Daniel gradually gained followers. Those whom the “little slave” won over to his cause were hardly to be called patrons: they were patriots. They were delighted at the thought that a maestro should have been born and risen to fame in soulful old Franconia. In the actual life of their protÉgÉ they took but little interest.

Daniel’s followers were young people.

Professor Herold was a strange man. His reputation reached far beyond the boundaries of his native province, and yet, owing to his whimsical peculiarities, he had not the slightest desire to leave home. On such sons and daughters of the natives as were diligent in their pursuit of musical studies, he poured out the whole of his sarcasm. His chief, his darling ambition was to wean them away from their fondness for worthless music and clap-trap performances of it. He did not succeed: you were not considered educated unless you could play the piano, and in the homes of these merchants education was highly regarded.

Enticed by his name, all kinds of people came from a distance to take lessons from Professor Herold. Having read the score of “Vineta,” he said to two of these: “Fetch me that fellow dead or alive.” And they fetched him.

The two came more frequently to Daniel, and then others, pupils of Professors Wackerbarth and DÖderlein. At times he would take luncheon with them in the students’ restaurant. We will call them the long-haired, or the pale-faced. Many of them looked like snake-charmers. They were almost without exception hopelessly stupid, but they all had some kind of a bee in their bonnet.

There were some young girls among them; we will call them the dreamy-eyed, or the lost-in-dreams. Daniel had no use for them whatsoever. His patience with the long-haired was equally lacking.

He told “the old man,” as Professor Herold was called, of his antipathy to these students. Professor Herold snapped like a vicious dog, brushed the white bristles back over his enormous head, and said: “Well, my young original, you have made a discovery. Don’t you know that music cajoles into its magic circle the very riff-raff of any community? Don’t you know that music is a subterfuge for the neglect of human duty? Don’t you know that the voluptuous fumes it spreads over the cities results in the general corrosion and consumption of men’s hearts? Don’t you know that of every five hundred so-called artists, four hundred and ninety-nine are nothing but the cripple guard of God above? Therefore he who does not come to music with the holiest fire burning in the depths of his soul has his blood in time transformed by it into glue, his mind into a heap of rubbish.”

Whereat he pushed Daniel out of the door, so that he might work undisturbed on his little pictures. Of these the walls of his room were full. He painted them in his leisure hours. They were small in size, and smaller still in merit; but he was proud of them. They represented scenes from country life.

II

On New Year’s Eve, DÖrmaul, the impresario, gave a dinner in the Little Swan, to which he invited Daniel. DÖrmaul was quite well disposed toward Daniel. He said he had recognised the young man’s talents at the sight of his very first note. He promised to publish “Vineta” and also the work Daniel had finished in the meantime, entitled “Nuremberg Serenade.” He also seemed inclined to consider favourably Daniel’s appointment in his newly founded opera company.

Among those present at the dinner were Professors Herold and Wackerbarth, Wurzelmann, a few of the long-haired and a few of the lost-in-dreams. Andreas DÖderlein had promised to come in later. He appeared, as a matter of fact, five minutes before midnight, and stood in the wide-opened door as ceremonious as the New Year itself.

He went up to Daniel, and extended him his right hand.

“Look who’s here! Our Benjamin and our John, not to mention our Daniel,” he said, glancing at the last of the trio. “Congratulations, my young star! What do the annals from Andreas DÖderlein’s nose for news have to report? Back in Bayreuth, when we used to draw our wine by the flask, he merely had to sniffle around a bit to know just how things were. Isn’t that true, Benjamin?”

Nobody denied it. Benjamin let right yield to mercy. The mighty man removed his storm-cape from his shoulders as though it were ermine he were doffing before condescending to associate with ordinary mortals.

Professor Wackerbarth had a wife who beat him and gave him nothing to eat: he regarded this as a rare opportunity to eat his fill and have a good time generally. But it was a poor sort of a good time.

One of the long-haired sang the champagne song, and Wurzelmann made a witty speech. DÖderlein suggested that now was the time to let the mice dance and the fleas hop. When one of the lost-in-dreams sang David’s March, which according to the rules of Bayreuth could not be classed as real music, DÖderlein exclaimed: “Give me Lethe, my fair one.” By “Lethe” he meant punch.

Daniel drank Lethe too. He embraced old Herold, shook hands with Andreas DÖderlein, and tried to waltz with Wurzelmann. He was not drunk; he was merely happy.

Then it became too close for him in the room. He took his hat, put on his overcoat, and hurried out.

The air was warm, mild. A south wind was blowing. Heaven above, heaven below, the houses were standing on clouds. One breath made him thirsty for the next one. There was a bay-window; it was so beautiful that he felt like kneeling before it. There was a fountain; it was so snug and exotic that it seemed like a poem. There were the arches of the bridge; in them was the dim reflection of the water. There were two towers; they were as delicate as a spider’s web.

He rejoiced and exclaimed: “Oh world, art thou real? Art thou my world, and am I living in thee? My world, my year, my time, and I in it all, I myself!”

III

He stood on Ægydius Place, and looked up at the windows in Jordan’s house. They were all dark.

He wanted to call out, but the name that was on his lips filled him with anxiety. The passionate flutter of his heart almost tore his breast asunder.

He had to do something; he had to speak; he had to ask questions and hear a human voice. Consequently, he hurried out to the FÜll, stood under Benda’s window, and called Benda’s name. The clocks struck three.

The blinds were soon drawn to one side, and Benda’s stoutish figure appeared at the open window. “Daniel? Is it you? What’s up?”

“Nothing. I merely wanted to bring you New Year’s greetings.”

“Do you think you are bringing me something good? Go home and go to bed.”

“Ah, let me come in a little while, Friedrich. Let’s chat for a moment or two about happiness!”

“Be reasonable! We might frighten happiness away by our talk.”

“Philistine! Well, give me your blessing at least.”

“You have it. Now go, night owl, and let the people sleep.”

Another window opened on the ground floor. Herr Carovius’s desolate nocturnal physiognomy appeared at the window, looked up, looked down on the disturber of the peace on the street, and with one mighty grim, grinning sound on his lips, his revengeful fist swinging in the meanwhile, the indignant man closed the window with a bang.

