THE STORY OF IGNATIUS, THE ALMONER

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THE STORY OF IGNATIUS, THE ALMONER

Though this happened at the Butler Penfields' garden party, the results concern Miss Mabel Dunbar more than any one else, except, perhaps, one other. Mabel had been invited, as she was invited everywhere, partly because she was a very pretty girl, and helped to make things go, and partly through public policy.

"So long as the dear child remains unmarried," Mrs. Fessenden had said, "we must continue to buy our tea from her."

For Mabel owed her amber draperies to the tea she sold and everybody bought because her grandmother had lived on Washington Square. In society, to speak of tea was to speak of Mabel Dunbar; to look in Mabel's deep brown eyes was to think of tea, and, incidentally, of cream and sugar.

"I used to consider her clever," Mrs. Fessenden remarked, "until she became so popular with clever men.... It is really most discouraging.... See, there is Lena Livingston, who has read Dante, pretending to talk to her own brother-in-law, while Mabel, who is not even married, walks off with Archer Ferris and Horace Hopworthy, one on each side."

"I do wonder what she talks to them about," speculated Mrs. Penfield, and Mrs. Fessenden replied:

"My dear, you may depend, they do not let her talk."

Mrs. Penfield reflected, while three backs, two broad and one slender and sinuous as a tea-plant, receded toward the shrubbery.

"I wonder which one Mabel will come back with?" she said.

"If Jack were here, he would give odds on Mr. Hopworthy," replied Jack's wife.

"Of course, Mr. Hopworthy is the coming man," observed Mrs. Penfield. "But Mr. Ferris has 'arrived.'"

"Yes," assented Mrs. Fessenden, "as Jack says, he has arrived and taken all the rooms.... But, then, I have great faith in Mr. Hopworthy. You know Jack's aunt discovered him."

"Yes," said Mrs. Penfield, "I remember, but, Clara, it was you that introduced him."

"Oh, that was nothing," murmured Clara. "We were very glad——"

"My two best men!" sighed Mrs. Penfield, her eyes upon the shrubbery, where nothing now was to be seen.

"Yes," acquiesced her friend, "but think how badly that last Ceylon turned out."

Meanwhile, the three had found a cool retreat, an arbour sheltered from the sun and open to the air, wherein a rustic garden seat, a table and a chair extended cordial invitations.

"Ah, this is just the place!" cried Archer Ferris. "By shoving this seat along a trifle, and putting this chair here, we can be very comfortable."

It was noticeable that Mr. Ferris retained possession of the chair. As for the vacant place beside her on the bench, Mabel's parasol lay upon it. Mr. Ferris beamed as only the arrived can beam.

"With your permission, I will take the table," said Mr. Hopworthy, looking to Miss Dunbar, who smiled. Mr. Ferris became overcast.

"I fear our conversation may not interest you," he told the other man. "You know, you do not write short stories."

And this was not the first time in the last half hour that Mr. Ferris had offered Mr. Hopworthy an opportunity to withdraw. The latter smiled, a broad, expansive smile.

"Oh, but I read them," he persisted, perching on the table. "That is," he added, "when there is plot enough to keep one awake."

Here Mr. Ferris smiled, or, rather, pouted, for his mouth, contrasted with that of Mr. Hopworthy, seemed child-like, not to say cherubic.

"Plots," he observed, "are quite Victorian. We are, at least, decadent, are we not, Miss Mabel?"

Mabel smoothed her amber skirt, and tried to look intelligent.

"Oh, yes, indeed," she said.

"Now, there was a story in last week's Bee called 'Ralph Ratcliffe's Reincarnation,'" continued the gentleman on the table. "Did you read it, Miss Dunbar?"

"I laid it aside to read," she answered, with evasion.

"Pray don't. It's in my weakest vein," remonstrated Mr. Ferris. "One writes down for the Bee, you know."

"Pardon me," said Mr. Hopworthy, "I did not recognize the author's name as one of yours."

"No one with fewer than twelve names should call himself in literature," the other said, a little vauntingly.

