CHAPTER VIII

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ROMAN FRIENDS. ELEANOR

The spring of the following year (1900) saw us again in Rome. We spent our April fortnight there, of which I specially remember some amusing hours with Sir William Harcourt. I see myself, for instance, as a rather nervous tourist in his wake and that of the very determined wife of a young diplomat, storming the Vatican library at an hour when a bland custode assured us firmly it was not open to visitors. But Sir William's great height and bulk, aided by his pretty companion's self-will, simply carried us through the gates by their natural momentum. Father Ehrle was sent for and came, and we spent a triumphant and delightful hour. After all, one is not an ex-British Cabinet Minister for nothing. Sir William was perfectly civil to everybody, with a blinking smile like that of the Cheshire cat; but nothing stopped him. I laugh still at the remembrance. On the way home it was wet, and he and I shared a legno. I remember we talked of Mr. Chamberlain, with whom at that moment--May, 1899--Sir William was not in love; and of Lord Hartington. "Hartington came to me one day when we were both serving under Mr. G., and said to me in a temper, 'I wish I could get Gladstone to answer letters.' 'My dear fellow, he always answers letters.' 'Well, I have been trying to do something and I can't get a word out of him.' 'What have you been trying to do?' 'Well, to tell the truth, I've been trying to make a bishop.' 'Have you? Not much in your line, I should think. Now if it had been something about a horse--' 'Don't be absurd. He would have made a very good bishop. C---- and S---- [naming two well-known Liberals] told me I must--so I wrote--- and not a word! Very uncivil, I call it.' 'Who was it?' 'Oh, I can't remember. Let me think. Oh yes, it was a man with a double name--Llewellyn-Davies.' Sir William, with a shout of laughter, 'Why, it took me five years to get him made a Canon!'"

The following year I sent him Eleanor, as a reminder of our meeting in Rome, and he wrote:

To me the revisiting of Rome is the brightest spot of the day-dreams
of life, and I treasure all its recollections. After the
disappointment of the day when we were to have seen Albano and Nemi
under your guidance, we managed the expedition, and were entranced
with the scene even beyond our hopes, and since that time I have
lived through it again in the pages of Eleanor, which I read with
greediness, waiting each number as it appeared.
Now about Manisty. What a fortunate beggar, to have two such
charming women in love with him! It is always so. The less a man
deserves it the more they adore him. That is the advantage you women
writers have. You always figure men as they are and women as they
ought to be. If I had the composition of the history I should never
represent two women behaving so well to one another under the
circumstances. Even American girls, according to my observation, do
not show so much toleration to their rivals, even though in the end
they carry off their man....
Your sincerely attached
W. V. HARCOURT.

Let me detach a few other figures from a gay and crowded time, the ever-delightful and indefatigable Boni--Commendatore Boni--for instance. To hear him talk in the Forum or hold forth at a small gathering of friends on the problems of the earliest Italian races, and the causes that met in the founding and growth of Rome, was to understand how no scholar or archeologist can be quite first-rate who is not also something of a poet. The sleepy blue eyes, so suddenly alive; the apparently languid manner which was the natural defense against the outer world of a man all compact of imagination and sleepless energy; the touch in him of "the imperishable child," combined with the brooding intensity of the explorer who is always guessing at the next riddle; the fun, simplicity, bonhomie he showed with those who knew him well--all these are vividly present to me.

So, too, are the very different characteristics of Monseigneur Duchesne, the French Lord Acton; like him, a Liberal, and a man of vast learning, tarred with the Modernist brush in the eyes of the Vatican, but at heart also like Lord Acton, by the testimony of all who know, a simple and convinced believer.

