EARLY MARRIED LIFE How many other figures in that vanished Oxford world I should like to draw!--Mandell or "Max" Creighton, our lifelong friend, then just married to the wife who was his best comrade while he lived, and since his death has made herself an independent force in English life. I first remember the future Bishop of London when I was fifteen, and he was reading history with my father on a Devonshire reading-party. The tall, slight figure in blue serge, the red-gold hair, the spectacles, the keen features and quiet, commanding eye--I see them first against a background of rocks on the Lynton shore. Then again, a few years later, in his beautiful Merton rooms, with the vine tendrils curling round the windows, the Morris paper, and the blue willow-pattern plates upon it, that he was surely the first to collect in Oxford. A luncheon-party returns upon me--in Brasenose--where the brilliant Merton Fellow and tutor, already a power in Oxford, first met his future wife; afterward, their earliest married home in Oxford so near to ours, in the new region of the Parks; then the Vicarage on the Northumberland coast where Creighton wrestled with the north-country folk, with their virtues and their vices, drinking deep draughts thereby from the sources of human nature; where he read and wrote history, preparing for his magnum opus, the history of the Renaissance Popes; where he entertained his friends, brought up his children, and took mighty walks--always the same restless, energetic, practical, pondering spirit, his mind set upon the Kingdom of God, and convinced that in and through the English Church a man might strive for the Kingdom as faithfully and honestly as anywhere else. The intellectual doubts and misgivings on the subject of taking orders, so common in the Oxford of his day, Creighton had never felt. His life had ripened to a rich maturity without, apparently, any of those fundamental conflicts which had scarred the lives of other men. The fact set him in strong contrast with another historian who was also our intimate friend--John Richard Green. When I first knew him, during my engagement to my husband, and seven years before the Short History was published, he had just practically--though not formally--given up his orders. He had been originally curate to my husband's father, who held a London living, and the bond between him and his Vicar's family was singularly close and affectionate. After the death of the dear mother of the flock, a saintly and tender spirit, to whom Mr. Green was much attached, he remained the faithful friend of all her children. How much I had heard of him before I saw him! The expectation of our first meeting filled me with trepidation. Should I be admitted, too, into that large and generous heart? Would he "pass" the girl who had dared to be his "boy's" fiancÉe? But after ten minutes all was well, and he was my friend no less than my husband's, to the last hour of his fruitful, suffering life. And how much it meant, his friendship! It became plain very soon after our marriage that ours was to be a literary partnership. My first published story, written when I was eighteen, had appeared in the Churchman's Magazine in 1870, and an article on the "Poema del Cid," the first-fruits of my Spanish browsings in the Bodleian, appeared in Macmillan early in 1872. My husband was already writing in the Saturday Review and other quarters, and had won his literary spurs as one of the three authors of that jeu d'esprit of no small fame in its day, the Oxford Spectator. Our three children arrived in 1874, 1876, and 1879, and all the time I was reading, listening, talking, and beginning to write in earnest--mostly for the Saturday Review. "J.R.G.," as we loved to call him, took up my efforts with the warmest encouragement, tempered, indeed, by constant fears that I should become a hopeless bookworm and dryasdust, yielding day after day to the mere luxury of reading, and putting nothing into shape! Against this supposed tendency in me he railed perpetually. "Any one can read!" he would say; "anybody of decent wits can accumulate notes and references; the difficulty is to write--to make something!" And later on, when I was deep in Spanish chronicles and thinking vaguely of a History of Spain--early Spain, at any rate--he wrote, almost impatiently: "Begin--and begin your book. Don't do 'studies' and that sort of thing--one's book teaches one everything as one writes it." I was reminded of that letter years later when I came across, in Amiel's Journal, a passage almost to the same effect: "It is by writing that one learns--it is by pumping that one draws water into one's well." But in J.R.G.'s case the advice he gave his friend was carried out by himself through every hour of his short, concentrated life. "He died learning," as the inscription on his grave testifies; but he also died making. In other words, the shaping, creative instinct wrestled in him with the powers of death through long years, and never deserted him to the very end. Who that has ever known the passion of the writer and the student can read without tears the record of his last months? He was already doomed when I first saw him in 1871, for signs of tuberculosis had been discovered in 1869, and all through the 'seventies and till he died, in 1883, while he was writing the Short History, the expanded Library Edition in four volumes, and the two brilliant monographs on The Making of England and The Conquest of England, the last of which was put together from his notes, and finished by his devoted wife and secretary after his death, he was fighting for his life, in order that he might finish his work. He was a dying man from January, 1881, but he finished and published The Making of England in 1882, and began The Conquest of England. On February 25th, ten days before his death, his wife told him that the end was near. He thought a little, and said that he had still something to say in his book "which is worth saying. I will make a fight for it. I will do what I can, and I must have sleeping-draughts for a week. After that it will not matter if they lose their effect." He worked on a little longer---but on March 7th all was over. My husband had gone out to see him in February, and came home marveling at the miracle of such life in death. I have spoken of the wonderful stimulus and encouragement he could give to the young student. But he was no flatterer. No one could strike harder or swifter than he, when he chose. It was to me--in his eager friendship for "Humphry's" young wife--he first intrusted the task of that primer of English literature which afterward Mr. Stopford Brooke carried out with such astonishing success. But I was far too young for such a piece of work, and knew far too little. I wrote a beginning, however, and took it up to him when he was in rooms in Beaumont Street. He was entirely dissatisfied with it, and as gently and kindly as possible told me it wouldn't do and that I must give it up.
