Mark Twain came down to the footlights long after Artemus Ward had passed from the scene; but as an American humorist with whom during half a century I was closely intimate and round whom many of my London experiences revolve, it may be apropos to speak of him next after his elder. There was not lacking a certain likeness between them.

Samuel L. Clemens and I were connected by a domestic tie, though before either of us were born the two families on the maternal side had been neighbors and friends. An uncle of his married an aunt of mine--the children of this marriage cousins in common to us--albeit, this apart, we were life-time cronies. He always contended that we were "bloodkin."

Notwithstanding that when Mark Twain appeared east of the Alleghanies and north of the Blue Ridge he showed the weather-beating of the west, the bizarre alike of the pilot house and the mining camp very much in evidence, he came of decent people on both sides of the house. The Clemens and the Lamptons were of good old English stock. Toward the middle of the eighteenth century three younger scions of the Manor of Durham migrated from the County of Durham to Virginia and thence branched out into Tennessee, Kentucky and Missouri.

His mother was the loveliest old aristocrat with a taking drawl, a drawl that was high-bred and patrician, not rustic and plebeian, which her famous son inherited. All the women of that ilk were gentlewomen. The literary and artistic instinct which attained its fruition in him had percolated through the veins of a long line of silent singers, of poets and painters, unborn to the world of expression till he arrived upon the scene.

These joint cousins of ours embraced an exceedingly large, varied and picturesque assortment. Their idiosyncrasies were a constant source of amusement to us. Just after the successful production of his play, The Gilded Age, and the uproarious hit of the comedian, Raymond, in the leading role, I received a letter from him in which he told me he had made in Colonel Mulberry Sellers a close study of one of these kinsmen and thought he had drawn him to the life. "But for the love o' God," he said, "don't whisper it, for he would never understand or forgive me, if he did not thrash me on sight."

The pathos of the part, and not its comic aspects, had most impressed him. He designed and wrote it for Edwin Booth. From the first and always he was disgusted by the Raymond portrayal. Except for its popularity and money-making, he would have withdrawn it from the stage as, in a fit of pique, Raymond himself did while it was still packing the theaters.

The original Sellers had partly brought him up and had been very good to him. A second Don Quixote in appearance and not unlike the knight of La Mancha in character, it would have been safe for nobody to laugh at James Lampton, or by the slightest intimation, look or gesture to treat him with inconsideration, or any proposal of his, however preposterous, with levity.

He once came to visit me upon a public occasion and during a function. I knew that I must introduce him, and with all possible ceremony, to my colleagues. He was very queer; tall and peaked, wearing a black, swallow-tailed suit, shiny with age, and a silk hat, bound with black crepe to conceal its rustiness, not to indicate a recent death; but his linen as spotless as new-fallen snow. I had my fears. Happily the company, quite dazed by the apparition, proved decorous to solemnity, and the kind old gentleman, pleased with himself and proud of his "distinguished young kinsman," went away highly gratified.

Not long after this one of his daughters--pretty girls they were, too, and in charm altogether worthy of their Cousin Sam Clemens--was to be married, and Sellers wrote me a stately summons, all-embracing, though stiff and formal, such as a baron of the Middle Ages might have indited to his noble relative, the field marshal, bidding him bring his good lady and his retinue and abide within the castle until the festivities were ended, though in this instance the castle was a suburban cottage scarcely big enough to accommodate the bridal couple. I showed the bombastic but hospitable and genuine invitation to the actor Raymond, who chanced to be playing in Louisville when it reached me. He read it through with care and reread it.

"Do you know," said he, "it makes me want to cry. That is not the man I am trying to impersonate at all."

Be sure it was not; for there was nothing funny about the spiritual being of Mark Twain's Colonel Mulberry Sellers; he was as brave as a lion and as upright as Sam Clemens himself.

When a very young man, living in a woodland cabin down in the Pennyrile region of Kentucky, with a wife he adored and two or three small children, he was so carried away by an unexpected windfall that he lingered overlong in the nearby village, dispensing a royal hospitality; in point of fact, he "got on a spree." Two or three days passed before he regained possession of himself. When at last he reached home, he found his wife ill in bed and the children nearly starved for lack of food. He said never a word, but walked out of the cabin, tied himself to a tree, and was wildly horsewhipping himself when the cries of the frightened family summoned the neighbors and he was brought to reason. He never touched an intoxicating drop from that day to his death.