When we met Monseigneur Duchesne at the house of Count Ugo Balzani, or in the drawing-room of the French Embassy, all that showed, at first, was the witty ecclesiastic of the old school, an abbe of the eighteenth century, fin, shrewd, well versed in men and affairs, and capable of throwing an infinity of meaning into the inflection of a word or the lift of an eyebrow. I remember listening to an account by him of certain ceremonies in the catacombs in which he had taken part, in the train of an Ultramontane Cardinal whom he particularly disliked. He himself had preached the sermon. A member of the party said, "I hear your audience were greatly moved, Monsignore." Duchesne bowed, with just a touch of irony. Then some one who knew the Cardinal well and the relation between him and Duchesne, said, with malice prepense, "Was his Eminence moved, Monsignore?" Duchesne looked up and shook off the end of his cigarette. "Non, Monsieur," he said, dryly, "his Eminence was not moved--oh, not at all!" A ripple of laughter went round the group which had heard the question. For a second, Duchesne's eyes laughed, too, and were then as impenetrable as before. My last remembrance of him is as the center of a small party in one of the famous rooms of the Palazzo Borghese which were painted by the Caracci, this time in a more serious and communicative mood, so that one realized in him more clearly the cosmopolitan and liberal scholar, whose work on the early Papacy, and the origins of Christianity in Rome, is admired and used by men of all faiths and none. Shortly afterward, a Roman friend of ours, an Englishman who knew Monseigneur Duchesne well, described to me the impressions of an English Catholic who had gone with him to Egypt on some learned mission, and had been thrown for a time into relations of intimacy with him. My friend reported the touch of astonishment in the Englishman's mind, as he became aware of the religious passion in his companion, the devotion of his daily mass, the rigor and simplicity of his personal life; and we both agreed that as long as Catholicism could produce such types, men at once so daring and so devout, so free, and yet so penetrated with--so steeped in--the immemorial life of Catholicism, the Roman Church was not likely to perish out of Europe.

Let me, however, contrast with Monseigneur Duchesne another Catholic personality--that of Cardinal Vaughan. I remember being asked to join a small group of people who were to meet Cardinal Vaughan on the steps of St. Peter's, and to go with him, and Canon Oakley, an English convert to Catholicism, through the famous crypt and its monuments. We stood for some twenty minutes outside St. Peter's, while Cardinal Vaughan, in the manner of a cicerone reeling off his task, gave us in extenso the legendary stories of St. Peter's and St. Paul's martyrdoms. Not a touch of criticism, of knowledge, of insight--a childish tale, told by a man who had never asked himself for a moment whether he really believed it. I stood silently by him, inwardly comparing the performance with certain pages by the Abbe Duchesne, which I had just been reading. Then we descended to the crypt, the Cardinal first kneeling at the statue of St. Peter. The crypt, as every one knows, is full of fragments from Christian antiquity, sarcophagi of early Popes, indications of the structures that preceded the present building, fragments from papal tombs, and so on. But it was quite useless to ask the Cardinal for an explanation or a date. He knew nothing, and he had never cared to know. Again and again, I thought, as we passed some shrine or sarcophagus bearing a name or names that sent a thrill through one's historical sense--"If only J.R. Green were here!--how these dead bones would live!" But the agnostic historian was in his grave, and the Prince of the Roman Church passed ignorantly and heedlessly by.

A little while before, I had sat beside the Cardinal at a luncheon-party, where the case of Doctor Schell, the Rector of the Catholic University of WÜrzburg, who had published a book condemned by the Congregation of the Index, came up for discussion. Doctor Schell's book, Catholicismus und Fortschritt, was a plea on behalf of the Catholic Universities of Bavaria against the Jesuit seminaries which threatened to supplant them; and he had shown with striking clearness the disastrous results which the gradual narrowing of Catholic education had had on the Catholic culture of Bavaria. The Jesuit influence at Rome had procured the condemnation of the book. Doctor Schell at first submitted; then, just before the luncheon-party at which I was present, withdrew his submission.

I saw the news given to the Cardinal. He shrugged his shoulders. "Oh, poor fellow!" he said. "Poor fellow!" It was not said unkindly, rather with a kind of easy pity; but the recollection came back to me in the crypt of St. Peter's, and I seemed to see the man who could not shut his ear to knowledge and history struggling in the grip of men like the Cardinal, who knew no history.

Echoes and reflections from these incidents will be found in Eleanor, and it was the case of Doctor Schell that suggested Father Benecke.

So the full weeks passed on. Half Eleanor had been written, and in June we turned homeward. But before then, one visitor came to the Villa Barberini in our last weeks there, who brought with him, for myself, a special and peculiar joy. My dear father, with his second wife, arrived to spend a week with us. Never before, throughout all his ardent Catholic life, had it been possible for him to tread the streets of Rome or kneel in St. Peter's. At last, the year before his death, he was to climb the Janiculum, and to look out over the city and the plain whence Europe received her civilization and the vast system of the Catholic Church. He felt as a Catholic; but hardly less as a scholar, one to whom Horace and Virgil had been familiar from his boyhood, the greater portion of them known by heart, to a degree which is not common now. I remember well that one bright May morning at Castle Gandolfo, he vanished from the villa, and presently, after some hours, reappeared with shining eyes.

