Retief leaned back, grateful for the lull in the music. The last of the dishes were whisked away, and more glasses filled. The exhausted entertainers stopped to pick up the thick square coins the diners threw.

Retief sighed. It had been a rare feast.

"Retief," Magnan said in the comparative quiet, "what were you saying about dog food as the music came up?"

Retief looked at him. "Haven't you noticed the pattern, Mr. Magnan? The series of deliberate affronts?"

"Deliberate affronts! Just a minute, Retief. They're uncouth, yes, crowding into doorways and that sort of thing...." He looked at Retief uncertainly.

"They herded us into a baggage warehouse at the terminal. Then they hauled us here in a garbage truck——"

"Garbage truck!"

"Only symbolic, of course. They ushered us in the tradesman's entrance, and assigned us cubicles in the servants' wing. Then we were seated with the coolie class sweepers at the bottom of the table."

"You must be.... I mean, we're the Terrestrial delegation! Surely these Yill must realize our power."

"Precisely, Mr. Magnan. But——"

With a clang of cymbals the musicians launched a renewed assault. Six tall, helmeted Yill sprang into the center of the floor and paired off in a wild performance, half dance, half combat. Magnan pulled at Retief's arm, his mouth moving.

Retief shook his head. No one could talk against a Yill orchestra in full cry. He sampled a bright red wine and watched the show.

There was a flurry of action, and two of the dancers stumbled and collapsed, their partner-opponents whirling away to pair off again, describe the elaborate pre-combat ritual, and abruptly set to, dulled sabres clashing—and two more Yill were down, stunned. It was a violent dance.

Retief watched, the drink forgotten.

The last two Yill approached and retreated, whirled, bobbed and spun, feinted and postured—and on the instant, clashed, straining chest-to-chest—then broke apart, heavy weapons chopping, parrying, as the music mounted to a frenzy.Evenly matched, the two hacked, thrust, blow for blow, across the floor, then back, defense forgotten, slugging it out.

And then one was slipping, going down, helmet awry. The other, a giant, muscular Yill, spun away, whirled in a mad skirl of pipes as coins showered—then froze before a gaudy table, raised the sabre and slammed it down in a resounding blow across the gay cloth before a lace and bow-bedecked Yill in the same instant that the music stopped.

In utter silence the dancer-fighter stared across the table at the seated Yill.

With a shout, the Yill leaped up, raised a clenched fist. The dancer bowed his head, spread his hands on his helmet.

Retief took a deep gulp of a pale yellow liqueur and leaned forward to watch. The beribboned Yill waved a hand negligently, spilled a handful of coins across the table and sat down.

The challenger spun away in a screeching shrill of music. Retief caught his eye for an instant as he passed.

And then the dancer stood rigid before the brocaded table—and the music stopped off short as the sabre slammed down before a heavy Yill in ornate metallic coils. The challenged Yill rose and raised a fist. The other ducked his head, put his hands on his helmet. Coins rolled. The dancer moved on.

Twice more the dancer struck the table in ritualistic challenge, exchanged gestures, bent his neck and passed on. He circled the broad floor, sabre twirling, arms darting in an intricate symbolism. The orchestra blared shrilly, unmuffled now by the surf-roar of conversation. The Yill, Retief noticed suddenly, were sitting silent, watching. The dancer was closer now, and then he was before Retief, poised, towering, sabre above his head.

The music cut, and in the startling instantaneous silence, the heavy sabre whipped over and down with an explosive concussion that set dishes dancing on the table-top.