UP STAKES

That night, Kenelm could not sleep. He walked up and down his room in the dark. His own head ached, and he could not think properly. The one image which stood clearly out of the confusion was that of the Celestine, raising gracious spars above the house-tops. The more he thought of her, the more a plan grew in his tired mind. The crew of the Celestine must be paid quite well--he could send money home every week from different ports--he could send gold and precious things from South America. There would be one less person to feed at home; he would be earning money instead of spending it.

He turned on his light, and quickly gathered together his hockey sweater, his watch-cap, and an old pair of trousers. He made them into a bundle with a few other things. Then he wrote a letter, containing many good arguments, and pinned it on Felicia's door. He tiptoed downstairs and out into the night. From the street he could see the faint green light from his mother's room, where Miss McClough was sitting. He turned and ran quickly, without stopping to think.

No one was abroad but an occasional policeman, twirling his night-stick. On the wharves the daylight confusion was dispelled; there was no clatter of teaming, no sound but the water fingering dank piles, and the little noises aboard sleeping vessels. But the Celestine was awake. Lights gleamed aboard her, men were stirring, the great mass of her canvas blotted half the stars. She was sailing, that night, for Rio de Janeiro.

Ken slipped into the shadow of a pile-head, waiting his chance. His heart beat suffocatingly; his hands were very cold. Quietly he stepped under the gang-plank, swung a leg over it, drew himself aboard, and lay flat on deck beside the rail of the Celestine in a pool of shade. A man tripped over him and stumbled back with an oath. The next instant Ken was hauled up into the light of a lantern.

"Stowaway, eh?" growled a squat man in dungaree. "Chuck him overboard, Sam, an' let him swim home to his mamma."

In that moment, Ken knew that he could never have sailed with the Celestine, that he would have slipped back to the wharf before she cast loose her hawsers. He looked around him as if he had just awakened from sleep-walking and did not know where he found himself. He gazed up at the gaunt mainmast, black against the green night sky, at the main topsail, shaking still as the men hauled it taut.

"I'm not a stowaway," he said; "I'm going ashore now."

He walked down the gang-plank with all the dignity he could muster, and never looked behind him as he left the wharf. He could hear the rattle of the Celestine's tackle, and the boom, boom of the sails. Once clear of the docks he ran, blindly.

"Fool!" he whispered. "Oh, what a fool! what a senseless idiot!"

The house was dark as he turned in at the gate. He stopped for an instant to look at its black bulk, with Orion setting behind the chimney-pots.

"I was going to leave them--all alone!" he whispered fiercely. "Good Heavens!"

He removed the letter silently from Felicia's door,--he was reassured by seeing its white square before he reached it,--and crept to his own room. There a shadowy figure was curled up on the floor, and it was crying.

"Kirk! What's up?" Ken lifted him and held him rather close.

"You weren't here," Kirk sniffed; "I got sort of rather l-lonely, so I thought I'd come in with you--and the b-bed was perfectly empty, and I couldn't find you. I t-thought you were teasing me."

"I was taking a little walk," Ken said. "Here, curl up in bed--you're frozen. No, I'm not going away again--never any more, ducky. It was nice in the garden," he added.

"The garden?" Kirk repeated, still clinging to him. "But you smell of--of--oh, rope, and sawdust, and--and, Ken, your face is wet!"

Mrs. Sturgis protested bitterly against going away. She felt quite able to stay at home. To be sure, she couldn't sleep at all, and her head ached all the time, and she couldn't help crying over almost everything--but it was impossible that she should leave the children. In spite of her half-hysterical protests, the next week saw her ready to depart for Hilltop with Miss McClough, who was to take the journey with her.

"You needn't worry a scrap," laughed Felicia, quite convincingly, at the taxi door. "We've seen Mr. Dodge, and there'll be money enough. You just get well as quick as ever you can."

"Good-by, my darlings," faltered poor Mrs. Sturgis, quite ready to collapse again. "Good-by, Kirk--my precious, precious baby! How can I!"

And the taxicab moved away, giving them just one glimpse of their mother with her poor head on Miss McClough's capable shoulder.

"Well," Ken remarked, "here we are."

And there was really nothing more to be said on the subject.

Such a strange house! Maggie and Norah gone; Felicia cooking queer meals--principally poached eggs--in the kitchen; Miss Bolton failing to appear every morning at ten o'clock as she had done for the last three years; Mother gone, and not even a letter from her--nothing but a type-written report from the physician at Hilltop.