"I have been on the Appian Way--I have walked where Horace walked!"

In his own autobiography he writes: "In proportion to a man's good sense and soundness of feeling are the love and admiration, increasing with his years, which he bears toward Horace." An old-world judgment, some will say, which to us, immersed in this deluge of war which is changing the face of all things, may sound, perhaps, as a thin and ghostly voice from far away. It comes from the Oxford of Newman and Matthew Arnold, of Jowett and Clough; and for the moment, amid the thunder and anguish of our time, it is almost strange to our ears. But when the tumult and the shouting die, and "peace has calmed the world," whatever else may have passed, the poets and the thinkers will be still there, safe in their old shrines, for they are the "ageless mouths" of all mankind, when men are truly men. The supposed reformers, who thirst for the death of classical education, will not succeed, because man doth not live by bread alone, and certain imperishable needs in him have never been so fully met as by some Greeks and some Latins, writing in a vanished society, which yet, by reason of their thought and genius, is still in some real sense ours. More science? More foreign languages? More technical arts? Yes! All these. But if democracy is to mean the disappearance of the Greek and Latin poets from the minds of the future leaders of our race, the history of three thousand years is there to show what the impoverishment will be.

As to this, a personal experience, even from one who in Greek literature is only a "proselyte of the gate," may not be without interest. I shall never forget the first time, when, in middle life, I read in the Greek, so as to understand and enjoy, the "Agamemnon" of Æschylus. The feeling of sheer amazement at the range and power of human thought--and at such a date in history--which a leisurely and careful reading of that play awakened in me, left deep marks behind. It was as though for me, thenceforward, the human intellect had been suddenly related, much more clearly than ever before, to an absolute, ineffable source, "not itself." So that, in realizing the greatness of the mind of Æschylus, the creative Mind from which it sprang had in some new and powerful way touched my own; with both new light on the human Past, and mysterious promise for the Future. Now, for many years, the daily reading of Greek and Latin has been not only a pleasure, but the only continuous bit of mental discipline I have been able to keep up.

I do not believe this will seem exaggerated to those on whom Greek poetry and life have really worked. My father, or the Master, or Matthew Arnold, had any amateur spoken in similar fashion to them, would have smiled, but only as those do who are in secure possession of some precious thing, on the eagerness of the novice who has just laid a precarious hold upon it.

At any rate, as I look back upon my father's life of constant labor and many baffled hopes, there are at least two bright lights upon the scene. He had the comfort of religious faith, and the double joy of the scholar and of the enthusiast for letters. He would not have bartered these great things, these seeming phantoms--

Eternal as the recurrent cloud, as air
Imperative, refreshful as dawn-dew--

for any of the baser goods that we call real. A year and a half after his visit to Rome, he died in Dublin, where he had been for years a Fellow and Professor of the Irish University, occupied in lecturing on English literature, and in editing some of the most important English Chronicles for the Rolls Series. His monument, a beautiful medallion by Mr. Derwent Wood, which recalls him to the life, hangs on the wall of the University Church, in Stephen's Green, which was built in Newman's time and under his superintendence. The only other monument in the church is that to the great Cardinal himself. So once more, as in 1886, they--the preacher and his convert--are together. "Domine, Deus meus, in Te speravi." So, on my father's tablet, runs the text below the quiet, sculptured face. It expresses the root fact of his life.

A few weeks before my father's death Eleanor appeared. It had taken me a year and a quarter to write, and I had given it full measure of work. Henry James wrote to me, on receipt of it, that it gave him