Mr. Hopworthy embraced his knee.

"The plot of that story——" he had begun to say, when Mr. Ferris interrupted.

"There are but seven plots," he explained, "and thirty situations. To one that knows his trade, the outcome of a story should be from the very beginning as obvious as a properly opened game of chess."

"How interesting it must be to write," put in Miss Dunbar appreciatively. Perhaps, in her simple way, she speculated as to where the present situation came among the thirty, and whether the sunbeam she was conscious of upon her hair had any literary value.

"Do you ever see the Stylus?" inquired Mr. Hopworthy, from whose position the sunbeam could be observed to best advantage.

"Sir," said Mr. Ferris, through his Boucher lips, "I may say I am the Stylus."

"Really!" cried the lady, though she could not have been greatly surprised.

In truth, her exclamation veiled the tendency to yawn often induced in the young by objective conversation. If clever people only knew a little more, they would not so often talk of stupid things.

"Ah, then it is to you we owe that spirited little fabliau called 'The Story of Ignatius, the Almoner'?" remarked Mr. Hopworthy, almost indifferently.

"A trifle," said the other; "what we scribblers call 'hack.'"

Mr. Hopworthy's broad mouth contracted, and he might have been observed to suffer from some suppressed emotion.

"But you wrote it, did you not?" he asked, beneath his breath.

"I dashed it off in twenty minutes," said the other.

"But it was yours?" insisted Mr. Hopworthy.

"When I wrote that little story——" said Mr. Archer Ferris.

"'The Story of Ignatius, the Almoner?'" prompted Mr. Hopworthy, with unnecessary insistence.

"'The Story of Ignatius, the Almoner,'" repeated Mr. Ferris, flushing slightly, while Mr. Hopworthy seemed to clutch the table to keep himself from bounding upward.

"I was convinced of it!" he cried. "No other hand could have penned it. The pith, the pathos, passion, power, and purpose of the tale were masterly, and yet it was so simple and sincere, so logical, so convincing, so inevitable, so——"

"Spare me," protested Mr. Ferris, not at all displeased. "But it had a sort of rudimentary force, I own."

"And have you read it, Miss Dunbar?" inquired Mr. Hopworthy, almost letting slip one anchor.

"No," she replied, "but I have laid it aside to read. I shall do so now with added pleasure."

"Unless the author would consent to tell it to us in his own inspired words——" said Mr. Hopworthy, regarding his boot toe with interest. Miss Dunbar caught at the suggestion.

"Oh, do!" she pleaded. "I should so love to hear a story told by the author."

"An experience to remember," murmured Mr. Hopworthy.

"I am afraid it would be rather too long to tell this afternoon," demurred the author, with a glance of apprehension toward the sky.

"But you dashed it off in twenty minutes," the other man reminded him.

"That is another reason," said the writer. "Work done with such rapidity is apt to leave but a slight impression on the memory."

"Perhaps a little turn about the grounds——" suggested Mr. Hopworthy.

Miss Dunbar had put up her amber parasol, and the lace about it fell just across her eyes. This left the seat beside her free.

"Perhaps a little turn——" urged Mr. Hopworthy again. Mr. Ferris regarded him defiantly.

"As you have read my story, sir," he said, "I can scarcely hope to include you in my audience."

"But it is not at all the sort of thing one is satisfied to hear but once," Mr. Hopworthy declared, in a tone distinctly flattering. Mr. Ferris moved uneasily.

"I really forget how it began," he asserted. "Perhaps another time——"

"If I might presume to jog your memory——" said Mr. Hopworthy, with deference.

"Oh, that would be delightful!" exclaimed Miss Dunbar. "With two such story-tellers, I feel just like Lalla Rookh."

Mr. Ferris was upon his feet at once.

"I suggest we adjourn to the striped tent," he said; "they have all sorts of ices there."

"Oh, but I mean the Princess, not frozen punch," declared Mabel, settling herself more securely in the corner of the garden seat. "Please sit down, and begin by telling me exactly what an almoner is."

