the malt.
The wrong side in will yet turn right side out,
The long-time lost come down yon cormorant spout.
Life still is worth her salt:
What ends well's well.
Be brave, faint heart!

Newton Mackintosh.


THE DECLARATION

Twas late, and the gay company was gone,
And light lay soft on the deserted room
From alabaster vases, and a scent
Of orange-leaves, and sweet verbena came
Through the unshutter'd window on the air.
And the rich pictures with their dark old tints
Hung like a twilight landscape, and all things
Seem'd hush'd into a slumber. Isabel,
The dark-eyed, spiritual Isabel
Was leaning on her harp, and I had stay'd
To whisper what I could not when the crowd
Hung on her look like worshipers. I knelt,

And with the fervor of a lip unused
To the cool breath of reason, told my love.
There was no answer, and I took the hand
That rested on the strings, and press'd a kiss
Upon it unforbidden—and again
Besought her, that this silent evidence
That I was not indifferent to her heart,
Might have the seal of one sweet syllable.
I kiss'd the small white fingers as I spoke,
And she withdrew them gently, and upraised
Her forehead from its resting-place, and look'd
Earnestly on me—She had been asleep!

N. P. Willis.


HE CAME TO PAY

The editor sat with his head in his hands
And his elbows at rest on his knees;
He was tired of the ever-increasing demands
On his time, and he panted for ease.
The clamor for copy was scorned with a sneer,
And he sighed in the lowest of tones:
"Won't somebody come with a dollar to cheer
The heart of Emanuel Jones?"
Just then on the stairway a footstep was heard
And a rap-a-tap loud at the door,
And the flickering hope that had been long deferred
Blazed up like a beacon once more;
And there entered a man with a cynical smile
That was fringed with a stubble of red,
Who remarked, as he tilted a sorry old tile
To the back of an average head:
"I have come here to pay"—Here the editor cried:
"You're as welcome as flowers in spring!
Sit down in this easy armchair by my side,
And excuse me awhile till I bring
A lemonade dashed with a little old wine
And a dozen cigars of the best....
Ah! Here we are! This, I assure you, is fine;
Help yourself, most desirable guest."
The visitor drank with a relish, and smoked
Till his face wore a satisfied glow,
And the editor, beaming with merriment, joked
In a joyous, spontaneous flow;
And then, when the stock of refreshments was gone,
His guest took occasion to say,
In accents distorted somewhat by a yawn,
"My errand up here is to pay—"
But the generous scribe, with a wave of his hand,
Put a stop to the speech of his guest,
And brought in a melon, the finest the land
Ever bore on its generous breast;
And the visitor, wearing a singular grin,
Seized the heaviest half of the fruit,
And the juice, as it ran in a stream from his chin,
Washed the mud of the pike from his boot.
Then, mopping his face on a favorite sheet
Which the scribe had laid carefully by,
The visitor lazily rose to his feet
With the dreariest kind of a sigh,
And he said, as the editor sought his address,
In his books to discover his due:
"I came here to pay—my respects to the press,
And to borrow a dollar of you!"

Parmenas Mix.


THE FORLORN ONE

Ah! why those piteous sounds of woe,
Lone wanderer of the dreary night?
Thy gushing tears in torrents flow,
Thy bosom pants in wild affright!
And thou, within whose iron breast
Those frowns austere too truly tell,
Mild pity, heaven-descended guest,
Hath never, never deign'd to dwell.
"That rude, uncivil touch forego,"
Stern despot of a fleeting hour!
Nor "make the angels weep" to know
The fond "fantastic tricks" of power!
Know'st thou not "mercy is not strain'd,
But droppeth as the gentle dew,"
And while it blesseth him who gain'd,
It blesseth him who gave it, too?
Say, what art thou? and what is he,
Pale victim of despair and pain,
Whose streaming eyes and bended knee
Sue to thee thus—and sue in vain?
Cold callous man!—he scorns to yield,
Or aught relax his felon gripe,
But answers, "I'm Inspector Field
And this here warment's prigg'd your wipe."

Richard Harris Barham.


