I.—ENGLAND |
| | PAGE |
ANONYMOUS (c. 1580). |
I. | SONG OF THE ENGLISH BOWMEN | 3 |
GEORGE PEELE (1558?-1592?). |
II. | FAREWELL TO DRAKE AND NORRIS | 4 |
MICHAEL DRAYTON (1563–1631). |
III. | BALLAD OF AGINCOURT | 5 |
IV. | THE VIRGINIAN VOYAGE | 8 |
WILLIAM SHAKESPEARE (1564–1616). |
V. | A PICTURE OF ENGLAND | 11 |
VI. | ENGLAND INVINCIBLE | 11 |
VII. | ENGLAND AT WAR | 12 |
VIII. | WOLSEY TO CROMWELL | 17 |
BALLADS. |
IX. | BRAVE LORD WILLOUGHBY (c. 1590) | 18 |
X. | THE HONOUR OF BRISTOL (c. 1626) | 21 |
JOHN MILTON (1608–1674). |
XI. | TO THE LORD GENERAL | 24 |
XII. | DELIVERANCE | 24 |
ANDREW MARVELL (1620–1678). |
XIII. | HORATIAN ODE UPON CROMWELL’S RETURN FROM IRELAND | 25 |
XIV. | SONG OF THE EMIGRANTS IN BERMUDA | 28 |
MARTIN PARKER (ob. 1656?). |
XV. | THE KING’S EXILE | 30 |
ANONYMOUS (c. 1667). |
XVI. | HERE’S A HEALTH UNTO HIS MAJESTY | 31 |
JOHN DRYDEN (1631–1701). |
XVII. | A SONG OF KING ARTHUR | 31 |
XVIII. | LONDON IN 1666 | 32 |
JAMES THOMSON (1700–1748). |
XIX. | RULE BRITANNIA | 33 |
JOHN DYER (c. 1708). |
XX. | DOWN AMONG THE DEAD MEN | 34 |
ANONYMOUS (c. 1740). |
XXI. | GOD SAVE THE KING | 34 |
DAVID GARRICK (1717–1779). |
XXII. | HEARTS OF OAK | 35 |
WILLIAM COLLINS (1721–1759). |
XXIII. | THE SLEEP OF THE BRAVE | 36 |
WILLIAM COWPER (1731–1800). |
XXIV. | BOADICEA | 36 |
XXV. | THE ROYAL GEORGE | 38 |
CHARLES DIBDIN (1745–1814). |
XXVI. | TOM BOWLING | 39 |
XXVII. | THE TRUE ENGLISH SAILOR | 40 |
XXVIII. | TOM TOUGH | 41 |
ANONYMOUS (c. 1750). |
XXIX. | THE BRITISH GRENADIERS | 42 |
ANONYMOUS (c. 1758). |
XXX. | THE GIRL I LEFT BEHIND ME | 43 |
PRINCE HOARE (1755–1834). |
XXXI. | THE ARETHUSA | 150 |
RUDYARD KIPLING (b. 1865). |
CXV. | THE FLAG OF ENGLAND | 150 |
CXVI. | RECESSIONAL | 154 |
LAUCHLAN MACLEAN WATT (b. 1867). |
CXVII. | THE GREY MOTHER | 155 |
GEORGE FREDERIC STEWART BOWLES (b. 1877). |
CXVIII. | THE SONG OF THE SNOTTIES | 157 |
II.—WALES |
THOMAS GRAY (1716–1771). |
CXIX. | THE BARD | 161 |
JAMES HENRY LEIGH HUNT (1784–1859). |
CXX. | BODRYDDAN | 165 |
FELICIA HEMANS (1793–1835). |
CXXI. | THE HARP OF WALES | 166 |
CXXII. | PRINCE MADOG’S FAREWELL | 166 |
JOHN JONES (1810–1869). |
CXXIII. | THE MARCH OF THE MEN OF HARLECH | 167 |
SIR LEWIS MORRIS (b. 1833). |
CXXIV. | LLEWELYN AP GRUFFYDD | 168 |
RICHARD BELLIS JONES (1837–1900). |
CXXV. | RHUDDLAN MARSH | 171 |
EDMUND OSBORNE JONES (b. 1858). |
CXXVI. | LIBERTY | 172 |
CXXVII. | THE POETS OF WALES | 173 |
III.—SCOTLAND |
ALLAN RAMSAY (1686–1758). |
CXXVIII. | FAREWELL TO LOCHABER | 177 |
JEAN ELLIOT (1727–1805). |
CXXIX. | THE FLOWERS OF THE FOREST | 177 |
ANNE MACIVAR GRANT (1755–1838). |
CXXX. | THE HIGHLAND LADDIE | 178 |
ROBERT BURNS (1759–1796). |
CXXXI. | MY HEART’S IN THE HIGHLANDS | 180 |
CXXXII. | BRUCE TO HIS MEN AT BANNOCKBUR | 180 |
CXXXIII. | THE DUMFRIES VOLUNTEERS | 181 |
CXXXIV. | THEIR GROVES O’ SWEET MYRTLE | 182 |
SIR WALTER SCOTT (1771–1832). |
CXXXV. | THE OUTCAST | 183 |
CXXXVI. | FLODDEN FIELD | 183 |
CXXXVII. | GATHERING-SONG OF DONALD THE BLACK | 185 |
CXXXVIII. | OVER THE BORDER | 186 |
CXXXIX. | BONNIE DUNDEE | 187 |
CXL. | WAR-SONG | 189 |
JOHN LEYDEN (1775–1811). |
CXLI. | ODE ON VISITING FLODDEN | 190 |
ALLAN CUNNINGHAM (1785–1842). |
CXLII. | LOYALTY | 193 |
ANONYMOUS (c. 1790). |
CXLIII. | THE CAMPBELLS ARE COMIN’ | 193 |
ROBERT GILFILLAN (1798–1850). |
CXLIV. | MY AIN COUNTRIE | 194 | 300 |
ARTHUR MAQUARIE (b. 1876). |
CCXXIV. | A FAMILY MATTER | 302 |
ARTHUR ADAMS. |
CCXXV. | THE DWELLINGS OF OUR DEAD | 303 |
WILLIAM OGILVIE. |
CCXXVI. | THE BUSH, MY LOVER | 305 |
GEORGE ESSEX EVANS. |
CCXXVII. | A FEDERAL SONG | 307 |
JOHN BERNARD O’HARA. |
CCXXVIII. | FLINDERS | 308 |
CCXXIX. | THE AUSTRALIAN COMMONWEALTH | 309 |
IX.—NEW ZEALAND |
THOMAS BRACKEN (b. 1843). |
CCXXX. | NEW ZEALAND HYMN | 315 |
ALEXANDER BATHGATE (b. 1845). |
CCXXXI. | OUR HERITAGE | 316 |
ELEANOR ELIZABETH MONTGOMERY. |
CCXXXII. | TO ONE IN ENGLAND | 317 |
CCXXXIII. | A VOICE FROM NEW ZEALAND | 318 |
NOTES | 323 |
INDEX OF FIRST LINES | 357 |