Mr. Ferris hesitated, cast one glance toward the open lawn beyond the shrubbery, another to the amber parasol, and sat down in the other corner. Mr. Hopworthy slipped from the table to the vacant chair.

"An almoner," explained the Stylus, in as nearly an undertone as the letter of courtesy permitted, "is a sort of treasurer, you know.... In a monastery, you understand.... The monk who distributes alms and that sort of thing."

"Oh, then it is a mediÆval story!" cried Mabel. "How delightful!"

"No, modern," corrected Mr. Hopworthy.

"Modern in setting, though mediÆval in spirit," said Mr. Ferris, taking off his hat.

"Ah, that, indeed!" breathed Mr. Hopworthy. "I shall not soon forget your opening description; that picture of the old cathedral, lighted only by the far, faint flicker of an occasional taper, burning before some shrined saint. I can see him now, Ignatius, the young monk, as he moves in silence from one to another of the alms-boxes, gathering into his leathern bag the offerings that have been deposited by the faithful."

"I think he had a light," suggested the author of short stories, who was listening, critically.

"Of course; a flaming torch."

"How sweet of him!" Mabel murmured, and Mr. Hopworthy went on.

"There were twelve boxes—were there not?—upon as many pillars, and in each box, in addition to the customary handful of copper sous, there lay, as I recall it, a silver coin——"

"You will perceive the symbolism," the author whispered.

"It is perfect," sighed Mabel.

"Never had such a thing occurred before," continued Mr. Hopworthy, who appeared to know the story very well, "and in the solitude of his cell, Ignatius sat for hours contemplating the riches that had so strangely come into his hand. His first thought was of the poor, to whom, of right, the alms belonged; but, when he recalled the avarice of The Abbot, his heart misgave him——"

"Rather a striking situation, I thought," remarked the writer. "Go on a little further, please."

"I wish I could," said Mr. Hopworthy, "but this is where your keen analysis comes in, your irresistible logic. I confess you went a shade beyond my radius of thought."

"Perhaps," admitted the other. "Very likely." But he had now caught the spirit of his own production, and, turning to his neighbor, he went on to explain:

"My purpose was to present a problem, to suggest a conflict of emotions, quite in the manner of Huysmans. Should The Abbot, who is but the type of sordid wisdom, be consulted, or should The Almoner, symbolizing self, obey the higher call of elementary impulse?"

"And which did Ignatius do?" Mabel asked.

"I fear you fail to catch my meaning," said the author. "It is the soul-struggle we are analyzing——"

"But he must have come to some conclusion?"

"Not necessarily," said Mr. Ferris, gravely. "A soul-struggle is continuous, it goes on——" Mr. Ferris waved his white hand toward infinity.

"But did not Ignatius decide to put the money where it would do the most good?" inquired Mr. Hopworthy.

"The phrase is yours," responded Mr. Ferris, "but it conveys my meaning dimly."

"As I recall the story," the other went on, "he resolved to sacrifice his own prejudices to the service of his fellow-creatures. But, when he thought of all who stood in need—the peasants tilling the fields, the sailors on the sea, the soldiers in the camp—he decided that it would be better to confine the benefit to one deserving object."

"A very sensible decision," Mabel opined, and Mr. Ferris muttered:

"Yes, that was my idea."

As the voices of the garden came to them on the summer breeze, he made a movement to consult his watch.

"You see my little problem," he observed. "The rest is immaterial."

"But I so liked the part where the young monk, filled with his noble purpose, stole from the monastery by night," said Mr. Hopworthy. "Ah, there was a touch of realism."

"I'm glad you fancied it," replied the author, relapsing into silence.

Mabel tapped the gravel with her foot; it is strange how audible a trifling sound becomes at times.

"Please tell me what he did," she begged. "I never heard a story in which so little happened."

The writer of short stories bit his full red lip, and sat erect.

"The young monk waited till the house was wrapped in sleep," he said, almost defiantly, it seemed. "Then, drawing the great bolt, he went out into the night. The harvest moon was in the sky, and——"

"It rained, I think," suggested Mr. Hopworthy.