Something impelled Daniel to return to Ægydius Place. Again he looked up at the windows, this time beseechingly. The storm within his heart became more violent. For a long time he ran through the streets, and reached home at last along toward five o’clock.

As he passed through the dark hall, he saw a light up on the landing. Meta was carrying it. She was already stirring about, ready to begin her morning’s work. He hesitated; he looked at her; with three steps he was by her side.

“So late?” she whispered with premonitory embarrassment, and began to finger her dress, which she had not yet buttoned up.

“Oh, what a joy to take hold of a living human being on this glorious day!” he exclaimed.

She offered some resistance, but when he tried to take her into her room, she bent her body backward, and thus pressed about his wrist. She was still carrying the light.

“Oh, if you only knew how I feel, Meta. I need you. Hold me tight in your arms.”

She made no more resistance. Perhaps she too was not without her fervent desire. Perhaps it was the time of day that made nature more insistent than usual. Perhaps she was suffering from loneliness in the company of the three sisters. It was still night and dark; but for her it was already day; it was the first day in the year, and she greeted it in festive mood. She yielded to him.

She was a virgin; she had no idea of the responsibility she was taking upon herself. Man had never been exactly a mystery to her, but now she felt for the first time the congenerous creature—and she gave in to him.

Daniel returned to earth after having knocked at the portals of the gods with tremendous wishes. The gods smiled their profoundest smile; for they had decided to have an especial fate arise from this hour.

IV

A meeting of the Social Democrats was being held in Gosten Court. They had met to discuss the Chancellor’s speech on accident insurance.

The first speaker was Deputy StÖrbecker. But his voice had no carrying power, and what he said died away almost unheard.

Jason Philip Schimmelweis followed him. He presented a fearful indictment of the government. The official representative of the government advised him to be more reserved, whereupon he reinvigorated himself with a draught of beer. Then he hurled the full beaker of that wrathful scorn for which his heart, beating for the people, was noted, at the head of the individual who was first and foremost responsible for the affairs of the Empire. He did not mention Bismarck by name; he spoke instead of a certain bogey. He snatched the halo from his head, swore that he would some day unmask him and show the people that he was a traitor, branded his fame as a tissue of lies, his deeds as the disgrace of the century.

The venomous and eloquent hatred of the pudgy little man inflamed the minds that drank in his oratory. Jason Philip was greeted with a tumult of applause as he took his seat. His face was a bright scarlet red.

The leaders of the party, however, were noticeably quiet. In a moment or two, Deputy StÖrbecker returned with two comrades eager to enter into a debate with Jason Philip. He followed them into a side room. Exalted at the thought that they had been delegated to express to him the gratitude of the party for his speech, he smiled the smile of vanity and caressed his beard with his fingers.

“What is the matter, gentlemen? Why are you so serious? Did I go too far? I assume complete responsibility for everything I said. But be calm! They are getting afraid of us. The air has a dubious odour. The French are becoming cantankerous again.”

“No, Comrade Schimmelweis, that is not it. You have got to vindicate yourself. You are a Proteus, Comrade Schimmelweis. Your right hand does not know what your left hand is doing. You are treating us disgracefully. You are ploughing in the widow’s garden. You preach water and guzzle wine. You have entered into a conspiracy with the grafters of the town. You are in collusion with the people down at the Prudentia, and you are filling your own coffers in this gigantic swindle. From morning to night you enrich yourself with the hard-earned pennies of the poor. That is sharp practice, Jason Philip Schimmelweis, sharp practice, we say. Now you have got to sever all connection with the Prudentia, or the Party is going to kick you out.”

Then it was that Jason Philip Schimmelweis rose to his true heights of eloquence. He insisted that his hands were clean, his left one and also his right one; that he was working in the interest of a good cause; and that threats could not intimidate him. He made it plain that he would bow to no dictatorship operating under the mask of equality and fraternity. He cried out that if the people wanted a scandal they could have it, but they would find him armed to the teeth. And he assured them that wherever he went in this wide, wide world, he would find the doors open to welcome him.

He then made a sudden about-face, and left his comrades standing. On the way home he continued to murmur murmurs of embitterment to himself.

Like a seasoned sailor eager to escape the storms of a raging sea, he steered his good ship toward other and more hospitable shores. Three days later he went to Baron Siegmund von Auffenberg, the leader of the Liberals, and offered him his services. He told him that he was willing to make any sacrifice for the great Liberal Party.

V

For thirty-five minutes, by his own watch, he cooled his heels in the ante-chamber. He made one caustic remark after another touching on the arrested development of the feeling of equality among the rich. Genuine rebel that he was, he did not repudiate himself even when he was practising high treason.

When he was finally taken into the office, he was not blinded in the slightest by the luxuriousness of the furniture, the rugs, or the oil paintings. He displayed not the remotest shimmer of servility on meeting the illustrious Baron. He sat down on one of the chairs with complete equanimity, took no notice of the French-speaking parrot, and never cast a single glance at the breakfast table covered with appetising tid-bits. But he did present his case with all due straightforwardness and simplicity.

“Fine,” said the Baron, “fine! I hardly believe that you will find it necessary to make a radical change in your battlefront. A conscienceless agitator you have never been. You have a family, a home of your own; your affairs are in good condition; and in the bottom of your heart you love order and discipline. I have in truth been expecting you for a long while. Nor am I exaggerating when I confess to you that you had to bolt, sooner or later.”

Jason Philip blushed with satisfaction. With the bearing of a cabman who has just pocketed his tip, he replied: “I thank you very much, Baron.”

“On one point we are wholly agreed,” said the Baron, “and it seems to me to be the most important—”

“Quite right,” interrupted Jason Philip, “you allude to the fight against Bismarck. Yes, on this point we are, I hope, of precisely the same opinion. I will do my part. Hand and heart on it, Baron. I could look with perfectly cold blood on this knight of obscurantism writhing on the rack.”

Herr von Auffenberg heard this temperamental statement with noticeably tenuous reassurance. He smiled just a little, and then said: “Wait a minute, my friend, don’t be quite so savage.” He reached for his smelling salts, held them to his nose, and closed his eyes. Then he got up, folded his hands across his back, and walked up and down the room a few times.

