TWILIGHT TALES AND TOTEMS "Once a small girl child went by night to bring water. In the skies above she saw the Moon shining brightly, pale and placid, and she put forth her tongue at it, which was an evil thing, for the Moon is old, and a Thlinkit child should show respect for age. So the Moon would not endure so rude a thing from a girl child, and it came down from the sky and took her thither. She cried out in fear and caught at the long grass to keep herself from going up, but the Moon was strong and took her with her water-bucket and her bunch of grass, and she never came back. Her mother wept for her, but her father said: 'Cease. We have "You may see her still, if you will look at the Moon, there, grass in one hand, bucket in the other, and when the new Moon tips to one side and the water spills from the clouds and it is the months of rain, it is the bad Moon maiden tipping over her water-bucket upon the earth. No Thlinkit child would dare ever to put her tongue forth at the Moon, for fear of a like fate to that of Squi-ance, the Moon maiden." Tanana's voice was soft and low, and she looked very pretty as she sat in the moonlight at the door of the hut and told Kalitan and Ted quaint old stories. Ted was delighted with her tales, and begged for another and yet another, and Tanana told the quaint story of Kagamil. "A mighty toyon "Then Zampa placed her in his canoe, and alone beneath the stars they sailed and it was well, and Zampa's arm was strong at his paddle. But, lo! they heard another paddle, and one came after them, and soon arrows flew about them, arrows swift and cruel, and one struck his paddle from his hand and his canoe was overturned. The pursuer came and placed Kitt-a-youx in his canoe, seeking, too, for Zampa, but, alas! Zampa was drowned. And "So by night she stole away in a canoe and steered to sea, ere she knew where she was, reaching the seaweeds where she had journeyed with her young husband. The morning broke, and she saw the weeds and the kelp where her lover had gone from her sight, and, with a glad sigh, she clasped Zampa's child to her breast and sank down among the weeds where he had died. So her tired spirit was at rest, for a woman is happier who dies with him she loves. "Now Zampa's father had found his boy's body and mourned over it, and buried it in a mighty cave, the which he had once made for his furs and stores. With it he placed bows and arrows and many valuables in respect for the dead. And Zampa's sister, going to his funeral feast, fell upon a stone with her child, so that both were killed. Then broke the old chief's heart. Beside her brother he laid her in the cave, and gave orders that he himself "When, therefore, the people of his tribe found the bodies of Kitt-a-youx and her child among the kelp, having heard of her love for Zampa, they bore them to the same cave, and, wrapping them in furs, they placed Kitt-a-youx beside her beloved husband, and in her burial she found her home and felt the kindness of the Great Spirit. This, then, is the story of the burial cave of Kagamil, and since that day no man dwelt upon the island, and it is known as the 'island of the dead.'" "I'd like to see it, I can tell you," said Ted. "Are there any burial caves around here?" "The Thlinkits do not bury in caves," said Tanana. "We used to burn our dead, but often we place them in totem-poles." "I thought those great poles by your doors were totems," said Ted, puzzled. "Yes," said the girl. "They are caste totems, and all who are of any rank have them. As we belong to the Raven, or Bear, or Eagle clan, we have the carved poles to show our rank, but the totem of the dead is quite different. It does not stand beside the door, but far away. It is alone, as the soul of the dead in whose honour it is made. It is but little carved. A square hole is cut at the back of the pole, and the body of the dead, wrapped in a matting of cedar bark, is placed within, a board being nailed so that the body will not fall to the ground. A potlatch is given, and food from the feast is put in the fire for the dead person." "It seems queer to put weapons and blankets and things to eat on people's graves," said Ted. "Why do they do it?" "Of the dead we know nothing," said Tanana. "Yes, but he can't come back for them," persisted Ted. "At Wrangel, Boston man put flowers on his girl's grave," said Kalitan, drily. "She come back and smell posy?" Having no answer ready, Ted changed the subject and asked: "Why do you have the raven at the top of your totem pole?" "Indian cannot marry same totem," said Kalitan. "My father was eagle totem, my mother was raven totem. He carve her totem at the top of the pole, then his totem and those of the family are carved below. The greater the family the taller the totem." "How do you get these totems?" demanded Ted. "Clan totems we take from our parents, but a man may choose his own totem. Before he "Why, it is something like knighthood and the vigil at arms and escutcheons, and all those Round-Table things," exclaimed Ted, in delight, for he dearly loved the stirring tales of King Arthur and his knights and the doughty deeds of Camelot. "Tell us about that," said Kalitan, so Ted told them many tales in the moonlight, as they sat beneath the shadows of the quaint and curious totem-poles of Kalitan's tribe. |