"No matter if it did," rejoined the other. "Unmindful of the elements, he wound his cowl about him, and pressed on, fearlessly, into the forest, hearing nothing, seeing nothing. Mile after mile he strode—and strode—and strode—until—until—it was time to return——"

"You forget the peasant festival," prompted Mr. Hopworthy.

"Festival?" said Mr. Ferris. "Ah, that was a mere episode, intended to give a sense of contrast."

"Of course," Mr. Hopworthy assented. "How frivolous beside his own austere life appeared these rustic revels. How calm, by contrast, was the quiet of the cloister——"

"Yes," Mr. Ferris took up the screed, "and, as from a distance he watched their clumsy merriment, he—he—he——"

"He determined to have just one dance for luck," assisted Mr. Hopworthy.

Perhaps the author, thus hearing the story from another, detected here some flaw of logic, for he did not proceed at once, although Miss Dunbar waited with the most encouraging interest. The momentary pause was put to flight by Mr. Hopworthy.

"Ah, Zola never did anything more daring," he declared. "Even Zola might have hesitated to make Ignatius change clothes with the intoxicated soldier, and leaping into the middle of the ballroom, shout that every glass must be filled to the brim."

"Hold on!" gasped Mr. Ferris. "There must be some mistake. I swear I never wrote anything like that in my life."

"But you have admitted it!" the other cried. "You cannot conceal it from us now. You are grand. You are sublime!"

"I deny it absolutely," returned Mr. Ferris.

"Please stop discussing, and let me hear the rest," Mabel pouted. "Do go on, Mr. Ferris."

"I can't," said Mr. Ferris, sadly. "My story has been garbled by the printer."

"But the waltz," urged Mr. Hopworthy. "Surely, that waltz was yours."

Perhaps once more the irresistible logic of events became apparent, for, with an effort, Mr. Ferris said:

"Oh, yes, that waltz was mine. Enraptured by its strains, and giddy with the fumes of wine, The Almoner floated in a dream of sensuous delight till suddenly he recalled—suddenly he recalled——"

"If you will pardon another interruption," put in Mr. Hopworthy, "he did nothing of the sort. Suddenly, as you must remember, word was brought that The Abbot was dead, and that Ignatius had been elected in his place."

"You spoil my climax, sir," the author cried. "Dashing the wine cup from his lips, Ignatius then rushed into the night——"

"But he could not find the soldier anywhere," Mr. Hopworthy interposed.

"Why should he want to find the confounded soldier?" demanded the narrator, fiercely.

"Why, to get his cowl, of course."

"Splendid!" exclaimed Mabel, clapping her hands.

"He—he——" the author stammered, and again the other lent a friendly tongue to say:

"Ignatius returned to the monastery at once. And what should he discover there but The Soldier, seated in the chair of office, presiding at the council. But, see here, old chap, perhaps you had better finish your own story yourself?"

"Sir!" cried the author, springing to his feet. "I detect your perfidy, and I call this about the shabbiest trick one gentleman ever attempted to play upon another. I shall not hesitate to denounce you far and wide as one capable of the smallest meanness!"

"That is what The Almoner told The Soldier," Mr. Hopworthy explained to Mabel, in a whisper, but the other, becoming almost violent, went on:

"You are unfit, sir, to associate with people of refinement, and, when I meet you alone, it will give me a lively satisfaction to repeat the observation!"

"That is what The Soldier replied to The Almoner," Mr. Hopworthy again explained. But the other gentleman had lifted his hat, and was moving rapidly toward the striped tent, where ices were to be had.

"I shall never forgive him for leaving the story unfinished," announced the lady of the bench. "And, don't you think his manner toward the end was rather strange?"

Mr. Hopworthy sighed, and shook his head.

"Those magazine men are all a trifle odd," he said. "Does not that parasol fatigue your hand?"

"Yes, you may hold it, if you like," she answered. "I am glad everybody does not tell stories."


                                                                                                                                                                                                                                                                                                           

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