II

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He was aware that in the upper regions something was preparing. He was aware of this in general by a certain stir that there was, of agitated voices and hurrying footsteps and urgent cries; but he was aware more immediately because of the attentions of Mary, Jeremy’s younger sister.

He had always hated Mary. Are dogs, in their preferences and avoidances, guided at all by physical beauty or ugliness? Was Helen of Troy adored by the dogs of that town and did Sappho command the worship of the hounds of Greece? We are told nothing of it and, on the other hand, we know that Lancelot Gobbo had a devoted dog and that Charon, who cannot have been a handsome fellow, was most faithfully dog-attended. I do not think that Hamlet minded poor Mary’s plainness, her large spectacles, her sallow complexion, colourless hair and bony body. His dislike arose more probably from the certainty that she would always stroke him the wrong way, would poke her fingers into his defenceless eyes, would try to drag him on to her sharp, razor-edged knees and would talk to him in that meaningless sing-song especially invented by the sentimental of heart and slow of brain for the enchantment of babies and animals.

She was talking to him in just that fashion now. He had slipped upstairs, attracted by a smell in the dining-room. Watching for the moment when he would be undetected, he had crept round the dining-room door and had stood, his nose in air, surrounded by a sea of worn green carpet, sniffing. Suddenly he felt a hand on his collar and there followed that voice that of all others he most detested. “Why, here’s Hamlet! Helen, here’s Hamlet! ... We can get him ready now, Helen; there’s only two hours left anyway, and Jeremy will care much more about that than anything. I’d like to leave him downstairs, but Jeremy will be sure to ask where he is. Which colour shall I use for the ribbon, Helen? I’ve got blue and red and orange.”

A pause. Then again:

“Which shall I use? Do say.”

Then from a great distance:

“Oh, don’t bother, Mary. Can’t you see I’m busy?”

A heavy sigh. “Oh, well, you might. Never mind. I think the blue’s best.” All this time Hamlet was desperately wriggling, but the hand, with knuckles that pressed into the flesh and hurt, had firm hold.

“Oh, do keep still, Hamlet. Can’t you see that your master’s coming home and you’ve got to be made nice? Oh, bother! I’ve gone and cut the piece too short.... Helen, have you got another piece of blue?”

A pause. Then again: “Oh, Helen, you might say. I’ve cut the piece too short. Haven’t you got another bit of blue?”

Then again from a long distance:

“Don’t bother, Mary. Can’t you see that I’m so busy?”

“Oh, very well, then.” A terribly deep sigh that made Hamlet shiver with discomfort. “Come here, Hamlet. On to my lap, where I can tie it better. There, that’s right. Oh, do keep your head still—and how fat you are now!”

Insult upon insult heaped. He raised his eyes to heaven, partly in indignation, partly because the entrancing smell could be caught more securely now from the elevation of Mary’s lap! But the discomfort of that lap, the hard boniness, the sudden precipitate valley, the shortness of its surface so that one was for ever slipping two legs over, the moist warmth of the surrounding hand, the iron hardness of the fingers at the neck! He played his best game of wriggle, slipping, sliding, lying suddenly inert, jerking first with his paws, then with his hind legs, digging his head beneath his captor’s arm as the flamingo did in “Alice.”

Mary, as so often occurred, lost her patience. “Oh, do keep still, Hamlet! How tiresome you are, when I’ve got such a little time too! Don’t you like to have a ribbon? And you’ll have to be brushed too. Helen, where’s the brush that we used to have for Hamlet?”

No answer.

“Oh, do keep still, you naughty dog!” She dug her knuckles into his eyes. “Oh, Helen, do say! Don’t you know where it is?”

Then from a great distance: “Oh, don’t bother, Mary. No, I don’t know where it is. How stupid you are! Can’t you see I’m busy?”

He wriggled, Mary slapped him. He turned and bit her. She dropped him.

“Oh, Helen, he’s bit me!”

“It’s bitten, not bit.

“No, it isn’t; it’s bit.... Perhaps he’s mad or something, and I’ll suddenly bark like a dog. I know they do. I read about it in ‘Hopes and Fears.’ You’re a horrid dog and I don’t care whether Jeremy sees you or not. Oh, Helen, you might help. It’s four o’clock and Jeremy will be nearly here.”

Hamlet was free, free of Mary, but not of the room. The door behind him was closed. He sat there thinking, the piece of blue ribbon hanging loosely round his neck. Something was stirring within him—something that was not an appetite nor a desire nor a rebellion. A memory. He shook his head to escape from his ribbon. The memory came closer. From that too he would like to escape. He gazed at the door. Had he never smelt that alluring smell? ...

He slipped beneath the dining-room table, and, lying flat, resting his head on his paws, stared resentfully in front of him. The memory came closer.

                                                                                                                                                                                                                                                                                                           

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