Yea, verily we were in London. Presently Artemus Ward and "the show" arrived in town. He took a lodging over an apothecary's just across the way from Egyptian Hall in Piccadilly, where he was to lecture. We had been the best of friends, were near of an age, and only round-the-corner apart we became from the first inseparable. I introduced him to the distinguished scientific set into which chance had thrown me, and he introduced me to a very different set that made a revel of life at the Savage Club.

I find by reference to some notes jotted down at the time that the last I saw of him was the evening of the 21st of December, 1866. He had dined with my wife and myself, and, accompanied by Arthur Sketchley, who had dropped in after dinner, he bade us good-by and went for his nightly grind, as he called it. We were booked to take our departure the next morning. His condition was pitiable. He was too feeble to walk alone, and was continually struggling to breathe freely. His surgeon had forbidden the use of wine or liquor of any sort. Instead he drank quantities of water, eating little and taking no exercise at all. Nevertheless, he stuck to his lecture and contrived to keep up appearances before the crowds that flocked to hear him, and even in London his critical state of health was not suspected.

Early in September, when I had parted from him to go to Paris, I left him methodically and industriously arranging for his dÉbut. He had brought some letters, mainly to newspaper people, and was already making progress toward what might be called the interior circles of the press, which are so essential to the success of a newcomer in London. Charles Reade and Andrew Haliday became zealous friends. It was to the latter that he owed his introduction to the Savage Club. Here he soon made himself at home. His manners, even his voice, were half English, albeit he possessed a most engaging disposition--a ready tact and keen discernment, very un-English,--and these won him an efficient corps of claquers and backers throughout the newspapers and periodicals of the metropolis. Thus his success was assured from the first.

The raw November evening when he opened at Egyptian Hall the room was crowded with an audience of literary men and women, great and small, from Swinburne and Edmund Yates to the trumpeters and reporters of the morning papers. The next day most of these contained glowing accounts. The Times was silent, but four days later The Thunderer, seeing how the wind blew, came out with a column of eulogy, and from this onward, each evening proved a kind of ovation. Seats were engaged for a week in advance. Up and down Piccadilly, from St. James Church to St. James Street, carriages bearing the first arms in the kingdom were parked night after night; and the evening of the 21st of December, six weeks after, there was no falling off. The success was complete. As to an American, London had never seen the like.

All this while the poor author of the sport was slowly dying. The demands upon his animal spirits at the Savage Club, the bodily fatigue of "getting himself up to it," the "damnable iteration" of the lecture itself, wore him out. George, his valet, whom he had brought from America, had finally to lift him about his bedroom like a child. His quarters in Picadilly, as I have said, were just opposite the Hall, but he could not go backward and forward without assistance. It was painful in the extreme to see the man who was undergoing tortures behind the curtain step lightly before the audience amid a burst of merriment, and for more than an hour sustain the part of jester, tossing his cap and jingling his bells, a painted death's head, for he had to rouge his face to hide the pallor.

His buoyancy forsook him. He was occasionally nervous and fretful. The fog, he declared, felt like a winding sheet, enwrapping and strangling him. At one of his entertainments he made a grim, serio-comic allusion to this. "But," cried he as he came off the stage, "that was not a hit, was it? The English are scary about death. I'll have to cut it out."

He had become a contributor to Punch, a lucky rather than smart business stroke, for it was not of his own initiation. He did not continue his contributions after he began to appear before the public, and the discontinuance was made the occasion of some ill-natured remarks in certain American papers, which very much wounded him. They were largely circulated and credited at the time, the charge being that Messrs. Bradbury and Evans, the publishers of the English charivari, had broken with him because the English would not have him. The truth is that their original proposal was made to him, not by him to them, the price named being fifteen guineas a letter. He asked permission to duplicate the arrangement with some New York periodical, so as to secure an American copyright. This they refused. I read the correspondence at the time. "Our aim," they said, "in making the engagement, had reference to our own circulation in the United States, which exceeds twenty-seven thousand weekly."

I suggested to Artemus that he enter his book, "Artemus Ward in London," in advance, and he did write to Oakey Hall, his New York lawyer, to that effect. Before he received an answer from Hall he got Carleton's advertisement announcing the book. Considering this a piratical design on the part of Carleton, he addressed that enterprising publisher a savage letter, but the matter was ultimately cleared up to his satisfaction, for he said just before we parted: "It was all a mistake about Carleton. I did him an injustice and mean to ask his pardon. He has behaved very handsomely to me." Then the letters reappeared in Punch.