Napoleon had returned to France. He had landed at Cannes with but a few soldiers as a guard; but he had been swept up to the imperial throne of Paris upon a mighty wave of popular enthusiasm. All Europe had arisen in arms against the choice of the nation. The campaign of the Hundred Days had commenced. At the head of a hundred and twenty BATTLE OF WATERLOO. Page 434. In order to escape from the danger which might result from too great an inferiority of numbers, Napoleon strove, from the commencement of the campaign, to separate the English from the Prussians, and manoeuvred actively to throw himself between them. His plan was strikingly successful on the 16th at the battle of Ligny; Blucher, being attacked alone, was completely beaten, and left twenty-five thousand men on the field of battle. But this enormous loss did not materially enfeeble an army which had such masses of soldiers in line, and behind, still more numerous reserves. In the position in which the Emperor found himself, he required a more decisive advantage, a victory which should annihilate the army of Blucher, and allow him to fall upon Wellington next, in order to crush him in his turn. This successive defeat of the English and Prussians had been most skilfully prepared by the orders and instructions he dispatched on all sides. But, we cannot too often repeat it, his destiny was accomplished; and fatal misunderstandings deceived the calculations of his genius. Moreover, he had himself a presentiment that some unforeseen incident would disarrange his combinations, and that fortune had more disasters in store for him. “It is certain that in these circumstances,” he said to his suite, “I had no longer in myself that definitive feeling; there was nothing of former confidence.” His presentiments were too soon realized. At daybreak on the 17th, Grouchy, at the head of That night the English bivouacked on the field they were to maintain in the battle of the morrow. Between six and seven, Napoleon reached Planchenois; and perceiving the enemy established in position, fixed his head-quarters at the farm of Cailloux, and posted his followers on the heights around La Belle Alliance. The reinforcements received by the Duke of Wellington during the 16th and 17th, had raised his army to seventy-five thousand men, who were supported by two hundred and fifty pieces of cannon. Napoleon’s forces have been estimated at seventy thousand men, and about two hundred and forty pieces of cannon; it must, however, be borne in mind, that the Duke could “Never,” says Alison, “was a more melancholy night passed by soldiers than that which followed the halt of the two armies in their respective positions on the night of the 17th of June, 1815. “The whole of that day had been wet and cloudy; but towards evening the rain fell in torrents, insomuch that, in traversing the road from Quartre-Bras to Waterloo, the soldiers were often ankle deep in water. When the troops arrived at their ground, the passage of the artillery, horse, and wagons over the drenched surface had so completely cut it up, that it was almost every where reduced to a state of mud, interspersed in every hollow with large pools of water. Cheerless and dripping as was the condition of the soldiers, who had to lie down for the night in such a situation, it was preferable to that of those battalions who were stationed in the rye-fields, where the grain was for the most part three or four feet high, and soaking wet from top to bottom. The ground occupied by the French soldiers was not less drenched and uncomfortable. But how melancholy soever may have been their physical situation, not one feeling of despondency pervaded the breasts either of the British or French soldiers. Such was the interest of the moment, the magnitude of the stake at issue, and the intensity of the feelings in either army, that the soldiers were almost insensible to physical suffering. Every man in both armies was aware that the retreat was stopped, and that a decisive battle would be fought on the following day. The great The field of Waterloo, rendered immortal by the battle which was fought on the following day, extends about two miles in length from the old chateau, walled garden, and inclosures of Hougoumont on the right, to the extremity of the hedge of La Haye Sainte on the left. The great chaussee from Brussels to Charleroi runs through the centre of the position, which is situated somewhat less than three quarters of a mile to the south of the village of Waterloo, and three hundred yards in front of the farm-house of Mount St. Jean. This road, after passing through the centre of the British line, goes through La Belle Alliance and the hamlet of Rossomme, where Napoleon spent the night. The position occupied by the