  | Anonymous | PAGE | | Lines by an Old Fogy | 348 | | Wanted—A Governess | 346 | | Anstey, Christopher | | The Public Breakfast | 67 | | Aristophanes | | Chorus of Women | 3 | | Armytage, Faulkner | | Friday Afternoon at the Boston Symphony Hall | 332 | | Aytoun, William E. | | The Laureate | 194 | | Barham, Richard Harris | | Mr. Barney Maguire’s Account of the Coronation | 119 | | Birdseye, George | | Paradise. A Hindoo Legend | 319 | | Blake, Rodney | | Hoch! der Kaiser | 320 | | Bowring, Sir John | | The Rich and the Poor Man (From the Russian
of Kremnitzer) | 132 | | Brough, Robert Barnabas | | My Lord Tomnoddy | 227 | | Browning, Elizabeth Barrett | | Critics | 164 | | A Man’s Requirements | 163 | | Browning, Robert | | The Lost Leader | 186 | | The Pope and the Net | 188 | | Soliloquy of the Spanish Cloister | 190 | | Bunner, H. C. | | Atlantic City | 290 | | Wed | 289 | | Burdette, Robert J. | | What Will We Do? | 272 | | Burgess, Gelett | | Extracts from the Rubaiyat of Omar Cayenne | 328 | | Burnand, Frank C. | | True to Poll | 247 | | Burns, Robert | | Address to the Unco Guid, or the Rigidly Righteous | 86 | | Holy Willie’s Prayer | 88 | | Butler, William Allen | | Nothing to Wear | 213 | | Butler, Samuel | | Description of Holland | 30 | | The Religion of Hudibras | 31 | | Saintship versus Conscience | 29 | | Byrom, John | | The Three Black Crows | 63 | | Byron, Lord | | A Country House Party | 127 | | From “English Bards and Scotch Reviewers” | The Conundrum of the Workshops | 326 | | General Summary | 324 | | Lang, Andrew | | Ballade of Literary Fame | 274 | | Lemon, Mark | | How to Make a Man of Consequence | 173 | | Lever, Charles | | The Widow Malone | 173 | | Loines, Russell Hilliard | | On a Magazine Sonnet | 321 | | Loomis, Charles Battell | | The Evolution of a “Name” | 310 | | Lover, Samuel | | Father-Land and Mother-Tongue | 135 | | Father Molloy | 136 | | Lovelace, Richard | | Song | 34 | | Lowell, James Russell | | From “A Fable for Critics” | 201 | | The Pious Editor’s Creed | 206 | | Ludlow, Fitz-Hugh | | Too Late | 261 | | Lyndsay, Sir David | | A Carman’s Account of a Lawsuit | 12 | | Lysaght, Edward | | Kitty of Coleraine | 91 | | Lytton, Robert Bulwer | | Midges | 230 | | Mackay, Charles | | Cynical Ode to an Ultra-Cynical Public | 192 | | The Great Critics | 193 | | Marston, John | | The Scholar and His Dog | 25 | | Marvell, Andrew | | The Character of Holland | 35 | | Matthews, Brander | | An Advanced Thinker | 282 | | Meredith, George | | Hiding the Skeleton | 229 | | Moore, Thomas | | Eternal London | 105 | | Lying | 108 | | The Modern Puffing System | 106 | | Morse, James Herbert | | Fame | 269 | | Munkittrick, Richard Kendall | | To Miguel de Cervantes Saavedra | 287 | | What’s in a Name? | 288 | | Neaves, Lord Charles | | How to Make a Novel | 150 | | Noel, Thomas | | The Pauper’s Drive | 175 | | O’K [370]
[371]
A
NONSENSE ANTHOLOGY
BY
CAROLYN WELLS
Octavo. $1.25 net.
Full Limp Leather. In a Box, $1.50 net.
“All lovers of good nonsense will be grateful to Miss Carolyn Wells for compiling ‘A Nonsense Anthology.’”—Boston Herald. “A book that the shelves of no lover of the humorous should be without.... Miss Wells is to be congratulated on doing something that had not been done before.”—N. Y. Evening Sun. “A book that will bring joy to both young and old. Miss Wells has an appreciation of fooling that is not a common attribute of her sex, and a sense of humor that is exemplified by many delightful productions of her own. In making the selections for the present volume she has shown excellent judgment and a wide acquaintance with the special sort of verse that is concerned.”—The Dial. “Almost every one will find his or her favorite selections in this volume.”—The Outlook.
Transcriber’s Notes: Obvious punctuation errors repaired. Page xiv, “Aethete” changed to “Æsthete” (The Æsthete) Page 186, “o” changed to “to” (you’ve a right to) Page 190, “Wate” changed to “Water” (Water your damned) Page 190, “Wha ’s” changed to “What’s” (What’s the Greek) Page 210, “hat” changed to “that” (the next that dies) Page 246, “wo ds” changed to “words” (words were the power) Page 259, “Somer” changed to “Somers” (and Somers takes the south) Page 351, “Aethete” changed to “Æsthete” (Æsthete, The) Page 364, “Aethete” changed to “Æsthet” (The Æsthete) |   |
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