RURAL RAPTURES

'Tis sweet at dewy eve to rove
When softly sighs the western breeze,
And wandering 'mid the starlit grove
To take a pinch of snuff and sneeze.
'Tis sweet to see in daisied field
The flocks and herds their pleasure take;
But sweeter are the joys they yield
In tender chop and juicy steak.
'Tis sweet to hear the murmurous sound
That from the vocal woods doth rise,
To mark the pigeons wheeling round,
And think how nice they'd be in pies.
When nightingales pour from their throats
Their gushing melody, 'tis sweet;
Yet sweeter 'tis to catch the notes
That issue from Threadneedle Street.

Unknown.


A FRAGMENT

His eye was stern and wild—his cheek was pale and cold as clay;
Upon his tightened lip a smile of fearful meaning lay.
He mused awhile—but not in doubt—no trace of doubt was there;
It was the steady solemn pause of resolute despair.
Once more he looked upon the scroll—once more its words he read—
Then calmly, with unflinching hand, its folds before him spread.
I saw him bare his throat, and seize the blue-cold gleaming steel,
And grimly try the tempered edge he was so soon to feel!
A sickness crept upon my heart, and dizzy swam my head—
I could not stir—I could not cry—I felt benumbed and dead;
Black icy horrors struck me dumb, and froze my senses o'er;
I closed my eyes in utter fear, and strove to think no more.
Again I looked: a fearful change across his face had passed—
He seemed to rave—on cheek and lip a flaky foam was cast;
He raised on high the glittering blade—then first I found a tongue—
"Hold, madman! stay thy frantic deed!" I cried, and forth I sprung;
He heard me, but he heeded not; one glance around he gave,
And ere I could arrest his hands, he had—begun to shave!

Unknown.


THE BITER BIT

The sun is in the sky, mother, the flowers are springing fair,
And the melody of woodland birds is stirring in the air;
The river, smiling to the sky, glides onward to the sea,
And happiness is everywhere, oh, mother, but with me!
They are going to the church, mother—I hear the marriage bell
It booms along the upland—oh! it haunts me like a knell;
He leads her on his arm, mother, he cheers her faltering step,
And closely to his side she clings—she does, the demirep!
They are crossing by the stile, mother, where we so oft have stood,
The stile beside the shady thorn, at the corner of the wood;
And the boughs, that wont to murmur back the words that won my ear,
Wave their silver branches o'er him, as he leads his bridal fere.
He will pass beside the stream, mother, where first my hand he pressed,
By the meadow where, with quivering lip, his passion he confessed;
And down the hedgerows where we've strayed again and yet again;
But he will not think of me, mother, his broken-hearted Jane!
He said that I was proud, mother, that I looked for rank and gold,
He said I did not love him—he said my words were cold;
He said I kept him off and on, in hopes of higher game—
And it may be that I did, mother; but who hasn't done the same.
I did not know my heart, mother—I know it now too late;
I thought that I without a pang could wed some nobler mate;
But no nobler suitor sought me—and he has taken wing,
And my heart is gone, and I am left a lone and blighted thing.
You may lay me in my bed, mother—my head is throbbing sore;
And, mother, prithee, let the sheets be duly aired before;
And, if you'd please, my mother dear, your poor desponding child,
Draw me a pot of beer, mother, and, mother, draw it mild!

William E. Aytoun.


COMFORT IN AFFLICTION

"Wherefore starts my bosom's lord?
Why this anguish in thine eye?
Oh, it seems as thy heart's chord
Had broken with that sigh!
"Rest thee, my dear lord, I pray,
Rest thee on my bosom now!
And let me wipe the dews away,
Are gathering on thy brow.
"There, again! that fevered start!
What, love! husband! is thy pain?
There is a sorrow in thy heart,
A weight upon thy brain!
"Nay, nay, that sickly smile can ne'er
Deceive affection's searching eye;
'Tis a wife's duty, love, to share
Her husband's agony.
"Since the dawn began to peep,
Have I lain with stifled breath;
Heard thee moaning in thy sleep,
As thou wert at grips with death.
"Oh, what joy it was to see
My gentle lord once more awake!
Tell me, what is amiss with thee?
Speak, or my heart will break!"
"Mary, thou angel of my life,
Thou ever good and kind;
'Tis not, believe me, my dear wife,
The anguish of the mind!
"It is not in my bosom, dear,
No, nor in my brain, in sooth;
But, Mary, oh, I feel it here,
Here in my wisdom tooth!

