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To arrive at a high degree of pleasure in collecting a library, one must travel. The Bibliotaph regularly traveled in search of his volumes. His theory was that the collector must go to the book, not wait for the book to come to him. No reputable sportsman, he said, would wish the game brought alive to his back-yard for him to kill. Half the pleasure was in tracking the quarry to its hiding-place. He himself ordered but seldom from catalogues, and went regularly to and fro among the dealers in books, seeking the volume which his heart desired. He enjoyed those shops where the book-seller kept open house, where the stock was large and surprises were common, where the proprietor was prodigiously well-informed on some points and correspondingly ill-informed on others. He bought freely, never disputed a price, and laid down his cash with the air of a man who believes that unspent money is the root of all evil.

These travels brought about three results: the making of friends, the compilation of scrap-books, and the establishment of ‘bins.’ Before speaking of any one of these points, a word on the satisfactions of bibliographical touring.

In every town of considerable size, and in many towns of inconsiderable size, are bookshops. It is a poor shop which does not contain at least one good book. This book bides its time, and usually outstays its welcome. But its fate is about its neck. Somewhere there is a collector to whom that book is precious. They are made for one another, the collector and the book; and it is astonishing how infrequently they miss of realizing their mutual happiness. The book-seller is a marriage-broker for unwedded books. His business is to find them homes, and take a fee for so doing. Sugarman the Shadchan was not more zealous than is your vendor of rare books.

Now, it is a curious fact that the most desirable of bookish treasures are often found where one would be least likely to seek them. Montana is a great State, nevertheless one does not think of going to Montana for early editions of Shakespeare. Let the book-hunter inwardly digest the following plain tale of a clergyman and a book of plays.

There is a certain collector who is sometimes called ‘The Bishop.’ He is not a bishop, but he may be so designated; coming events have been known to cast conspicuous shadows in the likeness of mitre and crosier. The Bishop heard of a man in Montana who had an old book of plays with an autograph of William Shakespeare pasted in it. Being a wise ecclesiastic, he did not exclaim ‘Tush’ and ‘Fie,’ but proceeded at once to go book-hunting in Montana. He went by proxy, if not in person; the journey is long. In due time the owner of the volume was found and the book was placed in the Bishop’s hands for inspection. He tore off the wrappers, and lo! it was a Fourth Folio of Shakespeare excellently well preserved, and with what appeared to be the great dramatist’s signature written on a slip of paper and pasted inside the front cover. The problem of the genuineness of that autograph does not concern us. The great fact is that a Shakespeare folio turned up in Montana. Now when he hears some one express desire for a copy of Greene’s Groatsworth of Wit, or any other rare book of Elizabeth’s time, the Bishop’s thoughts fly toward the setting sun. Then he smiles a notable kind of smile, and says, ‘If I could get away I’d run out to Montana and try to pick up a copy for you.’

There is a certain gentleman who loves the literature of Queen Anne’s reign. He lives with Whigs and Tories, vibrates between coffee-house and tea-table. He annoys his daughter by sometimes calling her ‘Belinda,’ and astonishes his wife with his mock-heroic apostrophes to her hood and patches. He reads his Spectator at breakfast while other people batten upon newspapers only three hours old. He smiles over the love-letters of Richard Steele, and reverences the name and the writings of Joseph Addison. Indeed, his devotion to Addison is so radical that he has actually been guilty of reading The Campaign and the Dialogue on Medals. This gentleman hunted books one day and was not successful. It seemed to him that on this particular afternoon the world was stuffed with Allison’s histories of Europe, and Jeffrey’s contributions to the Edinburgh Review. His heart was filled with bitterness and his nostrils with dust. Books which looked inviting turned out to be twenty-second editions. Of fifty things upon his list not one came to light. But it was predestined that he should not go sorrowing to his home. He pulled out from a bottom shelf two musty octavo volumes bound in dark brown leather, and each securely tied with a string; for the covers had been broken from the backs. The titles were invisible, the contents a mystery. The gentleman held the unpromising objects in his hand and meditated upon them. They might be a treatise on conic sections, or a Latin Grammar, and again they might be a Book. He untied the string and opened one of the volumes. Was it a breath of summer air from Isis that swept out of those pages, which were as white as snow in spite of the lapse of nearly two centuries? He read the title, Musarum Anglicanarum Analecta. The date was 1699. He turned to the table of contents, and his heart gave a contented throb. There was the name he wished to see, J. Addison, Magd. Coll: The name occurred eight times. The dejected collector had found a clean and uncut copy of those two volumes of contemporary Latin verse compiled by Joseph Addison, when he was a young man at Oxford, and printed at the Sheldonian Theatre. Addison contributed eight poems to the second volume. The bookseller was willing to take seventy-five cents for the set, and told the gentleman as he did up the package that he was a comfort to the trade.