What he said after this was as familiar to him as the letters of the alphabet. While Jason Philip gaped at his lips in dumb inspiration, the Baron himself thought of things that had not the remotest connection with what he said.

“The very same man who tried to make the new Empire inhabitable, with the aid of a liberal code of laws, and who brought the long-drawn-out quarrel between the Emperor and the Pope to a happy conclusion, is now trying, by word, thought, and deed, gradually to destroy all liberal traditions and to proclaim the Roman High Priest as the real creator of peace. All that the German Chancellor could do to give the final blow to liberalism he has done. The reaction has not hesitated to abandon the idea of the Kulturkampf and to work instead in the interests of class hatred and racial prejudice, nurturing them even with deeds of violence. Faced with the crimes they themselves have committed, they will see their own children despised and rejected.”

“DÉpÊche-toi, mon bon garÇon,” screeched the parrot.

“I am happy at the thought of having snatched a precious booty from the claws of anarchy, and of having won a new citizen for the State, my dear Herr Schimmelweis. But for the time being it will be advisable for you to keep somewhat in the background. They will be inclined to make your change of political conviction the subject of vociferous attacks, and that might injure the cause.”

VI

What was the old Baron really thinking about while he delivered this political speech?

There was just one thought in his mind; the same sullen, concealed anger gnawed incessantly at his heart.

He thought incessantly of his son, of the contempt which he had experienced because of him, and was still experiencing daily, even hourly, because of the fact that Eberhard had withdrawn from his power, had repudiated him.

He could not get over the fact that he had heaped up millions, and that Eberhard, so far as it was humanly possible to calculate—and in accordance with the law—would some day fall heir to a part of these millions. He knew very little about poverty; but his poisoned mind could think of nothing else than the satisfaction he would derive from being able, somehow, to deliver this abortive scion of his own name and blood over to poverty. Thus did he wish to take vengeance; thus would he punish.

But it was impossible for him to wreak vengeance on his son as he would have liked to: between the execution of the punishment and himself stood the law. The very thought that his riches were increasing daily, hourly, that the millions he had were creating new millions without his moving a finger, that he could not even stop the flood if he wished to, and that consequently the share of this disloyal, rebellious, and hateful son was becoming larger daily, even hourly—this thought he could not endure. It poisoned his peace of mind, paralysed his powers, robbed him of all natural and legitimate joy, and enveloped his days in a cloud of despair.

A modern Midas, he transformed everything he touched into gold; and the more gold he had the sadder his life became, the more revengeful his soul.

The tones of a piano reached his ear; it was his wife who was playing. She played Mendelssohn’s “Song Without Words.” He shook with disgust; for of all things repulsive, music was to him the most repulsive.

“DÉpÊche-toi, mon bon garÇon,” screeched the parrot.

VII

During Jason Philip’s absence, poorly dressed people frequently came to the shop and demanded that Theresa give them back the money they had paid in on their insurance.

Some of them became very much excited when Theresa told them that she would do nothing of the kind, that the insurance was the affair of her husband, and that she had nothing whatever to do with it. A locksmith’s apprentice had given a sound thrashing to Zwanziger, the clerk, who had hastened up to protect the wife of his employer. A gold-beater from FÜrth had created so much excitement that the police had to be called in. A cooper’s widow, who had managed to pay her premiums for one year, but had been unable to continue the payment for the quite sufficient reason that she had been in the hospital, fell headlong to the floor in epileptic convulsions when she heard how matters stood.

It finally reached the point where Theresa was frightened every time she saw a strange face. She breathed more easily when a day had passed without some disagreeable scene, but trembled at the thought of what might happen on the day to come.

What disturbed her more than anything else was the inexplicable disappearance of small sums of money; this had been going on for some time. A man came into the office once and laid his monthly premium, one taler in all, on the counter. When he left, Theresa closed the door behind him in order that she might be able to watch the snow storm from the window. When she returned to the desk the taler had disappeared. She asked where it was. Jason Philip, who was just then handing some books up the ladder to Zwanziger, became so gruff that one might have thought she had accused him of the theft. She counted the money over in the till, but in vain; the taler had vanished.

She had forgotten, or had not noticed, that Philippina had been in the office. She had brought her father his evening sandwiches, and then gone out again without making the slightest noise; she wore felt shoes.

On another occasion she missed a number of groschen from her purse. On still another, a spice merchant came in and demanded that she pay a bill of three marks. She was certain she had already paid it; she was certain she had given Philippina the money to pay it. Philippina was called in. She, however, denied having anything to do with it, and acted with such self-assurance that Theresa, completely puzzled, reached down in her pocket and handed over the three marks in perfect silence.

She had suspected the maid, she had suspected the clerk. She even suspected Jason Philip himself; she thought that he was appropriating money to pay his drinking expenses. And she suspected Philippina. But in no case could she produce the evidence; her spying and investigating were in vain. Then the thieving stopped again.

For Philippina, who had been doing all the stealing, feared she might be discovered, and adopted a less hazardous method of making herself a rich woman: she stole books, and sold them to the second-hand dealer. She was sly enough to take books that had been on the shelves for a long while, and not to do all her business with one dealer: she would go first to one and then to another.

The money which she scraped together in this way, as secretly and greedily as a jack-daw, she hid in the attic. There was a loose brick in the wall near the chimney. This she removed; and in time she removed other bricks. And once her treasures were safely stored in the hole, she would replace the bricks and set a board up against them.

When everything had become perfectly quiet and she felt wholly at ease, she would sit down, fold her hands, and give herself up to speechless meditation, an evil and fanatic dream playing over her features as she did.

VIII

One evening in February, Theresa and Philippina chanced to be sitting by the lamp mending the week’s wash. Jason Philip entered the room; there was a sheepish expression on his face; he rubbed his hands.

Since Theresa did not consider it worth her trouble to ask him why he was in such a good humour, he suddenly laughed out loud and said: “Now we can pack up, my dear. I see it in writing: The wonder of the age, or the humiliated relatives. A touching tableau presented by Herr Daniel Nothafft of the Schimmelweis family.”

“I do not understand you; you are talking like a harlequin again,” said Theresa.

“Compositions by Daniel are going to be played in a public concert,” Philippina informed her mother with that old, harsh voice of hers.