British army, followed very nearly the crest of a range of gentle eminences, cutting the high road at right angles, two hundred yards behind the farm-house of La Haye Sainte, which adjoins the highway, and formed the centre of the position. An unpaved country road ran along this great summit, forming nearly the line occupied by the British troops, and which proved of great use in the course of the battle. Their position had this great advantage, that the This is an admirable picture of the position and condition of the respective armies which were to decide the fate of Europe. It could not be improved. The farm-house of Cailloux, in which the Emperor was busy with his maps and plans, and surrounded by his celebrated marshals, was surrounded with the meagre Napoleon displayed all his usual activity and dispatch. He dictated orders to be conveyed to the different commanders of columns with the rapidity of lightning. Every body near him was kept in a state of feverish excitement, except the calm and steady Soult, whom it seemed impossible to move. There, too, was the stalwart Ney, whom the storms of battle could not even scar—ready for any duty, no matter how hopeless the performance. There also was the brave but reckless Jerome, who was destined to earn a high fame on the morrow. Berthier, who had so long been a fixture by the side of Napoleon, was not there, he had deserted the man from whose glory he had borrowed beams. But there was Maret, Bertrand, the steady Drouot, of the Old Guard, Gorgaud and Labedoyere—a galaxy of bravery and talent—such as was wont to surround the Emperor. All were busy noting down instructions, and replying to the swift questions of the tireless man whom they obeyed. Without, the rain was heard dripping incessantly. Drouot let fall an expression of opinion that, in consequence of the deluge, the ground would be impracticable for artillery. “We shall see, it is not yet morning,” replied the Emperor. Then he leaned his head upon his hand, and thought—perhaps in the way of presentiment of disaster—but no expression of apprehension escaped his lips. Grouchy would keep Blucher in check, and Wellington would be crushed. Fortune might yet be About ten o’clock at night, Napoleon sent a dispatch to Grouchy, to announce that the Anglo-Belgian army had taken post in advance of the forest of Soignes, with its left resting on the hamlets of La Haye and Ohain, where Wellington seemed determined on the next day to give battle; Grouchy was, therefore, required to detach from his corps, about two hours before daybreak, a division of seven thousand men, and sixteen pieces of artillery, with orders to proceed to St. Lambert; and, after putting themselves in communication with the right of the grand army, to operate on the left of the British. Meanwhile, the Duke of Wellington being in communication with Blucher, was promised by him that the Prussian army should advance to support the British on the morning of the 18th. The rain, which had not ceased during the night, cleared off about five o’clock in the morning; and at eight it was reported by the officers who had been sent to inspect the field, that the ground was practicable for artillery. The Emperor instantly mounted his horse, and rode forward towards La Haye Sainte, to reconnoitre the British fine. By half-past ten o’clock the two armies were arrayed, and impatient for orders to commence the battle. The Emperor proceeded to the heights of Rosomme, where he dismounted to obtain a clear view of the whole field; and there stationed his guard, as a reserve, to act where emergency might require. Meanwhile, the English The village clock of Nivelles was striking eleven when the first gun was fired from the French centre. Then followed a tremendous rattle of musketry, as the brave Jerome led the column on the left to the attack on Hougomont, and drove the Nassau troops before him. The chateau and gardens, however, were bravely defended by a division of English guards, who were not to be dislodged. The fight, raged here more or less during the day, till at length the chateau was set on fire by the shells of the French, and it was found necessary to abandon it. Napoleon, who was anxiously watching the first movement of his troops, was interrupted by an aid-de-camp, sent by Ney, who had been charged to attack the enemy’s centre, arriving at full gallop to announce that every thing was in readiness, and the marshal only waiting the signal to attack. For a moment the Emperor glanced round the field, and perceived in the direction of St. Lambert, a moving cloud advancing on the left of the English: pointing it out to Soult, he asked whether he conceived it to be Grouchy or Blucher? The marshal being in doubt, Generals Domont and Subervie were