There is another memory from the early time, which comes back to me--of J.R.G. in Notre Dame. We were on our honeymoon journey, and we came across him in Paris. We went together to Notre Dame, and there, as we all lingered at the western end, looking up to the gleaming color of the distant apse, the spirit came upon him. He began to describe what the Church had seen, coming down through the generations, from vision to vision. He spoke in a low voice, but without a pause or break, standing in deep shadow close to the western door. One scarcely saw him, and I almost lost the sense of his individuality. It seemed to be the very voice of History--Life telling of itself. Liberty and the passion for liberty were the very breath of his being. In 1871, just after the Commune, I wrote him a cry of pity and horror about the execution of Rossel, the "heroic young Protestant who had fought the Versaillais because they had made peace, and prevented him from fighting the Prussians." J.R.G. replied that the only defense of a man who fought for the Commune was that he believed in it, while Rossel, by his own statement, did not. People like old Delescluze are more to my mind, men who believe, rightlyor wrongly (in the ideas of '93), and cling to their faith through thirteen years of the hulks and of Cayenne, who get their chance at last, fight, work, and then when all is over know how to die--as Delescluze, with that gray head bared and the old threadbare coat thrown open, walked quietly and without a word up to the fatal barricade. His place in the ranks of history is high and safe. That was abundantly shown by the testimony of the large gathering of English scholars and historians at the memorial meeting held in his own college some years ago. He remains as one of the leaders of that school (there is, of course, another and a strong one!) which holds that without imagination and personality a man had better not write history at all; since no recreation of the past is really possible without the kindling and welding force that a man draws from his own spirit. But it is as a friend that I desire--with undying love and gratitude--to commemorate him here. To my husband, to all the motherless family he had taken to his heart, he was affection and constancy itself. And as for me, just before the last visit that we paid him at Mentone in 1882, a year before he died, he was actually thinking out schemes for that history of early Spain which it seemed, both to him and me, I must at last begin, and was inquiring what help I could get from libraries on the Riviera during our stay with him. Then, when we came, I remember our talks in the little Villa St. Nicholas--his sympathy, his enthusiasm, his unselfish help; while all the time he was wrestling with death for just a few more months in which to finish his own work. Both Lord Bryce and Sir Leslie Stephen have paid their tribute to this wonderful talk of his later years. "No such talk," says Lord Bryce, "has been heard in our generation." Of Madame de StaËl it was said that she wrote her books out of the talk of the distinguished men who frequented her salon. Her own conversation was directed to evoking from the brains of others what she afterward, as an artist, knew how to use better than they. Her talk--small blame to her!--was plundering and acquisitive. But J.R.G.'s talk gave perpetually, admirable listener though he was. All that he had he gave; so that our final thought of him is not that of the suffering invalid, the thwarted workman, the life cut short, but rather that of one who had richly done his part and left in his friends' memories no mere pathetic appeal, but much more a bracing message for their own easier and longer lives. Of the two other historians with whom my youth threw me into contact, Mr. Freeman and Bishop Stubbs, I have some lively memories. Mr. Freeman was first known to me, I think, through "Johnny," as he was wont to call J.R.G., whom he adored. Both he and J.R.G. were admirable letter-writers, and a volume of their correspondence--much of it already published separately--if it could be put together--like that of Flaubert and George Sand--would make excellent reading for a future generation. In 1877 and 1878, when I was plunged in the history of West-Gothic Kings, I had many letters from Mr. Freeman, and never were letters about grave matters less grave. Take this outburst about a lady who had sent him some historical work to look at. He greatly liked and admired the lady; but her work drove him wild. "I never saw anything like it for missing the point of everything.... Then she has no notion of putting a sentence together, so that she said some things which I fancy she did not mean to say--as that 'the beloved Queen Louisa of Prussia' was the mother of M. Thiers. When she said that the Duke of Orleans's horses ran away, 'leaving two infant sons,' it may have been so: I have no evidence either way." Again, "I am going to send you the Spanish part of my Historical Geography. It will be very bad, but--when I don't know a thing I believe I generally know that I don't