That night the gentleman read The Battle of the Pigmies and the Cranes, while his wife read the evening edition of the Lurid Paragraph. Now he says to his friends, ‘Hunt books in the most unpromising places, but make a thorough search. You may not discover a Koh-i-noor, but you will be pretty sure to run upon some desirable little thing which gives you pleasure and costs but a trifle.’

One effect of this adventure upon himself is that he cannot pass a volume which is tied with a string. He spends his days and Saturday nights in tying and untying books with broken covers. Even the evidence of a clearly-lettered title upon the back fails to satisfy him. He is restless until he has made a thorough search in the body of the volume.

The Bibliotaph’s own best strokes of fortune were made in out-of-the-way places. But some god was on his side. For at his approach the bibliographical desert blossomed like the rose. He used to hunt books in Texas at one period in his life; and out of Texas would he come, bringing, so it is said, first editions of George Borrow and Jane Austen. It was maddening to be with him at such times, especially if one had a gift for envy.

Yet why should one envy him his money, or his unerring hand and eye? He paid for the book, but it was yours to read and to caress so long as you would. If he took it from you it was only that he might pass it on to some other friend. But if that volume once started in the direction of the great tomb of books in Westchester County, no power on earth could avail to restore it to the light of day.

It is pleasant to meditate upon past journeys with the Bibliotaph. He was an incomparable traveling companion, buoyant, philosophic, incapable of fatigue, and never ill. Yet it is a tradition current, that he, the mighty, who called himself a friend to physicians, because he never robbed them of their time either in or out of office-hours, once succumbed to that irritating little malady known as car-sickness. He succumbed, but he met his fate bravely and with the colors of his wit flying. The circumstances are these:—

There is a certain railway thoroughfare which justly prides itself upon the beauty of its scenery. This road passes through a hill-country, and what it gains in the picturesque it loses in that rectilinear directness most grateful to the traveler with a sensitive stomach. The Bibliotaph often patronized this thoroughfare, and one day it made him sick. As the train swept around a sharp curve, he announced his earliest symptom by saying: ‘The conspicuous advantages of this road are that one gets views of the scenery and reviews of his meals.’

A few minutes later he suggested that the road would do well to change its name, and hereafter be known as ‘The Emetic G. and O.’

They who were with him proffered sympathy, but he refused to be pitied. He thought he had a remedy. He discovered that by taking as nearly as possible a reclining posture, he got temporary relief. He kept settling more and more till at last he was nearly on his back. Then he said: ‘If it be true that the lower down we get the more comfortable we are, the basements of Hell will have their compensations.’

He was too ill to say much after this, but his last word, before the final and complete extinction of his manhood, was, ‘The influence of this road is such that employees have been known involuntarily to throw up their jobs.’The Bibliotaph invariably excited comment and attention when he was upon his travels. I do not think he altogether liked it. Perhaps he neither liked it nor disliked it. He accepted the fact that he was not as other men quite as he would have accepted any indisputable fact. He used occasionally to express annoyance because of the discrepancy between his reputation and appearance; in other words, because he seemed a man of greater fame than he was. He suffered the petty discomforts of being a personage, and enjoyed none of the advantages. He declared that he was quite willing to be much more distinguished or much less conspicuous. What he objected to was the Laodicean character of his reputation as set over against the pronounced and even startling character of his looks and manner.

