I IT was my intention to devote this entire article to "Ornamental Foliage Plants," but I think I will have a prelude, and my prelude may have no more connection with my "talk" proper than Mr. Cook's preludes do with his lecture proper, and I think that frequently the first is the most interesting and important; and from the fact that in the published reports much more space is afforded to the prelude than the lecture, I opine that others are of the same opinion. "The Topic of the Hour," whatever may be the question just then stirring the public mind, is usually chosen as the preface. The topic of the hour to-day has been a bit of a sermon from the text, "And to every seed its own body," and the lesson embodied was that of Faith. The preaching came from a package of gladiolus bulbs, just received, and it run on this wise:

Here are these dry bulbs, separately wrapped and labeled. They look alike in color, and very nearly alike in form; some are rather more cone shaped than others. One is larger and more flat. But there is nothing in form nor size to show that they will not develop precisely the same form and color of flower. I know that they will all reveal the leaf, habit of growth, bud and bloom that distinguishes this species of plant from all others, because I know that these are gladiolus bulbs, and every seed hath its own body. A gladiolus bulb never yet produced a dahlia. A tigridia or shell-flower bulb, though greatly resembling some gladiolus bulbs, and its form of leaf is very similar, yet it never produces a bud nor blossom like the gladiolus. The tigridia hath "its own body," peculiarly and exclusively its own. I have spoken thus far of demonstrated facts—facts that have become to me a matter of personal knowledge.

But now comes the lesson of Faith. I find each bulb bears a different name. I take my catalogue and read the description against the name on each label. Thus I am told what colors pertain to each bulb, inclosed, shut up beyond my ken. Do I have any doubts respecting these descriptions—that the distinguishing characteristics of each sort before me will fail to correspond? Here is Lord Byron and Lord Raglan. How do I know that the former will be a brilliant scarlet, stained and ribboned with pure white, while the latter will have salmon colored blossoms, spotted with scarlet and blotched with dark garnet? I do not know this, for I have never seen it demonstrated, but I have an assured faith that in due time I shall behold those flowers true to their assigned colors, and if there should be a failure I should attribute it to the mistake of the labeler.

But why should these brown bulbs, so alike to outward view, bear flowers so widely differing in hues? Why should Cleopatra have a large flower of soft lilac tinged with violet, and a purple feathered blotch, while Meteor is dark red with pure white stain? Why should Nestor be yellow striped with red, and Addison dark amaranth, with white stripes? Vainly would I seek by dissection to fathom the mystery of these hidden diversified markings, but He who created this plant of wondrous beauty gave to each "seed its own body," and thus we can plant in faith—yea in full assurance of faith—that in due time our eyes will behold all those varied tints now secreted in these bulbs before us. Our seed sowing is all the work of Faith, and Hope looks beyond with bright anticipations of the summer and autumn harvest.

The gladiolus is very easily cultured, and I have far better success in keeping the bulbs through the winter than I have with the dahlia. The tubers of the dahlia easily rot, on account of the dampness of the cellar, though carefully dried and packed in sand. But the gladiolus bulbs, without any special care, come out in fine condition. I like to add a few new ones to my old standard stock, so as to have a variety of colors, for few flowers make such a grand display in the flower garden, and the spikes of bloom are admirable for bouquets, as the buds will unfold day after day for a long time. The lower flowers on the stalk can be removed as they fade. The flowers are very fine also for saucer or shoal dish bouquets. I have a special liking for these. Fill the shallow dish with water or sand—I prefer the latter kept constantly wet—then arrange tastefully short stemmed flowers till they are a mass of bloom. I first make a green border of geranium leaves, or some trailing vine. Different shades of gladiolus flowers picked from the stalk are very effective to set off the flowers not so striking. Where the season for out-door culture is short, as it is here in Maine, it is best to get the bulbs started in the house. Some do this by simply placing them in a sunny window without covering. I always plant mine in a box.