know it, and so manage to wrap it up in some vague phrase which, if not right, may at least not be wrong. Thus I have always held that the nursery account of Henry VIII-- "'And Henry the Eighth was as fat as a pig--'"is to be preferred to Froude's version. For, though certainly an inadequate account of the reign, it is true as far as it goes." Once, certainly, we stayed at Somerleaze, and I retain the impression of a very busy, human, energetic man of letters, a good Churchman, and a good citizen, brimful of likes and dislikes, and waving his red beard often as a flag of battle in many a hot skirmish, especially with J.R.G., but always warm-hearted and generally placable--except in the case of James Anthony Froude. The feud between Freeman and Froude was, of course, a standing dish in the educated world of half a century ago. It may be argued that the Muse of History has not decided the quarrel quite according to justice; that Clio has shown herself something of a jade in the matter, as easily influenced by fair externals as a certain Helen was long ago. How many people now read the Norman Conquest--except the few scholars who devote themselves to the same period? Whereas Froude's History, with all its sins, lives, and in my belief will long live, because the man who wrote it was a writer and understood his art. Of Bishop Stubbs, the greatest historical name surely in the England of the last half of the nineteenth century, I did not personally see much while we lived in Oxford and he was Regius Professor. He had no gifts--it was his chief weakness as a teacher--for creating a young school around him, setting one man to work on this job, and another on that, as has been done with great success in many instances abroad. He was too reserved, too critical, perhaps too sensitive. But he stood as a great influence in the background, felt if not seen. A word of praise from him meant everything; a word of condemnation, in his own subjects, settled the matter. I remember well, after I had written a number of articles on early Spanish Kings and Bishops, for a historical Dictionary, and they were already in proof, how on my daily visits to the Bodleian I began to be puzzled by the fact that some of the very obscure books I had been using were "out" when I wanted them, or had been abstracted from my table by one of the sub-librarians. Joannes Biclarensis--he was missing! Who in the world could want that obscure chronicle of an obscure period but myself? I began to envisage some hungry German Privatdozent, on his holiday, raiding my poor little subject, and my books, with a view to his Doctor's thesis. Then one morning, as I went in, I came across Doctor Stubbs, with an ancient and portly volume under his arm. Joannes Biclarensis himself!--I knew it at once. The Professor gave me a friendly nod, and I saw a twinkle in his eye as we passed. Going to my desk, I found another volume gone--this time the Acts of the Councils of Toledo. So far as I knew, not the most ardent Churchman in Oxford felt at that time any absorbing interest in the Councils of Toledo. At any rate, I had been left in undisturbed possession of them for months. Evidently something was happening, and I sat down to my work in bewilderment. Then, on my way home, I ran into a fellow-worker for the Dictionary--a well-known don and history tutor. "Do you know what's happened?" he said, in excitement. "Stubbs has been going through our work! The Editor wanted his imprimatur before the final printing. Can't expect anybody but Stubbs to know all these things! My books are gone, too." We walked up to the Parks together in a common anxiety, like a couple of school-boys in for Smalls. Then in a few days the tension was over; my books were on my desk again; the Professor stopped me in the Broad with a smile, and the remark that Joannes Biclarensis was really quite an interesting fellow, and I received a very friendly letter from the Editor of the Dictionary. And perhaps I may be allowed, after these forty years, one more recollection, though I am afraid a proper reticence would suppress it! A little later "Mr. Creighton" came to visit us, after his immigration to Embleton and the north; and I timidly gave him some lives of West-Gothic Kings and Bishops to read. He read them--they were very long and terribly minute--and put down the proofs, without saying much. Then he walked down to Oxford with my husband, and sent me back a message by him: "Tell M. to go on. There is nobody but Stubbs doing such work in Oxford now." The thrill of pride and delight such words gave me may be imagined. But there were already causes at work why I should not "go on." I shall have more to say presently about the work on the origins of modern Spain. It was the only thorough "discipline" I ever had; it lasted about two years--years of incessant, arduous work, and it led directly to the writing of Robert Elsmere. But before and after, how full life was of other things! The joys of one's new home, of the children that began to patter about it, of every bit of furniture and blue pot it contained, each