Ushebti figures in blue porcelain, of varying sizes, are now being made in Luxor, and I believe also in the Delta, near Zagazig. The modelling is good in some cases, and very bad in others, but the glaze is the wrong colour. The old Egyptian glaze was thin, and evenly distributed, while the new glaze is thicker in parts, patchy, and not quite the proper blue (see Frontispiece), but these faults will probably be rectified in a very short time. The old Egyptian blue is commonly supposed to have been produced by grinding down turquoise, but there is no evidence that the Egyptians used these stones for such a purpose, although they mined turquoise in Sinai from prehistoric times. Some time ago I came across a visitor and a friend sitting examining some specimens of Egyptian antiquities with a view I came up in time to hear an offer of £20 for a small, but handsome, black statue of Isis with the infant Horus, and some blue ushebti figures. The goddess and her son were represented as being seated upon a kind of throne. “You know about these things,” said the visitor to me. “Come and tell me what you think.” Modestly disclaiming any special knowledge, I took a seat and examined the figures for which I had heard the offer of £20. The model of Isis and Horus was beautifully cut, and appeared to be made of polished diorite, but close examination showed that it was composed of plaster of Paris, coloured black, similar to the black scarab (No. 8 on Plate VIII). The three ushebti figures “What do you think of the figures?” whispered the visitor. At that moment Providence sent a wandering Egyptologist on the scene. “Ah, here is the man who knows,” was my reply. By careful shepherding, the expert was got across to the table, and comfortably settled in a chair. I saw an angry look come over his face when he caught sight of the specimens, and I very quietly withdrew. As I left I heard the visitor say, “Ah well, you wouldn’t take my offer of twenty pounds, and now I shall retire from the business.” An hour later, the charming ladies who had watched the scene fell foul of me for “Why, we could see that they were not genuine!” they cried. “Then why didn’t you say so?” was my testy reply. “It was not our business; he didn’t ask us,” they said scornfully. “But we heard him ask you, and you did not answer.” Now, it was quite useless to explain that I had stopped the sale by bringing the Egyptologist into the affair. I was put down as “a mean thing,” and not forgiven for some time after. Nor was this all the misfortune that befell me, for later the Egyptologist said huffily, “Look here, when next your opinion is asked upon antiquities, spurious or otherwise, do the work yourself, and don’t bring me into it.” Later, the visitor loftily denied that he had offered £20 for the figures. Then it was that the ladies partly forgave me, for they had heard the offer made. PLATE VII. STONE AND OTHER FIGURES. Khargeh is an oasis in the Libyan Desert, lying more than one hundred miles to the west of the Nile. In the ancient days the Romans had an outpost there. Now it is the scene of the labours of a land company, and the Egyptian Government sometimes banishes habitual criminals and bad characters to this place. On another occasion, when I was purchasing spurious antiquities, the seller produced a well-made statue of Isis with the infant Horus. It was cut in white stone, and |