He used also to note with amusement how indelible a mark certain early ambitions and tentative studies had made upon him. People invariably took him for a clergyman. They decided this at once and conducted themselves accordingly. He made no protest, but observed that their convictions as to how they should behave in his presence had corollaries in the shape of very definite convictions as to how he should carry himself before them. He thought that such people might be described as moral trainers. They do not profess virtue themselves, but they take a real pleasure in keeping you up to your profession.The Bibliotaph had no explanation to give why he was so immediately and invariably accounted as one in orders. He was quite sure that the clerical look was innate, and by no means dependent upon the wearing of a high vest or a Joseph Parker style of whisker; for once as he sat in the hot room of a Turkish bath and in the Adamitic simplicity of attire suitable to the temperature and the place, a gentleman who occupied the chair nearest introduced conversation by saying, ‘I beg your pardon, sir, but are you not a clergyman?’

‘This incident,’ said the Bibliotaph, ‘gave me a vivid sense of the possibility of determining a man’s profession by a cursory examination of his cuticle.’ Lowell’s conviction about N. P. Willis was well-founded: namely, that if it had been proper to do so, Willis could have worn his own plain bare skin in a way to suggest that it was a representative Broadway tailor’s best work.

I imagine that few boys escape an outburst of that savage instinct for personal adornment which expresses itself in the form of rude tattooing upon the arms. The Bibliotaph had had his attack in early days, and the result was a series of decorations of a highly patriotic character, and not at all in keeping with South Kensington standards. I said to him once, apropos of the pictures on his arms: ‘You are a great surprise to your friends in this particular.’ ‘Yes,’ he replied, ‘few of them are aware that the volume of this Life is extra-illustrated.’

But that which he of necessity tolerated in himself he would not tolerate in his books. They were not allowed to become pictorially amplified. He saw no objection to inserting a rare portrait in a good book. It did not necessarily injure the book, and it was one way of preserving the portrait. Yet the thing was questionable, and it was likely to prove the first step in a downward path. As to cramming a volume with a heterogeneous mass of pictures and letters gathered from all imaginable sources, he held the practice in abhorrence, and the bibliographical results as fit only for the libraries of the illiterate rich. He admitted the possibility of doing such a thing well or ill; but at its best it was an ill thing skillfully done.

The Bibliotaph upon his travels was a noteworthy figure if only because of the immense parcel of books with which he burdened himself. That part of the journeying public which loves to see some new thing puzzled itself mightily over the gentleman of full habit, who in addition to his not inconsiderable encumbrance of flesh and luggage, chose to carry about a shawl-strap loaded to utmost capacity with a composite mass of books, magazines, and newspapers. It was enormously heavy, and the way in which its component parts adhered was but a degree short of the miraculous. He appeared hardly conscious of its weight, for he would pick the thing up and literally trip with it on a toe certainly not light, but undeniably fantastic.

He carried the books about with him partly because he had just purchased them and wished to study their salient points, and partly because he was taking them to a ‘bin.’ There is no mystery about these ‘bins.’ They were merely places of temporary rest for the books before the grand moving to the main library. But if not mysterious they were certainly astonishing, because of their number and size. With respect to number, one in every large city was the rule. With respect to size, few people buy in a lifetime as many books as were sometimes heaped together in one of these places of deposit. He would begin by leaving a small bundle of books with some favorite dealer, then another, and then another. As the collection enlarged, the accommodations would be increased; for it was a satisfaction to do the Bibliotaph this favor, he purchased so liberally and tipped the juvenile clerks in so royal a manner. Nor was he always in haste to move out after he had once moved in. One bookseller, speaking of the splendid proportions which the ‘bin’ was assuming, declared that he sometimes found it difficult to adjust himself mentally to the situation; he couldn’t tell when he came to his place of business in the morning whether he was in his own shop or the Bibliotaph’s library.

The corner of the shop where the great collector’s accumulations were piled up was a centre of mirth and conversation if he himself chanced to be in town. Men dropped in for a minute and stayed an hour. In some way time appeared to broaden and leisure to grow more ample. Life had an unusual richness, and warmth, and color, when the Bibliotaph was by. There was an Olympian largeness and serenity about him. He seemed almost pagan in the breadth of his hold upon existence. And when he departed he left behind him what can only be described as great unfilled mental spaces. I recall that a placard was hung up in his particular corner with the inscription, ‘English spoken here.’ This amused him. Later there was attached to it another strip upon which was crayoned, ‘Sir, we had much good talk,’ with the date of the talk. Still later a victim added the words, ‘Yes, sir, on that day the Bibliotaph tossed and gored a number of people admirably.’