representing some happy chasse or special earning--of its garden of half an acre, where I used to feel as Hawthorne felt in the garden of the Concord Manse--amazement that Nature should take the trouble to produce things as big as vegetable marrows, or as surprising as scarlet runners that topped one's head, just that we might own and eat them. Then the life of the University town, with all those marked antagonisms I have described, those intellectual and religious movements, that were like the meeting currents of rivers in a lake; and the pleasure of new friendships, where everybody was equal, nobody was rich, and the intellectual average was naturally high. In those days, too, a small group of women of whom I was one were laying the foundations of the whole system of women's education in Oxford. Mrs. Creighton and I, with Mrs. Max MÜller, were the secretaries and founders of the first organized series of lectures for women in the University town; I was the first secretary of Somerville Hall, and it fell to me, by chance, to suggest the name of the future college. My friends and I were all on fire for women's education, including women's medical education, and very emulous of Cambridge, where the movement was already far advanced. But hardly any of us were at all on fire for woman suffrage, wherein the Oxford educational movement differed greatly from the Cambridge movement. The majority, certainly, of the group to which I belonged at Oxford were at that time persuaded that the development of women's power in the State--or rather, in such a state as England, with its far-reaching and Imperial obligations, resting ultimately on the sanction of war--should be on lines of its own. We believed that growth through Local Government, and perhaps through some special machinery for bringing the wishes and influence of women of all classes to bear on Parliament, other than the Parliamentary vote, was the real line of progress. However, I shall return to this subject on some future occasion, in connection with the intensified suffragist campaign which began about ten years ago (1907-08) and in which I took some part. I will only note here my first acquaintance with Mrs. Fawcett. I see her so clearly as a fresh, picturesque figure--in a green silk dress and a necklace of amber beads, when she came down to Oxford in the mid-'seventies to give a course of lectures in the series that Mrs. Creighton and I were organizing, and I remember well the atmosphere of sympathy and admiration which surrounded her as she spoke to an audience in which many of us were well acquainted with the heroic story of Mr. Fawcett's blindness, and of the part played by his wife in enabling him to continue his economic and Parliamentary work. But life then was not all lectures!--nor was it all Oxford. There were vacations, and vacations generally meant for us some weeks, at least, of travel, even when pence were fewest. The Christmas vacation of 1874 we were in Paris. The weather was bitter, and we were lodged, for cheapness' sake, in an old-fashioned hotel, where the high canopied beds with their mountainous duvets were very difficult to wake up in on a cold morning. But in spite of snow and sleet we filled our days to the brim. We took with us some introductions from Oxford--to Madame Mohl, the Renans, the Gaston Parises, the Boutmys, the Ribots, and, from my Uncle Matthew, to the Scherers at Versailles. Monsieur Taine was already known to us, and it was at their house, on one of Madame Taine's Thursdays, that I first heard French conversation at its best. There was a young man there, dark-eyed, dark-haired, to whom I listened--not always able to follow the rapid French in which he and two other men were discussing some literary matter of the moment, but conscious, for the first time, of what the conversation of intellectual equals might be, if it were always practised as the French are trained to practise it from their mother's milk, by the influence of a long tradition. The young man was M. Paul Bourget, who had not yet begun to write novels, while his literary and philosophical essays seemed rather to mark him out as the disciple of M. Taine than as the Catholic protagonist he was soon to become. M. Bourget did not then speak English, and my French conversation, which had been wholly learned from books, had a way at that time--and, alack! has still--of breaking down under me, just as one reached the thing one really wanted to say. So that I did not attempt to do more than listen. But I seem to remember that those with whom he talked were M. Francis Charmes, then a writer on the staff of the DÉbats, and afterward the editor of the Revue des deux Mondes in succession to M. BrunetiÈre; and M. Gaston Paris, the brilliant head of French philology at the CollÈge de France. What struck me then, and through all the new experiences and new acquaintanceships of our Christmas fortnight, was that strenuous and passionate intensity of the French temper, which foreign nations so easily lose sight of, but which, in truth, is as much part of the French nature as their gaiety, or