Summer in the woods—summer in Japan! Ah! the poet Hitomaru sang truly over a thousand years ago, when he said: "Japan is not a land where men need pray, for 'tis itself divine." It seemed as if the Creator had expended all the wealth of his passion and soul in the making of Nippon (Japan) the land of beauty. It pulsated with a warm, wild, luxuriant beauty; the sun seemed to shine more broadly over that fair island, kissed and bathed it in a perpetual glow until the skies and the waters, which in their clearness mirrored its glory, became as huge rainbows of ever-changing and brilliant colors. Color is surely contagious; for the wild birds, that sang deliriously, wore coats that dazzled the eye; the grass and flowers, the trees and blossoms were tinged with a beauty found nowhere else on earth; and even the human inhabitants caught the spirit of the Color Queen and fashioned their garments to harmonize with their surroundings. So, also, the artists of Japan painted pictures that had no shadows, and the people built their houses and colored them in accord with nature. What spirit of romance and enchantment lurked in every woodland path, every rippling brook or stream! Sinclair was intoxicated with the beauty "Orito is coming home neg's weeg," she told him one morning. Sinclair drew his breath in sharply. "It will mean, then, the end of our—our happy days in the woods." NumÈ was feeling perverse. Why did not Mr. Sinka tell her he cared for her—did he love the beautiful American lady more than he did her? "Oh, no—not the end, Mr. Sinka," she said; and added, cruelly, "Orito can come, too." It was the first time she had ever seemed to trifle with him. Hitherto she had always been so gentle and lovable. He felt a pain at his heart, and his eyes were quite stern and contracted. "NumÈ," he said, almost harshly, "you—you surely hold our meetings more sacred than that. You know they would lose their essence of happiness and freedom, with the intrusion of a third party." The girl was filled with remorse, in an instant. "Ess, Mr. Sinka," she said. "Please forgive bad NumÈ." "Forgive you, NumÈ!" He turned his eyes reluctantly from the girl's flushed face. "Oh! little witch," he whispered, holding her hands with a passionate fierceness. "You tempt me so—tempt me to forget everything save that I am with you." She let her hands rest in his a moment. Then she withdrew them and rose to her feet restlessly. Sinclair rose also, looking at her with yearning in his face. "Why do you speag lig' thad, Mr. Sinka?" she asked. "NumÈ, NumÈ, don't you understand—don't you know?" "No! NumÈ does not onderstand Americazan. Mrs. Davees tell me thad the Americazan genleman mag' luf to poor liddle Japanese women, but he nod really luf—only laf at her." A cold anger crept over Sinclair. "So she has been telling you some more yarns?" "No; she telling thad yarns long, long time ago." He recovered himself with an effort. "I won't make love to you, NumÈ," he said, bitterly. "You need not fear." In his misery at his helplessness and inability to tell the girl how much he loved and wanted her, he was doubting her,—wondering whether it were indeed the truth that a Japanese woman had no heart. A feeling of utter misery came over him as he thought that perhaps NumÈ had been only playing with him, that her shy, seeming pleasure in being with him was all assumed. He looked down at the girl beside him. Perhaps she felt that look. She raised her little head and smiled at him, smiled confidently, almost lovingly. His doubts vanished. "NumÈ—NumÈ!" was all he said; but he kissed her little hands at parting with a vehemence and passion he had never known. |