Gone also, as Kirk discovered, was the lowboy beside the library door. It was a most satisfactory piece of furniture. From its left-hand corner you could make a direct line to the window-seat. It also had smoothly graceful brass handles, and a surface delicious to the touch. When Kirk, stumbling in at the library door, failed to encounter it as usual, he was as much startled as though he had found a serpent in its stead. He tried for it several times, and when his hands came against the bookshelves he stopped dead, very much puzzled and quite lost. Felicia found him there, standing still and patiently waiting for the low-boy to materialize in its accustomed place.

"Where is it!" he asked her.

"It's not there, honey," she said. "We're going to a different house, and it's sent away."

"A different house! When? What do you mean?"

"We've finished renting this one," said Felicia. "We thought it would be nice to go to another one--in the country. Oh, you'll like it."

"How queer!" Kirk mused. "Perhaps I shall. But I don't know about this corner; it used to be covered up. Please start me right."

She did so, and then ran off to attend to a peculiar pudding which was boiling over on the stove. She had not told him that the low-boy was sent away to be sold. When she and Ken had discovered the appalling sum it would cost to move the furniture anywhere, they heartbrokenly concluded that the low-boy and various other old friends must go to help settle the accounts of Miss Bolton and the nurse.

"There are some things," Ken stoutly pronounced, however, "that we'll take with us, if I have to go digging ditches to support 'em. And some we'll leave with Mr. Dodge--I know he won't mind a few nice tables and things."

For the "different house" was actually engaged. Mr. Dodge shook his head when he heard that Ken had paid the first quarter's rent without having even seen the place.

"Fine old farm-house," said the advertisement; "Peach and apple orchards. Ten acres of land. Near the bay. Easy reach of city. Only $15.00 per month."

There was also a much blurred photograph of the fine old farm-house, from which it was difficult to deduce much except that it had a gambrel roof.

"But it does sound quite wonderful," Felicia said to the attorney. "We thought we wouldn't go to see it because of its costing so much to travel there and back again. But don't you think it ought to be nice? Peach and apple orchards,--and only fifteen dollars a month!"

"I dare say it is wonderful," said Mr. Dodge, smiling. "At any rate, Asquam itself is a very pretty little bayside place--I've been there. Fearfully hard to get your luggage, but charming once you're there. Don't forget me! I'll always be here. And you'd better have a little more cash for your traveling expenses."

"I hope it really came out of our money," Ken said, when he saw the cash.

Nothing but a skeleton of a house, now. No landmarks at all were left for Kirk, and he tumbled over boxes and crates, and lost himself in the bare, rugless halls. The beds that were to be taken to Asquam were still set up,--they would be crated next day,--but there was really nothing else left in the rooms. Three excited people, two of them very tired, ate supper on the corner of the kitchen table--which was not going to the farm-house. That house flowered hopefully in its new tenants' minds. Felicia saw it, tucked between its orchards, gray roof above gnarled limbs, its wide stone door-step inviting one to sit down and look at the view of the bay. And there would be no need of spending anything there except that fifteen dollars a month--"and something for food," Felicia thought, "which oughtn't to be much, there in the country with hens and things."

It amused Kirk highly--going to bed in an empty room. He put his clothes on the floor, because he could find no other place for them. Felicia remonstrated and suggested the end of the bed.

"Everything else you own is packed, you know," said she. "You'd better preserve those things carefully."

"Sing to me," he said, when he was finally tucked in. "It's the last night--and--everything's so ugly. I want to pretend it's just the same. Sing 'Do-do, petit frÈre,' Phil."

Felicia sat on the edge of the bed and sang the little old French lullaby. She had sung it to him often when she was quite a small girl, and he a very little boy. She remembered just how he used to look--a cuddly, sleepy three-year-old, with a tumble of dark hair and the same grave, unlit eyes. He was often a little frightened, in those days, and needed to hold a warm substantial hand to link him with the mysterious world he could not see.

"Do-do, p'tit frÈre, do-do."

His hand groped down the blanket, now, for hers, and she took it and sang on a bit unsteadily in the echoing bareness of the dismantled room.

A long time afterward, when Kenelm was standing beside his window looking out into the starless dark, Felicia's special knock sounded hollowly at his door.

She came over to him, and stood for a while silently. Then she turned and said suddenly in a shy, low voice:

"Oh, Ken, I don't know how you feel about it, but--but, I think, whatever awful is going to happen, we must try to keep things beautiful for Kirk."

"I guess we must," Ken said, staring out. "I'd trust you to do it, old Phil. Cut along now to bed," he added gruffly; "we'll have to be up like larks tomorrow."