“How do you know?” asked Theresa, in a tone of evident distrust.

“I read it in the paper.”

“The miracle is to take place in the Harmony Society,” said Jason Philip, by way of confirming Philippina’s remark, with an expression of enigmatic malevolence. “There is to be a public rehearsal on Thursday, and there is nothing on earth that can keep me away. The music dealer, Zierfuss, has given me two tickets, and if you want to, why, you can come along and see how they make a local hero out of a plain loafer.”

“I?” responded Theresa, in a tone of contemptuous amazement, “not one step will I take. What have I got to do with your imbecile concerts?”

“But these gentlemen are going to be disillusioned, terribly so,” continued Jason Philip in a threatening tone. “There is still a certain amount of common sense left, just as there are means of proceeding against a common, ordinary swindler.”

Philippina raised her head in the mood of a person who has come to a sudden decision: “C’n I go ’long, Pop?” she asked, her ears as red as fire.

It was more than a request. Jason Philip was startled at the intractable expression on the girl’s face. “Sure,” he said, avoiding as well as he could the mute opposition on the part of Theresa, “but take a whistle along so that you can make cat calls.”

He sank back with a comfortable sigh on his chair, and stretched out his legs. Philippina knelt down and took off his boots. He then put on his slippers. Each of them bore a motto embroidered in red. On the left one were the words “For tired father”; on the right one, “Consolation.”

IX

Eleanore had not told her father why she had left her position with Alfons Diruf. Nor did Jordan ask her why when he learned that she did not wish to speak about it. He suspected that there was some disagreeable incident back of it, and if he maintained a strict silence it was because he feared his own wrath and grief.

She soon found another position. A schoolmate and good friend of hers, Martha Degen, the daughter of the pastry-baker, had married Herr RÜbsam, a notary public and an old man to boot. Eleanore visited the RÜbsams occasionally, as did also her father; and in the course of conversation it came out that Herr RÜbsam needed an assistant copyist. Since it was then impossible to give Eleanore a desk in the office, she was allowed to do all her work at home.

Friedrich Benda had also given her a cordial letter of recommendation to Herr Bock, Counsellor of Archives, who was just then engaged in writing a voluminous work on the history of Nuremberg. It would be her task to arrange Herr Bock’s muddled manuscript.

It was a laborious undertaking, but she learned a great deal from it. Her thirsty mind would draw nourishment even from dry and lifeless subjects.

She was seized with a desire to fill up the gaps in her education. She begged Benda first for this book and then for that one. And after having written the whole day long, she would often sit down and read until late at night.

Everything she came in contact with she either assimilated or shook off: she dragged nothing along in the form of surface impedimenta; it became a part of her being, or she threw it to one side.

Daniel had not called for a long while. He was busy with the rehearsals which Wurzelmann was conducting. Professor DÖderlein was not to take charge of the orchestra until it had been thoroughly drilled. The programme was to consist of Daniel’s works and the “Leonore Overture.” Wurzelmann referred to the Beethoven number as “a good third horse in the team.”

Daniel also had a lot of business to transact with the impresario DÖrmaul: the company was to go on the road in March, and many things had to be attended to. The contract he signed was for three years at a salary of six hundred marks a year.

A few days before the public rehearsal he came to Jordan’s with three tickets: one for Jordan himself and the other two for the sisters. The public rehearsal was quite like a regular concert; over a hundred persons had been invited.

Jordan was just getting ready to go out. “That is fine, that is great: I can hear some more music now. I am looking forward to the concert with extreme pleasure. When I was a young fellow I rarely missed a concert. But that was long ago; indeed, when I think it over I see how old I am. The years pass by like milestones on the highway of life. Well, Daniel, I thank you, thank you very much!”

Eleanore’s joy was also great. As soon as her father had gone, she remarked that Daniel had looked for Gertrude; but she had left the room as soon as she saw him coming. Eleanore opened the door, and cried: “Gertrude, come in, right away! I have a surprise for you.”

After a while Gertrude came in.

“A ticket for you to Daniel’s concert,” said Eleanore, radiant with joy, and handed her the green card of admission.

Gertrude looked at Eleanore; and she wanted to look at Daniel. But her heavy glance, slowly rising from the floor, barely reached his face before it returned to its downward position, aggrieved and pained. Then she shook her head, and said: “A ticket for the concert? For me? Are you serious, Eleanore?” Again she shook her head, amazed and indignant. Whereupon she went to the window, leaned her arm against the cross bars, and pressed her head against her arm.

Daniel followed her with looks of glowing anger. “You can take sheep to the slaughter,” he said, “you can throw thieves in a dungeon, you can transport lepers to a hospital for incurables, but you cannot force an emotional girl to listen to music.”

He became silent; a pause ensued. Tortured at the thought that Daniel’s eyes were riveted on her back, Gertrude turned around, went to the stove, sat down, and pressed her cheek against the Dutch tiles.

Daniel took two steps, stood by her side, and exclaimed: “But suppose I request that you go? Suppose my peace of mind or something else of importance to the world, consolation, liberation, or improvement, depends on your going? Suppose I request that you go for one of these reasons? What then?”

Gertrude had become as pale as death. She looked at him for a moment, then turned her face to one side, drew up her shoulders as if she were shivering with cold, and said: “Well—then—then—I’ll go. But I will be sorry for it ... sorry for it.”

Eleanore was a witness to this scene. Her eyes, wide open when it began, grew larger and larger as it advanced through its successive stages. As she looked at Daniel a kindly, languishing moisture came to them, and she smiled.

Daniel, however, had become vexed. He mumbled a good-bye and left. Eleanore went to the window and watched him as he ran across the square, holding his hat with both hands as a shield against the driving wind.

“He is an amusing fellow,” she said, “an amusing fellow.”

She then lifted her eyes to the clouds, whose swift flight above the church roof pleased her.

X

It was the original intention to begin the regular evening concert with the third “Fidelio Overture.” DÖderlein was of the opinion that it offered no special difficulties: the general rehearsal was to be devoted primarily to the works of the novice. He raised his baton, and silence filled the auditorium.

