PHILADELPHIA, 1787.

On VOCAL MUSIC.

The establishment of schools for teaching psalmody in this city is a pleasing institution; but people seem not to understand the design, or rather are not aware of the advantages which may result from it, if properly conducted and encouraged. Most people consider music merely as a source of pleasure; not attending to its influence on the human mind, and its consequent effects on society. But it should be regarded as an article of education, useful as well as ornamental.

The human mind is formed for activity; and will ever be employed in business or diversions. Children are perpetually in motion, and all the ingenuity of their parents and guardians should be exerted to devise methods for restraining this activ principle, and directing it to some useful object, or to harmless trifles. If this is not done, their propensity to action, even without a vicious motiv, will hurry them into follies and crimes. Every thing innocent, that attracts the attention of children, and will employ their minds in leisure hours, when idleness might otherwise open the way to vice, must be considered as a valuable employment. Of this kind is vocal music. There were instances of youth, the last winter, who voluntarily attended a singing school in preference to the theatre. It is but reasonable to suppose, that if they would neglect a theatre for singing, they would neglect a thousand amusements, less engaging, and more pernicious.

Instrumental music is generally prefered to vocal, and considered as an elegant accomplishment. It is indeed a pleasing accomplishment; but the preference given to it, is a species of the same false taste, which places a son under the tuition of a drunken clown, to make him a gentleman of strict morals. Instrumental music may exceed vocal in some nice touches and distinctions of sound; but when regarded as to its effects upon the mind and upon society, it is as inferior to vocal, as sound is inferior to sense. It is very easy for a spruce beau to display a contempt for vocal music, and to say that human invention has gone beyond the works of God Almighty. But till the system of creation shall be new modelled, the human voice properly cultivated will be capable of making the most perfect music. It is neglected; sol faing is unfashionable, and that is enough to damn it: But people who have not been acquainted with the perfection of psalmody, are incapable of making a suitable comparison between vocal and instrumental music. I have often heard the best vocal concerts in America, and the best instrumental concerts; and can declare, that the music of the latter is as inferior to that of the former, as the merit of a band box macaroni is to that of a Cato.

Instrumental music affords an agreeable amusement; and as an amusement it ought to be cultivated. But the advantage is private and limited; it pleases the ear, but leaves no impression upon the heart.

The design of music is to awaken the passions, to soften the heart for the reception of sentiment. To awaken passion is within the power of instruments, and this may afford a temporary pleasure; but society derives no advantage from it, unless some useful sentiment is left upon the heart.

Instruments are secondary in their use; they were invented originally, not to supercede, but to assist the voice. The first histories of all nations were written in verse, and sung by their bards. In later ages, the oaten reed, the harp and the lyre, were found to improve the pleasures of music; but the neglect of the voice and of sentiment was reserved for modern corruption. Ignorant indeed is the man, and possessed of a wretched taste, who can seriously despise the humble pleasures of vocal music, and prefer the bare harmony of sounds. Sentiment should ever accompany music; the sounds should ever correspond with the ideas, otherwise music loses all its force. Union of sentiment, with harmony of sounds, is the perfection of music. Every string of the human heart may be touched; every passion roused by the different kinds of sounds; the courage of the warrior; the cruelty of the tyrant; anger; grief; love, with all its sensibilities, are subject to the influence of music. Even brutes acknowlege its effects; but while they in common with man feel the effects of a harmony of mere sounds, man enjoys the superior felicity of receiving sentiment; and while he relishes the pleasures of chords in sound, he imbibes a disposition to communicate happiness to society.

Seldom indeed do men reflect on the connexion between the chords of music and the social affections. Morality is to immorality, what harmony is to discord. Society detests vice, and the ear is offended with discordant sounds. Society is pleased and happified with virtue, and the ear is delighted with harmony. This beautiful analogy points out the utility of cultivating music as a science. Harsh discordant sounds excite the peevish malevolent passions; harmonious sounds correct and soften the rougher passions.

Every person will acknowlege, that love refines the heart, and renders it more susceptible, and more capable of social virtue. It is for this reason that men who have particular attachments to women, or associate much with ladies of delicacy, are more disposed to do acts of kindness, in every sphere of life, than those who seldom frequent ladies company. On the other hand, anger, jealousy, envy, are dissocial passions; and even when they are excited by a single object, they poison the heart, and disqualify it for exciting the social affections towards any of the human race. Every institution, therefore, calculated to prepare the human heart for exerting the social virtues, and to suppress or check the malignant passions, must be highly beneficial to society; and such I consider establishments in favor of vocal music. Happy, indeed, should I feel, could I see youth devoted every where to the refinement of their voices and morals; to see them prefer moral or religious pieces to the indecent songs or low diversions which taint the mind in early life, and diffuse their pernicious influence through society.

If the poison of the tarantula may be counteracted by music; if the Spanish ladies are won by nocturnal serenades; if the soldier is inspired with courage by the martial sounds of the trumpet, and the Christian impressed with devout sentiments by the solemn tones of the organ; what advantage may society derive from the softening harmony of choirs of voices, celebrating the praises of social virtue! Happy days! when false taste and false opinions shall vanish before the progress of truth; when princes shall resume their ancient and honorable task of teaching the young to be good and great; when an Addison shall be preferred to a Chesterfield; when the wealth of nations shall be no longer lavished upon fiddlers and dancers; when the characters of a Benezet and a Washington shall obscure the glories of a CÆsar; and when no man shall be ashamed to be good, because it is unfashionable.