as what seems to us their frivolity. The war of 1870, the Commune, were but three years behind them. Germany had torn from them Alsace-Lorraine; she had occupied Paris; and their own Jacobins had ruined and burned what even Germany had spared. In the minds of the intellectual class there lay deep, on the one hand, a determination to rebuild France; on the other, to avenge her defeat. The blackened ruins of the Tuileries and of the Cour des Comptes still disfigured a city which grimly kept them there as a warning against anarchy; while the statue of the Ville de Strasbourg in the Place de la Concorde had worn for three years the funeral garlands, which, as France confidently hopes, the peace that will end this war will, after nearly half a century, give way once more to the rejoicing tricolor. At the same time reconstruction was everywhere beginning--especially in the field of education. The corrupt, political influence of the Empire, which had used the whole educational system of the country for the purpose of keeping itself and its supporters in power, was at an end. The recognized "École Normale" was becoming a source of moral and mental strength among thousands of young men and women; and the "École des Sciences politiques," the joint work of Taine, Renan, and M. Boutmy, its first director, was laying foundations whereof the results are to be seen conspicuously to-day, in French character, French resource, French patience, French science, as this hideous war has revealed them. |
I remember an illuminating talk with M. Renan himself on this subject during our visit. We had never yet seen him, and we carried an introduction to him from Max MÜller, our neighbor and friend in Oxford. We found him alone, in a small working-room crowded with books, at the College de France. Madame Renan was away, and he had abandoned his large library for something more easily warmed. My first sight of him was something of a shock--of the large, ungainly figure, the genial face with its spreading cheeks and humorous eyes, the big head with its scanty locks of hair. I think he felt an amused and kindly interest in the two young folk from Oxford who had come as pilgrims to his shrine, and, realizing that our French was not fluent and our shyness great, he filled up the time--and the gaps--by a monologue, lit up by many touches of Renanesque humor, on the situation in France.
First, as to literature--"No, we have no genius, no poets or writers of the first rank just now--at least so it seems to me. But we work--nous travaillons beaucoup! Ce sera noire salut." It was the same as to politics. He had no illusions and few admirations. "The Chamber is full of mediocrities. We are governed by avocats and pharmaciens. But at least Ils ne feront pas la guerre!"
He smiled, but there was that in the smile and the gesture which showed the smart within; from which not even his scholar's philosophy, with its ideal of a world of cosmopolitan science, could protect him. At that moment he was inclined to despair of his country. The mad adventure of the Commune had gone deep into his soul, and there were still a good many pacifying years to run, before he could talk of his life as "cette charmante promenade À travers la realitÉ"--for which, with all it had contained of bad and good, he yet thanked the Gods. At that time he was fifty-one; he had just published L'Antichrist, the most brilliant of all the volumes of the "Origines"; and he was not yet a member of the French Academy.
I turn to a few other impressions from that distant time. One night we were in the ThÉÂtre FranÇais, and Racine's "PhÈdre" was to be given. I at least had never been in the Maison de MoliÈre before, and in such matters as acting I possessed, at twenty-three, only a very raw and country-cousinish judgment. There had been a certain amount of talk in Oxford of a new and remarkable French actress, but neither of us had really any idea of what was before us. Then the play began. And before the first act was over we were sitting, bent forward, gazing at the stage in an intense and concentrated excitement such as I can scarcely remember ever feeling again, except perhaps when the same actress played "Hernani" in London for the first time in 1884. Sarah Bernhardt was then--December, 1874--in the first full tide of her success. She was of a ghostly and willowy slenderness. Each of the great speeches seemed actually to rend the delicate frame. When she fell back after one of them you felt an actual physical terror lest there should not be enough life left in the slight, dying woman to let her speak again. And you craved for yet more and more of the voix d'or which rang in one's ears as the frail yet exquisite instrument of a mighty music. Never before had it been brought home to me what dramatic art might be, or the power of the French Alexandrine. And never did I come so near quarreling with "Uncle Matt" as when, on our return, after having heard my say about the genius of Sarah Bernhardt, he patted my hand indulgently with the remark, "But, my dear child, you see, you never saw Rachel!"