The “Nuremberg Serenade” opened with ensemble playing of the wind instruments. It was a jovial, virile theme which the violins took up after the wind instruments, plucked it to pieces in their capricious way, and gradually led it over into the realm of dreams. The night became living: a gentle summer wind blew, glow worms flitted about, Gothic towers stood out in the sultry darkness, plebeian figures crept into the narrow, angular alleys; it was night in Nuremberg. The acclamation a glorious past with an admonition to the future fell upon the smug complacency of the present, the heroic mingled with the jocose, the fantastic with the burlesque, romanticism found its counterpart, and all this was achieved through a flood of genuine melody in which stodginess played no part, while charm was abundant in every turn and tune.

The professional musicians were astonished; and their astonishment was vigorously expressed in their criticisms. The general admiration, to be sure, was somewhat deafened by the unpleasant end that the rehearsal was destined to come to; but one critic, who enjoyed complete independence of soul, though an unfortunate incident in his life had compelled him to relinquish his influential circle in the city and retire to a limited sphere of activity in the province, wrote: “This artist has the unquestioned ability to become the light and leader of his generation. Nature created him, his star developed him. May Heaven give him the power and patience indispensable to the artist, if he would be born again and become a man above the gifts of men. If he only does not reach out too soon for the ripe fruits, and, intoxicated by the allurements of the lower passions, fail to hear the voice of his heart! He has taken a lofty flight; the azure gates of renown have swung wide open to him. Let him only be cautious about his second descent into the night.”

The same connoisseur found the composition of “Vineta” less ingenious, and its instrumentation suffering from the lean experience of a beginner. Yet even this work was strongly applauded. The impresario DÖrmaul clapped his hands until the perspiration poured from his face. Wurzelmann was beside himself with enthusiasm. Old Herold smiled all over his face. The long-haired found it of course quite difficult to subdue their jealousy, but even they were not stingy with their recognition.

But how did Herr Carovius feel? His spittle had a bitter taste, his body pained him. When Andreas DÖderlein turned to the audience and bowed, Carovius laughed a laugh of tremendous contempt. And Jason Philip Schimmelweis? He would have felt much more comfortable if the hand-clapping had been so much ear-boxing, and Daniel Nothafft, the culprit, had been the objective. The boy who had been cast out had become the leader of men! Jason Philip put his hand to his forehead, shook his head, and was on the point of exclaiming, “Oh, ye deceivers and deceived! Listen, listen! I know the boy; I know the man who has made fools of you here this evening!” He waited to see whether the misunderstanding, the colossal swindle, would not be cleared up automatically. He did not wait in vain.

At the close of the “Serenade,” Jordan was struck by Gertrude’s feverish paleness. He asked her whether she felt ill, but received no reply. During the performance of the second piece she kept putting her hands to her bosom, as if she were suffering from repressed convulsions. Her eyes were now lifeless, now glowing with an uncanny fire. As soon as the piece was finished, she turned to her father and asked him to take her home. Jordan was frightened. Those sitting next to him looked at the girl’s pale face, sympathised with her, and made conventional remarks. Eleanore wanted to go home too, but Gertrude whispered to her in her imperious way and told her to stay. Familiar as she was with Gertrude’s disposition, she thought that it was simply a passing attack of some kind, and regained her composure.

Daniel was standing at the door, talking to Benda and Wurzelmann. He was very much excited; his two companions were trying to appease his embitterment against Andreas DÖderlein. “Ah, the man doesn’t know a thing about his profession,” he exclaimed, and scorned all attempts to effect a reconciliation between him and the leader of the orchestra. “What is left of my compositions is debris only. He drags the time, never even tries to make a legatura, scorns a piano every time he comes to one, pays no attention to crescendos, never retards—it is terrible! My works cannot be played in public like that!”

Gertrude and her father passed by quickly and without greeting. Daniel was stupefied. The lifeless expression in Gertrude’s face unnerved him. He felt as if he had been struck by a hammer, as if his own fate were inseparably connected with that of the girl. Her step, her eyes, her mouth were, he felt, a part of his own being. And the fact that she passed by without even speaking to him, cold, reserved, hostile, filled him with such intense anger that from then on he was not accountable for what he did.

The flood of melody in Beethoven’s great work was on the point of pouring forth from the orchestra in all its exalted ruggedness. What happened? There came forth instead a confused, noisy clash and clatter. Daniel was seized with violent restlessness. It was hard enough to see his own works bungled; to see this creation with its delicate soul and titanic power, a work which he knew as he knew few things on this earth, torn to tatters and bungled all around was more than he could stand. The trumpet solo did not sound as though it came from some distant land of fairy spirits: it was manifestly at the people’s feet and it was flat. He began to tremble. When the calm melancholy andante, completely robbed of all measure and proportion by the unskilled hand of the leader and made to dissipate in senseless sounds, reached his ear, he was beside himself. He rushed on to the platform, seized the arm of the conductor with his icy fingers, and shouted: “That is enough! That is no way to treat a divine creation!”

The people rose in their seats. The instruments suddenly became silent, with the exception of a cello which still whimpered from the corner. Andreas DÖderlein bounded back, looked at the mad man, his mouth as wide as he could open it, laid the baton on the desk, and stammered: “By Jupiter, this is unheard of!” The musicians left their places and grouped themselves around the strange man; the tumult in the public grew worse and worse. They asked questions, threatened, tried to set each other at ease, scolded and raged. In the meantime Daniel Nothafft, his head bowed, his back bent, stood there on the platform, glowing with anger and determined to have his revenge.

A few minutes later, Andreas DÖderlein was sitting at the table in the musicians’ waiting room. He looked like Emperor Barbarossa in KyffhÄuser. He had well founded reason to express his contempt for the decadence and impiety of the youth of to-day. It was superfluous for him to remark that a man who would conduct himself as Daniel had done should be eliminated from the ranks of those who lay claim to the help and consideration of sane people. The dignified gentlemen of the Orchestral Union were of the same opinion; you could search the annals of history from the beginning of time, and you would never find a case like this. Mild eyes flashed, grey beards wagged. The deliberation was brief, the sentence just. A committee waited on Daniel to inform him that his compositions had been struck from the programme. The news spread like wild-fire.

Who was happier than Jason Philip Schimmelweis?

He was like a man who gets up from the table with a full stomach, after having sat down at it fearing lest he starve to death. On his way home he whistled and laughed alternately and with well balanced proportion.