It was difficult for the Bibliotaph not to emit intellectual sparks of one kind or another. His habit of dealing with every fact as if it deserved his entire mental force, was a secret of his originality. Everything was worth while. If the fact was a serious fact, all the strength of his mind would be applied to its exposition or defense. If it was a fact of less importance, humor would appear as a means to the conversational end. And he would grow more humorous as the topics grew less significant. When finally he rioted in mere word-play, banter, quizzing, it was a sign that he regarded the matter as worthy no higher species of notice.

I like this theory of his wit so well that I am minded not to expose it to an over-rigid test. The following small fragments of his talk are illustrative of such measure of truth as the theory may contain.

Among the Bibliotaph’s companions was one towards whose mind he affected the benevolent and encouraging attitude of a father to a budding child. He was asked by this friend to describe a certain quaint and highly successful entertainer. This was the response: ‘The gentleman of whom you speak has the habit of coming before his audience as an idiot and retiring as a genius. You and I, sir, couldn’t do that; we should sustain the first character consistently throughout the entire performance.’

It was his humor to insist that all the virtues and gifts of a distinguished collector were due for their expansion and development to association with himself and the writer of these memories. He would say in the presence of the distinguished collector: ‘Henry will probably one day forget us, but on the Day of Judgment, in any just estimate of the causes of his success, the Lord won’t.’I have forgotten what the victim’s retort was; it is safe to assume that it was adequate.

This same collector had the pleasing habit of honoring the men he loved, among whom the Bibliotaph was chief, with brightly written letters which filled ten and fifteen half-sheets. But the average number of words to a line was two, while a five-syllable word had trouble in accommodating itself to a line and a half, and the sheets were written only upon one side. The Bibliotaph’s comment was: ‘Henry has a small brain output, but unlimited influence at a paper-mill.’

Of all the merry sayings in which the Bibliotaph indulged himself at the expense of his closest friend this was the most comforting. A gentleman present was complaining that Henry took liberties in correcting his pronunciation. ‘I have no doubt of the occasional need of such correction, but it isn’t often required, and not half so often as he seems to think. I, on the other hand, observe frequent minor slips in his use of language, but I do not feel at liberty to correct him.’

The Bibliotaph began to apply salve to the bruised feelings of the gentleman present as follows: ‘The animus of Henry’s criticism is unquestionably envy. He probably feels how few flies there are in your ointment. While you are astonished that in his case there should be so little ointment for so many flies.’The Bibliotaph never used slang, and the united recollections of his associates can adduce but two or three instances in which he sunk verbally so low as even to hint slang. He said that there was one town which in his capacity of public speaker he should like to visit. It was a remote village in Virginia where there was a girls’ seminary, the catalogue of which set forth among advantages of location this: that the town was one to which the traveling lecturer and the circus never came. The Bibliotaph said, ‘I should go there. For I am the one when I am on the platform, and by the unanimous testimony of all my friends I am the other when I am off.’

The second instance not only illustrates his ingenuity in trifles, but also shows how he could occasionally answer a friend according to his folly. He had been describing a visit which he had made in the hero-worshiping days of boyhood to Chappaqua; how friendly and good-natured the great farmer-editor was; how he called the Bibliotaph ‘Bub,’ and invited him to stay to dinner; how he stayed and talked politics with his host; how they went out to the barn afterwards to look at the stock; what Greeley said to him and what he said to Greeley,—it was a perfect bit of word-sketching, spontaneous, realistic, homely, unpretentious, irresistibly comic because of the quaintness of the dialogue as reported, and because of the mental image which we formed of this large-headed, round-bellied, precocious youth, who at the age of sixteen was able for three consecutive hours to keep the conversational shuttlecock in the air with no less a person than Horace Greeley. Amid the laughter and comment which followed the narration one mirthful genius who chose for the day to occupy the seat of the scorner, called out to the Bibliotaph:—

‘How old did you say you were at that time, “Bub”?’

