The worthy burgomaster lighted his pipe, and was soon hidden in a cloud of bluish smoke, leaving Counsellor Niklausse plunged in the most absorbing thought.

The room in which these two notable personages, charged with the government of Quiquendone, were talking, was a parlour richly adorned with carvings in dark wood. A lofty fireplace, in which an oak might have been burned or an ox roasted, occupied the whole of one of the sides of the room; opposite to it was a trellised window, the painted glass of which toned down the brightness of the sunbeams. In an antique frame above the chimney-piece appeared the portrait of some worthy man, attributed to Memling, which no doubt represented an ancestor of the Van Tricasses, whose authentic genealogy dates back to the fourteenth century, the period when the Flemings and Guy de Dampierre were engaged in wars with the Emperor Rudolph of Hapsburgh.

This parlour was the principal apartment of the burgomaster's house, which was one of the pleasantest in Quiquendone. Built in the Flemish style, with all the abruptness, quaintness, and picturesqueness of Pointed architecture, it was considered one of the most curious monuments of the town. A Carthusian convent, or a deaf and dumb asylum, was not more silent than this mansion. Noise had no existence there; people did not walk, but glided about in it; they did not speak, they murmured. There was not, however, any lack of women in the house, which, in addition to the burgomaster Van Tricasse himself, sheltered his wife, Madame Brigitte Van Tricasse, his daughter, Suzel Van Tricasse, and his domestic, LotchÈ JanshÉu. We may also mention the burgomaster's sister, Aunt Hermance, an elderly maiden who still bore the nickname of TatanÉmance, which her niece Suzel had given her when a child. But in spite of all these elements of discord and noise, the burgomaster's house was as calm as a desert.

The burgomaster was some fifty years old, neither fat nor lean, neither short nor tall, neither rubicund nor pale, neither gay nor sad, neither contented nor discontented, neither energetic nor dull, neither proud nor humble, neither good nor bad, neither generous nor miserly, neither courageous nor cowardly, neither too much nor too little of anything--a man notably moderate in all respects, whose invariable slowness of motion, slightly hanging lower jaw, prominent eyebrows, massive forehead, smooth as a copper plate and without a wrinkle, would at once have betrayed to a physiognomist that the burgomaster Van Tricasse was phlegm personified. Never, either from anger or passion, had any emotion whatever hastened the beating of this man's heart, or flushed his face; never had his pupils contracted under the influence of any irritation, however ephemeral. He invariably wore good clothes, neither too large nor too small, which he never seemed to wear out. He was shod with large square shoes with triple soles and silver buckles, which lasted so long that his shoemaker was in despair. Upon his head he wore a large hat which dated from the period when Flanders was separated from Holland, so that this venerable masterpiece was at least forty years old. But what would you have? It is the passions which wear out body as well as soul, the clothes as well as the body; and our worthy burgomaster, apathetic, indolent, indifferent, was passionate in nothing. He wore nothing out, not even himself, and he considered himself the very man to administer the affairs of Quiquendone and its tranquil population.

The town, indeed, was not less calm than the Van Tricasse mansion. It was in this peaceful dwelling that the burgomaster reckoned on attaining the utmost limit of human existence, after having, however, seen the good Madame Brigitte Van Tricasse, his wife, precede him to the tomb, where, surely, she would not find a more profound repose than that she had enjoyed on earth for sixty years.

This demands explanation.

The Van Tricasse family might well call itself the "Jeannot family." This is why:--

Every one knows that the knife of this typical personage is as celebrated as its proprietor, and not less incapable of wearing out, thanks to the double operation, incessantly repeated, of replacing the handle when it is worn out, and the blade when it becomes worthless. A precisely similar operation had been going on from time immemorial in the Van Tricasse family, to which Nature had lent herself with more than usual complacency. From 1340 it had invariably happened that a Van Tricasse, when left a widower, had remarried a Van Tricasse younger than himself; who, becoming in turn a widow, had married again a Van Tricasse younger than herself; and so on, without a break in the continuity, from generation to generation. Each died in his or her turn with mechanical regularity. Thus the worthy Madame Brigitte Van Tricasse had now her second husband; and, unless she violated her every duty, would precede her spouse--he being ten years younger than herself--to the other world, to make room for a new Madame Van Tricasse. Upon this the burgomaster calmly counted, that the family tradition might not be broken. Such was this mansion, peaceful and silent, of which the doors never creaked, the windows never rattled, the floors never groaned, the chimneys never roared, the weathercocks never grated, the furniture never squeaked, the locks never clanked, and the occupants never made more noise than their shadows. The god Harpocrates would certainly have chosen it for the Temple of Silence.