“There you see it again,” he said to his daughter, as she walked along at his side, “you see it again: you cannot get blood from a turnip any more than you can get happiness from misery. A jackass remains a jackass, a culprit a culprit, and loafing never fails to bring the loafer to a disgraceful end. The Devil has a short but nimble tail; and it makes no difference how slovenly he may conduct his business, his recruits have got to pay the piper in the end. This will be a windfall for mother. Let’s hurry so that we can serve it to her while it’s still hot!”

And Philippina—she had never taken her eyes off the floor the entire evening—seemed to be utterly unconscious of the fact at present that she was surrounded by houses and people. She was a defeated woman; she wanted to be. She had much to conceal; her young breast was a hell of emotions, but her ugly, gloomy old face was as inanimate and empty as a stone.

Herr Carovius waited at the gate. After all the other people had gone, Daniel, Benda, Wurzelmann, and Eleanore came along. Daniel’s storm cape fluttered in the wind; his hat was drawn down over his eyes. Herr Carovius stepped up before him.

“A heroic deed, my dear Nothafft,” he miauled. “I could embrace you. From this time on you can count me among your friends. Now stand still, you human being transformed into a hurricane. I must say of course that so far as your music is concerned, I am not with you. There is too much hullaballoo in it, and not enough plain hellishness to suit me. But rid this country of the whole tribe of DÖderleins, and you will find that I am your man. Not that I would invite you to take dinner with me, so that you could have me make you a loan, not on your life. I am only a poor musician myself. But otherwise I am at your service. I hope you sleep well to-night—and get the hullaballoo out of your music just as soon as you can.”

He tittered, and then scampered away. Daniel looked at him with a feeling of astonishment. Wurzelmann laughed, and said he had never seen such a queer codger in all his life. All four stood there for a while, not knowing exactly what to think, and in the meantime it was snowing and raining. Asked by Benda where he wished to go, Daniel said he was going home. But what could he do at home? Why couldn’t he go home with Benda? “No,” said Daniel, “I can’t do that: I am a burden to every one to-day, including myself. Say, little servant, how are you feeling?” he said, turning to Wurzelmann, “how about a drink or two?”

Wurzelmann, somewhat embarrassed, said that he had an engagement. There was something repulsive in the way he declined the invitation.

“Ah, you, with your old engagement,” said Daniel, “I don’t give a hang where you are going; I am going along.”

“No, you’re not, Daniel,” cried Eleanore. And when Daniel looked at her in astonishment, she blushed and continued: “You are not going with him; he is going to see some women!”

The three young men laughed, and in her confusion Eleanore laughed too.

“How tragic you are, little Eleanore,” said Daniel in a tone of unusual flippancy, “what do you want me to do? Do you think that Wurzelmann and I are just alike when it comes to an evening’s amusement? Do you think the earth claims me as soon as I see a tear?”

“Let him go,” whispered Benda to the girl, “he is right. Don’t bring an artificial light into this darkness; it serves his purpose; let him do with it as he pleases.”

Eleanore looked at Benda with wide-opened eyes. “Darkness? What do you mean? The fire then was merely a will-o’-the-wisp,” she said, her eyes shining with pride, “I see him full of light.” Daniel had heard what she said. “Really, Eleanore?” he asked with greedy curiosity.

She nodded: “Really, Daniel.”

“For that you can have anything you want from me.”

“Well then I beg you and Benda to come over to our house. Father will be delighted to see you, and we will have something to eat.”

“Fine. That sounds good to me. Addio, Wurzelmann, and remember me to the girls. You are coming along, aren’t you, Friedrich?”

Benda first made a few polite remarks, and then said he would accept.

“You liked it then, did you, Eleanore?” asked Daniel, as they walked along the street.

Eleanore was silent. To Daniel her silence was moving. But he soon forgot the impression it made on him; and it was a long, long while, indeed even years, before he recalled this scene.

Jordan had taken Gertrude home. He was very careful not to ask her any questions that would cause her pain. On reaching the house he lighted a lamp and helped her take off her cloak.

“How do you feel?” he asked in a kindly tone, “are you better?”

Gertrude turned to one side, and sat down on a chair.

“Well, we’ll drink a cup of hot tea,” continued the old man; “then my child will go to bed, and to-morrow morning she will be all right again. Yes?”

Gertrude got up. “Father,” she sighed, and felt around for the tea table as a means of support.

“Gertrude, what is the matter?” cried Jordan in dismay.

She moved the upper part of her body in her characteristic way—as though it were limp and she were trying to drag it along with her—and a faint smile came over her face. All of a sudden she burst out crying and ran to her room. Jordan heard her bolt the door, looked anxiously before him, waited a moment or two, and then crept up to her door on his tiptoes.

He placed his hands under his chin and listened. Gertrude was crying. It was an even and touching cry, not so much filled with grief as her sobs generally were, and seemed to be expiratory rather than the reverse.

As Jordan let the lonely, unhappy, and impenetrable life of his daughter pass by him in mental review, he became painfully aware of the fact that this was the first time in her life that she had ever heard real music. “Is it possible?” he asked. He tried to think of another time that would make him disbelieve the accuracy of his unpleasant observation.

He said to himself: Her case is simple; the hitherto unknown sweetness and power concealed in the ensemble playing of the violins, the euphony of the orchestra, and the beauty of the melody with all its fateful directness has made the same impression on her that the sunlight makes on a person from whose eyes a cataract has just been removed. Her soul has suffered from hunger; that is where the trouble lies. She has struggled too fiercely with the incomprehensible and the intangible.

His instinct of love told him that the best thing to do was to let her cry. It will do her good; it will relieve her soul. He pulled a chair up to her door, sat down, and listened. When he could no longer hear her crying, his heart grew easier.

XII

Eleanore was right. Her father was quite pleased to see Daniel and Benda. “I am proud of you,” he said to Daniel, “and for your visit to me I thank you. I feel flattered.”

“If you had stayed a half hour longer, you might feel differently about it,” replied Daniel.

Eleanore gave her father a brief account of what had taken place at the concert. Jordan listened attentively, looked at Daniel, and, with a wrinkle on his forehead, said, “Is it possible?”