‘Sixteen.’

‘And did you wear whiskers?’

The query was insulting. But the Bibliotaph measured the flippancy of the remark with his eye and instantly fitted an answer to the mental needs of the questioner.

‘Even if I had,’ he said, ‘it would have availed me nothing, for in those days there was no wind.’

The Bibliotaph was most at home in the book-shop, on the street, or at his hotel. He went to public libraries only in an emergency, for he was impatient of that needful discipline which compelled him to ask for each volume he wished to see. He had, however, two friends in whose libraries one might occasionally meet him in the days when he hunted books upon this wide continent. One was the gentleman to whom certain letters on literature have been openly addressed, and who has made a library by a process which involves wise selection and infinite self-restraint. This priceless little collection contains no volume which is imperfect, no volume which mars the fine sense of repose begotten in one at the sight of lovely books becomingly clothed, and no volume which is not worthy the name of literature. And there is matter for reflection in the thought that it is not the library of a rich man. Money cannot buy the wisdom which has made this collection what it is, and without self-denial it is hardly possible to give the touch of real elegance to a private library. When dollars are not counted the assemblage of books becomes promiscuous. How may we better describe this library than by the phrase Infinite riches in a little book-case!

There was yet another friend, the Country Squire, who revels in wealth, buys large-paper copies, reads little but deeply, and raises chickens. His library (the room itself, I mean) is a gentleman’s library, with much cornice, much plate-glass, and much carving; whereof a wit said, ‘The Squire has such a beautiful library, and no place to put his books.’

These books are of a sort to rejoice the heart, but their tenure of occupancy is uncertain. Hardly one of them but is liable to eviction without a moment’s notice. They have a look in their attitude which indicates consciousness of being pilgrims and strangers. They seem to say, ‘We can tarry, we can tarry but a night.’ Some have tarried two nights, others a week, others a year, a few even longer. But aside from a dozen or so of volumes, not one of the remaining three thousand dares to affirm that it holds a permanent place in its owner’s heart of hearts. It is indeed a noble procession of books which has passed in and out of those doors. A day will come in which the owner realizes that he has as good as the market can furnish, and then banishments will cease. One sighs not for the volumes which deserved exile, but for those which were sent away because their master ceased to love them.

There was no friend with whom the Bibliotaph lived on easier terms than with the Country Squire. They were counterparts. They supplemented one another. The Bibliotaph, though he was born and bred on a farm, had fled for his salvation to the city. The Squire, a man of city birth and city education, had fled for his soul’s health to the country; he had rendered existence almost perfect by setting up an urban home in rural surroundings. It was well said of that house that it was finely reticent in its proffers of hospitality, and regally magnificent in its kindness to those whom it delighted to honor.

It was in the Country Squire’s library that the Bibliotaph first met that actor with whom he became even more intimate than with the Squire himself. The closeness of their relation suggested the days of the old Miracle plays when the theatre and the Church were as hand in glove. The Bibliotaph signified his appreciation of his new friend by giving him a copy of a sixteenth-century book ‘containing a pleasant invective against Poets, Pipers, Players, Jesters, and such like Caterpillars of a Commonwealth.’ The Player in turn compiled for his friend of clerical appearance a scrap-book, intended to show how evil associations corrupt good actors.

This actor professed that which for want of a better term might be called parlor agnosticism. The Bibliotaph was sturdily inclined towards orthodoxy, and there was from time to time collision between the two. It is my impression that the actor sometimes retired with four of his five wits halting. But he was brilliant even when he mentally staggered. Neither antagonist convinced the other, and after a while they grew wearied of traveling over one another’s minds.

It fell out on a day that the actor made a fine speech before a large gathering, and mindful of stage effect he introduced a telling allusion to an all-wise and omnipotent Providence. For this he was, to use his own phrase, ‘soundly spanked’ by all his friends; that is, he was mocked at, jeered, ridiculed. To what end, they said, was one an agnostic if he weakly yielded his position to the exigencies of an after-dinner speech. The Bibliotaph alone took pains to analyze his late antagonist’s position. He wrote to the actor congratulating him upon his success. ‘I wondered a little at this, remembering how inconsiderable has been your practice; and I infer that it has been inconsiderable, for I am aware how seldom an actor can be persuaded to make a speech. I, too, was at first shocked when I heard that you had made a respectful allusion to Deity; but I presently took comfort, remembering that your gods, like your grease-paints, are purely professional.’

