The Principles of Ornament :: INDEX OF ILLUSTRATIONS

INDEX OF ILLUSTRATIONS

A, B, C, D, E, F, I, J, K, L, M, N, O, P, R, S, T, V, W.

	Figs.

Acanthus leaf (Greek), from a capital of the Tower of the Winds	151
Acanthus leaf (Greek), with flowers from a capital of the Choragic Monument of Lysikrates	152
Acanthus (Mollis), from nature	149
Acanthus (Spinosus), from nature	150
Acanthus, soft-leaved, from the soffit of the architrave at the Temple of Jupiter Stator	155
Acanthus used on candelabra and small pillars	156, 158
Acanthus, modern varieties of sea-weed and poppy-leaved Acanthus	159
Acanthus, olive-leaf variety, from a Roman capital	153
Acanthus, olive-leaf variety, from a capital of Mars Ultor	154, 187
Arrangement of a wall-paper pattern	84
Arrangements for wall-paper or room decoration, improper	80-83
Astragal or bead moulding, with its ornament	77

Bead and reel	78
Book-cover (German), sixteenth century	124
Border, upright lily, Greco-Roman	120
Borders, Greek	113-117
Borders of Medallions in enamelled earthenware by Luca Della Robbia	144
Borders, Persian	118, 119
Borders derived from the laurel	140, 141
Bracts used for “clothing” stems in Scrolls, &c.	137, 157

Capital, Greek Doric	175
Capital, Greek Ionic	176-179
Capital, Greek Corinthian	180, 181
Capital, Roman Tuscan	182
Capital, Roman Doric	183
Capital, Roman Ionic	184
Capital, Roman Corinthian	185, 187
Capital, Roman Composite	188, 189
Capitals (Byzantine), from Sta. Sophia at Constantinople, showing bossing out of ornament	A and BB
Catenary, explained at page	31
Cavetto and its ornament	56, 68
Ceiling from Serlio’s architecture	89
Ceiling, portion from the vestibule of St. Spirito (Florence), by Sansovino	88
Ceilings, fillings of	85-87
Ceilings, panelling of, showing at A an improper and at B a proper arrangement	92
Checkers, carved	98, 99
Cinque-Cento floral ornament composed of the acanthus, oak-leaf, convolvulus and wild rose	130
Circle, ornament derived from	24-40
Contrasting decoration on rectangular and circular borders	95
Counter-change	171
Counter-change pattern, Saracenic	172
Cyma recta and its ornament	58, 64, 69
Cyma reversa and its ornaments. See Ogee.

Diaper, Saracen	101
Diaper, Italian, sixteenth century	106, 107, 110
Diaper, Persian influence, sixteenth century	100
Diaper, Italian, German origin, sixteenth century	107
Door case at the Erechtheum, showing a portion of the Architrave, with the paterÆ on the fascia	96
Door panels illustrating improper division at A, proper division at B	93

Entablature of the Erechtheum	C
Entablature of the Caryatid portico attached to the Erechtheum	D
Entablature of the Parthenon	175
Entablature of the Greek Ionic Temple on the Ilissus	176
Entablature of the monument of Lysikrates	180
Entablature of the Theatre of Marcellus	183
Entablature of the Temple of Fortuna Virilis	184
Entablature of the Pantheon, Rome	185
Entablature of Jupiter Tonans	186
Entablature of the Arch of Titus	189

Festoon, or swag	27
Finger-plates of different outlines	94
Fluted ornaments for flat bands	75, 76
Frets, Greek	12-15
Frets, Egyptian	16

Inscription from an Egyptian tablet	162
Inscription (Japanese), “Jiu” or long life	163
Interchange	173, 174

Japanese decoration	1
Japanese decoration, altered	2

Kiku-Mon, badge of the Empire of Japan	169

Lamp bottoms	134, 135
Laurel from nature	139
Lemon from nature	145
Lily border, Greco-Roman	120

Meander	44-47
Monograms in Christian art	170
Mouldings, profiles of Greek	61-66
Mouldings, profiles of Roman	55-60

Network, Japanese	102

Ogee, Roman	57, 71
Ogee, Greek	63, 70
Ogee with water-leaf ornament from the Erechtheum	70, 73
Ogee, Roman variety, with its ornaments	71
Opus Alexandrinum, from a pavement in the Church of San Marco, Rome	79
Ovolo, from the Erechtheum, enriched	67

Panel ornament, Renaissance	128
Panel (Venetian), illustrating balance without symmetry	126
Panel, Cinque-Cento	127
Panel with trophy of arms and armour	133
Panel, design for a carved wood panel from the lemon plant	146
Panel arrangement from the tiger-lily	148
Paperhanging, design from the wild rose	143
Patera	Frontispiece
Pear-tree, winter aspect, illustrating “balance” in nature	160
Pilaster, designed by Donatello	121
Pilaster panel, Cinque-Cento	122
Pilaster decoration, Italian	123
Placque, in silver repoussÉ work, German seventeenth century	125
Powdering, Japanese	103, 105

Reduction of similar ornament in different spaces	E, 105
Reeded ornaments for flat bands, &c.	76A, 76B
Root forms, MediÆval and Oriental	138
Rosettes (Roman), composed of leaf and floral forms	136

Scarab, Egyptian symbolic form	161
Scroll ornament on the roof of the Monument of Lysikrates	53
Shield (Savage) made of cane and ornamented with cut shells and zig-zags	97
Spandrel (Gothic), from Stone Church, Kent	131
Spandrel, by Alfred Stevens	132
Spiral	24
Spiral curves, examples of ornament chiefly based on spiral curves	41, 43, 45, 47-51
Spotting	84, 103, 105
Straight-lined ornament	3-23
Superimposed Japanese powdering	104
Symbolic ornament, the Egyptian lotus and water	165

Tail-pieces, or “lamp bottoms”	134, 135
Tchakra, sacred wheel of Brahma and Vishnu, also the “wheel of fire”	168
Thyrsus, staff of the god Bacchus	167
Tiger-lily from nature	147
Tree of life from an Assyrian bas-relief with worshippers	166
Tripod stand on the top of the roof of the Monument of Lysikrates	54

Vase, from the Hildesheim treasures	129
Vases (Modern and Greek), showing unequal divisions of the height and strengthening horizontal bands	90, 91

Wild rose from nature	142
Wine-crater. See Vase.
Winged globe and asps, Egyptian symbolic ornament	164

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