. . . the chance to overflow into my favorite occupation of rewriting as
I read, such fiction as--I can read. I took this liberty in an
inordinate degree with Eleanor--and I always feel it the highest
tribute I can pay. I recomposed and reconstructed her from head to
foot--which I give you for the real measure of what I think of her.
I think her, less obscurely--a thing of rare beauty, a large and
noble performance, rich, complex, comprehensive, deeply interesting
and highly distinguished. I congratulate you heartily on having
menÉ À bonne fin so intricate and difficult a problem, and on
having seen your subject so wrapped in its air and so bristling with
its relations. I should say that you had done nothing more
homogeneous, nor more hanging and moving together. It has
Beauty--the book, the theme and treatment alike, is magnificently
mature, and is really a delightful thing to have been able to do--to
have laid at the old golden door of the beloved Italy. You deserve
well of her. I can't "criticize"--though I could (that is, I
did--but can't do it again)--rewrite. The thing's infinitely
delightful and distinguished, and that's enough. The success of it,
specifically, to my sense is Eleanor, admirably sustained in the
"high-note" way, without a break or a drop. She is a very exquisite
and very rendered conception. I won't grossly pretend to you that I
think the book hasn't a weakness and rather a grave one, or you will
doubt of my intelligence. It has one, and in this way, to my
troubled sense: that the anti-thesis on which your subject rests
isn't a real, valid anti-thesis. It was utterly built, your subject,
by your intention, of course, on one; but the one you chose seems to
me not efficiently to have operated, so that if the book is so
charming and touching even so, that is a proof of your affluence.
Lucy has in respect to Eleanor--that is, the image of Lucy that you
have tried to teach yourself to see--has no true, no adequate, no
logical antithetic force--and this is not only, I think, because the
girl is done a little more de chic than you would really have
liked to do her, but because the nearer you had got to her type
the less she would have served that particular condition of your
subject. You went too far for her, or, going so far, should have
brought her back--roughly speaking--stronger. (Irony--and various
things!--should at its hour have presided.) But I throw out that
more imperfectly, I recognize, than I should wish. It doesn't
matter, and not a solitary reader in your millions, or critic in
your hundreds, will either have missed, or have made it! And when a
book's beautiful, nothing does matter! I hope greatly to see you
after the New Year. Good night. It's my usual 1.30 A.M.
Yours, dear Mrs. Ward, always,
HENRY JAMES.

I could not but feel, indeed, that the book had given great pleasure to those I might well wish to please. My old friend, Mr. Frederic Harrison, wrote to me:--"I have read it all through with great attention and delight, and have returned to it again and again.... I am quite sure that it is the most finished and artistic of all your books and one of the most subtle and graceful things in all our modern fiction." And Charles Eliot Norton's letter from Shady Hill, the letter of one who never praised perfunctorily or insincerely, made me glad:

"It would be easier to write about the book to any one else but
you.... You have added to the treasures of English imaginative
literature, and no higher reward than this can any writer hope to
gain." The well-known and much-loved editor of the Century,
Richard Watson Gilder, "on this the last Sunday of the nineteenth
century"--so he headed his letter--sat down to give a long hour of
precious time to Eleanor's distant author.
How can you reconcile it to your conscience to write a book like
Eleanor that keeps a poor fellow reading it to a finish till after
three in the morning? Not only that--but that keeps him sobbing and
sighing "like a furnace," that charms him and makes him angry--that
hurts and delights him, and will not let him go till all is done!
Yes, there are some things I might quarrel with--but, ah, how much
you give of Italy--of the English, of the American--three nations so
well-beloved; and how much of things deeper than peoples or
countries.
Imagine me at our New England farm--with the younger part of the
family--in my annual "retreat." Last year at this time I was here,
with the thermometer a dozen degrees below zero; now it is milder,
but cold, bleak, snowy. Yesterday we were fishing for pickerel
through the ice at Hayes's Pond--in a wilderness where fox
abound--and where bear and deer make rare appearances--all within a
few miles of Lenox and Stockbridge. The farmer's family is at one
end of the long farm-house--I am at the other. It is a great place
to read--one reads here with a sort of lonely passion. You know the
landscape--it is in Eleanor. Last night (or this morning) I wanted
to talk with you about your book--or telegraph--but here I am calmly
trying to thank you both for sending us the copy--and, too, for
writing it.
Of the "deeper things" I can really say nothing--except that I feel
their truth, and am grateful for them. But may I not applaud (even
the Pope is "applauded," you know) such a perfect touch as--for
instance--in Chapter XVI--"the final softening of that sweet
austerity which hid Lucy's heart of gold"; and again "Italy without
the forestieri" "like surprising a bird on its nest"; and the
scene beheld of Eleanor--Lucy pressing the terra-cotta to her
lips;--and Italy "having not enough faith to make a heresy"--(true,
too, of France, is it not?) and Chapter XXIII--"a base and
plundering happiness"; and the scene of the confessional; and that
sudden phrase of Eleanor's in her talk with Manisty that makes the
whole world--and the whole book--right, "She loves you!" That is
art.... But, above all, my dear lady, acknowledgments and praise for
the hand that created "Lucy"--that recreated, rather--my dear
countrywoman! Truly, that is an accomplishment and one that will
endear its author to the whole new world.