“Yes, it is possible; it had to happen,” said Daniel.

“Well, if it had to happen, it is a good thing that it is over,” was the dispassionate response.

Eleanore took her father’s hand; the back of it was covered with big yellow spots; she kissed it. Then she set the table, got everything ready for the meal, went in and out of the room in a most cheerful way, and did not forget to put the water on the stove to boil. She had asked about Gertrude as soon as she came home, but for some reason or other her father seemed disinclined to say anything on the subject, from which Eleanore inferred that there was nothing seriously wrong.

Finally they sat down at the table. Eleanore was quite pleased to see the three men whom she liked so much gathered together in this way. There was a feeling of gratitude in her heart toward each one of them. But she was also hungry: she ate four sandwiches, one right after the other. When she saw that Daniel was not eating, she stepped up behind his chair, bent over him so far that the loose flowing hair from her temples tickled his face, and said: “Are you embarrassed? Or don’t you like the way the sausages have been prepared? Would you like something else?”

Daniel evaded the questions; he was out of sorts. And yet in the bottom of his heart the contact with the girl made a pleasing impression on him; it was in truth almost a saving impression. For his thoughts continually and obstinately returned to the girl who had fled, and whose presence he missed without exactly wishing that she were at the table with the others.

Benda spoke of the political changes that might, he feared, take place because of the death of Gambetta. Jordan, who always took a warm interest in the affairs of the Fatherland, made a number of true and humane remarks about the tense feeling then existing between France and Germany, whereupon the door to Gertrude’s room opened and Gertrude herself stood on the threshold.

Deep silence filled the room; they all looked at her.

Strangely enough, she was not wearing the dress she had on at the concert. She had put on the Nile green dress, the one in which Daniel saw her for the first time. Jordan and Eleanore hardly noticed the change; they were too much absorbed in the expression on the girl’s face. Daniel was also astonished; he could not look away.

Her expression had become softer, freer, brighter. The unrest in which her face had heretofore been clouded had disappeared. Even the outlines of her face seemed to have changed: the arch of her eyebrows was higher, the oval of her cheeks more delicate.

She leaned against the door; she even leaned her head against the door. Her left hand, hanging at her side, seemed indolent, limp, indifferent. Her right hand was pressed against her bosom. Standing in this position, she studied the faces of those who were sitting at the table, while a timid and gentle smile played about her lips.

Jordan’s first suspicion was that she had lost her mind. He sprang up, and hastened over to her. But she gave him her hand, and offered no resistance at all to being led over to the table.

Suddenly she fixed her silent gaze on Daniel. He got up involuntarily, and seized the back of his chair. His colour changed; he distorted the corners of his mouth; he was nervous. But when Gertrude withdrew her hand from her father’s and extended it to him, and when he took it and his eye met hers—he could not help but look at her—his solicitude vanished. For what he read in her eyes was an unreserved and irrevocable capitulation of her whole self, and Daniel was the victor. His face grew gentle, grateful, dreamy, and resplendent.

It was not merely the sensuous charm revealed in the feeling which Gertrude betrayed that moved him: it was the fact that she came as she had come, a penitent and a convert. The sublime conviction that he had been able to transform a soul and awaken it to new life touched him deeply.

This it was that drew him to Gertrude more than her countenance, her expression, and her body combined. And now he saw all three—her countenance, her expression, and her body.

Jordan had a foreboding of something. He felt that he would have to take the girl in his arms and flee with her. Pictures of future misfortune crowded upon his imagination; the hope he had cherished for Gertrude was crushed to the earth.

Benda stared at his plate in silence. Nevertheless, just as if he had other eyes than those with which he saw earthly things, he noticed that Eleanore’s hands and lips were trembling, that with each succeeding second she grew paler, that she cast a distrustful glance first at her father, then at her sister, and then at Daniel, and that she finally, as if overcome with a feeling of exhaustion, slipped away from her place by the table lamp, stole into a corner, and sat down on the hassock.

But after they had all resumed their seats at the table, Gertrude sitting between Benda and her father, Eleanore came up and sat down next to Daniel. She never took her eyes off Gertrude; she looked at her in breathless surprise, Gertrude smiled as she had smiled when leaning against the door, timidly and passionately.

From that moment on, the conversation lagged, Benda suggested to his friend that it was time for them to leave. They thanked Jordan for his hospitality and departed. Jordan accompanied them down the stairs and unlocked the front door. When he returned, Eleanore was just going to her room: “Well, Eleanore, are you not going to say good-night?” he called after her.

She turned around, nodded conventionally, and closed the door.

Gertrude was still sitting at the table. Jordan was walking up and down the room. Suddenly she sprang up, stepped in his way, forced him to stop, threw her arms about his neck, and kissed him on the forehead. She had never done that before.

She too had gone to sleep. Jordan felt terribly alone. He heard the street door open and close; he heard some one enter. It was Benno. Jordan thought that his son would come in, for he must have seen the light through the crack of the door. But Benno evidently had no desire to see his father. He went to his room at the other end of the hall, and closed the door behind him just as if he were a servant.

“They are all three in bed,” thought Jordan to himself, “and what do I know about them?”

He shook his head, removed the hanging lamp from its frame, and locked the room, holding the lamp very carefully as he did so.

XIII

Eleanore had not seen Eberhard von Auffenberg for a number of weeks. He wrote her a card, asking for the privilege of meeting her somewhere. The place in fact was always the same—the bridge at the gate to the ZoÖlogical Garden. Immediately after sunset she betook herself to that point. It was a warm March evening; there was not a breath of wind; the sky was covered with clouds.

They strolled up the castle hill, and when they had reached the parapet, Eleanore said, gently laughing: “Now listen, I have talked enough; you say something.”

“It is so pleasant to be silent with you,” replied Eberhard in a downcast mood.

Filled with a disagreeable premonition, Eleanore sought out one of the many hundreds of lights dimly flickering down in the city, fixed her eyes on it, and stubbornly refused to look at any other earthly object.