The gladiolus can be raised from seed, but they are of slow growth, and one has to wait till the third summer usually for their flowering. It is far better to purchase the bulbs, then they bloom the first season, and, except some of the rare sorts, multiply rapidly. Although novelties, and some rare sorts are very expensive, $1.50, $2 and $3 for a single bulb, yet very fine bulbs of choice colors can be obtained for that price per dozen. In reply to the question, "What are the names of six of your finest gladiolus not very expensive?" the reply is, "Calypso, Cleopatra, Agatha, Eldorado, James Carter and Lord Byron." These six cost but little more than $1. Of those more expensive the following are very desirable: Addison, Eugene Scribe, Etenard, La France, Meyerbeer and Rossini. These cost a little less than $3. Unnamed bulbs, a good variety, can be bought for $1 per dozen of reliable florists.

Of the new varieties sent out the present season for the first time, are the following raised during the past year by M. Souchet, M. Leomine and other French growers, who have for years made the improvement of the gladiolus a special study. They are said to be superior to any gladiolus hitherto introduced. Aurore, Bremontier, Chameleon, Corinne, Dalila, Eclair, Gulliver, Hermione, Lesseps, Tolma, Victor Jacquemont. The descriptions represent them as superb, and they ought to be at the price named, $4 per bulb! Some of us will have to wait till their novelty is worn off.

NEW HYBRID GLADIOLUS.

Lemoinei and Marie Lemoine. "These two varieties are Hybrids of gladiolus purpureo-auratus, and are of the old garden varieties of Gandavensis, and are now offered for the first time. In form they approach the old Gladiolus Biperatus, the colors being creamy ground with distinct markings of crimson-maroon, with lemon and salmon colored cloudings. They have proved quite hardy and may be left out of doors from year to year." Mr. Henry Cannell of Swanley, England, a florist of world-wide reputation, says of those hardy Hybrids: "It is considered both by professionals and the trade, that M. Leomine's greatest victory was in crossing Gladiolus purpureo-auratus and gandavensis, two distinct species, and at the time they were awarded first-class certificates, it was thought by many that some higher and substantial recognition ought to have been made for introducing a perfectly hardy constitution into our glorious garden gladiolus, and saving the trouble of housing them from frost every season."

GLADIOLUS PURPUREO-AURATUS.

This is a new species from Natal, quite distinct from the common species of gladiolus and very attractive. On a slender, bending stem, which rises to the height of three or four feet, are borne from eight to twelve nodding flowers, somewhat bell-shaped in form, and yellow in color, with broad purple stripes on the lower divisions within. Its bulbs are small, and at the end of long runners numerous offsets are produced which are more certain to flower the succeeding season than are the old bulbs.

GLADIOLUS GANDAVENSIS.

This ancient type is a very ordinary flower, and it seems almost incredible that such superb varieties should have been produced therefrom by cross-fertilization. In the hands of the French florists it has attained to the superior position it occupies to-day. More than forty years ago Mons. Souchet, head gardener at the ChÂteau of Fontainebleau, first called attention to this flower, and began its improvement, and although some few other French florists, such as Messrs. Courant, Berger, Lamoine, Verdier and others followed his example, yet nearly all of the varieties now in commerce in France, are of the raising of that now venerable and respected private citizen. His successors, Messrs. Soulliard and Brunelet supply the great French houses of Paris, by whom the bulbs are forwarded to all parts of the world. About thirty years ago Mr. Kelway of Longport, in Somersetshire, began his culture and hybridizing of the flower, and has built up an immense business. He devotes fifteen acres to Gladiolus exclusively, and the number of seedlings annually raised is 200,000. In 1879-80, Mr. Kelway exhibited eighteen named seedlings which were severally awarded first-class certificates as possessing striking original characteristics. Of our own eminently successful growers, Messrs. Hallock and Thorp of Queens, N. Y., take the lead. They devote over seven acres to Gladiolus, and raise thousands of seedlings.

MODE OF CULTURE.

For diversity of color and general effect, either in masses, or in beds of three or four rows, placing the bulbs one foot apart and three inches deep. Mix a liberal supply of well-rotted manure with the soil, and if clayey, use sand. As soon as the plants are sufficiently tall stake them, and mulch with dressing.

The Use of Flowers.