He was always capital in these teasing moods. To be sure, he buffeted one about tremendously, but his claws were sheathed, and there was a contagiousness in his frolicsome humor. Moreover one learned to look upon one’s self in the light of a public benefactor. To submit to be knocked about by the Bibliotaph was in a modest way to contribute to the gayety of nations. If one was not absolutely happy one’s self, there was a chastened comfort in beholding the happiness of the on-lookers.

A small author wrote a small book, so small that it could be read in less time than it takes to cover an umbrella, that is, ‘while you wait.’ The Bibliotaph had Brobdingnagian joy of this book. He sat and read it to himself in the author’s presence, and particularly diminutive that book appeared as its light cloth cover was outlined against the Bibliotaph’s ample black waistcoat. From time to time he would vent ‘a series of small private laughs,’ especially if he was on the point of announcing some fresh illustration of the fallibility of inexperienced writers. Finally the uncomfortable author said, ‘Don’t sit there and pick out the mistakes.’ To which the Bibliotaph triumphantly replied, ‘What other motive is there for reading it at all?’

He purchased every copy of this book which he could find, and when asked by the author why he did so, replied, ‘In order to withdraw it from circulation.’ A moment afterwards he added reflectively, ‘But how may I hope to withdraw a book from that which it has never had?’

He was apt to be severe in his judgment of books, as when he said of a very popular but very feeble literary performance that it was an argument for the existence of God. ‘Such intensity of stupidity was not realized without Infinite assistance.’

He could be equally emphatic in his comments upon men. Among his acquaintance was a church dignitary who blew alternately hot and cold upon him. When advised of some new illustration of the divine’s uncertainty of attitude, the Bibliotaph merely said, ‘He’s more of a chameleon than he is a clergyman.’That Bostonian would be deficient in wit who failed to enjoy this remark. Speaking of the characteristics of American cities, the Bibliotaph said, ‘It never occurs to the Hub that anything of importance can possibly happen at the periphery.’

He greatly admired the genial and philanthropic editor of a well-known Philadelphia newspaper. Shortly after Mr. Childs’s death some one wrote to the Bibliotaph that in a quiet Kentucky town he had noticed a sign over a shop-door which read, ‘G. W. Childs, dealer in Tobacco and Cigars.’ There was something graceful in the Bibliotaph’s reply. He expressed surprise at Mr. Childs’s new occupation, but declared that for his own part he was ‘glad to know that the location of Heaven had at last been definitely ascertained.’

The Bibliotaph habitually indulged himself in the practice of hero-worship. This propensity led him to make those glorified scrap-books which were so striking a feature in his collection. They were no commonplace affairs, the ugly result of a union of cheap leather, newspaper-clippings and paste, but sumptuous books resplendent in morocco and gilt tooling, the creations of an artist who was eminent among binders. These scrap-books were chiefly devoted to living men,—men who were famous, or who were believed to be on the high road to fame. There was a book for each man. In this way did the Bibliotaph burn incense before his Dii majores et minores.

These books were enriched with everything that could illustrate the gifts and virtues of the men in whose honor they were made. They contained rare manuscripts, rare pictures, autograph comments and notes, a bewildering variety of records,—memorabilia which were above price. Poets wrote humorous verse, and artists who justly held their time as too precious to permit of their working for love decorated the pages of the Bibliotaph’s scrap-books. One does not abuse the word ‘unique’ when he applies it to these striking volumes.