dispatched with their divisions of light cavalry, with orders to clear the way in the event of its being Grouchy, and if Blucher, to keep him in check. Ney was then ordered to march to the attack of La Haye Sainte; after taking that post with the bayonet, The English guards were in turn repulsed by a brigade of Milhaud’s cuirassiers, and galloping onwards, attacked the infantry; the horsemen not being able to make an impression on the squares formed for their reception, while they were themselves exposed to an incessant fire of musketry. One of D’Erlon’s unbroken columns pushed forward, meanwhile, beyond La Haye Sainte, upon which it made no attack, and charging one Belgian and three Dutch regiments, drove them from their posts in disorder, and took possession of the heights. Sir Thomas Picton was now sent to dislodge the enemy, and being supported by a brigade of heavy cavalry, the French, after firing a volley, paused, wheeled, and fled in confusion. Many were cut down by the guards; while seven guns, two eagles, and about two thousand prisoners were taken. The British, however, THE DUKE OF WELLINGTON. Page 444. Although for the time, Ney was deprived of his artillery, he continued to advance upon La Haye Sainte. For three hours, this important position, and the part of the field which it commanded, was hotly contested by both parties, the hill being now held by the English, and now by the French. The contest, which shortly extended itself along the whole front of the British line, became of the most desperate character. Whole battalions fell as they stood in line; and the cries and groans of the wounded and dying were heard even above the incessant roll of the musketry, and the thunder of the artillery. Napoleon, who had returned to the rising ground to watch the progress of the battle, fancying he beheld indications of the enemy’s retreat, ordered Kellerman to advance with all his cuirassiers immediately, to support the cavalry between Mount St. Jean and La Haye Sainte. The dragoons galloping forward, drove the English from their guns, and furiously charged the squares of infantry behind. Notwithstanding the deadly shower which thinned their ranks, the cuirassiers appeared determined to succeed in their purpose; and returned again and again, riding round the squares, and penetrating even to the second British line; the infantry, however, was immovable: and after sustaining frightful carnage, the cuirassiers were compelled to retire. The conflict now rather abated, until near six o’clock, and The pursuit of the French was continued far into the night by the Prussians. Nine times, the wearied fugitives halted, kindled fires and prepared to bivouac. Nine times they were startled by the dreadful sound of the Prussian trumpet, and obliged to continue their flight. The star that had arisen at Toulon, and shone resplendent over Lodi, Marengo, Jena, Wagram, Borodino, and a throng of other sanguinary fields—had sunk forever. It is painful to trace the career of fallen greatness. We will not follow the Emperor, shorn of his purple, to his prison at St. Helena, where a deadly climate did the work that the leaden storms of a hundred fights had refused to perform. We will not go to that bed of death, from which, while the elements were at terrible war, that stormy spirit was carried away. Leave Hannibal at Zama, and Napoleon at Waterloo. DEATH OF NAPOLEON. Page 448. Transcriber’s Note Errors deemed most likely to be the printer’s have been corrected, and are noted here. The references are to the page and line in the original. Places names may appear variously, due probably to local pronunciations, such as ‘Malo-Yaroslavetz’ and ‘Malo-Yaroslawetz’. On p. 80, the Tyrol capital of Innsbruck is referred to as ‘Innspruck’, which is the local pronunciation. This may or may not be an error, and has been retained. On p. 187 and p. 193, the place name ‘Naumburg’ is spelled ‘Naumberg’. These have been corrected for the sake of consistency. There is a single footnote (renamed ‘A’) on p. 117. It has been repositioned to directly follow the paragraph where it is referenced. In the table of illustrations, the page reference for “NAPOLEON AT JENA” is incorrectly printed as ‘136’. The correct position is p. 186. On p. 287, the quoted passage from ‘Travels in Moravia’ has no closing quotation mark, and no reasonable assumption can be made.
End of Project Gutenberg's The Camp-fires of Napoleon, by Henry C. Watson *** END OF THIS PROJECT GUTENBERG EBOOK THE CAMP-FIRES OF NAPOLEON *** ***** This file should be named 55131-h.htm or 55131-h.zip ***** This and all associated files of various formats will be found in: /5/5/1/3/55131/ Produced by KD Weeks, Brian Coe and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks. |