As we listened to Sarah Bernhardt we were watching the outset of a great career which had still some forty years to run. On another evening we made acquaintance with a little old woman who had been born in the first year of the Terror, who had spent her first youth in the salon of Madame RÉcamier, valued there, above all, for her difficult success in drawing a smile from that old and melancholy genius, ChÂteaubriand; and had since held a salon of her own, which deserves a special place in the history of salons. For it was held, according to the French tradition, and in Paris, by an Englishwoman. It was, I think, Max MÜller who gave us an introduction to Madame Mohl. She sent us an invitation to one of her Friday evenings, and we duly mounted to the top of the old house in the Rue du Bac which she made famous for so long. As we entered the room I saw a small disheveled figure, gray-headed, crouching beside a grate, with a kettle in her hand. It was Madame Mohl--then eighty-one--who was trying to make the fire burn. She just raised herself to greet us, with a swift investigating glance; and then returned to her task of making the tea, in which I endeavored to help her. But she did not like to be helped, and I soon subsided into my usual listening and watching, which, perhaps, for one who at that time was singularly immature in all social respects, was the best policy. I seem still to see the tall, substantial form of Julius Mohl standing behind her, with various other elderly men who were no doubt famous folk, if one had known their names. And in the corner was the Spartan tea-table, with its few biscuits, which stood for the plain living whereon was nourished the high thinking and high talking which had passed through these rooms. Guizot, Cousin, AmpÈre, Fauriel, Mignet, Lamartine, all the great men of the middle century had talked there; not, in general, the poets and the artists, but the politicians, the historians, and the savants. The little Fairy Blackstick, incredibly old, kneeling on the floor, with the shabby dress and tousled gray hair, had made a part of the central scene in France, through the Revolution, the reign of the Citizen king, and the Second Empire--playing the rÔle, through it all, of a good friend of freedom. If only one had heard her talk! But there were few people in the room, and we were none of us inspired. I must sadly put down that Friday evening among the lost opportunities of life. For Mrs. Simpson's biography of Madame Mohl shows what a wealth of wit and memory there was in that small head! Her social sense, her humor, never deserted her, though she lived to be ninety. When she was dying, her favorite cat, a tom, leaped on her bed. Her eyes lit up as she feebly stroked him. "He is so distinguished!" she whispered. "But his wife is not distinguished at all. He doesn't know it. But many men are like that." It was one of the last sayings of an expert in the human scene.
Madame Mohl was twenty-one when the Allies entered Paris in 1814. She had lived with those to whom the fall of the Ancien RÉgime, the Terror, and the Revolutionary wars had been the experience of middle life. As I look back to the salon in the Rue du Bac, which I saw in such a flash, yet where my hand rested for a moment in that of Madame RÉcamier's pet and protegÉe, I am reminded, too, that I once saw, at the Forsters', in 1869, when I was eighteen, the Doctor Lushington who was Lady Byron's adviser and confidant when she left her husband, and who, as a young man, had stayed with Pitt and ridden out with Lady Hester Stanhope. One night, in Eccleston Square, we assembled for dinner in the ground-floor library instead of the drawing-room, which was up-stairs. I slipped in late, and saw in an arm-chair, his hands resting on a stick, an old, white-haired man. When dinner was announced--if I remember right--he was wheeled into the dining-room, to a place beside my aunt. I was too far away to hear him talk, and he went home after dinner. But it was one of the guests of the evening, a friend of his, who said to me--with a kindly wish, no doubt, to thrill the girl just "out": "You ought to remember Doctor Lushington! What are you?--eighteen?--and he is eighty-six. He was in the theater on the night when the news reached London of Marie Antoinette's execution, and he can remember, though he was only a boy of eleven, how it was given out from the stage, and how the audience instantly broke up."
Doctor Lushington, of course, carries one farther back than Madame Mohl. He was born in 1782, four years after the deaths of Rousseau and Voltaire, two years before the death of Diderot. He was only six years younger than Lady Hester Stanhope, whose acquaintance he made during the three years--1803-1806--when she was keeping house for her uncle, William Pitt.
But on my right hand at the same dinner-party there sat a guest who was to mean a good deal more to me personally than Doctor Lushington--young Mr. George Otto Trevelyan, as he then was, Lord Macaulay's nephew, already the brilliant author of A Competition Wallah, Ladies in Parliament, and much else. We little thought, as we talked, that after thirty-five years his son was to marry my daughter.