The trip home was uneventful, and, on account of Verley, spent for the most part in my state-room. The minute I left the room he would start to whine and bark so piercingly and piteously that of course I got into trouble, and was obliged either to take him with me or stay with him. I used to eat my meals with Verley cuddled in my lap, thrusting up his funny, inquiring little nose, and eating the morsels I surreptitiously gave him from my plate, much to the disgust of some of the passengers and the amusement of others. Once they tried to take Verley from me,—some of the ship's people,—but I went to the captain, a friend of Captain Hollowell, about whom I talked, and I pleaded so fervently and made such promises that when I reached the tearful stage he relented, and let me keep my little dog. I had an address of a Boston lodging-house, given me by a woman guest of the Myrtle Bank. A cab took me to this place, and I was fortunate in securing a little hall room for three dollars a week. There was a dining-room in the basement of a house next door The first day I went into the dining-room next door with little Verley at my heels, every one turned round and looked at him, he was such a pretty, tiny little fellow, and so friendly and clean. The men whistled and snapped their fingers at him. He ran about from table to table, making friends with every one, and being fed by every one. I was given a seat at a table where there was just one other girl. Now here occurred one of the coincidences in my life that seem almost stranger than fiction. The girl at the table was reading a newspaper when I sat down, and I did not like to look at her at once; but presently I became aware that she had lowered her paper, and then I glanced up. An exclamation escaped us simultaneously, and we jumped to our feet. "Nora!" she screamed. "Marion!" I cried. She was one of my older sisters! As soon as we recognized each other, we burst out hysterically laughing and crying. Excited words of explanation came tumbling from our lips. "What are you doing here?" "What are you?" "Why aren't you in Jamaica?" "Why aren't you in Quebec?" I soon explained to Marion how I came to be in Boston, and then, crying and eating at the same time, she told me of her adventures. They were less exciting, but more romantic, than mine. She had left Quebec on account of an unhappy love-affair. She had quarreled with the young man to whom she was engaged, and "to teach him a lesson, and because, anyway, I hate him," she had run away. She had been in Boston only one day longer than I. She said she had been looking for work for two days, but only one kind had been offered her thus far. I asked her what that was. Her eyes filled with tears, and she said bitterly, that of an artist's model. Marion could paint well, and papa had taught her considerably. It was her ambition, of course, to be an artist. In Quebec she had actually had pupils, and made a fair living teaching children to draw and paint on china. But here in Boston she stood little chance of getting work like that. Nevertheless, she had gone Marion was an unusually pretty girl of about twenty-two, with an almost perfect figure, large, luminous eyes, which, though fringed with black lashes, were a golden-yellow in color; hair, black, long, and glossy; small and charmingly shaped hands and feet; and a perfectly radiant complexion. In fact, she had all the qualities desirable in a model. I did not wonder that the artists of Boston wanted to paint her. I urged her to do the work, but poor Marion felt as if her best dreams were about to be shattered. She, who had cherished the hope of being an artist, shrank from the thought of being merely a model. However, she had scarcely any money. She said she would not mind posing in costume; but only one of the artists had asked her to do that, a man who wanted to use her in "Oriental studies." In her peregrinations among the studios she had come across other girls who were making a profession of posing, and one of them had taken her to a large art school, so that she could see exactly what the work was. This girl, Marion said, simply stripped herself "stark naked," and then went on before a large roomful of men and women. Marion was horrified and ashamed, but her friend, a French girl, had laughed and said: "Que voulez-vous? It ees nutting." She told Marion that she had felt just as she did at first; that all models experienced shame and embarrassment the first time. The plunge was a hard thing; and to brace the girl up for the ordeal, the model was accustomed to take a drink of whisky before going on. After that it was easy. Marion was advised to do this. "Just tek wan good dreenk," said the French girl; "then you get liddle stupid. After zat it doan' matter." Marion remarked hysterically that whisky might not make her stupid. She might be disposed to be hilarious, and in that event what would the scandalized class do? However, Marion was hopeful, and she expected to get the costume work with the artist mentioned before. As for me, just as I advised Marion to take this easy work that was offered her, so she most strenuously advised me not to waste my time looking for work in Boston, but to go on to Richmond, where a real position awaited me. It is curious how natural it is for poor girls to slip along the path of least resistance. We wanted to help each other, and yet each advised the other to do something that upon more mature thought might have been inadvisable; for both courses held pitfalls of which neither of us was aware. However, we seized what was nearest to our hand. Marion got the work to pose in Oriental studies next day, and I, who had telegraphed Dr. Manning, received by telegraph order money for my fare. I at once set out for Richmond, and I did not see my sister again for nearly five years. I left her crying at the station. |