The Bibliotaph did not always follow contemporary judgment in his selection of men to be so canonized. He now and then honored a man whose sense of the relation of achievement to fame would not allow him to admit to himself that he deserved the distinction, and whose sense of humor could not but be strongly excited at the thought of deification by so unusual a process. It might be pleasant to consider that the Bibliotaph cared so much for one’s letters as to wish not to destroy them, but it was awful to think of those letters as bound and annotated. This was to get a taste of posthumous fame before posthumous fame was due. The Bibliotaph added a new terror to life, for he compelled one to live up to one’s scrap-book. He reversed the old Pagan formula, which was to the effect that ‘So-and-So died and was made a god.’ According to the Bibliotaph’s prophetic method, a man was made a god first and allowed to die at his leisure afterward. Not every one of that little company which his wisdom and love have marked for great reputation will be able to achieve it. They are unanimously grateful that he cared enough for them to wish to drag their humble gifts into the broad light of publicity. But their gratitude is tempered by the thought that perhaps he was only elaborately humorous at their expense.

The Bibliotaph’s intellectual processes were so vigorous and his pleasure in mental activity for its own sake was so intense that he was quite capable of deciding after a topic of discussion had been introduced which side he would take. And this with a splendid disdain of the merits of the cause which he espoused. I remember that he once set out to maintain the thesis that a certain gentleman, as notable for his virtues as he was conspicuous for lack of beauty, was essentially a handsome man. The person who initiated the discussion by observing that ‘Mr. Blank was unquestionably a plain man’ expected from the Bibliotaph (if he expected any remark whatever) nothing beyond a Platonic ‘That I do most firmly believe.’ He was not a little astonished when the great book-collector began an elaborate and exhaustive defense of the gentleman whose claims to beauty had been questioned. At first it was dialogue, and the opponent had his share of talk; but when in an unlucky moment he hinted that such energy could only be the result of consciousness on the Bibliotaph’s part that he was in a measure pleading his own cause, the dialogue changed to monologue. For the Bibliotaph girded up his loins and proceeded to smite his opponent hip and thigh. All in good humor, to be sure, and laughter reigned, but it was tremendous and it was logically convincing. It was clearly not safe to have a reputation for good looks while the Bibliotaph was in this temper. All the gentlemen were in terror lest something about their countenances might be construed as beauty, and men with good complexions longed for newspapers behind which to hide their disgrace.

As for the disputant who had stirred up the monster, his situation was as unenviable as it was comic to the bystanders. He had never before dropped a stone into the great geyser. He was therefore unprepared for the result. One likened him to an unprotected traveler in a heavy rain-storm. For the Bibliotaph’s unpremeditated speech was a very cloud-burst of eloquence. The unhappy gentleman looked despairingly in every direction as if beseeching us for the loan of a word-proof umbrella. There was none to be had. We who had known a like experience were not sorry to stand under cover and watch a fellow mortal undergo this verbal drenching. The situation recalled one described by Lockhart when a guest differed on a point of scholarship with the great Coleridge. Coleridge began to ‘exert himself.’ He burst into a steady stream of talk which broadened and deepened as the moments fled. When finally it ceased the bewildered auditor pulled himself together and exclaimed, ‘Zounds, I was never so be-thumped with words in my life!’

People who had opportunity of observing the Bibliotaph were tempted to speculate on what he might have become if he had not chosen to be just what he was. His versatility led them to declare for this, that, and the other profession, largely in accordance with their own personal preferences. Lawyers were sure that he should have been an advocate; ministers that he would have done well to yield to the ‘call’ he had in his youth; teachers were positive that he would have made an inspiring teacher. No one, so far as I know, ever told him that in becoming a book-collector he had deprived the world of a great musician; for he was like Charles Lamb in that he was sentimentally inclined to harmony but organically incapable of a tune.

Yet he was so broad-minded that it was not possible for him to hold even a neutral attitude in the presence of anything in which other people delighted. I have known him to sit through a long and heavy organ recital, not in a resigned manner but actively attentive, clearly determined that if the minutest portion of his soul was sensitive to the fugues of J. S. Bach he would allow that portion to bask in the sunshine of an unwonted experience. So that from one point of view he was the incarnation of tolerance as he certainly was the incarnation of good-humor and generosity. He envied no man his gifts from Nature or Fortune. He was not only glad to let live, but painstakingly energetic in making the living of people a pleasure to them, and he received with amused placidity adverse comments upon himself.

Words which have been used to describe a famous man of this century I will venture to apply in part to the Bibliotaph. ‘He was a kind of gigantic and Olympian school-boy, … loving-hearted, bountiful, wholesome and sterling to the heart’s core.’