"Then give,—oh, first, best antidote,—
Sweet partner of my bed!
Give me thy flannel petticoat
To wrap around my head!"

William E. Aytoun.


THE HUSBAND'S PETITION

Come hither, my heart's darling,
Come, sit upon my knee,
And listen, while I whisper,
A boon I ask of thee.
You need not pull my whiskers
So amorously, my dove;
'Tis something quite apart from
The gentle cares of love.
I feel a bitter craving—
A dark and deep desire,
That glows beneath my bosom
Like coals of kindled fire.
The passion of the nightingale,
When singing to the rose,
Is feebler than the agony
That murders my repose!
Nay, dearest! do not doubt me,
Though madly thus I speak—
I feel thy arms about me,
Thy tresses on my cheek:
I know the sweet devotion
That links thy heart with mine—
I know my soul's emotion
Is doubly felt by thine:

And deem not that a shadow
Hath fallen across my love:
No, sweet, my love is shadowless,
As yonder heaven above.
These little taper fingers—
Ah! Jane, how white they be!—
Can well supply the cruel want
That almost maddens me.
Thou wilt not sure deny me
My first and fond request;
I pray thee, by the memory
Of all we cherish best—
By all the dear remembrance
Of those delicious days,
When, hand in hand, we wandered
Along the summer braes:
By all we felt, unspoken,
When 'neath the early moon,
We sat beside the rivulet,
In the leafy month of June;
And by the broken whisper,
That fell upon my ear,
More sweet than angel-music,
When first I woo'd thee, dear!
By that great vow which bound thee
Forever to my side,
And by the ring that made thee
My darling and my bride!
Thou wilt not fail nor falter,
But bend thee to the task—
A boiled sheep's head on Sunday
Is all the boon I ask.

William E. Aytoun.


LINES WRITTEN AFTER A BATTLE

BY AN ASSISTANT SURGEON OF THE NINETEENTH NANKEENS

Stiff are the warrior's muscles,
Congeal'd, alas! his chyle;
No more in hostile tussles
Will he excite his bile.
Dry is the epidermis,
A vein no longer bleeds—
And the communis vermis
Upon the warrior feeds.
Compress'd, alas! the thorax,
That throbbed with joy or pain;
Not e'en a dose of borax
Could make it throb again.
Dried up the warrior's throat is,
All shatter'd too, his head:
Still is the epiglottis—
The warrior is dead.

Unknown.


LINES

ADDRESSED TO ** **** ***** ON THE 29TH OF SEPTEMBER, WHEN WE PARTED FOR THE LAST TIME

I have watch'd thee with rapture, and dwelt on thy charms,
As link'd in Love's fetters we wander'd each day;
And each night I have sought a new life in thy arms,
And sigh'd that our union could last not for aye.
But thy life now depends on a frail silken thread,
Which I even by kindness may cruelly sever,
And I look to the moment of parting with dread,
For I feel that in parting I lose thee forever.

Sole being that cherish'd my poor troubled heart!
Thou know'st all its secrets—each joy and each grief;
And in sharing them all thou did'st ever impart
To its sorrows a gentle and soothing relief.
The last of a long and affectionate race,
As thy days are declining I love thee the more,
For I feel that thy loss I can never replace—
That thy death will but leave me to weep and deplore.
Unchanged, thou shalt live in the mem'ry of years,
I cannot—I will not—forget what thou wert!
While the thoughts of thy love as they call forth my tears,
In fancy will wash thee once more—MY LAST SHIRT.

Unknown.


THE IMAGINATIVE CRISIS

Oh, solitude! thou wonder-working fay,
Come nurse my feeble fancy in your arms,
Though I, and thee, and fancy town-pent lay,
Come, call around, a world of country charms.
Let all this room, these walls dissolve away,
And bring me Surrey's fields to take their place:
This floor be grass, and draughts as breezes play;
Yon curtains trees, to wave in summer's face;
My ceiling, sky; my water-jug a stream;
My bed, a bank, on which to muse and dream.
The spell is wrought: imagination swells
My sleeping-room to hills, and woods, and dells!
I walk abroad, for naught my footsteps hinder,
And fling my arms. Oh! mi! I've broke the winder!

Unknown.


                                                                                                                                                                                                                                                                                                           

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