And again one asks whether the readers that now are write such generous, such encouraging things to the makers of tales, as the readers of twenty years ago! If not, I cannot but think it is a loss. For praise is a great tonic, and helps most people to do their best.


It was during our stay on the Alban hills that I first became conscious in myself, after a good many springs spent in Italy, of a deep and passionate sympathy for the modern Italian State and people; a sympathy widely different from that common temper in the European traveler which regards Italy as the European playground, picture-gallery, and curiosity-shop, and grudges the smallest encroachment by the needs of the new nation on the picturesque ruin of the past. Italy in 1899 was passing through a period of humiliation and unrest. The defeats of the luckless Erythrean expedition were still hot in Italian memory. The extreme Catholic party at home, the sentimental Catholic tourist from abroad, were equally contemptuous and critical; and I was often indignantly aware of a tone which seemed to me ungenerous and unjust toward the struggling Italian State, on the part of those who had really most cause to be grateful for all that the youngest--and oldest--of European Powers had done in the forty years since 1860 to furnish itself with the necessary equipment, moral, legal, and material, of a modern democracy.

This vein of feeling finds expression in Eleanor. Manisty represents the scornful dilettante, the impatient accuser of an Italy he does not attempt to understand; while the American Lucy, on the other side draws from her New England tradition a glowing sympathy for the Risorgimento and its fruits, for the efforts and sacrifices from which modern Italy arose, that refuses to be chilled by the passing corruptions and scandals of the new rÉgime. Her influence prevails and Manisty recants. He spends six solitary weeks wandering through middle Italy, in search of the fugitives--Eleanor and Lucy--who have escaped him--and at the end of it he sees the old, old country and her people with new eyes--which are Lucy's eyes.

"What rivers--what fertility--what a climate! And the industry of
the people! Catch a few English farmers and set them to do what the
Italian peasant does, year in and year out, without a murmur! Look
at all the coast south of Naples. There is not a yard of it,
scarcely, that hasn't been made by human hands. Look at the hill
towns; and think of the human toil that has gone to the making and
maintaining of them since the world began.... Ecco!--there they
are"--and he pointed down the river to the three or four distant
towns, each on its mountain spur, that held the valley between them
and Orvieto, pale jewels on the purple robe of rock and wood--"So
Virgil saw them. So the latest sons of time shall see them--the
homes of a race that we chatter about without understanding--the
most laborious race in the wide world.... Anyway, as I have been
going up and down their country, ... prating about their poverty,
and their taxes, their corruption, the incompetence of their
leaders, the mischief of their quarrel with the Church; I have been
finding myself caught in the grip of things older and
deeper--incredibly, primevally old!--that still dominate everything,
shape everything here. There are forces in Italy, forces of land and
soil and race--only now fully let loose--that will remake Church no
less than State, as the generations go by. Sometimes I have felt as
though this country were the youngest in Europe; with a future as
fresh and teeming as the future of America. And yet one thinks of it
at other times as one vast graveyard; so thick it is with the ashes
and the bones of men! The Pope--and Crispi!--waves, both of them, on
a sea of life that gave them birth 'with equal mind'; and that 'with
equal mind' will sweep them both to its own goal--not theirs! ...
No--there are plenty of dangers ahead.... Socialism is serious;
Sicily is serious; the economic difficulties are serious; the House
of Savoy will have a rough task, perhaps, to ride the seas that may
come.--But Italy is safe. You can no more undo what has been done
than you can replace the child in the womb. The birth is over. The
organism is still weak, but it lives. And the forces behind it are,
indefinitely, mysteriously stronger than its adversaries think."

In this mood it was that, when the book came out in the autumn of 1900, I prefixed to it the dedication--"To Italy, the beloved and beautiful, Instructress of our past, Delight of our present, Comrade of our future, the heart of an Englishwoman offers this book."

"Comrade of our future." As one looks out to-day upon the Italian fighting-line, where English troops are interwoven with those of Italy and France for the defense of the Lombard and Venetian plain against the attack of Italy's old and bitter enemy, an attack in which are concerned not only the fortunes of Italy, but those also of the British Empire, I wonder what touch of prophecy, what whisper from a far-off day, suggested these words written eighteen years ago?




                                                                                                                                                                                                                                                                                                           

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