“If I appeal to you at this hour,” the young Baron finally began, “it is to a certain extent exactly as if I were appealing to the Supreme Court. My expectations in life have, with one single exception, been utterly and irrevocably crushed. It depends quite upon you, Eleanore, whether I am to become and remain a useless parasite of human society, or a man who has firmly decided to pay for his share of happiness by an equal amount of honest work. I offer you everything I have. It is not much, but I offer it to you without haggling and forever. You and you alone can save me. That is what I wanted to say to you.”

He looked up at the clouds, leaning on his cane, which he had placed behind his back.

“I have forbidden you to speak of this,” whispered Eleanore in profound dismay, “and you promised me that you would not say anything about it.”

“I gave you my promise because I loved you; I break it for the same reason,” replied Eberhard. “I feel that such a promise is the act of a foolish child, when the building up or the tearing down of a human life depends upon it. If you are of a different opinion, I can only beg your pardon. Probably I have been mistaken.”

Eleanore shook her head; she was grieved.

“It was my plan to go to England with you, and there we would be married,” continued Eberhard. “It is quite impossible for me to get married here: I loathe this city. It is impossible, because if I did my people would in all probability set up some claims to which they are no longer entitled and for which I would fight. The mere thought of doing this repels me. And it is also impossible because...” at this he stopped and bit his lips.

Eleanore looked at him; she was filled with curiosity. His pedantic enumeration of the various hindrances as well as the romanticism of his plans amused her. When she detected the expression of downright grief in his face, she felt sorry for him. She came one step nearer to him; he took her hand, bowed, and pressed his lips to her fingers. She jerked her hand back.

“Fatal circumstances have placed me in a most humiliating situation; if I am not to succumb to them, I must shake them off at once,” said Eberhard anxiously. “I was inexperienced; I have been deceived. There is a person connected with my case who hardly deserves the name of a human being; he is a monster in the garb of an honest citizen. I have not the faintest idea what I am to do next, Eleanore. I must leave at once. In a strange country I may regain my strength and mental clearness. With you I could defy the universe. Believe in me, have confidence in me!”

Eleanore let her head sink. The despair of this usually reserved man touched her heart. Her mouth twitched as she sought for words.

“I cannot get married, Eberhard,” she said, “really, I cannot. I did not entice you to me; you dare not reproach me. I have tried to make my attitude toward you perfectly clear from the very first time I met you. I cannot get married; I cannot.”

For five or six minutes there was a silence that was interrupted only by human voices in the distance and the sound of carriages from the streets down in the city. In the compassion that Eleanore after all felt for Eberhard she sensed the harshness of her unqualified refusal. She looked at him courageously, firmly, and said: “It is not obstinacy on my part, Eberhard; nor is it stupid anxiety, nor imagination, nor lack of respect. Truth to tell I have a very high opinion of you. But there must be something quite unnatural about me, for you see that I loathe the very idea of getting married. I detest the thought of living with a man. I like you, but when you touch me as you did a little while ago when you kissed my hand, a shudder runs through my whole body.”

Eberhard looked at her in astonishment; he was morose, too.

She continued: “It has been in me since my childhood; perhaps I was born with it, just as other people are born with a physical defect. It may be that I have been this way ever since a certain day in my life. It was an autumn evening in Pappenheim, where my aunt then lived. My sister Gertrude and I were walking in a great fruit garden; we came to a thorn hedge, and sitting by the hedge was an old woman. My father and mother were far away, and the old woman said to my sister, then about seven: Be on your guard against everything that sings and rings. To me she said: Be careful never to have a child. The next day the woman was found dead under the hedge. She was over ninety years old, and for more than fifty years she had peddled herbs in AltmÜhltal. I naturally had not the vaguest idea what she meant at the time by ‘having a child,’ but her remark stuck in my heart like an arrow. It grew up with me; it became a part of me. And when I learned what it meant, it was a picture by the side of the picture of death. Now you must not think that I have gone through life thus far filled with a feeling of despicable fear. Not at all. I simply have no desires. The idea does not attract me. If it ever does, many questions will I ask about life and death! I will laugh at the old woman under the hedge and do what I must.”

As she spoke these last words, her face took on a strangely chaste and fanciful expression. Eberhard could not take his eyes from her. “Ah, there are after all fairy creatures on this flat, stale, and unprofitable earth,” he thought, “enchanted princesses, mysterious Melusinas.” He smiled somewhat distrustfully—as a matter of habit. But from this moment his frank, open, wooing attachment to the girl was transformed into a consuming passion.

He was proud, and man enough to subdue his feelings. But he yearned more than ever, and was tortured by his yearnings to know something more than the vague knowledge he had at present about that glass case, that spirit-chest in which, so near and yet so far, this lovely creature lived, impervious to the touch of mortal hands and immune to the flames of love.

“You are rejecting me, then?” he asked.

“Well, it is at least advisable that for the time being we avoid each other’s presence.”

“Advisable for me, you think. And for the time being? How am I to interpret that?”

“Well, let us say for five years.”

“Why exactly five years? Why not twenty? Why not fifty? It would be all the same.”

“It seems to me that five years is just the right amount of time, Eberhard.”

“Five years! Each year has twelve times thirty, fifty-two times seven days. Why, the arithmetic of it is enough to make a man lose his mind.”

“But it must be five years,” said Eleanore gently though firmly. “In five years I will not have changed. And if I am just the same in five years from now, why, we’ll talk it over again. I must not exclude myself from the world forever. My father often says: What looks like fate at Easter is a mere whim by Pentecost. I prefer to wait until Pentecost and not to forget my friend in the meantime.”

She gave him her hand with a smile.

He shook his head: “No, I can’t take your hand; another one of those shudders will run through you if I do. Farewell, Eleanore.”

“And you too, Eberhard, farewell!”

Eberhard started down the hill. Suddenly he stopped, turned around, and said: “Just one thing more. That musician—Nothafft is his name, isn’t it?—is engaged to your sister, isn’t he?”

“Yes, Gertrude and Daniel will get married some day. But who told you about it?”

“The musician himself was in a restaurant. The fellows were drinking, and he was so incautious as to raise his glass, and, somewhat after the fashion of an intoxicated drum-major, he himself drank to Gertrude’s health. For some time there was talk of his marrying you. It is much better as it is. I can’t stand artists. I can’t even have due respect for them, these indiscreet hotspurs. Good night, Eleanore.”

And with that he vanished in the darkness.